福尔摩斯小姐2 Enola Holmes 2(2022)(EN)Subtitles

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1 00:00:06 [intriguing music plays]
2 00:00:22 [whistle blows]
3 00:00:27 [exciting music plays]
4 00:00:31 [car horn honking]
5 00:00:35 [Enola panting]
6 00:00:38 [policeman 1] Stop, police!
7 00:00:40 [policeman 2] Stop that girl!
8 00:00:43 -[woman 1 shouts]-[Enola] Excuse me!
9 00:00:44 -[woman 2 shrieks]-[man 1 shouts]
10 00:00:46 -[Enola] Terribly sorry.-[man 2] Oi!
11 00:00:47 -[horse whinnies]-[man 3] Watch where you're sodding going!
12 00:00:50 [exciting music continues]
13 00:00:52 [policeman 1] Stop her!
14 00:00:55 [tense music plays]
15 00:01:07 [music stops]
16 00:01:09 Perhaps I should explain.
17 00:01:11 [exciting music plays]
18 00:01:13 My name is Enola Holmes.
19 00:01:15 You may remember me.
20 00:01:16 [exhales]
21 00:01:17 After solving my first case…
22 00:01:19 [grunts] Hello.
23 00:01:22 [Enola] …I started a business.
24 00:01:25 A detective agency.
25 00:01:28 Open and ready for my first clients.
26 00:01:32 I was going to join the pantheonof great Victorian detectives.
27 00:01:36 -Detective Field.[Field] Yes.
28 00:01:37 -[Enola] Mackenzie Macintosh.-Hi.
29 00:01:38 -[Enola] Sir Alfred Hornblower.-Tally-ho!
30 00:01:40 -[Enola] And the infamous Reginald Swain.-[Swain growls]
31 00:01:44 And best of all,I would be joining my brother.
32 00:01:47 I would be his equal.
33 00:01:50 A detective in my own right,
34 00:01:53 worthy of the Holmes name.
35 00:01:57 Congratulations.
36 00:01:58 [dog yapping]
37 00:02:01 -[Enola] Or so I thought.-[bell rings]
38 00:02:05 [woman blows nose]
39 00:02:09 Am I addressing the secretary?
40 00:02:12 You're how old?
41 00:02:13 -Stone the crows, you're young.-[Enola] My age is an advantage.
42 00:02:16 I can go to places others can't,explore where others won't.
43 00:02:20 And I can fight. I know jujitsu.
44 00:02:22 [grunting]
45 00:02:23 [exciting music plays]
46 00:02:25 But you're a girl.
47 00:02:28 Yes, I am. Um…
48 00:02:30 What experience have you had?
49 00:02:32 [exciting music plays]
50 00:02:35 -The Tewkesbury case?-Well, that was Sherlock Holmes.
51 00:02:38 -That was Sherlock---Sherlock--
52 00:02:39 -Sherlock Holmes, wasn't it?-I assure you, it was mine.
53 00:02:43 Good man, that Tewkesbury. Brave lad.
54 00:02:46 -Tell me---Tell me--
55 00:02:47 -Tell me---Yes?
56 00:02:50 Might your brother be free?
57 00:02:51 [exciting music continues]
58 00:02:53 Read all about it! Read all about it!
59 00:02:55 Sherlock Holmesand the case of the Brixton corpse.
60 00:02:59 [Enola] So, my brother.
61 00:03:01 While I had not a single case,Sherlock has been drowning in them.
62 00:03:06 [journalists clamor]
63 00:03:07 Though his latestappears to be vexing him.
64 00:03:12 My mother, meanwhile, is still on the run.
65 00:03:16 [Eudoria whistles]
66 00:03:17 And trying not to drawattention to herself.
67 00:03:22 [screaming]
68 00:03:23 [chuckles] Though that's neverbeen her forte.
69 00:03:38 [gentle harp music plays]
70 00:03:41 [Enola] Yes, and then there is… him.
71 00:03:45 [Tewkesbury] My lords,reform is not a task to be accomplished,
72 00:03:49 nor a bill that can be passed.
73 00:03:51 Rather it is a constant need for change.
74 00:03:54 [members in Parliament cheering]
75 00:03:56 [Enola] Lord Tewkesbury,the champion of change and progress.
76 00:04:01 A man to approach with the noblest cause.
77 00:04:05 [choir singing majestically]♪ Till we have built Jerusalem ♪
78 00:04:10 [song fades to silence]
79 00:04:15 [gentle music plays]
80 00:04:16 [Enola] But I had no timefor distractions.
81 00:04:19 And besides, he's still a nincompoop.
82 00:04:22 [Eudoria] Too many peoplemake it their sole purpose in life
83 00:04:25 to fit into the world around them.
84 00:04:29 This is a mistake.
85 00:04:31 It's your path, Enola.
86 00:04:34 Sometimes, you'll stumble.
87 00:04:37 Sometimes, you'll fall.
88 00:04:39 But no matter how lost you feel,
89 00:04:42 if you stay true to yourself,
90 00:04:44 the path will always find you again.
91 00:04:50 [Enola] But my path, it seemed,had come to an end.
92 00:04:53 [melancholy music plays]
93 00:04:56 I was a failure.
94 00:04:59 All I could do now was go home.
95 00:05:01 [melancholy music continues]
96 00:05:08 [groans]
97 00:05:10 [bell rings]
98 00:05:12 [door closes]
99 00:05:21 [melancholy music fades]
100 00:05:23 [hopeful music plays]
101 00:05:25 Enola Holmes?
102 00:05:27 Yes?
103 00:05:28 I've come to the right place then.
104 00:05:32 Is it true you find lost people?
105 00:05:37 Where did you get this?
106 00:05:39 It's months old.
107 00:05:41 I found it on the street.
108 00:05:44 Who have you lost?
109 00:05:48 My sister.
110 00:05:49 [intriguing music plays]
111 00:06:04 [girl] Watch the gap.
112 00:06:06 [intriguing music continues]
113 00:06:13 [girl] She disappeared a week ago.
114 00:06:16 Everyone says she's run away,but Sarah wouldn't do that,
115 00:06:19 not to me.
116 00:06:21 She's my only family now.
117 00:06:23 [intriguing music continues]
118 00:06:27 [girl] This way.
119 00:06:31 The other girls are still at work.
120 00:06:36 Tea?
121 00:06:38 [Enola] Thank you.
122 00:06:41 Might I see her bedroom?
123 00:06:43 Ours, you mean?
124 00:06:45 You're standing in it.
125 00:06:50 We're lucky.Most girls here are five to a room.
126 00:06:58 This might help.
127 00:07:02 -[mouse squeaks]-[Enola yelps]
128 00:07:03 Oh. Sarah likesto leave cheese out for 'em.
129 00:07:08 She's soft.
130 00:07:09 [chuckles]
131 00:07:12 What does she look like, Sarah?
132 00:07:14 About this tall.
133 00:07:17 Pretty.
134 00:07:18 Very pretty.
135 00:07:19 Green eyes, red hair, freckles--
136 00:07:22 Red hair?
137 00:07:24 We weren't sisters in the usual way.
138 00:07:27 [girl 2] Found sisters.
139 00:07:29 Sarah took her in.
140 00:07:30 Who's this, Bess?
141 00:07:32 -Enola Holmes.-She's a detective.
142 00:07:35 She looks likeshe'll blow over in the wind.
143 00:07:37 Mae!
144 00:07:40 [Mae scoffs]
145 00:07:41 [Enola] So, Bessie, what was Sarah wearingthe day she disappeared?
146 00:07:46 -What's she doing?-Shh.
147 00:07:48 [Mae] She's wasting her time.
148 00:07:51 It was her other dress, the green one.
149 00:07:53 [intriguing music plays]
150 00:07:56 Does she like reading?
151 00:07:57 Oh yes. She taught herself.
152 00:08:00 Sarah said you had to learn aboutthe world if you're gonna live in it.
153 00:08:04 [Eudoria laughs]
154 00:08:08 [Enola] Makeup.
155 00:08:11 Did she have a suitor?
156 00:08:12 [Bessie] Nah. But there's plentyhave taken an interest.
157 00:08:18 She weren't much of a gardener.
158 00:08:20 [intriguing music continues]
159 00:08:23 Look, how about you quit sniffing round?
160 00:08:26 [Bessie] Quiet, Mae!Just let her do her job.
161 00:08:31 [intriguing music continues]
162 00:08:41 [Enola blows]
163 00:08:43 The 12th of March.Does that date mean anything to you?
164 00:08:47 [Mae] That's enough.
165 00:08:48 We don't need help from people like you.
166 00:08:51 I found her, so she's staying.
167 00:08:58 -[Mae] Bloody girls poking their nose in.-[Enola chuckles]
168 00:09:02 -And she didn't leave a note?-Just this.
169 00:09:07 She worked two jobs, you see.We couldn't get by without it.
170 00:09:11 Washed glasses at a pub.
171 00:09:13 Some place called The Stag Antlers.
172 00:09:16 You can have it.
173 00:09:18 Oh. No, it's all right.We'll figure that out later.
174 00:09:23 So tell me,when was the last time you saw her?
175 00:09:26 A week ago, at the match factory.
176 00:09:29 She had a fight with Mr. Crouch,the foreman, in his office.
177 00:09:33 -What about?-He said she was thieving.
178 00:09:35 But Sarah's honest.
179 00:09:37 The match factory,is that where she works?
180 00:09:40 Where we all work.We're match girls, ain't we?
181 00:09:45 -Then that's where we'll start.-So you'll take it? You'll take the case?
182 00:09:50 [hopeful music plays]
183 00:09:53 Thank you, Miss Holmes.
184 00:09:55 Thank you.
185 00:09:58 [Enola] At last, my first case.
186 00:10:00 Well, actually, my second.
187 00:10:02 I shall find you, Sarah Chapman.
188 00:10:04 Red hair, green dress,makeup, science books, 12th March.
189 00:10:08 Whatever you've been up to…
190 00:10:10 [whistle blows]
191 00:10:12 …the game is afoot.
192 00:10:15 [Bessie] Stay with me. Follow my way.
193 00:10:18 -[Enola] How many girls work here?-[Bessie] Five hundred, maybe six.
194 00:10:24 [Enola] How do I look?
195 00:10:25 -Is my neckerchief all right?-Oh, well, it's around your neck.
196 00:10:29 Morning, Bessie.
197 00:10:30 Morning, Doris.
198 00:10:38 [foreman] Mouth.
199 00:10:40 Mouth.
200 00:10:43 -Mouth.-[man] Come on.
201 00:10:45 -Next.-Out.
202 00:10:46 -[girl] Please, Mr. Crouch.-[Crouch] I said, out.
203 00:10:49 -Mouth.-What are you looking at?
204 00:10:52 [Crouch] Oi, new girl.Name in the register.
205 00:10:55 [tense music plays]
206 00:11:02 Mouth.
207 00:11:04 -What are you looking for?-Typhus.
208 00:11:08 [machinery creaks]
209 00:11:10 [gloomy music plays]
210 00:11:15 [Bessie] That's the phosphorus.
211 00:11:17 Don't worry, you get used to the smell.
212 00:11:20 [gloomy music continues]
213 00:11:29 Is this where she worked?
214 00:11:32 Put the matches on the comb…
215 00:11:36 slide 'em along,
216 00:11:38 up and into the box.
217 00:11:40 Simple enough.
218 00:11:43 -You try.-[tense music plays]
219 00:11:55 [matches clatter]
220 00:11:56 [stick thuds]
221 00:11:58 That is a penny off your wages.
222 00:12:01 [Bessie] She's just learning the way,Mr. Crouch.
223 00:12:04 [Crouch] She better learn quicker,or it's a penny off yours too.
224 00:12:08 Anyone else want a money dock?
225 00:12:10 How about you, eh?
226 00:12:12 No, didn't think so.
227 00:12:17 Right, back to work.
228 00:12:25 I need to get up into that office.
229 00:12:27 [chuckles] Not a hope.
230 00:12:31 [exciting music plays]
231 00:12:42 [Crouch] No talking.
232 00:12:45 [Eudoria] All it takes is one small thing
233 00:12:48 to change the rules of the world.
234 00:12:50 [exciting music continues]
235 00:13:10 Oi. Faster fingers, faster fingers.
236 00:13:14 [metal clangs]
237 00:13:18 Hurrah!
238 00:13:19 How did that bloody happen, eh?
239 00:13:22 Well, pick 'em up.
240 00:13:24 Oi, pick 'em up.
241 00:13:26 Pick 'em up, pick 'em up.
242 00:13:27 [exciting music plays]
243 00:13:31 [Crouch] Right! Back to work.
244 00:13:37 [music fades]
245 00:13:38 Why were you here?
246 00:13:40 [intriguing music plays]
247 00:13:44 [Crouch] Come on, girls.
248 00:13:47 [Enola] Red.
249 00:13:49 [Crouch] Time's a-wasting.
250 00:13:51 Don't you look at me like that, girl.
251 00:13:56 [intriguing music continues]
252 00:14:00 [Enola sighs]
253 00:14:05 -[workers speaking indistinctly]-[Crouch] Oi, stop talking!
254 00:14:08 [intriguing music continues]
255 00:14:15 -[Enola gasps]-Green eyes, red hair.
256 00:14:22 [Enola] So you did steal something.
257 00:14:25 [man] Charles! This is not what I wasexpecting when we made our arrangement.
258 00:14:30 This is blatant extortion.
259 00:14:31 Criminal!
260 00:14:33 -My pockets are empty.-You think mine full?
261 00:14:36 You gave me your word you'd findwhoever was doing this to us.
262 00:14:40 You sound almost threatening, Mr. Lyon.
263 00:14:42 This is not what I expectedwhen we began our arrangement.
264 00:14:47 And now theft, on top of everything else.
265 00:14:49 -You heard the man. Get this dealt with.-[Mr. Lyon] Come along, William.
266 00:14:56 [woman] Sir, do you have any suspicionsas to who this perpetrator might be?
267 00:15:00 [Charles] Would I be asking you if I did?
268 00:15:05 But, sir, perhaps if we were to considerwhether this theft is connected.
269 00:15:09 -I have ideas---Did I ask for your advice?
270 00:15:13 Or did I simply tell you to get it done?
271 00:15:15 I'll make sure the right people know, sir.
272 00:15:24 [Charles] Miss Troy!
273 00:15:25 [Miss Troy] Yes, sir.
274 00:15:28 Our ladies are working at the highestlevel of production and efficiency.
275 00:15:31 -Are they not, William?-Yes, Father.
276 00:15:34 -[Mr. Lyon] Please, if you will…-[foreboding music plays]
277 00:15:37 Doris, how are you? How's your sister?Is she, um, still unwell?
278 00:15:41 Uh, yes, Mr. Lyon.
279 00:15:43 Typhus.
280 00:15:46 Really is the plague of our time.
281 00:15:48 Two years it's been killing these girls.
282 00:15:51 Breaks my heart.
283 00:15:53 Well, Lord McIntyre, if I might suggesta little lunch. I think we've earned it.
284 00:16:03 [Enola] How did Sarah do it?Get into the office?
285 00:16:06 There was a fire at one of the stations.Foreman got distracted.
286 00:16:12 Whose station?
287 00:16:14 Mae's?
288 00:16:15 Yes.
289 00:16:18 You're a good detective, Enola Holmes.
290 00:16:29 [Enola] Everyone thinks detectingis a profession littered with rules,
291 00:16:32 but in truth, there's only one.
292 00:16:35 Pull on every loose thread you find.
293 00:16:41 [Enola] She's a loose thread.
294 00:16:43 [suspenseful music plays]
295 00:16:48 So I'm pulling at her.
296 00:16:53 -[man] Oh.-[Enola] Hello, sir.
297 00:16:55 -What a pleasant evening.-Young lady, I'm afraid I'm married.
298 00:17:02 [gasps]
299 00:17:05 [suspenseful music fades]
300 00:17:08 [jaunty music plays]
301 00:17:12 [laughter and chatter]
302 00:17:18 Hello, dearie. Forgot your ticket?
303 00:17:21 That's tuppence for a sweet,cheating face like yours.
304 00:17:25 [woman] Ha'penny a piece.
305 00:17:28 -Genuine toffee.-[man] Out of my way, girl.
306 00:17:30 [woman] Ha'penny a piece.
307 00:17:31 [Enola] Where are you, Mae?
308 00:17:33 [jaunty music continues]
309 00:17:35 [man] Excuse me, sir.
310 00:17:37 [woman] I've never seen anything like it!
311 00:17:42 [jaunty song ends]
312 00:17:43 [crowd cheering and applauding]
313 00:17:44 [announcer] And here she comes!
314 00:17:47 [crowd gasps]
315 00:17:51 [Enola yelps]
316 00:17:54 -[fanfare plays]-[audience cheering and applauding]
317 00:17:58 [conductor] One, two,a-one, two, three four.
318 00:18:00 [jaunty music plays]
319 00:18:04 ♪ Where did you get that hat?Where did you get that tile? ♪
320 00:18:08 ♪ Isn't it a nobby oneAnd just the proper style? ♪
321 00:18:12 ♪ I should like to have oneJust the same as that ♪
322 00:18:15 ♪ Where'er I go, they shout"Hello, where did you get that hat?" ♪
323 00:18:19 ♪ Where'er I go, they shout"Hello, where did you get that hat?" ♪
324 00:18:24 ♪ Where did you get that hat?Where did you get that tile? ♪
325 00:18:27 ♪ Isn't it a nobby oneAnd just the proper style? ♪
326 00:18:31 ♪ I should like to have oneJust the same as that ♪
327 00:18:35 ♪ Where'er I go, they shout"Hello, where did you get that hat?" ♪
328 00:18:43 [music stops]
329 00:18:44 [applause]
330 00:18:46 [announcer]And now, all the way from Shanghai,
331 00:18:49 Mr. Li and his world of illusions!
332 00:18:56 [Mr. Li] My next trick…
333 00:18:57 [patrons chattering indistinctly]
334 00:19:00 [Enola sighs]
335 00:19:02 You the foozler who took my pan stick?
336 00:19:05 Um, no. I'm looking for a girl called M--
337 00:19:09 Uh…
338 00:19:11 Hm.
339 00:19:16 [suspenseful music plays]
340 00:19:22 She worked two jobs, you see.
341 00:19:24 Some place called The Stag Antlers.
342 00:19:29 [chorus] ♪ Where'er I go, they shout"Hello, where did you get that hat?" ♪
343 00:19:37 [gasps]
344 00:19:39 You got five secondsto tell me why you're here.
345 00:19:41 [panting] Did Sarah work here?
346 00:19:44 She did, didn't she?And Bessie doesn't know.
347 00:19:47 There's plenty Bessie don't know.And plenty you don't need to tell her.
348 00:19:50 I know you helped her into that office.She took those pages. Why?
349 00:19:55 -What's happened to her?-Just leave us be, all right?
350 00:19:59 Posh girls like youdon't belong in this fight.
351 00:20:01 [audience cheers and applauds]
352 00:20:04 Posh or not,one thing I am good at is fighting.
353 00:20:07 Now tell me, where is she hidingand what does she know?
354 00:20:10 You got more to you than I thought.
355 00:20:12 [clears throat] Whatever this is,Mae is on stage in 30 ticks,
356 00:20:17 and she's still dressed as a gent.
357 00:20:20 So let go of her, now.
358 00:20:25 -Get her out of here.-[man] Be my pleasure.
359 00:20:30 [chuckles] Come on.
360 00:20:35 Where did Sarah Chapman do her makeup?
361 00:20:41 [man] Full of secrets that one,and not a bad actress.
362 00:20:44 I'd have given her the bootif she weren't so good,
363 00:20:46 but she did attract the menwith big pockets.
364 00:20:48 Always useful that. Shift it.
365 00:20:52 Which men?
366 00:20:54 [sighs]
367 00:20:57 There was this one gent, society type,and he came regular.
368 00:21:01 Very keen on him she was.He'd send flowers, letters.
369 00:21:07 [intriguing music plays]
370 00:21:12 His name?
371 00:21:16 Never gave one.
372 00:21:18 [chuckles] You see, they all think there'shope. That love is coming their way.
373 00:21:23 But it never is.
374 00:21:25 Blokes like that, they want cheap,
375 00:21:27 but they marry dear.
376 00:21:33 "As we two ate of the fruit of love…"
377 00:21:35 The fruit of love? Ugh.
378 00:21:38 "A bell did ring in the sky above"
379 00:21:40 "So wander that placeWith its blossoms white"
380 00:21:43 "A chapel awaits us out of sight"
381 00:21:47 And a poppy.
382 00:21:49 Is that his name?
383 00:21:52 Why did she leave?
384 00:21:54 [intriguing music plays]
385 00:21:59 Did she run away with this fellow?
386 00:22:04 Or is she running from him?
387 00:22:07 I hope it's the latter.His poetry is extremely bad.
388 00:22:11 [foreboding music plays]
389 00:22:16 [walking stick clangs]
390 00:22:26 [walking stick continues to clang]
391 00:22:35 [foreboding music crescendos]
392 00:22:39 [panting]
393 00:22:43 [suspenseful music playing]
394 00:22:58 [man grunts]
395 00:23:00 Be away with you, boy.
396 00:23:03 [man] All right.
397 00:23:04 [man grunts]
398 00:23:08 -Sherlock?-Enola.
399 00:23:11 What are you doing here? It's not safe.
400 00:23:13 There are scary people about.
401 00:23:16 -Yes, let me know when you meet one.-[Sherlock sighs drunkenly]
402 00:23:19 -Brother, are you quite yourself?-I'm fine.
403 00:23:22 It was just a disagreementover a glass of wine
404 00:23:26 and whose wine it was.
405 00:23:27 And, uh…
406 00:23:30 I find after wine, it's very difficultto make your arms and legs move.
407 00:23:33 Let's get you home.
408 00:23:37 I don't usually imbibe,but I'm on a case, you see.
409 00:23:40 -It's proven rather tricky.-[Enola] Cab.
410 00:23:42 -[Sherlock] Hello.-[Enola] Hello.
411 00:23:44 -[Sherlock] Where are we going?-221 Baker Street.
412 00:23:48 -[Enola grunts]-[humorous music playing lightly]
413 00:23:52 [Enola] As it turns out,my brother is medievally heavy.
414 00:23:56 It's like carrying a dead horseon which sits another dead horse.
415 00:24:03 That's A, and I'm B.
416 00:24:05 [humorous music continues]
417 00:24:09 I didn't know you had steps.
418 00:24:11 One should always have stepsto avoid people stepping on you.
419 00:24:14 That's a tip.You should probably write that down.
420 00:24:17 [sighs] All right. Lift your right leg.
421 00:24:21 [Sherlock] Mm-hmm.
422 00:24:23 Now your left.
423 00:24:26 Better leg, the left.You should write that down.
424 00:24:29 [Enola sighs and strains]
425 00:24:31 [Enola] Here we go. [sighs]
426 00:24:34 [Sherlock] Ha! Home. Well done, Sherlock.
427 00:24:38 [glass shatters]
428 00:24:39 I can do it.
429 00:24:43 See?
430 00:24:50 Baker Street.
431 00:24:52 [exhales]
432 00:24:57 [humorous music fades]
433 00:24:58 -Oh, but it's such a mess.-It's perfect. Don't touch anything.
434 00:25:02 [Enola] What are you investigating?
435 00:25:04 [Sherlock] None of your business.I work alone. It's private.
436 00:25:07 Now shh, I'm thinking.
437 00:25:09 One should never be interruptedwhen thinking.
438 00:25:13 -Oh. You should---Write that down?
439 00:25:17 -[clanging]-Shh!
440 00:25:21 Don't go in there.
441 00:25:23 No.
442 00:25:27 [intriguing music plays]
443 00:25:31 [floor creaks loudly]
444 00:25:38 [Enola] Sherlock's latest case.
445 00:25:40 [intriguing music continues]
446 00:25:48 Fascinating.
447 00:25:49 [intriguing music fades]
448 00:25:52 And why, pray, have you moved everything?
449 00:26:00 -Nothing looks different to me.-Nothing looks different? Ev--
450 00:26:03 [sighs]
451 00:26:05 Your head is sore? I can't think why.
452 00:26:07 [Sherlock] This is whyI don't have people in my rooms.
453 00:26:10 Look what you've done.My papers are entirely out of order.
454 00:26:15 Your case, it's vexing you.
455 00:26:18 Seems to be an awful lot of question markson that map of yours.
456 00:26:21 Dundee cake. Door.
457 00:26:23 -I will see you again.Is that why you're drinking?
458 00:26:26 I'm more than certain… [sniffs]…it's not so old.
459 00:26:29 -Maybe I can help.-You can help by leaving.
460 00:26:32 Huh. Yes. The worldwill be a much safer place
461 00:26:36 if we don't see the insideof Sherlock Holmes, only the out.
462 00:26:41 Crazy idea.
463 00:26:43 Have you ever considered a flatmate?
464 00:26:45 -For what purpose?-To stop you descending into this.
465 00:26:52 Strange
466 00:26:54 how those seeking adviceso often like to dispense it.
467 00:26:58 Did I ask for advice?I found you on the street, drunk.
468 00:27:01 -Now what may I observe about you?-We're not playing this game.
469 00:27:04 Shoes a state. Hair's not much better.
470 00:27:06 -You and Mycroft are so similar.-You need to wash your clothes.
471 00:27:09 -Unwilling to look past---You are pale--
472 00:27:11 -Stop!-And then there's your fingernails.
473 00:27:14 -Why are you working in a match factory?-What?
474 00:27:17 Last night, they were dirty with greentraces. This morning, they are black.
475 00:27:21 The phosphorous from the match-makinghas mixed with oxygen.
476 00:27:24 I wasn't in such a stateas to not see that.
477 00:27:27 -How did you---[Sherlock] And your neck is red.
478 00:27:29 Someone has gripped itor held a knife against…
479 00:27:37 Are you involved in something dangerous?
480 00:27:40 You are still my ward.
481 00:27:41 If you need my help,my offer remains on the table.
482 00:27:45 Don't be so desperateto prove yourself, Enola.
483 00:27:48 [scoffs]
484 00:27:49 I am not desperate,and I don't need your or anyone's help.
485 00:27:59 But this I will have.
486 00:28:01 [jaunty music plays]
487 00:28:05 -[door slams]-[Sherlock sighs]
488 00:28:08 [Enola] How dare he?How dare he lecture me?
489 00:28:11 When he can't even solve his own case
490 00:28:13 and he lives in a bed of flummoxing papersand bewildering mold.
491 00:28:16 How dare he claim I'm desperate?It is not true.
492 00:28:19 -And this is not fair.-[Tewkesbury] Enola?
493 00:28:26 It is you.
494 00:28:29 And it is you.
495 00:28:32 [Tewkesbury] How are you?
496 00:28:34 Are you well? You look…
497 00:28:36 I'm on a case. Undercover. ForgetI told you that piece of information.
498 00:28:40 It's the strangest thing. I could havesworn I've seen you here before.
499 00:28:46 Is that right?
500 00:28:47 Well, this is my…My route through to the Lords.
501 00:28:50 Is it? [chuckles awkwardly] How lovely.
502 00:28:53 Well, I… I breakfast here on occasion.
503 00:28:59 I mean, yes, it's a lovely place.I-I know the gardener here.
504 00:29:04 We've been discussingwhat to sow for next year's crop.
505 00:29:07 Some fine sunflowers.
506 00:29:08 Uh, Sweet Williams,for their lovely vivid reds.
507 00:29:11 I've seen all you're doing.
508 00:29:14 Oh. Well, it's… It's nothing.
509 00:29:16 In the society pages.
510 00:29:21 You are quite the eligible bachelor.
511 00:29:26 Don't believe all you read.
512 00:29:33 I wrote to you.
513 00:29:36 You didn't reply.
514 00:29:37 Uh…
515 00:29:39 I… was busy.
516 00:29:42 Starting my own business.A perpetual challenge.
517 00:29:45 Perhaps, not something you'd understand.
518 00:29:47 -Well, Enola, if you need help---I do not.
519 00:29:51 Should my problem become horticultural,I shall seek you out.
520 00:29:56 Right.
521 00:29:57 Well, you know where to find me
522 00:30:02 should a plant go missing.
523 00:30:04 I hope you enjoy your breakfast.
524 00:30:09 Yeah.
525 00:30:11 [clears throat]
526 00:30:15 [whispering] Is he looking back?
527 00:30:20 [in normal voice] Oh. Good, he isn't.
528 00:30:24 I don't come here every day.
529 00:30:27 Just on days when I feel a need.
530 00:30:29 And sometimes he doesn't take this path.Sometimes he takes the parallel one.
531 00:30:36 -[sighs]-[echoing] You know where to find me.
532 00:30:41 [intriguing music plays]
533 00:30:46 "You know where to find me."
534 00:30:48 "Out of sight"
535 00:30:50 "The chapel awaits usWith its blossoms white"
536 00:30:54 Whitechapel.
537 00:30:55 "As we two ate of the fruit of love"
538 00:30:57 "As we two ate…"
539 00:31:00 "Two ate." Two-eight.
540 00:31:02 Twenty-eight.
541 00:31:03 "A bell did ring in the sky above"
542 00:31:06 Bell?
543 00:31:07 "So wander that place"
544 00:31:10 Bell. Place. "Out of sight"
545 00:31:12 [gasps]
546 00:31:14 28 Bell Place, Whitechapel! [squeals]
547 00:31:17 [woman] Shh!
548 00:31:18 -Oh, sorry.-[baby cries]
549 00:31:20 [exciting music plays]
550 00:31:22 The game has found its feet again.
551 00:31:25 [squeals]
552 00:31:28 I will not lie.
553 00:31:30 There is a certain satisfactionthat you feel as a detective
554 00:31:33 when your case comes closer to resolution.
555 00:31:35 Like sewing a new skirt…
556 00:31:37 [exciting music continues]
557 00:31:39 …which I don't do,or teaching a dog to sit.
558 00:31:42 [barking]
559 00:31:43 You begin to glow with the acknowledgementof a job well done.
560 00:31:46 [boy] There's a new Holmes in town.
561 00:31:48 That's right. Sherlock Holmeshas met his match.
562 00:31:52 My name will be known,and Bessie will have a sister once again.
563 00:31:56 And that is a job well…
564 00:32:00 done.
565 00:32:07 [uneasy music playing]
566 00:32:26 Sarah?
567 00:32:27 [uneasy music continues]
568 00:32:31 [insects buzz]
569 00:32:42 [Enola] What happened here?
570 00:32:44 [uneasy music continues]
571 00:32:54 Mr. Poppy.
572 00:32:57 [gasping breaths]
573 00:33:02 [uneasy music crescendos]
574 00:33:04 [tense music plays]
575 00:33:06 -[Mae gasps]-[gasps] Oh, Mae.
576 00:33:11 What happened? Who did this to you?
577 00:33:13 -Was it him, Sarah's man? Mae!-[tense music continues]
578 00:33:18 No, no. It's all right.
579 00:33:20 I'll fetch a doctor for you.
580 00:33:23 No! No, no, no.
581 00:33:26 No.
582 00:33:27 Come back.
583 00:33:28 [somber music plays]
584 00:33:32 [Enola shudders]
585 00:33:35 [shuddering breaths]
586 00:33:48 [ominous music plays]
587 00:33:59 [door creaks]
588 00:34:05 Miss Holmes?
589 00:34:07 -[Enola] Inspector Lestrade.-[Lestrade sighs]
590 00:34:09 -Enola Holmes.-[Enola] Lestrade.
591 00:34:11 -She… She's---Dead.
592 00:34:14 How'd that happen?
593 00:34:20 Oh, no, no, no. I'm investigating a case.A disappearance of a girl.
594 00:34:24 -What, that girl?-No. No, no, no. H-Her name is Mae.
595 00:34:28 She worked at the Paragon Theater,the matchstick factory.
596 00:34:31 -She was a dancer. She's friends---[clanging]
597 00:34:35 -[walking stick clangs]-[Lestrade clears his throat]
598 00:34:40 [exhales]
599 00:34:42 [clanging continues]
600 00:34:48 [Lestrade] Superintendent Grail.
601 00:34:55 -Good morning.-[Lestrade] Good morning, sir.
602 00:34:58 I was sent to investigatea possible disturbance.
603 00:35:00 Someone heard some screams,and then I discovered this young lady.
604 00:35:03 Her name?
605 00:35:05 Enola Holmes.
606 00:35:07 Uh, his sister.
607 00:35:09 A detective too.
608 00:35:10 [sighs] Good God, another one.
609 00:35:13 Shouldn't you be in finishing school?
610 00:35:16 Investigating the disappearance of a…
611 00:35:19 -Sarah Chapman.-Yeah.
612 00:35:20 Sarah Chapman?Well, well, how intriguing. So am I.
613 00:35:24 -She's wanted for theft and blackmail.-Blackmail?
614 00:35:27 Yes, detective.
615 00:35:31 Still warm. No rigor mortis.
616 00:35:34 -When were the screams heard, inspector?-Ten past the hour, sir.
617 00:35:38 When did you arrive, detective?
618 00:35:41 A-Around the same time.
619 00:35:43 [foreboding music plays]
620 00:35:45 [Grail] Even more intriguing.
621 00:35:46 Uh, no, I was trying to suppressthe blood. I-I was trying to save her.
622 00:35:51 Or trying to get information out of her.
623 00:35:55 Give her a search, inspector.
624 00:35:56 Oh, I couldn't. I can't pat her down, sir.
625 00:36:00 Come along, Lestrade.Let's not be coy about this.
626 00:36:03 -She's a detective. She knows the rules.-[Lestrade] Yes.
627 00:36:06 [tense music plays]
628 00:36:09 [sighs] Um…
629 00:36:11 Give me that bag!
630 00:36:21 What's this?
631 00:36:23 My evidence.
632 00:36:26 And that?
633 00:36:27 [tense music plays]
634 00:36:30 It's nothing.
635 00:36:31 Then why are you hiding it?
636 00:36:33 Found at a murder scenewith a freshly dead corpse,
637 00:36:37 harboring evidence isn't gonna look good.
638 00:36:39 Superintendent Grail, you can't believe--
639 00:36:41 What can't I believe, missy?
640 00:36:44 That young ladiesdon't have the hands for killing?
641 00:36:47 Now, give them here.
642 00:36:50 [sighs]
643 00:36:54 -[Grail grunts]-[Lestrade] Oh!
644 00:36:55 [Grail groans]
645 00:36:57 [Enola grunts]
646 00:37:00 [exciting music plays]
647 00:37:05 -Go on!-[Grail] After her, all of ya!
648 00:37:09 Why ever would she ever do that?
649 00:37:11 -[policeman] Get out of the way! Move!-[woman shrieks]
650 00:37:14 -[policeman] Stop that girl!-[horse whinnies]
651 00:37:19 You've seen this before.
652 00:37:25 Ah. Lestrade of Scotland Yard.You remember me, I hope.
653 00:37:32 We're looking for your sister.She's caused a bit of trouble.
654 00:37:37 [exciting music plays]
655 00:37:39 [Enola grunts]
656 00:37:43 -[Enola grunts]-[policeman groans]
657 00:37:45 May I?
658 00:37:52 [gasps and sighs]
659 00:37:56 Is it, sir?
660 00:37:58 Is it?
661 00:37:59 Take it. I have others.
662 00:38:02 Take it? I can't. [chuckles]
663 00:38:04 I can.
664 00:38:05 I can't.
665 00:38:07 Perhaps I can.
666 00:38:09 [exciting music plays]
667 00:38:13 [policeman yells]
668 00:38:14 [policeman groans]
669 00:38:15 And this, the famous fiddle?
670 00:38:19 That I do not have two of.
671 00:38:22 Perhaps you can explainwhat you believe Enola has done.
672 00:38:25 I wish I was at liberty to say, sir.
673 00:38:28 Do you mind?
674 00:38:29 [exciting music plays]
675 00:38:32 [strains]
676 00:38:38 [exciting music fades]
677 00:38:41 Oh, your latest case.
678 00:38:43 What's it concerning?
679 00:38:45 Is it another Brixton Strangler?
680 00:38:48 Or a Periwinkle?
681 00:38:50 Don't tell me it's a Clerkenwell.
682 00:38:52 What evidence do they haveagainst my sister?
683 00:38:55 Perhaps, uh, you tell me yoursand I'll tell you mine.
684 00:39:01 Government case, some missing money.
685 00:39:04 Now you.
686 00:39:05 [Lestrade] Super wants to talk her.
687 00:39:08 -[Sherlock] Why?-Just following orders, Mr. Holmes.
688 00:39:10 Or may I call you Sherlock?
689 00:39:14 Graydon. Graydon Lestrade.
690 00:39:17 My father thought it distinguished,and it is rather.
691 00:39:21 [Enola grunts]
692 00:39:22 [tense music plays]
693 00:39:24 [Enola panting]
694 00:39:25 [Lestrade] Well, anyway, should you everwish to call me that…
695 00:39:30 Right.
696 00:39:31 [Enola breathes heavily]
697 00:39:34 As you were.
698 00:39:35 [tense music continues]
699 00:39:39 [tense music swells]
700 00:39:45 Oh dear.
701 00:39:47 [tense music crescendos]
702 00:39:49 Whoa! [groans]
703 00:39:51 My mistake.I should have warned you I was opening it.
704 00:39:57 No.
705 00:39:59 [sighs and sniffs]
706 00:40:00 [jaunty music plays]
707 00:40:04 Dare I ask?
708 00:40:08 [gasps]
709 00:40:10 [jaunty music fades]
710 00:40:11 Good afternoon.
711 00:40:13 May I ask a favor?
712 00:40:15 [jaunty music plays]
713 00:40:20 Never mind. Tell me everything.
714 00:40:24 -A government case?-No.
715 00:40:26 [Lestrade] Is itanother Brixton Strangler?
716 00:40:29 Or… Or a Periwinkle?
717 00:40:32 "You tell me yoursand I'll tell you mine."
718 00:40:36 He's a ninny. I needed to knowwhat he had on you.
719 00:40:43 Money. Unaccounted transfersgoing in and out of government offices.
720 00:40:46 My theory is either bribery,extortion, or blackmail.
721 00:40:49 And what have you found?
722 00:40:52 Separate filingsfrom five different accounts
723 00:40:54 going via the Treasuryinto one private bank.
724 00:40:58 -So someone is getting rich from this?-Yes.
725 00:41:00 [intriguing music plays]
726 00:41:02 -Who?-No name.
727 00:41:04 Just a number.
728 00:41:05 I visited the bank and inquired.The money disappeared,
729 00:41:08 arriving at another bank,and then another,
730 00:41:10 and another, and another,and another, and another.
731 00:41:13 Every one of them hiddenusing different account numbers.
732 00:41:16 Twenty-seven in total.
733 00:41:18 -Well, what can you deduce from that?-Three things.
734 00:41:22 Firstly, the man's a game player,perhaps a genius in mathematics,
735 00:41:26 capable of covering his tracesat every turn.
736 00:41:28 Secondly, the sources are varied.
737 00:41:30 Five banks, south of the river,but no clear link between them.
738 00:41:34 All anonymous.
739 00:41:35 All going into one pocket.
740 00:41:40 And the third?
741 00:41:44 He knows I'm onto him.
742 00:41:47 What? How?
743 00:41:48 Every time I pull a thread,it loosens, vanishes,
744 00:41:51 reappears somewhere else.He's leading me a merry dance.
745 00:41:54 It's…
746 00:41:57 It's infuriating.
747 00:42:00 So no leads whatsoever?
748 00:42:02 One. A week before the first transfer,
749 00:42:04 there was a break-inat the Treasury office
750 00:42:06 by a man in a taper crown hat.
751 00:42:07 [Enola] A taper crown hat.
752 00:42:09 -What was taken?-A document.
753 00:42:10 They won't talk about it.Sensitive information presumably.
754 00:42:14 But how it connects to all of thishas so far eluded me.
755 00:42:18 Your turn. I hope the blood's not yours.
756 00:42:22 I'm looking for a girl, Sarah Chapman.
757 00:42:24 Her sister employed me. Bessie.
758 00:42:28 She worked at Lyons match factory by day,and the music hall at night.
759 00:42:32 She has a lover,
760 00:42:34 whose flat I visited.
761 00:42:37 He'd given her this.
762 00:42:42 28 Bell Place?
763 00:42:45 Whitechapel, yes.
764 00:42:46 And there I found her friend,
765 00:42:50 murdered.
766 00:42:55 And who killed her? This poppy fellow?
767 00:43:01 I suspect so.
768 00:43:03 Perhaps he kidnapped Sarahand her friend discovered it.
769 00:43:06 [scoffs] Love.
770 00:43:09 What it does to people.
771 00:43:12 -How was she killed?-A kitchen knife.
772 00:43:14 -Did you touch this weapon?-No.
773 00:43:17 Then why did you run?
774 00:43:18 I found more evidence on her.
775 00:43:20 This policeman wanted it.
776 00:43:22 -He has this walk.-Grail.
777 00:43:26 We have a history.
778 00:43:28 [Enola] This was in her pocket.
779 00:43:33 [Sherlock sighs]
780 00:43:41 [slow fiddle music plays]
781 00:43:51 It's as bad as the poem.
782 00:43:54 -Leave it with me.-No.
783 00:43:56 It's mine, and it's important.
784 00:43:59 Grail said she had stolen somethingand that she was blackmailing them.
785 00:44:03 -Though Sarah wouldn't do that.-You don't know this person.
786 00:44:08 I feel I do.
787 00:44:09 You came here running from the police.
788 00:44:12 Someone is already dead,
789 00:44:13 and you are now a suspectin a murder case.
790 00:44:16 You've let your emotionsget the better of you.
791 00:44:18 Stay here. Don't leave.I will look into this.
792 00:44:21 But Sarah Chapman is my responsibility.No one else cares for these girls.
793 00:44:26 I promised her sister.
794 00:44:27 The first mistake a detective makes
795 00:44:29 is to make it about themselvesand not the case.
796 00:44:40 Enola, I know you're not a fanof unnecessary advice,
797 00:44:43 but please…
798 00:44:47 [sighs]
799 00:44:48 …don't turn into me.
800 00:44:51 [door closes]
801 00:44:53 I should probably write that down.
802 00:44:56 [girl] Matches, matches!Come buy your matches!
803 00:44:59 Only a penny a box.
804 00:45:02 Matches, matches! Only a penny a box.
805 00:45:05 Come buy your matches!
806 00:45:07 [Mae] Posh girls like youdon't belong in this fight.
807 00:45:09 We don't need help from people like you.
808 00:45:13 [man] See, they all think there's hope.That love is coming their way.
809 00:45:17 But it never is.
810 00:45:20 Gents like that, they want cheap,
811 00:45:22 but they marry dear.
812 00:45:26 [sighs]
813 00:45:27 [Enola] So, Poppy, you're a gent, are you?
814 00:45:30 And a well-heeled oneto afford a love nest like that.
815 00:45:35 -[policeman] Sir---Don't be ridiculous.
816 00:45:37 [tense music plays]
817 00:46:05 [tense music continues]
818 00:46:23 [Sherlock] There was a break-inat the Treasury office
819 00:46:26 by a man in a taper crown hat.
820 00:46:33 Five banks, south of the river,but no clear link between them.
821 00:46:36 [tense music continues]
822 00:46:42 "Match makers ball."
823 00:46:44 "Hosted by Henry and Hilda Lyon.12 Marchmont Square."
824 00:46:50 Does that date mean anything to you?
825 00:46:52 [tense music continues]
826 00:46:54 It's not a date at all.
827 00:46:57 "Their eldest son, William Lyon,will be leading the first…"
828 00:47:02 Sweet Williams,for their wonderfully vivid reds.
829 00:47:05 Our ladies are working at the highestlevel of production and efficiency.
830 00:47:08 -Are they not, William?-Yes, Father.
831 00:47:10 And all along, I thought you were a poppy.
832 00:47:16 Let's see how sweet you are,Sweet William.
833 00:47:19 [tense music fades]
834 00:47:22 I'm going to a ball.
835 00:47:24 [chuckles]
836 00:47:26 Ugh.
837 00:47:28 [cheerful waltz plays]
838 00:47:38 [woman blows raspberry]
839 00:47:40 [cheerful waltz continues]
840 00:47:49 'Tis I.
841 00:47:51 'Tis not I.
842 00:47:54 Which, when you're wantedby the police, is most useful.
843 00:47:57 [man] Pray silencefor his Lordship Viscount McIntyre.
844 00:48:00 I-I'm sorry to break apartthis glorious occasion,
845 00:48:03 but, well, I'm a politician.
846 00:48:05 Any chance to stand on a stage,I'll always take it.
847 00:48:08 [laughter]
848 00:48:09 [Charles McIntyre] And I must speakto thank our host
849 00:48:13 and applaud his achievements.
850 00:48:17 No masks, no matter.
851 00:48:18 For Henry Lyonturns all before him into gold.
852 00:48:22 Ha, nonsense! Pewter at best.
853 00:48:24 [laughter]
854 00:48:25 What he has done with matchesis legendary.
855 00:48:28 In two years, he's turned red into black.
856 00:48:31 Or should I say,
857 00:48:33 red into white?
858 00:48:36 And to have this humble manturn his attention
859 00:48:38 to typhoid and the working poor,
860 00:48:41 raising funds,diagnosing cases in the community,
861 00:48:44 I'm overwhelmed. I'm simply overwhelmed.
862 00:48:46 Ladies and gentlemen,I give you Henry Lyon.
863 00:48:51 And to his fine son, his heir, William.
864 00:48:58 To the future.
865 00:49:00 -[all] To the future.-[McIntyre] May it ever be bright.
866 00:49:04 [foreboding music plays]
867 00:49:06 [McIntyre] Right, Henry, light us up.
868 00:49:09 [Mr. Lyon] Gladly.
869 00:49:12 [audience gasps]
870 00:49:15 [McIntyre] Now go and enjoy yourselves.
871 00:49:17 [applause and cheering]
872 00:49:19 [orchestral music plays]
873 00:49:23 I believe I've seen that dresssomewhere before.
874 00:49:26 -[girls giggle]-Oh yes, last year.
875 00:49:30 I think it's charming, elegant.
876 00:49:32 I think you are kind.
877 00:49:48 [Enola] Gentlemen.
878 00:49:50 Ma'am.
879 00:49:52 Good evening.
880 00:49:56 This is a wonderful occasion, is it not?
881 00:50:02 I mean, the guests are just… delightful.
882 00:50:08 And the orchestra is most tuneful.
883 00:50:16 I was wondering if
884 00:50:19 I might be able to speak to you, Mr. Lyon.
885 00:50:24 -Uh, have I said something wrong?-Where is your chaperone?
886 00:50:28 Chaperone?
887 00:50:30 My dear, you can hardly expect my sonto talk to you unaccompanied.
888 00:50:35 [dramatic music plays]
889 00:50:36 -[man] Oh.-[woman sighs]
890 00:50:39 -[man retches]-[woman groans]
891 00:50:44 I cannot talk to you without a chaperone?
892 00:50:47 No, of course not.
893 00:50:48 Honestly?
894 00:50:52 Honestly?
895 00:50:54 Who is this woman?
896 00:50:55 Well, they are talking.
897 00:50:57 They are dancing.
898 00:50:59 Good evening, my dear.
899 00:51:02 [Enola] Yes.
900 00:51:03 How foolish of me.
901 00:51:06 Good evening.
902 00:51:08 [lively orchestral music plays]
903 00:51:23 It could be claimed,with some justification,
904 00:51:25 that I might have preparedmore thoroughly.
905 00:51:27 But dancing is notone of my core strengths.
906 00:51:31 Well, except…
907 00:51:32 ♪ Knees up Mother BrownUnder the table you must go ♪
908 00:51:36 ♪ Ee-aye, ee-aye, oh! ♪
909 00:51:37 [Eudoria laughs raucously]
910 00:51:39 You see my situation.
911 00:51:40 [lively orchestral music resumes]
912 00:51:46 [sighs]
913 00:51:48 [music ends]
914 00:51:49 [tense music plays]
915 00:51:51 [Sherlock] Who are you?
916 00:51:56 [Sherlock] The man's a game player.
917 00:51:57 Separate filingsfrom five different accounts.
918 00:51:59 Capable of covering his tracesat every turn. One private bank.
919 00:52:02 Vanishes and reappears.No name. Just a number.
920 00:52:06 [tense music continues]
921 00:52:13 [Sherlock] Perhapsa genius in mathematics.
922 00:52:15 [echoing] Leading me a merry dance.
923 00:52:19 It's a cipher.
924 00:52:20 [tense music continues]
925 00:52:26 The polka.
926 00:52:28 The promenade. The two-step.
927 00:52:32 They're all dances.
928 00:52:33 [Sherlock] Dance, dance, dance, dance.
929 00:52:35 Twenty-seven, turn on…
930 00:52:38 [tense music continues]
931 00:52:42 [Sherlock] Yes. The Language of the Dance.
932 00:52:44 "Twenty-seven dances."
933 00:52:47 I've got you.
934 00:52:48 Dance one, then 14. 22.
935 00:52:53 [music stops]
936 00:52:55 Terrible, aren't they? These things.
937 00:52:59 All pompidou and popinjay.
938 00:53:02 Have we met somewhere before?
939 00:53:04 I feel I recognize you from somewhere.
940 00:53:08 [chuckles awkwardly]I simply have one of those faces.
941 00:53:13 Mira Troy,
942 00:53:15 private secretary to Lord McIntyre,
943 00:53:18 Treasury Minister.
944 00:53:20 Tabitha.
945 00:53:22 Tabitha Timothy.
946 00:53:25 [cheerful orchestral music plays]
947 00:53:27 You mustn't let them concern you.
948 00:53:29 It's just a performance.
949 00:53:32 Everyone here is playing a part.
950 00:53:35 Testing each other.
951 00:53:37 [cheerful orchestral music continues]
952 00:53:38 Winning.
953 00:53:41 Losing.
954 00:53:43 And it's fun,
955 00:53:45 once you know the rules.
956 00:53:47 [cheerful orchestral music continues]
957 00:53:53 What are they doing with those fans?
958 00:53:56 [chuckles]
959 00:53:58 [Miss Troy] Sending messages.
960 00:54:00 Saying everything that is forbidden,
961 00:54:05 or too embarrassing to say aloud.
962 00:54:09 [both giggle]
963 00:54:13 Thank you for the lesson.
964 00:54:16 It's a lesson hard learned.
965 00:54:20 Without power, we womenmust rely on our wits for our fortune,
966 00:54:24 because our chances are short. Here.
967 00:54:28 Take my fan.
968 00:54:30 I have no use for it.
969 00:54:33 And if you wish to speak to William,
970 00:54:37 you could always try with that.
971 00:54:41 [cheerful orchestral music continues]
972 00:54:57 No, not… No, not you. Oh.
973 00:55:01 Help.
974 00:55:05 It would be my delight.
975 00:55:10 Really, there's no need to be rude.
976 00:55:12 [Enola] I-I didn't mean to.
977 00:55:14 [soft orchestral music plays]
978 00:55:16 [sighs]
979 00:55:30 Tewkesbury!
980 00:55:31 -Your timing's impeccable!-Enola?
981 00:55:33 Don't speak to me here, otherwiseyou'll be thrown onto the street.
982 00:55:41 -I need you to teach me to dance.-Teach you to dance? When?
983 00:55:44 -Teach me to dance now.-Wh…
984 00:55:46 You understandI've been learning since I was five?
985 00:55:48 Good. I'd fearedyou'd be a terrible teacher.
986 00:55:51 -What are you doing here?-I'm looking for a murderer.
987 00:55:55 Though I shouldn't have told you.Forget I told you that.
988 00:55:57 -I'm trying to save a girl's life.-Through dance?
989 00:56:02 Please, Tewkesbury.
990 00:56:06 All right. Hold your back straight.
991 00:56:11 And I'll place my hand here and here.
992 00:56:14 Oh. Yes.
993 00:56:16 Hold your arm out.
994 00:56:19 Good.
995 00:56:20 Now, I will lead and you will follow.
996 00:56:23 -That seems like a mistake.-Face over my shoulder.
997 00:56:27 And now, one, two, three.
998 00:56:31 Two, three. Two, three.
999 00:56:33 Four, two, three. One, two, three.
1000 00:56:36 Two, three.
1001 00:56:38 Good.
1002 00:56:39 [soft music plays]
1003 00:56:46 You seem different since last we spoke.
1004 00:56:49 Tell me why you've beencoming to the park.
1005 00:56:51 Why… Why watch me walk to the Lords?
1006 00:56:54 Simply keeping an eye on you,
1007 00:56:56 in case you get yourselfinto any more scrapes.
1008 00:56:58 -Getting thrown out of trains.-Enola--
1009 00:57:00 You cannot be trustedto take care of yourself.
1010 00:57:03 I'm a man now.
1011 00:57:04 You're a man when I tell you you're a man.
1012 00:57:06 And the scrapes I find myself inare far less visceral.
1013 00:57:09 [soft music continues]
1014 00:57:13 [Tewkesbury] Now, come on.
1015 00:57:16 Two, three. Two, three.
1016 00:57:18 Look into my eyes.
1017 00:57:20 The rhythm is always there.
1018 00:57:23 Dancing is a trust, it's a union.
1019 00:57:25 That's why I've always loved it,
1020 00:57:27 even when I was being tutored by my uncle.
1021 00:57:30 That man likes a pork mustard pie.
1022 00:57:32 His breath…
1023 00:57:34 Turn, two.
1024 00:57:36 Turn. Feel it?
1025 00:57:38 I can feel it.
1026 00:57:39 [soft music continues]
1027 00:57:48 [Tewkesbury] Good.
1028 00:57:50 -You dance well.-Perhaps I have a fine teacher.
1029 00:57:53 Though his breath has less mustardon it than I'd hoped. [chuckles]
1030 00:57:56 [music swells romantically]
1031 00:58:17 [knocking on door]
1032 00:58:18 -[woman] We have an urgent situation.-[knocking continues]
1033 00:58:21 I should go.
1034 00:58:22 You'll need a dance card.
1035 00:58:25 But I don't know enough.
1036 00:58:30 -What does that mean?-You'll learn.
1037 00:58:31 [knocking on door]
1038 00:58:36 Don't touch the ginger cake.Plays hopscotch with your bowels.
1039 00:58:39 [lively orchestral music plays]
1040 00:58:51 Oh.
1041 00:58:53 Hello.
1042 00:58:59 -Mr. Lyon.-Yes.
1043 00:59:02 I was wonderingif we might have a dance this evening.
1044 00:59:05 My dance card is full.
1045 00:59:07 May I see it?
1046 00:59:14 [chuckles]
1047 00:59:16 Your last waltz is still free.
1048 00:59:18 How fitting.
1049 00:59:21 Would you mind?
1050 00:59:23 [uneasy music playing]
1051 00:59:34 Until then.
1052 00:59:36 [uneasy music continues]
1053 00:59:55 'Tis he.
1054 00:59:57 [music stops]
1055 00:59:58 [inaudible speech]
1056 01:00:04 You admire Lord Tewkesbury?
1057 01:00:06 No!
1058 01:00:08 [clears throat] No.
1059 01:00:10 We are old friends.
1060 01:00:13 I hear he's a good man,and a great reformer.
1061 01:00:16 [Enola] Hm.
1062 01:00:18 Well, if you wish to dance with him,you may have to wait.
1063 01:00:21 There's quite a queue.
1064 01:00:25 Yes, I mustn't lose my chance.
1065 01:00:29 Good evening, Miss…?
1066 01:00:31 Tabitha.
1067 01:00:33 Cicely.
1068 01:00:41 Forgive me for interrupting.My name is Cicely.
1069 01:00:43 Um, your friend Tabithasuggested we might dance.
1070 01:00:48 Did she?
1071 01:00:49 [soft music plays]
1072 01:00:56 [man] Ladies and gentlemen, pleasetake your partners for the last waltz.
1073 01:01:01 [tense music plays]
1074 01:01:19 [tense music fades]
1075 01:01:22 [dramatic music plays]
1076 01:01:27 You know, I swear I know your face.
1077 01:01:30 What must it be?
1078 01:01:31 We have never met before,
1079 01:01:34 but I've seen you looking. Why?
1080 01:01:36 [dramatic music continues]
1081 01:01:39 [Enola] Of course. The Paragon Music Hall.
1082 01:01:43 I saw you talkingwith a young woman there.
1083 01:01:46 Sarah Chapman.
1084 01:01:49 Dislocate from me and I will scream.
1085 01:01:52 The police are onto you, Mr. Lyon.As it happens, they are onto us both.
1086 01:01:55 [dramatic music continues]
1087 01:01:57 You were not invited here.What do you want?
1088 01:02:00 [Enola] I'm a private detective,hired by Sarah's sister to find her.
1089 01:02:04 Bessie hired you?
1090 01:02:05 You know Bessie?
1091 01:02:08 Leave me be, please,
1092 01:02:11 or you will ruin everything.
1093 01:02:13 -How? What will I ruin?They're watching.
1094 01:02:17 If you must persist with this,meet me in the library at midnight.
1095 01:02:22 Say nothing more now.
1096 01:02:24 Midnight it is.
1097 01:02:26 [dramatic music continues]
1098 01:02:46 [exhales]
1099 01:02:55 "Moriarty."
1100 01:02:59 Who are you?
1101 01:03:00 [thunder rumbles]
1102 01:03:05 [clock ticks]
1103 01:03:08 [gasps]
1104 01:03:12 -My word, you do get in awkward places.-Why are you holding a poker?
1105 01:03:15 You must leave. I'm waiting for another.
1106 01:03:17 Another you're scared ofsuch that you need a weapon?
1107 01:03:19 You are always herewhen I don't want you to be.
1108 01:03:21 And sometimes here when you do.
1109 01:03:23 -What's the matter with you?-Nothing that need concern you.
1110 01:03:28 I like the look of the one you weredancing with. What's her name, Cicely?
1111 01:03:32 She would make you an excellent wife.
1112 01:03:34 Enola, I am concerned only for you.
1113 01:03:36 Tewkesbury, if you're still here,you may scare him away.
1114 01:03:39 -"Scare him"? All of this is over a man?-[sighs]
1115 01:03:43 Just leave.
1116 01:03:45 [clock chiming]
1117 01:03:55 Lord Tewkesbury.
1118 01:03:57 [door opens]
1119 01:04:00 Enola Holmes, you're under arrest.
1120 01:04:02 Try to escape,and we will make this difficult.
1121 01:04:05 Let's make it quiet and sparethe fine people any embarrassment.
1122 01:04:09 -Sir, whatever this is about, I'm sure---Murder, sir.
1123 01:04:13 It's about murder.
1124 01:04:14 [dramatic music plays]
1125 01:04:17 Tewkesbury, it's all right.
1126 01:04:20 Constable, go on.
1127 01:04:23 Keep them safe.
1128 01:04:25 -Please.-[Lestrade] Come along.
1129 01:04:28 [dramatic music continues]
1130 01:04:31 Ow.
1131 01:04:35 -[woman] Oh, I say.-I knew she didn't belong here.
1132 01:04:37 [guests murmuring]
1133 01:04:40 [ladies laugh]
1134 01:04:45 -Despicable.-[woman] Disgraceful.
1135 01:04:47 [dramatic music continues]
1136 01:04:57 Quite a party.
1137 01:05:00 You danced with young Master Lyon, I hear.
1138 01:05:04 May I ask, impertinently, I'm sure,
1139 01:05:08 did you want to kiss him,
1140 01:05:10 or find out more about your case,
1141 01:05:13 this Sarah Chapman?
1142 01:05:19 Look, if you're trying to protect her,
1143 01:05:24 know this.
1144 01:05:26 I will protect her better.
1145 01:05:30 There's someone wants to talk to her,
1146 01:05:32 and they're not as kind as me.
1147 01:05:35 "Someone"?
1148 01:05:39 Who?
1149 01:05:40 [thunder rumbles distantly]
1150 01:05:42 Why were you following me that night?
1151 01:05:47 You were following Mae too, weren't you?
1152 01:05:51 That's why you found the flat.
1153 01:05:57 Nice shirt.
1154 01:05:59 Silk?
1155 01:06:01 On a policeman's salary?
1156 01:06:04 Who's paying you, Superintendent Grail?
1157 01:06:07 Who's paying you to kill match girls?
1158 01:06:10 Where's Sarah Chapman?
1159 01:06:12 -I don't know.-She's a thief and a troublemaker.
1160 01:06:14 You don't want to risk your skin for her.
1161 01:06:19 Well, if I can't find it out from you,I'll find it out from someone else,
1162 01:06:23 like her sister, little Bessie.
1163 01:06:27 She's just a little girl.
1164 01:06:28 Oh, but that's how it starts,Enola Holmes!
1165 01:06:31 With little girls like her,and you, and Sarah Chapman,
1166 01:06:35 asking questions,doubting those in charge,
1167 01:06:38 not seeing their protectionfor what it is,
1168 01:06:41 trying to tear it down.
1169 01:06:43 Well, it only takes one little flameto start a fire,
1170 01:06:47 and my job is to keepcrushing those bloody flames out.
1171 01:06:54 Now, I'll be kind
1172 01:06:55 and give you one last chance.
1173 01:06:59 Where is she?
1174 01:07:02 I don't know.
1175 01:07:10 Then you're for the noose.
1176 01:07:12 Some detective you were.
1177 01:07:14 [keys jingling]
1178 01:07:16 Should have stuck to needlework.
1179 01:07:31 [policeman] Sir?
1180 01:07:32 -Sir.-[Sherlock] Don't be ridi--
1181 01:07:34 [stick clangs]
1182 01:07:37 Superintendent Grail.
1183 01:07:40 Mr. Holmes.
1184 01:07:44 [Sherlock] I'm here for my sister.
1185 01:07:45 If you can arrange her release,
1186 01:07:49 I'd much appreciate it.
1187 01:07:52 She is my ward and a minor.
1188 01:07:54 And a murderer.
1189 01:07:55 Any evidence you thinkyou have against her--
1190 01:07:58 I have plenty.
1191 01:08:00 She was seen arguing with the victim,following the victim,
1192 01:08:04 fighting with the victim, and lastly,standing over the victim's dead body.
1193 01:08:08 And when we find her there,with blood on her hands,
1194 01:08:11 she bloody runs.
1195 01:08:15 I saw your murder site.
1196 01:08:17 [door creaks open]
1197 01:08:20 Marks on and around the doorshow that it was forced open,
1198 01:08:24 and recently.
1199 01:08:25 There were signs of a scuffle
1200 01:08:27 and boot marksfrom three separate intruders.
1201 01:08:30 One of them heavyset,
1202 01:08:32 judging by the height and extentof the subsequent damage.
1203 01:08:36 Traces of fabric and spots of blood
1204 01:08:38 suggests that there wasanother occupant, likely female,
1205 01:08:42 who seems to have fought back,
1206 01:08:44 using a sharp and improvised weapon…
1207 01:08:50 before escaping through the window.
1208 01:08:52 This was a targetedsearch and interrogation
1209 01:08:55 in which two women were discovered,
1210 01:08:57 and then my sister arrived,
1211 01:09:00 and you were curiously fastto arrive after her.
1212 01:09:03 Now, are you going to release her,or shall I?
1213 01:09:09 -Sergeant Beeston, if you please.-[Beeston] Sir.
1214 01:09:13 Fingerprint matching.
1215 01:09:15 New invention, Swiss.
1216 01:09:17 -You have heard of it?-I have.
1217 01:09:20 [Grail] Would you care to look?
1218 01:09:23 [tense music plays]
1219 01:09:24 Makes our work so much more efficient,
1220 01:09:28 especially in a murder case.
1221 01:09:30 [tense music continues]
1222 01:09:36 My sister never touched that weapon.
1223 01:09:39 Then why are her prints on it?
1224 01:09:47 It's a great age we live in,isn't it, Mr. Holmes?
1225 01:09:49 [tense music continues]
1226 01:09:58 [cat screeches]
1227 01:10:00 -[foreboding music plays]-[thunder crashes]
1228 01:10:04 [rain pouring]
1229 01:10:13 [woman] Have you any sensewhat time it is?
1230 01:10:16 -Hello, Edith.-You're lucky, I almost broke your legs.
1231 01:10:20 Then I recognized the shoulders.
1232 01:10:22 -You have very recognizable shoulders.-Enola's been arrested.
1233 01:10:27 For why?
1234 01:10:29 Murder.
1235 01:10:30 [horse whinnies]
1236 01:10:31 [dramatic music plays]
1237 01:10:32 [Sherlock] What she's got tangled with,
1238 01:10:35 it may go wider than I thought.
1239 01:10:39 And there's somethingabout this case that…
1240 01:10:43 Deduction alone will not solve?
1241 01:10:45 [tense music plays]
1242 01:10:47 I may need your…
1243 01:10:53 I need your help.
1244 01:10:56 We need your help.
1245 01:10:58 [guard] Exercise for 15 minutes.
1246 01:11:01 [Edith] Well, like my mother always said,
1247 01:11:04 "Those who can turn to otherswhen they're in need
1248 01:11:06 are the truly brave amongst us."
1249 01:11:09 Your mother sounds very different to mine.
1250 01:11:13 [foreboding organ music plays]
1251 01:11:22 I did try to stop her,
1252 01:11:24 but she's full of this fight.
1253 01:11:29 [Enola gasps]
1254 01:11:30 [guard] There we go. Finally.
1255 01:11:32 [Edith] You can't control Enola Holmes.
1256 01:11:34 She's a force of nature,
1257 01:11:37 a law unto herself.
1258 01:11:39 [guard] Go easy on her, girls.
1259 01:11:41 [chuckles]
1260 01:11:43 Yes, she is.
1261 01:11:46 And I fear she will hang.
1262 01:11:47 [foreboding organ music continues]
1263 01:12:02 [foreboding music fades]
1264 01:12:04 Hm?
1265 01:12:08 -[guards shout]-[alarm rings]
1266 01:12:15 [dramatic organ music plays]
1267 01:12:19 [woman] Come on, girls!
1268 01:12:22 In there.
1269 01:12:23 [alarm bell rings]
1270 01:12:25 'Tis I.
1271 01:12:26 [gasps]
1272 01:12:28 -[Edith] Yah!-[Enola laughs and sighs]
1273 01:12:32 Oh, it is good to see you.
1274 01:12:34 -[Edith] Yah!-[Enola screams]
1275 01:12:35 Hang on!
1276 01:12:37 [thrilling music playing]
1277 01:12:41 [Edith] Yah!
1278 01:12:44 They're onto us!
1279 01:12:47 -Yah!-Be ready in there!
1280 01:12:51 So this case of yours, how's it going?
1281 01:12:53 I don't know.
1282 01:12:54 I was trying to help a girl findher sister, and I've made things worse.
1283 01:12:57 Nonsense.
1284 01:12:58 You stirred up a hornet's nest.You are onto something.
1285 01:13:03 -Standby!-Why else would they try and silence you?
1286 01:13:07 Don't worry, it's completely harmless.
1287 01:13:09 [thrilling music continues]
1288 01:13:12 -[Edith] On your left!-My left or yours?
1289 01:13:14 [Edith] Yours!
1290 01:13:17 [thrilling music crescendos]
1291 01:13:22 [tense music plays]
1292 01:13:31 [laughs]
1293 01:13:33 This match factory,what do you know about it?
1294 01:13:35 It's a roaring success.
1295 01:13:37 In two years, it's doubled its profits.
1296 01:13:39 -And now there's typhus.-Typhus?
1297 01:13:41 Yes, the girls are going down with it.They're dying.
1298 01:13:45 That's a loose thread.
1299 01:13:46 -What?-[Edith] They're back!
1300 01:13:48 Yah!
1301 01:13:50 Here they come! Brace yourselves!
1302 01:13:53 [tense music continues]
1303 01:13:56 [Enola screams]
1304 01:14:01 We know about these factories.
1305 01:14:03 Come on, come on!
1306 01:14:04 Girls like Sarah Chapman,they're expendable.
1307 01:14:07 They go missing,too often they die, no one cares.
1308 01:14:09 But this girl, they care about.And greatly.
1309 01:14:12 So, what does she know?
1310 01:14:14 -[Edith laughs]-[policeman] Get up here now!
1311 01:14:16 She stole something. Some papers.
1312 01:14:18 Aha! So what's she gonna do with them?What's her plan? She's not a thief.
1313 01:14:22 She's not a blackmailer.She is a troublemaker.
1314 01:14:26 She knows something,
1315 01:14:28 and that is infinitely more dangerous.
1316 01:14:31 [Edith] Come on, lads!
1317 01:14:32 [dramatic music plays]
1318 01:14:35 [Enola screams]
1319 01:14:39 -Stand by to the right!-Would you mind?
1320 01:14:41 -[Edith] Wait for it.-W-W-Where?
1321 01:14:43 -Wait for it!-Straight.
1322 01:14:46 Now!
1323 01:14:48 [policeman] Get it out!Get it out of here!
1324 01:14:50 [pigeon coos]
1325 01:14:52 -[explosion]-[screaming]
1326 01:14:54 [dramatic music plays]
1327 01:14:58 [laughs]
1328 01:14:59 [dramatic music fades]
1329 01:15:01 [Enola breathes heavily]
1330 01:15:03 Now, whatever Sarah's hiding, Enola,
1331 01:15:07 it's a secret.
1332 01:15:09 [tense music plays]
1333 01:15:10 You need to lookfor what she knows, Enola.
1334 01:15:13 [horses whinny]
1335 01:15:16 Find that out,and everything else will follow.
1336 01:15:18 [metal scrapes]
1337 01:15:19 [tense music plays]
1338 01:15:20 She's probably under your nose.
1339 01:15:22 -[gunshot]-[Enola gasps]
1340 01:15:24 -Huh?-Get down!
1341 01:15:26 -[gunshot]-[both yelp]
1342 01:15:28 That's just rude.
1343 01:15:29 [tense music continues]
1344 01:15:32 -Grail.-[gunshot]
1345 01:15:38 [gasps]
1346 01:15:39 [Eudoria] You all right, Edith?
1347 01:15:40 [Edith] Just about! Yah!
1348 01:15:42 [chuckles sinisterly]
1349 01:15:44 [Edith grunting]
1350 01:15:48 Yah!
1351 01:15:49 [tense music continues]
1352 01:15:56 [Edith] Yah!
1353 01:15:59 Oh, for goodness sake!
1354 01:16:02 [horse whinnies]
1355 01:16:04 [tense music continues]
1356 01:16:06 Oh!
1357 01:16:08 -[Edith yells]-[Eudoria yells]
1358 01:16:12 [both groan]
1359 01:16:17 [tense music fades]
1360 01:16:18 That's not good.
1361 01:16:20 [policeman] Get 'em to the bank!
1362 01:16:21 [groaning]
1363 01:16:22 You all right? You all right?
1364 01:16:25 [Eudoria grunts]
1365 01:16:26 -All right?-I'm all right, yeah.
1366 01:16:28 Oh no.
1367 01:16:29 [policeman] Sir.
1368 01:16:35 Glory be.
1369 01:16:37 It's the Holy Trinity.
1370 01:16:39 [organ chord plays dramatically]
1371 01:16:41 I'll make commissioner for this.
1372 01:16:44 Take 'em.
1373 01:16:47 Must we?
1374 01:16:49 I fear so.
1375 01:16:49 [organ music continues]
1376 01:16:57 [choir singing] ♪ Hallelujah ♪
1377 01:16:58 -[Eudoria grunts]-♪ Hallelujah ♪
1378 01:17:00 -[Enola grunts]-♪ Hallelujah ♪
1379 01:17:02 ♪ Hallelujah, halle-lu-jah ♪
1380 01:17:05 ♪ Hallelujah ♪
1381 01:17:08 ♪ Hallelujah ♪
1382 01:17:09 ♪ Hallelujah, hallelujah, hallelujah ♪
1383 01:17:13 ♪ Hallelujah, halle-lu-jah ♪
1384 01:17:16 ♪ For the Lord God omnipotent reigneth ♪
1385 01:17:22 ♪ Hallelujah, hallelujah, hallelujah ♪
1386 01:17:26 ♪ King of Kings, and Lord of Lords… ♪
1387 01:17:30 -[Grail grunts]-[Edith] Enola.
1388 01:17:32 ♪ And Lord of Lords ♪
1389 01:17:34 ♪ And He shall reign… ♪
1390 01:17:37 Enola… this is not harmless.
1391 01:17:40 Run!
1392 01:17:42 ♪ King of Kings, and Lord of Lords ♪
1393 01:17:45 ♪ Hallelujah, hallelujahHallelujah, hallelujah… ♪
1394 01:17:49 [Eudoria whistles]
1395 01:17:52 ♪ Hallelujah ♪
1396 01:17:58 [screams]
1397 01:18:02 [Eudoria groans] Good thingI never valued my pelvis.
1398 01:18:06 How about you, Edith?
1399 01:18:07 -How are the kidneys?-[Edith] Fine.
1400 01:18:09 I quite enjoyed it.
1401 01:18:11 Hm. You enjoy everything.It's most irritating.
1402 01:18:14 [Edith] Come on, this way.Better get a move on.
1403 01:18:16 [Eudoria] All right.
1404 01:18:19 So, um, how's that useless boy of yours?
1405 01:18:25 I hear he's doing good work.
1406 01:18:27 [Enola clicks tongue]
1407 01:18:29 -He is.-Uh-huh.
1408 01:18:31 Well then,perhaps not so useless after all.
1409 01:18:35 I wouldn't say he's "my boy."
1410 01:18:42 You know, I sometimes thinkI brought you up to be too independent.
1411 01:18:47 -Mother!-[Eudoria] I did it with all of you.
1412 01:18:49 Your purpose must be to find who you are.
1413 01:18:53 You, Sherlock, Mycroft.
1414 01:18:56 Strong, formidable, individual children,
1415 01:18:59 but, well, perhaps a little lonely.
1416 01:19:06 You will do very well on your own, Enola.
1417 01:19:08 But with others, you could be magnificent.
1418 01:19:13 [gentle music plays]
1419 01:19:15 Who do you thinkorganized all of this after all? Hm?
1420 01:19:19 Me?
1421 01:19:23 No, you find your allies.
1422 01:19:26 Work with them,and you will become more of who you are.
1423 01:19:31 You speak with one voice,
1424 01:19:33 and you will make more noisethan you could ever have imagined.
1425 01:19:38 Come on. She should go.We'll put them off her scent.
1426 01:19:43 So, you dust yourself down…
1427 01:19:46 [gentle music continues]
1428 01:19:49 …keep facing forward.
1429 01:19:52 And if you ever get condemnedfor murder again, you give me a shout.
1430 01:19:56 I will.
1431 01:20:02 Thank you, Edith.
1432 01:20:08 Be careful.
1433 01:20:09 [gentle music continues]
1434 01:20:18 [both chuckle]
1435 01:20:20 [exhales softly]
1436 01:20:25 [Eudoria] And get a haircut.
1437 01:20:26 It's a mess.
1438 01:20:30 I think my hair is fine.
1439 01:20:31 [gentle music continues]
1440 01:20:45 Come on.
1441 01:20:49 [gentle music fades]
1442 01:20:51 [Enola] I need you to pack your things.
1443 01:20:52 I need you to be in a safer place.
1444 01:20:55 Is… Is my sister gone?
1445 01:20:57 -Like Mae?-No.
1446 01:20:59 -[Bessie] Is she---No.
1447 01:21:00 I'm sure she's all right.
1448 01:21:02 I'm closer to finding her.
1449 01:21:06 Doris,
1450 01:21:08 she'll take me in.
1451 01:21:10 She's got a spare bed now.
1452 01:21:13 Her sister?
1453 01:21:16 [Bessie] Dead.
1454 01:21:17 Typhus.
1455 01:21:19 [sighs]
1456 01:21:20 [sinister music plays]
1457 01:21:23 [Enola] Dead.
1458 01:21:36 There's traces of something in this soil.
1459 01:21:41 One has red, and one has white in it.
1460 01:21:43 [sinister music continues]
1461 01:21:46 The matches you make,when did they change from red to white?
1462 01:21:50 I dunno. Around two years ago.
1463 01:21:52 In two years, he's turned red into black.Or should I say red into white?
1464 01:21:59 [Mr. Lyon] Typhus.The plague of our times.
1465 01:22:01 Two years it's been killing these girls.
1466 01:22:03 [sinister music continues]
1467 01:22:07 [intriguing music plays]
1468 01:22:23 Out.
1469 01:22:25 What are you looking at?
1470 01:22:27 [flies buzz]
1471 01:22:28 [intriguing music continues]
1472 01:22:34 [sinister music playing]
1473 01:22:56 [knocking on door]
1474 01:22:58 [music fades]
1475 01:23:00 I need your help.
1476 01:23:04 Don't make me repeat it! May I come in?
1477 01:23:08 Firstly, I would like to apologizefor so much.
1478 01:23:11 I have failedto see allies in plain sight.
1479 01:23:14 -And I have---Enola.
1480 01:23:16 There's something I wish to say too.
1481 01:23:18 -[Enola] All right.-If you'd just--
1482 01:23:25 All day, every day,all I do is compromise.
1483 01:23:30 If I vote for this lord's bill that willallow him to pump bilge water into a lake,
1484 01:23:33 then he will vote for my forestry reform.
1485 01:23:35 I want to stand up and say,"This isn't right," but I have no allies.
1486 01:23:39 So to do sowould be to risk all that is good,
1487 01:23:42 so I lie awake trying to work outwhich path to follow,
1488 01:23:46 alone.
1489 01:23:48 There is no search for a wife,
1490 01:23:51 because politics consumes me constantly.
1491 01:23:57 That is the speech I stored up for you.
1492 01:24:02 You're a good man.
1493 01:24:05 I'm a man now?
1494 01:24:06 On occasion.
1495 01:24:08 But I understand your struggle,because I struggle too.
1496 01:24:12 I am sorry we cannot talk more,because I have--
1497 01:24:14 A case to solve?
1498 01:24:20 The girl I'm looking for, Sarah Chapman,
1499 01:24:23 she has proof that girls are dying
1500 01:24:25 from the phosphorusthey work with every day.
1501 01:24:28 And the factoryare trying to cover it up as typhus.
1502 01:24:32 She knows it,
1503 01:24:34 and someone is going to kill her for it.
1504 01:24:36 Then what can we do?
1505 01:24:40 We?
1506 01:24:44 [knocking on door]
1507 01:24:47 -Don't open it. it could be the police.-You're still wanted by the police?
1508 01:24:50 -Of course. I escaped jail.-You escaped?
1509 01:24:52 Forget I told you that.
1510 01:24:53 [knocking continues]
1511 01:24:55 The lights are on. If I don't answer,they'll suspect more. Hide.
1512 01:24:58 -[knocking continues]-[Tewkesbury] Coming.
1513 01:25:02 -Miss Cicely.-[Cicely] I'm sorry it's so late.
1514 01:25:04 No, no, not at all.I-I told you to come. I-I want to help.
1515 01:25:08 -[Cicely] Is anyone else here?-[Tewkesbury] No.
1516 01:25:10 -Um---[Cicely] Good.
1517 01:25:12 Better we are alone, for it is imperativethat I speak with you.
1518 01:25:15 Sir, I feel that you're a manof great character
1519 01:25:18 and that I can trust you.
1520 01:25:20 Which is why I fear I may have to unburdenmyself, and it may prove shocking.
1521 01:25:23 [Tewkesbury] Miss Cicely--
1522 01:25:25 It's just, I've been wantingto speak with you about… a relationship.
1523 01:25:29 Oh, that. Yes. Uh, perhapswe can discuss this another time?
1524 01:25:33 [Cicely] Please, sir.
1525 01:25:34 I'm terribly sorry. Let me assure you,I do share your interest.
1526 01:25:37 -We will talk again.-[Cicely] Thank you.
1527 01:25:40 [door closes]
1528 01:25:43 She's gone. She was flustered.
1529 01:25:48 Do not think of doubting me.Cicely was here for my help.
1530 01:25:51 She told me at the ball that she's workingon a bill to change factory law.
1531 01:25:56 She's unearthed something,some corruption or other.
1532 01:25:59 She's doing what?
1533 01:26:00 [intriguing music plays]
1534 01:26:05 Enola, if you have any concerns,I tell you categorically, I…
1535 01:26:09 I have no eyes for anyone, but…
1536 01:26:12 Well, no, this is notquite how I wanted to say that.
1537 01:26:15 But to say,in terms of romantic interests,
1538 01:26:19 yes, my interest is…
1539 01:26:21 The reason I don't have to search,I'm busy with politics, like I said…
1540 01:26:24 [Cicely] You admire Lord Tewkesbury?
1541 01:26:26 I hear he is a good manand a great reformer.
1542 01:26:28 The woman I would be most interested in--
1543 01:26:31 I mustn't lose my chance.
1544 01:26:33 You're not listening.
1545 01:26:35 Good evening, Lord Tewkesbury.
1546 01:26:36 She didn't have a chaperone.
1547 01:26:39 [Enola gasps]
1548 01:26:40 You got five secondsto tell me why you're here.
1549 01:26:44 [Enola] I have been blind!
1550 01:26:45 The phosphorus in the match-makinghas mixed with oxygen.
1551 01:26:49 I have missed everything.
1552 01:26:50 She's probably under your nose.
1553 01:26:55 Cicely. [chuckles]
1554 01:27:00 [intriguing music crescendos]
1555 01:27:05 Sarah is Cicely. [inhales sharply]
1556 01:27:09 Cicely is Sarah!
1557 01:27:11 -[Enola chuckles]-Enola!
1558 01:27:13 Enola, what on Earth…
1559 01:27:15 [groans]
1560 01:27:17 Enola, did you understand what I said?
1561 01:27:20 Or rather what I didn't say?Did you understand… what I didn't say?
1562 01:27:24 Yes. You were saying that you…
1563 01:27:26 [soft music plays]
1564 01:27:34 [Tewkesbury] You'll learn.
1565 01:27:37 That messageyou sent me with the fan at the ball,
1566 01:27:40 what did it mean?
1567 01:27:45 It means I love you.
1568 01:27:46 [soft music continues]
1569 01:27:55 [McIntyre] Ladies and gentlemen,to the future.
1570 01:28:02 Of course.
1571 01:28:06 They were working together, in love.
1572 01:28:09 They had a plan.
1573 01:28:12 To expose the corruption in that factoryand stop what his father was doing.
1574 01:28:17 They wanted your help.
1575 01:28:18 William Lyon invited you to that ball.
1576 01:28:20 He's a radical just like you.
1577 01:28:23 They needed my help. You're right.
1578 01:28:25 But, Enola, we must return inside.
1579 01:28:27 The police are pursuing you,and we have much to talk of.
1580 01:28:30 No! I know we have much to talk of,my dear, dear lord.
1581 01:28:33 You love me.
1582 01:28:34 And as it turns out, I love you too.
1583 01:28:36 [soft music continues]
1584 01:28:37 You love me too?
1585 01:28:41 You really are a nincompoop.
1586 01:28:45 Now hail a cab.
1587 01:28:46 [bell tolls]
1588 01:28:49 [footsteps crunching on gravel]
1589 01:28:57 -[Enola] Shh. You're walking loudly.-[Tewkesbury] But it's gravel.
1590 01:29:00 -[Enola] You've got large feet.-[Tewkesbury] I know.
1591 01:29:06 [bell continues tolling]
1592 01:29:08 [grunts] Wait here. Keep guard.
1593 01:29:10 If anyone comes,just tell them you're a lord.
1594 01:29:13 I am a lord.
1595 01:29:15 Then they'll likely believe you.
1596 01:29:17 All right.
1597 01:29:20 [tense music plays]
1598 01:29:31 [liquid bubbling]
1599 01:29:42 [loud clang]
1600 01:29:52 [suspenseful music playing softly]
1601 01:29:59 [Enola grunts]
1602 01:30:02 [grunting]
1603 01:30:03 [Enola yells]
1604 01:30:09 [Sherlock and Enola] You.
1605 01:30:11 [tool clatters]
1606 01:30:13 -How ridiculous you are.-[Sherlock] I'm ridiculous?
1607 01:30:15 I told you to stay safe and stay away.
1608 01:30:18 Now you're breaking out of prisonand have the police after you.
1609 01:30:21 Oh. Are you hurt? I am sorry.
1610 01:30:24 Are you not hurt?
1611 01:30:27 It seems not.
1612 01:30:29 Hm.
1613 01:30:30 I wonder who taught youto fight like that.
1614 01:30:33 Another thing our motherhas to answer for.
1615 01:30:35 She should have fed me as well as youis what I think.
1616 01:30:38 Hang on. Why are you here?Is it my case, or your own?
1617 01:30:42 Both. I know how Grailgot your fingerprints.
1618 01:30:45 Oxidized phosphorus dust
1619 01:30:48 lifted from the tableand applied to the knife.
1620 01:30:51 You're innocent.
1621 01:30:53 You doubted it?
1622 01:30:55 Nothing's certain till it's proved.
1623 01:30:59 And your case?
1624 01:31:01 [Sherlock] My adversary, his trail,
1625 01:31:03 it leads here.
1626 01:31:06 It seems our cases are connected.
1627 01:31:11 Shall we?
1628 01:31:12 [intense music plays darkly]
1629 01:31:44 William Lyon.
1630 01:31:46 Sarah's love.
1631 01:31:48 And my thief in a taper crown hat.
1632 01:31:57 Stay unemotional. There's nothing morewe can do for him now.
1633 01:32:01 Need to keep our minds freshand our eyes sharp.
1634 01:32:04 [Enola] He was seized.
1635 01:32:07 -[Sherlock] Yes, and searched.-[Enola] For the document he took?
1636 01:32:11 A knife?
1637 01:32:13 No, bigger.
1638 01:32:15 A cutlass.
1639 01:32:18 Heavy boot scuffs,
1640 01:32:21 and scratch marks from a canethat has a metal ferrule.
1641 01:32:24 [metal clangs]
1642 01:32:26 Grail.
1643 01:32:28 But at whose behest?
1644 01:32:30 There was another in this room.
1645 01:32:32 This cigar had a holder.
1646 01:32:34 [intense music continues]
1647 01:32:38 And traces of wool.
1648 01:32:42 [Sherlock] Astrakhan, the finest.
1649 01:32:44 [Mr. Lyon] Well, Lord McIntyre,if I, um, might suggest a little lunch.
1650 01:32:50 [William] Leave me be, please.They're watching.
1651 01:32:56 Where did William steal from?
1652 01:32:58 -The Treasury Office?-Yes.
1653 01:33:00 The office of Lord McIntyre,Treasury Minister.
1654 01:33:03 How did you come to that?
1655 01:33:06 I think what William stole was proof
1656 01:33:08 that Lyon and McIntyrewere conspiring together.
1657 01:33:12 -Corruption.-[Enola] Yes.
1658 01:33:14 Fueled by greed.
1659 01:33:16 McIntyre has been secretly profitingfrom the factory.
1660 01:33:20 They changed the match formulato a cheaper phosphorus,
1661 01:33:24 and it's deadly.
1662 01:33:26 [Tewkesbury] Enola?
1663 01:33:27 Enola, I was concerned for you.
1664 01:33:28 You left me out there in the dark,and I nearly tore my…
1665 01:33:35 -Sherlock Holmes? How do---Not the time.
1666 01:33:39 Oh my…
1667 01:33:41 -Is he---Stay unemotional.
1668 01:33:44 -[Tewkesbury] Who did this?-Lord McIntyre.
1669 01:33:47 -No.-But it all fits.
1670 01:33:49 No one has sat in this chair.No marks on the carpet, no indentation.
1671 01:33:53 The cigar has been smoked, but cold.
1672 01:33:57 And look, no ash.
1673 01:34:01 -No lips have touched that glass.-[Sherlock] Exactly.
1674 01:34:04 These clueshave been planted for us to find,
1675 01:34:07 to mislead us from the true villain.
1676 01:34:10 This has all been staged.
1677 01:34:13 By who?
1678 01:34:14 Not McIntyre, but by someone who hada lot to lose without that document.
1679 01:34:19 Someone who knew what they were up toand was blackmailing them.
1680 01:34:23 My opponent.
1681 01:34:27 Someone who likes a game.
1682 01:34:30 -Did they get what they wanted?-[Sherlock] No, I don't think so.
1683 01:34:36 Poor William.
1684 01:34:46 [intriguing music playing]
1685 01:34:47 [Tewkesbury] Hm.
1686 01:34:55 -[Enola] They did get something.-[Sherlock] Mae's terrible music.
1687 01:34:59 "The Truth of the Gods."
1688 01:35:01 Could be biblical, mythical.
1689 01:35:02 Theatrical?
1690 01:35:07 The Gods is the top row of the theater.
1691 01:35:10 The balcony.
1692 01:35:12 Doesn't everyone know that?
1693 01:35:14 [dramatic music plays]
1694 01:35:16 This isn't music.
1695 01:35:17 [crowd cheering faintly]
1696 01:35:23 [dramatic music crescendos]
1697 01:35:26 It's a map.
1698 01:35:27 [thrilling music playing]
1699 01:35:34 [horse whinnies]
1700 01:35:36 Just to be clearas to what we might be about to face…
1701 01:35:40 There may be some violence.You've faced it before.
1702 01:35:44 Yes.
1703 01:35:46 I did have part of a suit of armor on.
1704 01:35:48 But yes, fighting will be… [chuckles]
1705 01:35:52 Yes.
1706 01:35:53 -You've been in a fight before?-Yes, plenty of fights.
1707 01:35:55 Fenced for my school.
1708 01:35:57 [Enola] Mm.
1709 01:36:02 Fine. Can you teach me to fight?
1710 01:36:05 What, right now? In a carriage?
1711 01:36:07 Did I not teach you to dancein five minutes in a bathroom?
1712 01:36:12 All right. Fine.
1713 01:36:18 There are two secrets to fighting.Avoid the punch, make the counterpunch.
1714 01:36:21 [humorous music playing]
1715 01:36:23 I don't see how two secrets-- Ow!
1716 01:36:26 Your first lesson.
1717 01:36:27 Ow.
1718 01:36:29 Ow!
1719 01:36:30 Your second. You didn't avoid the punch.
1720 01:36:32 -You can hardly expect me to hit a girl.-Oh dear.
1721 01:36:35 I'm not some-- Ow!
1722 01:36:37 Ow! Will you stop that?
1723 01:36:39 [laughing] I can't stop.
1724 01:36:42 -[both laugh]-[Sherlock] We're approaching.
1725 01:36:48 [both breathe heavily]
1726 01:36:54 [romantic music playing]
1727 01:36:58 [romantic music swells]
1728 01:37:11 I may need more of those lessons.
1729 01:37:13 [both laugh]
1730 01:37:21 [romantic music fades]
1731 01:37:38 [Enola] X marks the spot.
1732 01:37:41 [mysterious music playing]
1733 01:37:59 [Enola] Sarah.
1734 01:38:03 It's all there.
1735 01:38:06 All the proof we need.
1736 01:38:09 [Enola] The contractbetween Lyon and McIntyre
1737 01:38:13 to change the phosphorus.
1738 01:38:17 What William stole for you.
1739 01:38:24 And the pages from the factory register.
1740 01:38:27 That's what you stole from the office.
1741 01:38:31 These are the namesof the girls they killed.
1742 01:38:33 [Sarah] I couldn't let 'em be forgotten.
1743 01:38:37 And it's proof that match girlsare dying from working in that factory,
1744 01:38:41 and they knew it all along.
1745 01:38:45 You're a bloody good detective,Enola Holmes.
1746 01:38:47 [inhales deeply]
1747 01:38:49 You are too, Sarah Chapman.
1748 01:38:55 I will share this with the world,I promise you.
1749 01:38:59 Thank you.
1750 01:39:02 Now we must find William.He was supposed to meet me six hours ago.
1751 01:39:07 I'm afraid William won't be coming.
1752 01:39:13 [somber music plays]
1753 01:39:15 What?
1754 01:39:17 [sighs]
1755 01:39:20 I'm sorry.
1756 01:39:22 I'm so sorry.
1757 01:39:24 [somber music continues]
1758 01:39:30 I told him we had everything we needed.
1759 01:39:33 That we should just go public.
1760 01:39:37 He said nobody would care unless we hadsomeone in power who would listen.
1761 01:39:44 He was just trying to keep me safe.
1762 01:39:48 And now I've lost him.
1763 01:39:50 We must move quickly,or we'll lose you too.
1764 01:39:54 [Grail] Losing this…
1765 01:39:58 losing that.
1766 01:40:02 [whimpering]
1767 01:40:03 -[Grail] Seems you've lost everything.-Bessie!
1768 01:40:06 You've all been very careless.
1769 01:40:10 [switchblade swishes]
1770 01:40:14 I'll take those.
1771 01:40:15 Let go of her.
1772 01:40:19 Give me the papers and I will.
1773 01:40:21 [tense music plays]
1774 01:40:33 -[Grail yelps]-[gunshot]
1775 01:40:34 [grunting]
1776 01:40:35 Run, Bessie!
1777 01:40:37 [Grail groans]
1778 01:40:39 [policeman groans]
1779 01:40:40 [tense music continues]
1780 01:40:43 -[Sherlock] Don't just stand there!-[tense music continues]
1781 01:40:47 [Enola screams]
1782 01:40:49 [Enola yells]
1783 01:40:51 [grunts] Ow!
1784 01:40:53 -[Grail] Get after them!-[dramatic music plays]
1785 01:40:58 -[gunshot]-[Enola screams]
1786 01:41:03 -[gunshot]-[dramatic music continues]
1787 01:41:08 -[gunshot]-[Sherlock groans]
1788 01:41:12 [groans] Ow.
1789 01:41:14 [groaning]
1790 01:41:20 Avoid the punch, make the counterpunch.
1791 01:41:22 [dramatic music continues]
1792 01:41:24 [Tewkesbury grunts and groans]
1793 01:41:28 [grunting]
1794 01:41:35 [policeman yells]
1795 01:41:36 [dramatic music continues]
1796 01:41:40 [grunting]
1797 01:41:44 Tewkesbury!
1798 01:41:54 [dramatic music fades]
1799 01:42:00 [ominous music playing]
1800 01:42:06 [dramatic music plays]
1801 01:42:08 [grunting]
1802 01:42:11 [grunting]
1803 01:42:15 [tense music plays]
1804 01:42:27 [glass shatters]
1805 01:42:29 [dramatic music plays]
1806 01:42:31 [Enola grunts]
1807 01:42:33 [policeman grunts]
1808 01:42:35 [dramatic music continues]
1809 01:42:37 [grunting]
1810 01:42:41 [dramatic music continues]
1811 01:42:45 [Sherlock groans]
1812 01:42:47 [Enola] Argh!
1813 01:42:48 Argh.
1814 01:42:50 [tense music plays]
1815 01:42:52 [Bessie gasps and grunts]
1816 01:42:54 [Enola] No!
1817 01:42:55 -[gunshot]-[Bessie yelps]
1818 01:42:58 [Bessie whimpers]
1819 01:42:59 [tense music plays]
1820 01:43:04 -[gun clicks]-[Enola gasps]
1821 01:43:05 [Sarah] Bessie!
1822 01:43:08 [Enola] Run.
1823 01:43:10 [switchblade clicks]
1824 01:43:11 [Enola] I said run!
1825 01:43:12 [suspenseful music plays]
1826 01:43:15 [Enola grunts]
1827 01:43:17 -[blade swishes]-[Enola grunts]
1828 01:43:20 [grunting]
1829 01:43:22 [Enola yelps and groans]
1830 01:43:24 [Enola gasps and grunts]
1831 01:43:26 -[blade clatters]-[Enola grunts]
1832 01:43:27 [suspenseful music continues]
1833 01:43:36 [breathing heavily]
1834 01:43:40 [suspenseful music continues]
1835 01:43:50 [chains clanging]
1836 01:43:55 [Grail grunts]
1837 01:43:57 [Tewkesbury] Enola!
1838 01:44:00 [unsettling music plays]
1839 01:44:05 -[Enola gasps][Mae] You got more to you than I thought.
1840 01:44:08 [dramatic music plays]
1841 01:44:09 -[Enola grunts]-[policeman grunts]
1842 01:44:12 [grunting]
1843 01:44:17 [grunting]
1844 01:44:18 [tense music plays]
1845 01:44:22 [Enola gasps]
1846 01:44:29 [policeman grunts]
1847 01:44:31 [Enola groans]
1848 01:44:43 [suspenseful music plays]
1849 01:44:55 [grunting]
1850 01:44:59 [Enola whimpers]
1851 01:45:01 [rapid breaths]
1852 01:45:02 [suspenseful music continues]
1853 01:45:06 [music fades]
1854 01:45:07 [breathes heavily]
1855 01:45:11 [breathes heavily]
1856 01:45:13 [tense music plays]
1857 01:45:14 [Grail] Huh.
1858 01:45:17 What places we find ourselves in.
1859 01:45:24 What places indeed.
1860 01:45:26 [tense music continues]
1861 01:45:30 I've always loved the theater.
1862 01:45:32 [tense music continues]
1863 01:45:36 Got it?
1864 01:45:37 I used to dreamI'd end up on the stage. [chuckles]
1865 01:45:43 You're not rid of me yet,
1866 01:45:45 Viscount Tewkesbury,Marquess of Basilwether.
1867 01:45:47 [tense music continues]
1868 01:45:50 [Tewkesbury grunts]
1869 01:45:52 [dramatic music plays intensely]
1870 01:45:57 Enola!
1871 01:46:03 [Grail screaming]
1872 01:46:06 -Hurrah!-[Enola grunts]
1873 01:46:10 [body thuds]
1874 01:46:12 [somber chord plays]
1875 01:46:18 Are you all right?
1876 01:46:21 [Enola whimpers]
1877 01:46:26 You were made to fight.
1878 01:46:28 [gentle string music playing]
1879 01:46:37 [single person clapping]
1880 01:46:39 Congratulations.
1881 01:46:41 [tense music plays]
1882 01:46:43 [Enola] Lord McIntyre.What are you doing here?
1883 01:46:45 [chuckles] I was summoned.
1884 01:46:48 Your brother knew that I would wantto see the right people shown justice.
1885 01:46:52 And I don't know how to thank you
1886 01:46:54 for retrieving this government property
1887 01:46:57 and, uh, bringing this killer to light.
1888 01:46:59 A rot amongst our ranks.
1889 01:47:06 The world shall knowthe name Enola Holmes,
1890 01:47:09 I'll make sure of it.
1891 01:47:12 Lestrade, arrest that girl.
1892 01:47:14 [Bessie gasps]
1893 01:47:15 -[tense music plays]-She's done nothing wrong.
1894 01:47:17 On what charge, sir?
1895 01:47:19 -Theft.-All she stole from you was the truth.
1896 01:47:23 She took personal information,
1897 01:47:26 which she usedfor extortion and blackmail.
1898 01:47:30 Which is why she will serve her time.
1899 01:47:33 [Sherlock] Ah.
1900 01:47:35 [tense music continues]
1901 01:47:36 But you are mistaken.
1902 01:47:39 She was not your blackmailer.
1903 01:47:42 I summoned you hereto draw that very person out.
1904 01:47:46 The accounting was masterful.
1905 01:47:48 A tangle of roots,but all pointed to one pocket.
1906 01:47:53 One personreceiving the fruits of their schemes
1907 01:47:57 with no one noticing.
1908 01:48:00 Hearing everything, seeing everything.
1909 01:48:04 Ignored for years.
1910 01:48:06 [Sherlock] Playing them all.
1911 01:48:09 It's all a game.
1912 01:48:12 And it's fun, once you know the rules.
1913 01:48:15 [sinister music plays]
1914 01:48:21 Miss Mira Troy.
1915 01:48:22 [chuckles] Absurd.
1916 01:48:25 Oh, I don't believe it.
1917 01:48:28 [Miss Troy] It's remarkablewhat can be done
1918 01:48:32 when people underestimate you.
1919 01:48:37 [Enola] And then came the problem.
1920 01:48:39 William stole the contract.
1921 01:48:41 He threatened to cut off your money train.
1922 01:48:43 And you couldn't have that.
1923 01:48:45 You hired Grail to retrieve the document,
1924 01:48:48 but things got out of hand,
1925 01:48:51 so you tried to point us to Lord McIntyre.
1926 01:48:54 A rare misstep in your game…
1927 01:48:58 Moriarty.
1928 01:48:59 [sinister music plays]
1929 01:49:06 Such a shame our divertissementhas to end, Mr. Holmes.
1930 01:49:12 I was so enjoying it.
1931 01:49:17 And you, Enola. [chuckles]
1932 01:49:21 Miss Troy, you have been behind this?
1933 01:49:25 Of course, you never can findthe proper staff.
1934 01:49:30 I only wanted the agreements back.
1935 01:49:32 Though I couldn't be seento question William myself,
1936 01:49:35 you were so obliging.
1937 01:49:39 If you wish to speak with William,you could always try with that.
1938 01:49:43 [sinister music continues]
1939 01:49:46 [Miss Troy] Just a pity he was smarterand braver in the end than I'd expected.
1940 01:49:51 They both were.Their deaths were so unnecessary.
1941 01:49:56 But Superintendent Grailwas somewhat of a blunt instrument.
1942 01:50:03 [McIntyre] You!
1943 01:50:05 How dare you take advantageof your position!
1944 01:50:10 I take advantage?
1945 01:50:14 What were my advantages?
1946 01:50:19 Treated like a common servantwhen I have twice the mind of yours.
1947 01:50:24 Any of yours.
1948 01:50:28 Why shouldn't I have a shareof your ill-begotten riches
1949 01:50:32 and punish you at the same time?
1950 01:50:36 Why shouldn't I be rewardedfor what I can do?
1951 01:50:40 Where is my place in this… society?
1952 01:50:46 I am a woman.
1953 01:50:49 I cannot join clubs,
1954 01:50:51 I cannot own shares,
1955 01:50:52 I cannot advance myself as they can.
1956 01:50:56 So…
1957 01:51:00 I found my own way.
1958 01:51:05 [inhales] And it was fun.
1959 01:51:10 [sinister music plays]
1960 01:51:11 [chuckles]
1961 01:51:14 Lestrade,
1962 01:51:17 take her away.
1963 01:51:19 Yes, sir.
1964 01:51:23 On what charge, sir?
1965 01:51:24 -Extortion.-Uh, yes, yes.
1966 01:51:26 Blackmail, murder.
1967 01:51:28 Go.
1968 01:51:30 Such a shame our little dance has to end.
1969 01:51:35 For now at least.
1970 01:51:36 Perhaps we shall take to the floor again.
1971 01:51:44 [exhales]
1972 01:51:47 No!
1973 01:51:48 No!
1974 01:51:52 [McIntyre] Well, there. That's that then.
1975 01:51:56 I accidentally burnt my own property.What of it?
1976 01:52:00 You are corrupt, sir.
1977 01:52:03 And complicit in the deathsof hundreds of match girls.
1978 01:52:07 Where is your proof?
1979 01:52:08 [haunting music plays]
1980 01:52:10 [McIntyre] Good.
1981 01:52:11 So… back to business.
1982 01:52:16 -Sir, you cannot---Tewkesbury.
1983 01:52:18 [haunting music continues]
1984 01:52:20 Patience.
1985 01:52:28 Glory be.
1986 01:52:29 [haunting music continues]
1987 01:52:39 [haunting music fades]
1988 01:52:41 [Sarah] All those names, those lives,
1989 01:52:45 I failed 'em, Enola.
1990 01:52:47 Don't say that.
1991 01:52:50 Mae gone…
1992 01:52:54 William gone,
1993 01:52:56 and they're gonna get away with it.
1994 01:52:59 You heard the man. "Where's your proof?"
1995 01:53:03 What do we have now?
1996 01:53:09 We have each other…
1997 01:53:13 and we have the truth.
1998 01:53:22 [liquid bubbling]
1999 01:53:27 You're late, Bess Chapman.Docking you a penny.
2000 01:53:32 Oi.
2001 01:53:35 You're not welcome here no more.
2002 01:53:38 What are you doing? Oi!
2003 01:53:40 Get down.
2004 01:53:42 [yelling] Get down!
2005 01:53:44 Let her speak!
2006 01:53:49 [Sarah] A few weeks ago,
2007 01:53:52 Mae Izley, William Lyon, and I
2008 01:53:55 set out to prove something.
2009 01:53:59 To prove that this factorywas killing people,
2010 01:54:02 and they knew it.
2011 01:54:04 But they decided that profitmattered more than we did.
2012 01:54:08 -You're coming with me.-[Enola] Shh!
2013 01:54:11 It ain't typhus that's killing us.It's the phosphorus.
2014 01:54:15 What we work with every day.
2015 01:54:17 You lying little toerag.
2016 01:54:19 That's a penny off your wages!
2017 01:54:21 [whip snaps]
2018 01:54:23 These were our friends…
2019 01:54:27 our sisters…
2020 01:54:33 and our children.
2021 01:54:36 Well, it stops now.
2022 01:54:39 [pensive music playing]
2023 01:54:41 It's time for us to usethe only thing we have. Ourselves.
2024 01:54:45 It's time for us to refuse to work.
2025 01:54:49 It's time to tell 'em no.
2026 01:54:51 -Right, get back to work.-[Enola] No!
2027 01:54:55 You leave here, there is no coming back.
2028 01:54:59 You will not get employed here again.
2029 01:55:02 Well, will you join me?
2030 01:55:09 [Crouch] Think of your families.
2031 01:55:11 Don't do it, girls.
2032 01:55:13 It is not worth the risk.
2033 01:55:16 [Sarah] Well,
2034 01:55:18 will ya?
2035 01:55:20 [Crouch] This is how the world works.
2036 01:55:23 Please, girls.
2037 01:55:24 [pensive music continues]
2038 01:55:26 I know you're scared. I am too.
2039 01:55:28 But it's the only power we have!
2040 01:55:33 [Crouch scoffs]
2041 01:55:37 [Crouch] Right,
2042 01:55:40 get that machine back onand get back to work.
2043 01:55:43 [pensive music continues]
2044 01:55:49 [Sarah] Right.
2045 01:55:54 [Enola] No.
2046 01:55:56 This can't be their future.
2047 01:55:59 I'm sorry, Enola.
2048 01:56:00 [pensive music fades]
2049 01:56:04 [foot stomps]
2050 01:56:05 [suspenseful music plays]
2051 01:56:09 -[foot stomps]-[Crouch] Stop that.
2052 01:56:15 [suspenseful music continues]
2053 01:56:19 -[foot stomps]-Stop that.
2054 01:56:22 [foot stomps]
2055 01:56:24 [foot stomps]
2056 01:56:25 Be one voice.
2057 01:56:27 [foot stomps]
2058 01:56:29 [stick thuds]
2059 01:56:31 -[feet stomp in unison]-That's enough!
2060 01:56:33 [feet rhythmically stamp]
2061 01:56:45 Stop that!
2062 01:56:47 [stomping grows louder]
2063 01:56:50 [suspenseful music continues]
2064 01:56:52 [rhythmic stomping continues]
2065 01:56:57 Can't anyone control these bloody women?
2066 01:56:59 [stomping continues]
2067 01:57:01 [inspiring music plays]
2068 01:57:03 [stomping quickens]
2069 01:57:06 Come on, girls.
2070 01:57:07 [inspiring music swells]
2071 01:57:09 [women chattering indistinctly]
2072 01:57:12 [inspiring music continues joyously]
2073 01:57:44 -[man] Where are you going?-[Bessie] Westminster!
2074 01:57:50 There they go.
2075 01:57:52 That's a whole lot of noise.
2076 01:57:54 She likes causing trouble, doesn't she?
2077 01:57:57 It's as if she was molded that way.
2078 01:58:03 She still needs that haircut.
2079 01:58:06 [inspiring music fades]
2080 01:58:15 Seems your boy has learned how to fight.
2081 01:58:19 [Lestrade] Lord McIntyre.
2082 01:58:23 [handcuffs click]
2083 01:58:25 Indeed.
2084 01:58:27 He's not my boy.
2085 01:58:33 [Sherlock chuckles]
2086 01:58:35 [Sherlock] "Pay what you can."
2087 01:58:37 And what will people pay you in?Potatoes and gratitude?
2088 01:58:40 If that's all they have.
2089 01:58:41 You can deal with the hoits and toits.This is where I should be.
2090 01:58:45 Edith said she'll be kind with the rent.
2091 01:58:48 You know, you are aware, should you wishsome finer surrounds, I could, uh…
2092 01:58:54 [clicks tongue]
2093 01:58:56 I was thinking…
2094 01:59:00 Holmes and Holmes?
2095 01:59:04 A partnership?
2096 01:59:06 [heartwarming music plays softly]
2097 01:59:09 That is the kindest offer.
2098 01:59:12 But if I did that,I would always be in your shadow.
2099 01:59:16 Hm. Yes.
2100 01:59:21 Though I do like this new version of you.
2101 01:59:24 No one should be alone all the time.
2102 01:59:28 A friend would do you well.
2103 01:59:31 Perhaps I should write that down.
2104 01:59:37 I shall drop by to check on you.
2105 01:59:40 I would like that.
2106 01:59:41 Perhaps you could come to Baker Streetfrom time to time…
2107 01:59:47 to check on me.
2108 01:59:52 Perhaps we can fix on Thursday, 4 p.m.
2109 01:59:56 Thursday at 4:00 it is.
2110 02:00:00 It seems I shan't be the lastto interrupt you today.
2111 02:00:05 And he has flowers.
2112 02:00:07 [Enola chuckles awkwardly]
2113 02:00:09 -[Tewkesbury] Sherlock.-Tewkesbury.
2114 02:00:11 -See you on Thursday.-[Tewkesbury] Bye, Sherlock.
2115 02:00:15 [Enola giggles]
2116 02:00:19 [Edith clears throat]
2117 02:00:23 -[Edith] Sherlock?-Yes.
2118 02:00:24 Your paper.
2119 02:00:26 Thank you.
2120 02:00:27 And…
2121 02:00:30 thank you… for everything.
2122 02:00:38 [clears throat]
2123 02:00:39 [intriguing music playing]
2124 02:00:49 [newspaper rustles]
2125 02:00:51 [Enola] Tewkesbury, when did I give youthe impression that I like flowers?
2126 02:00:54 They're called Spreading Bellflowers.Wild, of course.
2127 02:00:58 Attracted to ancient woodland,wiry, deceptive,
2128 02:01:01 refuse to behave according to any rules,
2129 02:01:03 but their petals are so delicate,and their flowers--
2130 02:01:08 Two things.
2131 02:01:09 Your metaphor is tortured,and I don't have delicate petals.
2132 02:01:12 [Tewkesbury] Oh, and, and, and…
2133 02:01:14 It is an invitation to a ballbeing given by--
2134 02:01:18 Uh, I am not going to a ball with you.I got arrested at the last one.
2135 02:01:23 Well, all the more reason to dance again,wouldn't you say?
2136 02:01:26 -[Enola] You're a nincompoop.-[Tewkesbury] And you are a coward.
2137 02:01:30 [Enola] How dare you speak to a ladylike that? You are a disgrace, sir.
2138 02:01:33 [Tewkesbury] And yetyou still hold my arm.
2139 02:01:36 [Enola] And yet I still hold your arm.
2140 02:01:39 [uplifting music plays]
2141 02:01:51 [uplifting music continues triumphantly]
2142 02:02:02 -[uplifting music stops suddenly]-[film reel whirring]
2143 02:02:04 [clock chiming]
2144 02:02:09 [chiming continues]
2145 02:02:12 [knocking on door]
2146 02:02:18 [man] Sherlock Holmes?
2147 02:02:20 Yes.
2148 02:02:22 I'm here for my appointment.
2149 02:02:25 You're seeking a flatmate?
2150 02:02:28 -You must have the wrong address.-Really?
2151 02:02:32 The young lady was very clearas to the place a-and the time.
2152 02:02:37 -"Thursday at 4:00," she said.-[sighs]
2153 02:02:39 -[man] You are Sherlock Holmes?-Hm.
2154 02:02:42 Yes.
2155 02:02:44 Please, do come in, Mr…?
2156 02:02:46 Doctor.
2157 02:02:48 Watson.
2158 02:02:50 John Watson.
2159 02:02:51 [uplifting music resumes]
2160 02:03:23 [uplifting music continues]
2161 02:03:51 [uplifting music continues]
2162 02:04:16 [music fades to silence]
2163 02:04:18 [explosion]
2164 02:04:19 [thrilling orchestral music playing]
2165 02:05:48 [thrilling music intensifies]
2166 02:06:27 [thrilling music fades]
2167 02:06:36 [gentle instrumental music playing]
2168 02:07:34 [gentle music continues]
2169 02:08:45 [music fades to silence]