音乐大师 Maestro(2023)(EN)Subtitles

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1 00:00:08 ["Postlude from Act 1" playing on piano]
2 00:01:59 [sighs]
3 00:02:11 It's always better on the piano,I don't know why. [sniffles]
4 00:02:21 So to...
5 00:02:23 answer your question, yes,I carry her around with me quite a bit.
6 00:02:29 I've often seen her in the garden working.
7 00:02:33 Julia Vega swears that she's atthe top of the stairs every morning
8 00:02:36 when she comes down to do the laundry,
9 00:02:38 making sure she's separatingthe whites and the darks.
10 00:02:42 And our children are very jealousbecause they've never seen her.
11 00:02:49 I... I...
12 00:02:53 I miss her terribly.
13 00:03:03 [phone ringing]
14 00:03:13 [Leonard] Hello?
15 00:03:16 Yes.
16 00:03:18 [clears throat]
17 00:03:20 Of course.
18 00:03:24 Yes, I'm aware.
19 00:03:27 Oh.
20 00:03:29 Can you hold on one second, please?
21 00:03:30 [breathing heavily]
22 00:03:38 [lighter clinks]
23 00:03:43 That's terrible news. Is he gonna be okay?
24 00:03:48 No, I understand.
25 00:03:52 And no chance for a rehearsal?
26 00:03:55 Yes.
27 00:03:58 All right.
28 00:04:03 May I get three tickets for today?
29 00:04:06 [chuckles] Yes.
30 00:04:09 All right.
31 00:04:11 All right, yes, thank you.
32 00:04:13 [receiver clicks]
33 00:04:16 [breathing heavily]
34 00:04:34 [Symphonic Suitefrom "On the Waterfront" playing]
35 00:04:37 You got 'em, boy!
36 00:05:11 [music crescendos]
37 00:05:21 - Leonard, bellissimo.- Oh, yes.
38 00:05:22 Did you get any sleep?
39 00:05:23 No, I didn't get any sleep, Bruno."Manfred" starts on the downbeat rest,
40 00:05:26 and you didn't get me any rehearsalwith the orchestra.
41 00:05:28 I told you you were going on.
42 00:05:30 No, you told me it was a possibility.
43 00:05:32 [announcer] Good afternoon.
44 00:05:33 United States Rubber Companyagain invites you to Carnegie Hall,
45 00:05:36 to hear a concert of the New YorkPhilharmonic Symphony Orchestra
46 00:05:40 of which Artur Rodziński ismusical director.
47 00:05:43 Bruno Walter, who was to have conductedthis afternoon, is ill,
48 00:05:46 and his place will be taken by the youngAmerican-born assistant conductor
49 00:05:50 of the Philharmonic Symphony,Leonard Bernstein.
50 00:05:57 [audience applauding]
51 00:06:09 [breathes deeply]
52 00:06:17 [orchestra playing"Manfred Op. 115 Overture"]
53 00:06:30 Today, you were herefor an historic performance.
54 00:06:34 This performance that was fantasticwas broadcast all over the world.
55 00:06:39 And I feel obliged to saythat Maestro Bernstein
56 00:06:44 was called this morning at 9:30
57 00:06:46 and he was told thathe would actually conduct here
58 00:06:49 - for the first time after many years--- Without rehearsal.
59 00:06:52 - Without rehearsal.- [crowd laughing]
60 00:06:54 But he loves the music,he doesn't need rehearsal,
61 00:06:57 he feels it so much.
62 00:06:58 And after many years,he really wanted this,
63 00:07:01 it has happened and I'm so proud.
64 00:07:03 Carnegie Hall is so proud of youand New York is proud of you.
65 00:07:07 Leonard Bernstein.
66 00:07:08 - [all applauding]- Thank you. Thank you. Thank you.
67 00:07:17 I'll tell you fellas, I don't remembera thing after that downbeat rest.
68 00:07:20 I must've blacked out and thenwhen the audience applauded I came to.
69 00:07:23 Don't let this get in the way.We're on a roll here, baby.
70 00:07:26 I wanna choreograph the segmentwith the dancers while in Cincinnati.
71 00:07:29 Jerry, I'm in love with the music.I told you.
72 00:07:32 As soon as I have something,I'll record and send it to you.
73 00:07:34 This the new ballet he's composing?
74 00:07:36 About three sailors on leave in New Yorkgetting up to no good?
75 00:07:39 - That's the one.- Don't argue with him.
76 00:07:41 He's a young man to be reckoned with.You can read it here.
77 00:07:44 - David, please.-"Bernstein shows mastery of score."
78 00:07:47 "Youthful conductor carries outan exacting program--"
79 00:07:49 Sure, right next to Hitler's bombingof Poland.
80 00:07:52 - [knock on door]- Come on in, it's open.
81 00:07:55 - Sorry, gentlemen--- No, no, he likes leaving the door open.
82 00:07:58 Hey, Isaac, you know Davidand that's Jerry Robbins.
83 00:08:01 - Hi.- Hello. We've got to get downstairs.
84 00:08:03 - You're an hour late--- I'm just working on the score--
85 00:08:05 - Rodziński's coming early--- Rodziński's here?
86 00:08:08 - Okay, I'll be down in a second.- Isaac.
87 00:08:10 Don't forget your show pony hereis a composer.
88 00:08:12 ["Fancy Free - Galop" playing]
89 00:08:45 I'm learning not to do it so hard, right?
90 00:08:48 - It's perfect.- I always get so...
91 00:08:50 overzealous.
92 00:08:52 - I get too excited.- Right.
93 00:08:54 Both your feet in my lap.I don't know what to do with it.
94 00:08:57 I don't know what to do with myself.It's just too much.
95 00:09:01 - I think--- It's too much for one man.
96 00:09:03 - Because it was on the liver spot?- No.
97 00:09:05 It's too much for one man to take.Honestly, David.
98 00:09:10 I mean, I'll never leave the apartment.
99 00:09:12 - That's the reality.- Please don't.
100 00:09:19 Dear Jerry,
101 00:09:20 this is an impromptu apologyfor the record
102 00:09:23 which isn't so very bad,but it's not so very good either.
103 00:09:26 I'm looking through the score now, exhausted,
104 00:09:28 and everything's okay up to number three
105 00:09:31 when all the counterpoint comes inwith the two pianos.
106 00:09:34 I'm afraid it's sort of messy there.
107 00:09:37 Anyway, it's hard to do on two pianos,
108 00:09:39 so with an orchestra,I think it'll be very clear.
109 00:09:41 And pardon all the mistakes.
110 00:09:44 But it was all Aaron Copland's fault.[chuckles]
111 00:09:46 - [Aaron] It was all my fault.- And there he sits now.
112 00:09:49 - [Aaron] That's not true.- Anyway...
113 00:09:54 I'll leave it to you to figure out,Mr. Robbins,
114 00:09:56 how to dance to this type of music, but,
115 00:09:58 give my love to everybodyand the thing, and, uh... [chuckles]
116 00:10:02 I hope you like it. Good luck, Jerry.
117 00:10:05 All right, got to get to rehearsal.
118 00:10:07 - I got it.- You do?
119 00:10:08 - Yeah.- You're such a chap.
120 00:10:10 It's downstairs andyou're still going to be late.
121 00:10:12 Put in a word for me with Rodziński.
122 00:10:14 I will. I'm not his favorite, but I will.
123 00:10:16 - Love you, baby.- Love you.
124 00:10:20 ["Lonely Town - Pas de deux" playing]
125 00:11:06 ["I Get Carried Away" by Adolph Greenand Betty Comden playing]
126 00:11:09 ♪ I try hard to stay controlled ♪
127 00:11:12 ♪ But I get carried away ♪
128 00:11:15 ♪ Try to act aloof and cold ♪
129 00:11:18 ♪ But I get carried away ♪
130 00:11:20 ♪ Carried away ♪
131 00:11:22 ♪ Carried awayYou get carried, just carried away! ♪
132 00:11:27 ♪ And when I go to seeA moving picture show ♪
133 00:11:30 ♪ And I'm watching actors in a scene ♪
134 00:11:32 ♪ I start to thinkWhat's happening is really so ♪
135 00:11:35 ♪ The girl, I must protect her ♪
136 00:11:36 ♪ The villain don't respect her ♪
137 00:11:38 ♪ I leap to her defense ♪
138 00:11:39 ♪ And knock a holeRight through the screen! ♪
139 00:11:41 ♪ Carried away, carried away ♪
140 00:11:43 - ♪ He gets carried ♪- ♪ We get carried ♪
141 00:11:45 ♪ Just carried away! ♪
142 00:11:51 [all applauding]
143 00:11:54 Brilliant, but... but what no one here knows
144 00:11:59 is how he beat the sopranoout of his poor baby sister
145 00:12:03 performing all those operaswhen we were children.
146 00:12:05 Let that be fair warning to youand to everyone.
147 00:12:09 Hello.
148 00:12:11 Thought you might be here.You've certainly been making the rounds.
149 00:12:14 Have you met the gang?
150 00:12:15 - No.- Betty and Adolf, they're a riot.
151 00:12:18 - Hello.- Hello.
152 00:12:19 Ellen. Of course, you've run into herat another studio, no doubt.
153 00:12:22 Hello, Felicia.
154 00:12:24 Who did I miss? Have I missed anyone?
155 00:12:26 Just the piano player.
156 00:12:28 [Shirley] Well, I figuredyou needed no introduction.
157 00:12:30 - Hello. I'm Lenny.- Hello. Felicia.
158 00:12:33 Bernstein, like that one.
159 00:12:35 Montealegre.
160 00:12:36 Montealegre?
161 00:12:38 - Montealegre Cohn.- Cohn?
162 00:12:41 Montealegre Cohn.
163 00:12:43 Well, that's an interestingmarriage of words.
164 00:12:45 ["You've Got That Look"by Friedrich Hollaender playing]
165 00:12:49 ♪ You've got that look ♪
166 00:12:51 ♪ That look that leaves me weak ♪
167 00:12:54 ♪ You with yourEyes across the table technique ♪
168 00:12:58 You come from an aristocraticEuropean family on your mother's side,
169 00:13:02 and your father is Americanand he's Jewish
170 00:13:04 and you moved to Chile because--
171 00:13:06 - It's amazing, I remember all this.- I know.
172 00:13:08 I don't know how.
173 00:13:09 You moved to Chilebecause of your father's business.
174 00:13:12 And now you're firmly plantedin New York City studying...
175 00:13:16 piano, but you'reactually studying acting.
176 00:13:19 A career which demands the versatilityto play a panoply of characters.
177 00:13:22 And that is my conclusion,
178 00:13:25 that you, my dear, are very similar to me.
179 00:13:27 - How?- Because you had to take
180 00:13:29 all the pieces, all the bits of youscattered across these varied landscapes
181 00:13:33 and form, create the veritable personthat stands before me now.
182 00:13:36 How is that similar?
183 00:13:38 - You just asked me and I told you.- I know. Okay.
184 00:13:40 Russian Orthodox Jew.
185 00:13:42 - Growing up in Boston.- Oh, someone else was listening.
186 00:13:44 - Child of immigrants.- Yes.
187 00:13:45 Your father's a self-made businessman.
188 00:13:47 Steeped in Talmud. Harvard.
189 00:13:50 - Then Curtis School for Music--- Institute.
190 00:13:51 Institute of Music in Philadelphia.
191 00:13:53 Now firmly planted here in New York Citypursuing composition and conducting.
192 00:13:57 Under the guise of a concert pianistdrawn to this artistic Mecca,
193 00:14:01 fleeing my puritanical originsjust like you.
194 00:14:03 Surely your family wasa tad more supportive.
195 00:14:06 My father imagined me a klezmer,playing for kopecks on the street corner,
196 00:14:10 desperate for me to jointhe family business to make a living.
197 00:14:12 What was the family business?
198 00:14:15 - Samuel J. Bernstein Hair Company.- [laughing]
199 00:14:17 - Really?- Yes.
200 00:14:18 So I had no choicebut to become a composite of
201 00:14:21 adopted speech,manner and outlook on life,
202 00:14:23 a composite, which enables me to bemany things at once.
203 00:14:26 And that's why, we, you and I,are able to endure and survive
204 00:14:30 'cause the world wants us to beonly one thing and I find that deplorable.
205 00:14:34 I find you very attractive, Felicia.
206 00:14:36 ♪ Carried away, carried away ♪
207 00:14:39 ♪ You got carried away ♪
208 00:14:41 It's really too much. I'm very sorry.
209 00:14:44 Wait! Wait!
210 00:14:45 ["Trouble in Tahiti" playing]
211 00:14:46 Go! Go! Go!
212 00:14:58 Oh, I like that.
213 00:15:00 You've a lot of energy,have to tell you.
214 00:15:03 I'm just following you.I don't know where.
215 00:15:05 I've never been in this part of town.
216 00:15:06 I can't imagine youbeing in a place like this.
217 00:15:09 - Now, you go in here.- Okay.
218 00:15:11 - Just on the stage-- Take your shoes off.- Oh.
219 00:15:14 Okay. Where do I put them?
220 00:15:15 Over on the other side.
221 00:15:21 - Where are you going?- I'm just getting the script.
222 00:15:26 - The script?- Yes.
223 00:15:27 - Would I have to act too?- What?
224 00:15:30 - Do I have to do something?- Well... maybe.
225 00:15:35 Now I'm nervous.
226 00:15:37 You should be nervous.
227 00:15:41 Well, this is just lovely.
228 00:15:44 This is just lovely.
229 00:15:52 I'm going to read a scenewith Maestro Bernstein.
230 00:15:55 I better make a show of myself.
231 00:15:57 Maestro Bernstein?That sounds very fancy.
232 00:15:59 - Here.- Okay. We're gonna read it.
233 00:16:01 - We're actually gonna do it.- Yes.
234 00:16:03 - I'm the king?- You're the king, and this is your castle.
235 00:16:05 Oh, wonderful.
236 00:16:07 Now, even though you are the king,
237 00:16:09 - you're quite taken with me.- Yes.
238 00:16:12 So, you decided to give me a white rosefrom your crown.
239 00:16:16 Of course I did.
240 00:16:17 No, you don't have it yet.I have to give it to you.
241 00:16:20 - Here's your flower.- I didn't read the play.
242 00:16:22 - I know.- Hold on.
243 00:16:23 Can you hold this for me, please?All right.
244 00:16:27 Since I'm the king...
245 00:16:31 who's in love.
246 00:16:37 A gift for me, my liege?
247 00:16:41 Oh, that's very good.
248 00:16:43 - It's your line.- Oh, uh...
249 00:16:46 "With your little spots of wax,white rose,
250 00:16:49 you look like the extravagantly handsher the flower--"
251 00:16:52 No, no, no. [chuckles]
252 00:16:54 "You look like the eye...
253 00:16:58 of a broken moon."
254 00:17:00 [chuckles] You are terrible.
255 00:17:04 What's your line?
256 00:17:06 "You're always changing, my love."
257 00:17:11 "I didn't see you yesterday."
258 00:17:14 "But I looked at your horse."
259 00:17:17 "It's so beautiful."
260 00:17:20 "But not as beautiful as you are...
261 00:17:23 because you are a dragon."
262 00:17:40 "I believe you couldbreak me in two with your arms,
263 00:17:44 as weak as I am...
264 00:17:47 like frost
265 00:17:49 burned in the sun."
266 00:17:52 [switch clicks]
267 00:17:54 [Joseph] That's a bit better,isn't it, Ms. Montealegre?
268 00:17:56 Little more light?
269 00:17:58 - Why, thank you, Joseph.- Oh, Joseph, I apologize.
270 00:18:02 I got nervous. I thought it was a spiderand I tried to kill it with my jacket.
271 00:18:07 Give the stage door a shoveon your way out. It'll lock on its own.
272 00:18:10 [Leonard] Thank you, Joseph.
273 00:18:11 [Felicia] Good night. Marvelous.Thank you, Joseph.
274 00:18:17 You didn't tell meyour father owns this place.
275 00:18:19 [Felicia laughs]
276 00:18:21 Is this how you lure inall your male suitors?
277 00:18:24 No, I... I rarely stay up past 9:00.
278 00:18:27 Hold on a sec.You made an exception for me?
279 00:18:33 I thought maybe you were worthmaking an exception for.
280 00:18:35 Oh, well,I hope it doesn't cost you too much.
281 00:18:39 How can I make it worth your while?Oh, I've got it.
282 00:18:42 - Something's wrong.- What?
283 00:18:46 - What's your character's name?- Um...
284 00:18:49 - Margaret.- Margaret.
285 00:18:50 [both laugh]
286 00:18:51 - Margaret.- Yes.
287 00:18:53 - And you're the understudy?- Yes.
288 00:18:55 I think you should be Margareteight shows a week.
289 00:18:58 Front and center.
290 00:18:59 - If it's fear that's stopping you--- There are many things stopping me
291 00:19:02 but fear isn't one of them.
292 00:19:04 I wouldn't be standing herein front of you...
293 00:19:07 I wouldn't even be in New York Cityif fear got the better of me.
294 00:19:12 It's just not that easy.
295 00:19:14 We'd be fools not to think that
296 00:19:15 luck plays a partas well as talent and determination.
297 00:19:18 - I'm a perfect example of that.- Oh, you must be joking.
298 00:19:21 If Bruno Walter hadn'tgotten sick that fateful day
299 00:19:24 and Rodziński snowed in upstate,I never would've had my debut.
300 00:19:27 I'd be teaching pianoto little eight-year-olds who complain--
301 00:19:30 If it wasn't that day,it would've been another.
302 00:19:33 - Is that what you think?- Yes, I know it.
303 00:19:36 - Really?- Of course.
304 00:19:38 And don't forget... you are a man.
305 00:19:43 I never do.
306 00:19:46 Right.
307 00:19:50 Oh, my God.
308 00:19:52 - ["Paris Waltz (Candide)" playing]- [audience applauding]
309 00:20:32 Bravo!
310 00:20:38 You were marvelous.
311 00:20:41 Oh, my goodness.Shirley, it was very kind of you to come.
312 00:20:44 - I brought Richard Hart and his wife, Lil.- No.
313 00:20:47 Dick is rehearsinghis new Broadway show with Eva Gabor
314 00:20:50 and he is not long for this marriageand, well, I think he is your type.
315 00:20:56 - What type is that?- Same as mine,
316 00:20:58 unavailable.
317 00:21:01 Marvelous.
318 00:21:03 [Felicia] Ah, ah...
319 00:21:05 It's so kind of you to come.
320 00:21:07 I just love Dark of the Moon.
321 00:21:09 Oh, stop. You're marvelous.
322 00:21:11 The production is betterfor you being in it.
323 00:21:14 It's only for the week,but that's kind of you to say.
324 00:21:16 If they had any sense,they'll tell Ms. Jones to stay in bed.
325 00:21:20 You really are wonderful.
326 00:21:22 - Dear.- Thank you, it's so kind of you to come.
327 00:21:24 - My pleasure.- Thank you.
328 00:21:25 - Come have a bite with us.- Oh, I, uh...
329 00:21:29 I can't, I'm catching the trainto Tanglewood in the morning.
330 00:21:32 - Tanglewood?- Mmm.
331 00:21:34 You're going to see my brother.
332 00:21:35 - Well, don't look so surprised.- I'm not... I just...
333 00:21:40 He didn't mention it.
334 00:21:43 Well...
335 00:21:45 - Perhaps he was being discreet?- My brother?
336 00:21:49 I doubt it.
337 00:21:56 - [Felicia] No, try again.- Oh, gee, it's six.
338 00:21:58 - [Felicia] No!- Eight.
339 00:22:00 - Terrible.- It's four...
340 00:22:01 - No.- Three.
341 00:22:02 Well, it has to be seven then.
342 00:22:04 Can you try to just concentrate?
343 00:22:06 Maybe I should stopand think for a second.
344 00:22:08 You just stop and think'cause I am sending it to you
345 00:22:12 right now.
346 00:22:13 - Twenty.- No.
347 00:22:14 [both laugh]
348 00:22:17 No.
349 00:22:19 So, how long do we have to do this for?
350 00:22:21 Well, we need to build upa very strong connection.
351 00:22:24 - I can't. I don't know what you're doing.- Hmm?
352 00:22:27 You could be buildinga bomb back there for all I know.
353 00:22:30 No.
354 00:22:32 - I'm just very terribly relaxed.- Blow the whole place up.
355 00:22:36 Aren't you?
356 00:22:39 - Yes, I am.- Are you?
357 00:22:40 Yes.
358 00:22:41 I've never seen you sit still for so long.
359 00:22:47 - Are you itching to move?- No, I'm not.
360 00:22:50 - Good.- Actually, at all.
361 00:22:57 ["Facsimile" by Leonard Bernstein playing]
362 00:23:01 Come here, I'll do it.
363 00:23:03 My goodness.
364 00:23:05 - I'm useless, aren't I?- You are.
365 00:23:07 Where am I going?
366 00:23:08 - Here, stand there. Not this one.- Okay.
367 00:23:10 - Not.- Oh, why not?
368 00:23:11 Well... a bit garish maybe?
369 00:23:16 Doesn't look bumbling so much.
370 00:23:18 I like this.
371 00:23:28 I love your smell.
372 00:23:29 - You do?- I do.
373 00:23:35 It's my father.
374 00:23:38 Isn't that odd?
375 00:23:42 I used to just love...
376 00:23:45 wrapping myself up
377 00:23:47 in his trench coat,
378 00:23:48 when he would walk in the doorat night from work...
379 00:23:54 That smell would intoxicate me.
380 00:24:00 I always associated it with feeling safe.
381 00:24:06 [Kouss] She's so beautiful.Tell me about her.
382 00:24:08 - She's wonderful. She's a lovely girl.- Yes.
383 00:24:11 - And we're just--- Where did you meet?
384 00:24:13 - We met at a party at Claudio Arrau's.- Ah.
385 00:24:16 So, Felicia, are you an actress?
386 00:24:18 - [Leonard] Marvelous actress, yes.- No, I am.
387 00:24:20 - [Leonard] Of course you are.- No, I am.
388 00:24:22 Unbelievably, I am.
389 00:24:24 - He is not.- No, horrible.
390 00:24:26 - No, I am.- Screen tested once in LA
391 00:24:28 - and it was horrible.- Terrible actor.
392 00:24:30 They sent me to Hollywoodand put me on camera
393 00:24:32 and said, "Thank you, here's a one-wayticket back to New York City."
394 00:24:37 - [Felicia] Oh, no.-"Oh, no" is right.
395 00:24:39 He was a student hereat our inaugural summer and now...
396 00:24:44 he's everyone's favorite teacher
397 00:24:46 and you can't even get into the shedwhen he's conducting the student orchestra
398 00:24:50 because it's so full.
399 00:24:52 - It's only because I love them so much.- [Aaron] And they love you.
400 00:24:55 [Kouss] Tell me what happenedwith the Rochester Philharmonic.
401 00:24:58 - Oh, they passed me over.- [Kouss] Yes, I know.
402 00:25:03 They thought I was spendingtoo much time with you in Boston.
403 00:25:07 - Is that the reason?- I believe it was.
404 00:25:10 [Aaron] We should really discuss"Our Town" if you have...
405 00:25:12 [Kouss] Running off to Hollywood?
406 00:25:16 - Wasting time on musical theater...- I promise,
407 00:25:18 I'm giving up musical theater.
408 00:25:19 Lenny, you are responsibleon account of your gifts.
409 00:25:25 He can bethe first great American conductor.
410 00:25:29 [Olga and Kouss speaking Russian]
411 00:25:31 [in English]But he would have to conduct his life
412 00:25:37 in such a way that when he comes outon stage to lead his orchestra,
413 00:25:42 he can truthfully say to himself,"My life and my work are clean."
414 00:25:48 [Olga and Kouss speaking Russian]
415 00:25:50 [in English] And the name...
416 00:25:52 To a Bernstein,they will never give an orchestra.
417 00:25:57 But a Burns?
418 00:26:02 Leonard S. Burns.
419 00:26:09 - I'd have to sleep on that.- I used to entertain people
420 00:26:12 on the traingoing back and forth to Moscow.
421 00:26:16 And upon every arrival,I had to return straightaway
422 00:26:19 because, of course,as Jews, we weren't allowed to live there.
423 00:26:25 I never saw the city.
424 00:26:27 Not once.
425 00:26:29 But I got to play.
426 00:26:33 [speaking Russian]
427 00:26:36 [in English] I want to see them.
428 00:26:39 See what?
429 00:26:40 All the thingsMaestro Koussevitsky wants you to give up.
430 00:26:43 All the music you've made.
431 00:26:46 - You do? We can't just leave.- Yes.
432 00:26:49 Oh, yes, we can.
433 00:26:50 ["Fancy Free: I. Enter Three Sailors"by Leonard Bernstein playing]
434 00:27:20 Unbelievable.
435 00:27:39 Why would you ever want to give this up?
436 00:27:41 - It's so wonderful.- It's not serious music, is it?
437 00:27:43 Well, what does that mean?
438 00:27:46 Well, it means...
439 00:27:48 he thinks I could bethe first great American conductor.
440 00:27:51 Is that what you want?
441 00:27:54 I want a lot of things.
442 00:27:57 ["Three Dance Variations"by Leonard Bernstein playing]
443 00:28:41 [snaps fingers]
444 00:29:19 ["New York, New York"by Leonard Bernstein playing]
445 00:29:59 ♪ New York, New York! ♪
446 00:30:04 ♪ It's a hell of a town! ♪
447 00:30:11 [Felicia] How do you feel?
448 00:30:15 [softly] I think it's better.
449 00:30:16 - Is it okay if I put my head like this?- [clears throat]
450 00:30:20 - It's terribly embarrassing.- No.
451 00:30:24 - No.- It's as if I don't--
452 00:30:26 If I just don't breathe, I'll be fine.
453 00:30:28 Just... No.
454 00:30:31 - It happens every time.- Every time what?
455 00:30:35 - What do you mean?- Every time I go to bed
456 00:30:38 - that I'm not used to.- Oh, I see.
457 00:30:40 - Well, you implied.- Well, I don't know what you meant.
458 00:30:43 - I was just...- Oh, goodness.
459 00:30:45 - It's the lower spine...- Do you take any pills or anything?
460 00:30:48 - I take plenty of pills.- No, I mean, sure you do,
461 00:30:51 but, I mean, specifically for this.
462 00:30:53 [groans, exhales]
463 00:30:55 - Oh, dear. I'm sorry.- Hmm.
464 00:30:59 You poor thing.
465 00:31:03 - That's much better, being on the floor.- Yes.
466 00:31:05 Much better. Thank you. It's a great idea.
467 00:31:08 You set it all up with the pillows.
468 00:31:10 - You really do take care of me.- I wanted to make you comfortable.
469 00:31:15 I have a game we can play.Envy and Secrets.
470 00:31:17 - You know that game?- No.
471 00:31:19 We both tell each other a secret,then we tell each other something
472 00:31:22 that we're envious ofand then we become closer.
473 00:31:25 But I feel pretty close already.
474 00:31:27 You certainly seem closerthan 20 minutes ago.
475 00:31:30 - Okay.- I saw different sides of you
476 00:31:32 - that I've only sort of dreamt about.- Oh, goodness.
477 00:31:36 Okay.
478 00:31:38 You go first.
479 00:31:39 Do you wanna saysomething you're envious of
480 00:31:41 or something that's a secret?
481 00:31:44 Tell me a secret.
482 00:31:45 - Oh, I'm gonna tell you a secret?- Yes.
483 00:31:47 - Did I just ash on you...- No.
484 00:31:50 Okay.
485 00:31:53 Well, when I was a boy...
486 00:31:56 [Felicia] Mmm.
487 00:31:59 ...I used to have dreamswhere I would kill my father.
488 00:32:06 And the thing of it is, I would wake upfrom the dream and I'd sit in bed...
489 00:32:13 and I would just fantasize about it...
490 00:32:17 'cause he was so cruel.
491 00:32:35 Sometimes I just can't...
492 00:32:37 Can't seem to find myself.
493 00:32:47 Well...
494 00:32:53 I agree, by the way.
495 00:32:56 - About what?- About the name.
496 00:33:01 Felicia Burns.
497 00:33:04 It has absolutely no luster.
498 00:33:09 I mean, it just sounds wrong.
499 00:33:14 - Well, your sound soothes me... God.- Does it?
500 00:33:19 I actually envy the airthat gets to funnel its way through you.
501 00:33:22 Out of my mouth, I hope.
502 00:33:24 - Well, any which way, actually.- No.
503 00:33:26 I never thought of it like that.
504 00:33:28 But it would definitely be some
505 00:33:31 tonal pitch variationsif it came out the other end, wouldn't it?
506 00:33:35 Just as pleasing, I assume.
507 00:33:37 - Am I shaking?- You're disgusting. Yes.
508 00:33:49 Those eyes...
509 00:33:53 You don't even knowhow much you need me, do you?
510 00:34:01 I might.
511 00:34:08 Sweetie, that wasbetter than Philadelphia.
512 00:34:10 - Really?- It took everything from me
513 00:34:12 - not to leap right into the orchestra.- You're too kind.
514 00:34:15 Did I tell you about the girl?The girl that I wrote letters... Felicia.
515 00:34:22 - The one I wrote about.- Yes, yes.
516 00:34:27 This is David and he plays the clarinet.What else does he--
517 00:34:31 - I play the clarinet.- [Felicia] I can see.
518 00:34:33 - And he's extraordinary.- Yes.
519 00:34:35 Oh, well, I was listening,you were wonderful.
520 00:34:39 You as well. Broadway star.
521 00:34:41 Oh, no.
522 00:34:44 [Leonard] We're gonna have lunchwith Kouss, otherwise we'd...
523 00:34:46 What about later?Have a drink or something?
524 00:34:49 I would love that, yeah.
525 00:34:54 - I didn't mean to spring that on you.- No, that's all right.
526 00:34:58 - Maybe that was insensitive of me.- No.
527 00:35:00 Not at all.
528 00:35:04 - So, we'll see you later on.- Yes.
529 00:35:07 Okay, let's go. Come on.Come on, little birdy!
530 00:35:12 - Lovely to meet you.- [Felicia] Lovely to meet you.
531 00:35:17 ["For Felicia Montealegre"by Leonard Bernstein playing]
532 00:35:30 Oh, life is not that serious.Honest, it isn't.
533 00:35:33 What age are we living in?One can be as free as one likes
534 00:35:36 without guilt or confession.Please, what's the harm?
535 00:35:39 I know exactly who you are.
536 00:35:43 Let's...
537 00:35:46 give it a whirl.
538 00:36:03 - Yes.- Yes?
539 00:36:05 - I mean--- No!
540 00:36:06 - Not here.- No, not here.
541 00:36:08 No, it's not how I meant it to be.
542 00:36:15 [Edward] Leonard Bernstein isa composer, conductor and pianist.
543 00:36:19 His wife, Felicia Montealegre,is an actress.
544 00:36:21 Both lead full, professional lives,but they're seldom apart.
545 00:36:25 Mr. Bernstein is 37 years old
546 00:36:28 but he has been in the public eyefor a dozen years.
547 00:36:30 From the timehe substituted for Bruno Walter
548 00:36:33 to conduct the Philharmonic Symphonyat the age of 25,
549 00:36:36 since then, Leonard Bernstein hasconducted or played all over the world.
550 00:36:40 And he's writtensymphonies, ballets, and opera,
551 00:36:43 as well as scoresfor the Broadway musical Wonderful Town
552 00:36:46 and the motion picture On the Waterfront.
553 00:36:49 Felicia Montealegre came to Broadwayand American television
554 00:36:52 from Santiago, Chile.
555 00:36:54 She was one of television's firstfull-fledged dramatic stars.
556 00:36:59 The Bernsteins, Leonard, Feliciaand their children,
557 00:37:02 Jamie and two-months-old Alexander,
558 00:37:04 live in New York Citynear Carnegie Hall and Broadway.
559 00:37:08 They've been here for about three years.
560 00:37:10 Good evening, Felicia.
561 00:37:11 - Hello, Ed.- Good evening, Lenny.
562 00:37:13 - How are you, Ed?- Good.
563 00:37:14 Lenny, it's always, for me,
564 00:37:16 rather difficultto classify you professionally
565 00:37:18 since you do so many thingsat the same time.
566 00:37:21 What do you consideryour primary occupation?
567 00:37:23 I guess I'd have to say thatmy primary occupation is musician.
568 00:37:28 Anything that has todo with music is my province,
569 00:37:31 wouldn't you say?Whether it's composing it
570 00:37:33 or conducting it, or teaching it,or studying it, or playing it.
571 00:37:36 As long as it's music,I like it and I do it.
572 00:37:39 [Edward] Felicia, do you have troublekeeping up with Lenny's activities?
573 00:37:42 It gets pretty hard.He's taken on many activities.
574 00:37:45 This season promises to bea very hectic one.
575 00:37:47 Among them,he's writing two musical shows.
576 00:37:49 One of them is an adaptation,
577 00:37:51 Romeo and Juliet,that's West Side Story
578 00:37:54 with Jerry Robbins and Arthur Laurents
579 00:37:56 and wonderfully-talented young lyricistStevie Sondheim.
580 00:37:59 And then he's doingfour feature presentations
581 00:38:02 in Omnibus,the CBS television program.
582 00:38:05 And, um...
583 00:38:08 - Was that right?- You know my schedule better than I do.
584 00:38:11 [Edward] Felicia, what about you?
585 00:38:12 Are you engaged in other thingsbesides acting?
586 00:38:15 Well, it gets pretty hard to do much morethan take care of this household.
587 00:38:20 My husband, the children, and acting takesthe rest of the time that's left over.
588 00:38:27 - And memorizing my projects.- Well...
589 00:38:29 I can't help that.
590 00:38:30 Lenny, what's the big differencein the life
591 00:38:33 of Composer Bernsteinand Conductor Bernstein?
592 00:38:36 Well, I sup...
593 00:38:38 I suppose it's a difference. It's...
594 00:38:41 a personality differencewhich occurs between any composer
595 00:38:44 versus any...or any creator versus any performer.
596 00:38:48 Any performer, whether it's
597 00:38:50 Toscanini or Tallulah Bankhead,whoever it is,
598 00:38:53 leads a kind of public life.
599 00:38:56 An extrovert life, if you will.
600 00:38:57 It's an oversimplified word,but something like that.
601 00:39:00 Whereas a creative person, uh,
602 00:39:04 sits alone in this great studiothat you see here
603 00:39:07 and writes all by himself and...
604 00:39:09 communicates with the worldin a very private way and...
605 00:39:14 and lives a rather...
606 00:39:17 grand inner liferather than a grand outer life.
607 00:39:22 And if you carry aroundboth personalities...
608 00:39:27 I suppose that means you becomea schizophrenic and that's the end of it.
609 00:39:31 [Edward] Felicia, you must beinterested in music too, aren't you?
610 00:39:36 ["To What You Said"by Leonard Bernstein playing]
611 00:39:38 [Jamie] Daddy.
612 00:39:41 Daddy!
613 00:39:44 Catch!
614 00:39:53 [Leonard chuckles]
615 00:39:57 Well, I love you too, darling.
616 00:40:01 So much. Thank you.
617 00:40:13 Well, hello, children of Zeus!
618 00:40:16 My man!
619 00:40:17 - Hello, Lenny.- Hello.
620 00:40:19 What a lovely surprise.
621 00:40:21 That's why I love New York City.
622 00:40:22 Come out of your apartment
623 00:40:24 and all of suddenyou just run into people that you love.
624 00:40:27 - I'm going downtown. Oh.- [David] So am I.
625 00:40:30 [Ellen] Well, we're cuttingacross the park to go to Saks
626 00:40:32 - before the deluge.- Who are you? Hello. Hello.
627 00:40:36 Hello, you're so beautiful.You're so precious.
628 00:40:40 Can I tell you a secret?
629 00:40:42 Do you knowI slept with both your parents?
630 00:40:44 Too much, isn't it? Too much.
631 00:40:46 I love too much, what can I say?But I'm reining it in.
632 00:40:48 I'm reining it in!
633 00:41:42 See those people across the avenuestaring at us?
634 00:41:47 Saying, "It can't be him.He's much better-looking on television."
635 00:41:51 "Certainly has Leonard Bernstein's earsthough, doesn't he?"
636 00:41:57 "Can that be him? Is that possible?"
637 00:42:07 How embarrassing.We don't even have silverware.
638 00:42:10 - Here.- Oh, I'm sorry, darling.
639 00:42:12 What's wrong with the silverware?We don't need it.
640 00:42:15 I ordered the Chinese food, remember?
641 00:42:18 The problem is we need thosefucking curtains so I can sleep.
642 00:42:21 Walk around like a zombie.
643 00:42:23 Scare all our children.
644 00:42:25 - Do we have children in this house?- We do.
645 00:42:27 I don't know how the Bergs do it.Three children.
646 00:42:30 Three! I know, it's unbelievable. Unreasonable.
647 00:42:33 Alex doesn't make any noise.I think we'll be fine.
648 00:42:35 - No, for now.- Sleeps all day.
649 00:42:37 - Alexander, our sleeping little baby.- He won't sleep for long.
650 00:42:40 - It's like he isn't even real.- No.
651 00:42:43 Dream baby.
652 00:42:49 I'm sad, darling,and I don't know why.
653 00:42:53 Darling, you're so tired.You just need to sleep.
654 00:42:57 Yes.
655 00:43:01 Summer sang in me a little while,it sings in me no more.
656 00:43:08 Edna St. Vincent Millay.
657 00:43:10 If the summer doesn't sing in you,
658 00:43:14 then nothing sings in you.
659 00:43:17 And if nothing sings in you,
660 00:43:20 then you can't make music.
661 00:43:29 There's a price for beingin my brother's orbit, you know that.
662 00:43:32 As much as he'd love to believethe opposite is true.
663 00:43:35 [Felicia] I supposeI do understand what you mean.
664 00:43:38 Well, it's very strange, but I...
665 00:43:40 I do believethere is that in everybody.
666 00:43:43 One wishes to make adjustments to oneself.
667 00:43:47 [Leonard] This way.
668 00:43:50 But...
669 00:43:53 having this impositionof a strong personality,
670 00:43:56 it's like a way of death.
671 00:43:58 Really.
672 00:43:59 Yet the moment I see thatthat is making him suffer,
673 00:44:03 well, I realize it's not worth it.
674 00:44:05 No. What for? It isn't going to kill me.
675 00:44:07 If it was going to give him pleasureor stop him from suffering
676 00:44:10 and it's in my power to do itthen what the hell?
677 00:44:13 But one has to do itcompletely without sacrifice.
678 00:44:17 And if there's going to be a sacrifice,then I disappear.
679 00:44:23 Good?
680 00:44:25 Oh! [laughs]
681 00:44:31 That time, that time really was good!
682 00:44:43 ["St. Louis Blues" by W.C. Handy playing]
683 00:45:03 ["Adagietto" by Gustav Mahler playing]
684 00:46:45 [music crescendos]
685 00:46:52 [audience applauding]
686 00:47:38 [music fades]
687 00:47:49 - [Mendy] Wicker!- Oh, my God!
688 00:47:51 [Mendy] White antique wickerwith Pierre Deux cushions.
689 00:47:55 - [Felicia] I love it.- It will give it that
690 00:47:57 whimsical, Victorian conservatory look.
691 00:48:01 [Felicia] So you want to lock me up in aglass cage like some sort of exotic bird.
692 00:48:05 I'm surrounded by menand it feels so right.
693 00:48:10 They are really better.
694 00:48:11 I think Felicia is... I don't know...I just can't make heads or tails of her.
695 00:48:16 She's fine. She's just, you know, I mean...
696 00:48:18 Are you all right? Do you needto get a towel or something?
697 00:48:21 Julia! Julia! Julia!
698 00:48:24 I think we need a towel.
699 00:48:25 It's that you're so distractedall the time.
700 00:48:28 I'm going to go take a big dump.
701 00:48:30 Okay, wonderful.
702 00:48:32 - Oh, my God.- Has Daddy mentioned anything about
703 00:48:35 - Harry and Amberson this summer?- No.
704 00:48:38 Oh, Harry's offering me a jobat Amberson this summer.
705 00:48:41 What do you think?
706 00:48:43 - What does Daddy say?- Daddy thinks it's a great idea.
707 00:48:46 Then I think it's great.
708 00:48:47 - So I have your blessing?- Yes.
709 00:48:49 - Thank you. Bye.- I love you. Bye.
710 00:48:52 - [Cynthia] She looks so grown up.- [Felicia] Looks can be deceiving.
711 00:48:55 - I got the go ahead.- [chuckles]
712 00:48:57 Thank you so much.
713 00:48:59 Be really good at this. Be really good.
714 00:49:01 - So happy.- You're intimidating me. I'll try my best.
715 00:49:04 I just got trampled on in my own house.
716 00:49:06 Come here.I want you to meet a few people.
717 00:49:09 This guy almost trampled all over me.
718 00:49:11 - I was decapitated--- Listen to me--
719 00:49:13 - I know, I'm tired, please--- This is Lenny.
720 00:49:15 - Hello! How are you?- This is Charlie.
721 00:49:18 All my hands are taken.
722 00:49:20 - You're a big fellow. Grand man.- Jim.
723 00:49:22 You're a huge fellow. Hello, Charlie.
724 00:49:24 Pleasure. How are you? Having a good time?
725 00:49:27 Lenny should be composing.
726 00:49:28 - [Cynthia] Well...- No, Harry loves to play it
727 00:49:30 on the side of him with the appearancesand the recordings and...
728 00:49:34 cookie-cutter boys.
729 00:49:36 - You know, he's not my favorite.- My favorite.
730 00:49:38 No, I know, he's not my favorite.
731 00:49:40 - Well...- Well...
732 00:49:41 - You're taking it like a champ.- You are.
733 00:49:44 - I would never know.- Handling it quite well.
734 00:49:46 - Our little Joan of Arc.- Yes.
735 00:49:47 But remember what happened to Joan.Didn't work out so well.
736 00:49:50 [Scott] So bored.
737 00:49:55 - Hello, Scott.- Hello.
738 00:49:58 We don't say that in our family.Felicia doesn't like it.
739 00:50:02 - In your family?- In my family.
740 00:50:04 Your family, Lenny?
741 00:50:05 [laughing]
742 00:50:09 [Harry] Okay, that's enough.
743 00:50:12 - We've been together for ten years.- Believe me, I know three of them.
744 00:50:16 I guess denial isnot just a river in Egypt.
745 00:50:18 - That was the crossword. Three letters.- Really?
746 00:50:22 Pun.
747 00:50:23 - Yes, it is "pun".- Yes, it is.
748 00:50:24 - Did you do it Thursday?- Yes.
749 00:50:26 - It's quite easy, but--- Yeah.
750 00:50:29 - Hello.- Hi, I'm Tommy.
751 00:50:30 Did you just appearout of my handkerchief?
752 00:50:33 - I live here now.- Are you a genie?
753 00:50:35 - I wish.- Do I get three wishes?
754 00:50:36 - What's your first wish? Hi.- My first wish.
755 00:50:40 Good luck. Bye, Tommy.
756 00:50:44 Sorry, I don't even know if you--
757 00:50:45 - It's beautiful.- Oh, thank you.
758 00:50:47 - Felicia puts it together.- She does a good job.
759 00:50:49 If I was left to my devices,I'd be dressed like a clown.
760 00:50:51 That's the truth. Don't tell anybody.
761 00:50:53 Mind if I smoke in the other room?Where do you live? Who are you?
762 00:50:57 - I'm from San Francisco.- So you're from Earth?
763 00:50:59 Originally, yes.
764 00:51:00 - Your hair is glorious.- That's sweet of you.
765 00:51:03 Listen, I have to go to the roof.I need some air.
766 00:51:05 - Would you mind to come with me?- I'd love to.
767 00:51:08 That's wonderful. Come here.Tommy, is it?
768 00:51:10 - Toast of the party.- Belle of the ball.
769 00:51:12 The belle of the ball!
770 00:51:13 - My God, are you kidding me?- Both at the same time. Somehow.
771 00:51:16 A highwire act. Toast bell. Toast bell.
772 00:51:25 Have you seen Lenny anywhere?
773 00:51:26 Do you want me to fetch him?
774 00:51:29 No, I don't mind.
775 00:51:30 That's what I'm saying,that I needed the turtleneck.
776 00:51:33 I needed the turtleneck,you know what I'm saying?
777 00:51:35 I mean, that's the...As I break this fucking wall.
778 00:51:39 - How will we solve this problem?- I don't know what to do.
779 00:51:41 I'm worried about it.We have to figure it out.
780 00:51:44 Well, don't they...Do your listeners know what you look like?
781 00:51:47 The problem is you're in radio,you need to be in television.
782 00:51:49 - Stop.- You're gorgeous. May I?
783 00:51:57 Darling, this is Tommy.
784 00:52:01 - Everything okay?- It's okay.
785 00:52:03 Darling.
786 00:52:05 Why don't you go through here? It's fine.
787 00:52:08 - Darling.- No.
788 00:52:10 I'm so sorry. I'm so sorry.
789 00:52:12 Fix your hair. You're getting sloppy.
790 00:52:35 Well, like it or not,this world is utterly fascinated,
791 00:52:39 obsessed even, with everything about you.
792 00:52:44 Ever since that famous phone callwhich led to your debut at Carnegie Hall.
793 00:52:49 And you have not let them down, my dear.
794 00:52:51 Fifteen years on television, teaching usall the magic of classical music,
795 00:52:55 the Young People's Concerts and Omnibus
796 00:52:58 reaching hundreds of millionsall over the world,
797 00:53:00 ten years at the New York Philharmonic
798 00:53:02 and then there are the compositions.
799 00:53:06 West Side Story redefinedthe American musical.
800 00:53:08 - Jesus Christ.- Then there's Candide and On the Town.
801 00:53:11 Actually, when you add it up,there's not much that I've created.
802 00:53:15 Music is... I don't...
803 00:53:18 I know this is gonna sound strange,it was the most important thing I could do
804 00:53:24 and a great sourceof dissatisfaction that I haven't
805 00:53:28 created that much at all.
806 00:53:29 I mean, when you add it up,it's not a very long list.
807 00:53:32 Well...
808 00:53:34 What this is...
809 00:53:36 This is an opportunity for the worldto get to know you apart from all that.
810 00:53:41 This book is to understand whatyou think about in your private moments.
811 00:53:44 Your personal feelings on,well, on life as you know it.
812 00:53:50 I feel like the world ison the verge of collapse.
813 00:53:53 That's what I feel like.
814 00:53:56 [John laughs]
815 00:53:59 I'm quite serious.
816 00:54:01 - Yes.- The diminution of creativity,
817 00:54:03 which has come to a grinding halt.
818 00:54:06 I mean, not scientifically.That has exploded.
819 00:54:11 But as we sit here,I find it very difficult to...
820 00:54:16 think that...
821 00:54:18 whether I'm a conductor or a composer,
822 00:54:20 of any note, has any bearing on anything.
823 00:54:22 Or that my existence iseven worth talking about for this book.
824 00:54:26 No, I agree. I agree.
825 00:54:29 I think this has marked many artistsand you can see it in their work.
826 00:54:32 This seems to seep into the subconscious
827 00:54:35 - so that there's this great depression--- But I know that Felicia...
828 00:54:39 She senses it enormously.
829 00:54:41 It's all pervasive.
830 00:54:44 It's almost as if she can'tenjoy anything anymore.
831 00:54:46 I know.
832 00:54:48 - It just seems so sad.- A picnic...
833 00:54:52 the water, lunch...
834 00:54:55 sitting around being together.
835 00:54:57 What is that?
836 00:55:00 I think she has a keen sense of futility.
837 00:55:03 I sense that too about her.
838 00:55:05 I had no ideabecause I had this feeling of her first,
839 00:55:08 incredibly, which she is, vivacious
840 00:55:11 and marvelously alert and aware
841 00:55:13 and a happy person,
842 00:55:15 but something in her seems crushed.
843 00:55:18 She said to me in Vienna last month,
844 00:55:21 "I want to get off.I want to stop the bus and get off."
845 00:55:24 - Mmm.- Mmm.
846 00:55:27 And how do you feel about that?
847 00:55:29 I have one or two saving factors.One is it that I love people,
848 00:55:35 and I love music. I love music so muchit keeps me glued to life
849 00:55:38 even when I'm most depressed.
850 00:55:39 And I can get very deeply depressed.
851 00:55:45 But I have a work ethicand that keeps me afloat.
852 00:55:47 And the other is thatI love people so much that...
853 00:55:51 it's hard for me to be alone.
854 00:55:55 Which is part of my struggleas a composer.
855 00:55:58 [chuckles] Yes.
856 00:55:59 You are the only person I've met
857 00:56:01 who leaves the bathroom door openfor fear of being alone.
858 00:56:05 I mean, can one really believe that
859 00:56:08 man is just this trapped
860 00:56:11 animal.
861 00:56:12 He's a victimof his own greeds and follies and...
862 00:56:21 Either one believes in the divine elementin this or one doesn't.
863 00:56:26 As long as I believe it...
864 00:56:29 which I assume iswhy I love people so much,
865 00:56:31 then I have to believe that
866 00:56:33 in some remote corner of my soulthere is a way out.
867 00:56:40 Okay, so, sopranos...
868 00:56:44 you're on the hot seat.
869 00:56:46 [laughter]
870 00:56:47 Take it from bar 44, just from the end of"Make our garden grow,
871 00:56:50 make our garden grow,"heading to the a cappella.
872 00:56:53 And, sopranos, make sure that you...
873 00:56:56 make space so thatthe high notes can soar.
874 00:56:59 ["Make Our Garden Grow"by Leonard Bernstein playing]
875 00:57:03 [all singing]
876 00:58:44 [music stops]
877 00:58:47 [speaking Spanish]
878 00:58:51 - [in English] It means--- It is... "I'm dying
879 00:58:54 and I'm growing a hernia."
880 00:58:58 It's an old Chilean expression.
881 00:59:00 I was desperate to find a rhyme,I couldn't.
882 00:59:02 - I woke her up--- Your mother was from Rovno Gubernia.
883 00:59:05 In the middle of the night, desperate.
884 00:59:07 There's a Chilean idiom,top of her head.
885 00:59:09 You woke me up from a very deep sleep.
886 00:59:11 It's the exact piece.
887 00:59:12 In fact, all of the Spanish hereis all from Felicia.
888 00:59:15 We're lucky that she's here todayto help with the pronunciation.
889 00:59:18 That's right. I'm sorry, I've been...
890 00:59:20 I was looking through Voltaire's workand I couldn't find Rovno Gubernia.
891 00:59:24 That's because I made it up, my dear boy.
892 00:59:28 ["Prologue - West Side Story"by Leonard Bernstein playing]
893 00:59:45 Let's see what you think.
894 00:59:47 - See what you think.- This is gorgeous.
895 00:59:49 I know, isn't it lovely?
896 00:59:53 - All right, there you go.- Thank you.
897 00:59:55 Come on. Let's go.
898 01:00:01 Lenny, what do you want me to get?
899 01:00:03 You could just get that big-ass bagof kibble.
900 01:00:10 Oh, Lord. Thank you.
901 01:00:14 [Tommy] It's Jamie.
902 01:00:16 [Leonard] And I wanted to have a drink.
903 01:00:19 [indistinct chatter]
904 01:00:27 [Nina] Daddy!
905 01:00:29 Hello, darling.
906 01:00:42 Help yourself after. Just go right there.
907 01:00:44 Is this all Felicia's idea?
908 01:00:46 I had nothing to do with it.Her painting as well.
909 01:00:48 - So beautiful.- [Felicia] Lenny.
910 01:00:59 - What is it, darling?- Have you seen Jamie?
911 01:01:02 - I have not seen Jamie.- You haven't seen her?
912 01:01:04 No.
913 01:01:06 - Why? Is she here?- Yes, she's here.
914 01:01:10 She's terribly upset, darling.
915 01:01:12 What is she upset about?
916 01:01:13 She's been hearing gossip.
917 01:01:15 - Excuse me?- Gossip.
918 01:01:17 - Gossip about what?- About you, darling.
919 01:01:23 What about me?
920 01:01:24 I don't know.She's been up at Tanglewood all summer.
921 01:01:27 I can't imagine what she might've heard.
922 01:01:31 Well, what did you tell her?
923 01:01:33 Darling, it's not for me really to say.I said she should speak to you.
924 01:01:41 She's old enough, don't you think?
925 01:01:43 I don't care how old she is,I ask that you be discreet.
926 01:01:48 I think she's completely at an agewhere she needs to, deserves to know.
927 01:01:52 I mean, darling,she didn't ask for any of this.
928 01:01:55 - It was my decision.- Well, no, it's our decision.
929 01:02:00 It's not just yours.
930 01:02:08 Don't you dare tell her the truth.
931 01:02:18 Jamiery Creamery.
932 01:02:23 - [Jamie] Welcome home.- Well, look at this.
933 01:02:25 Hello.
934 01:02:26 - [Jamie] Hi.- Hello. Wow.
935 01:02:30 Not what I expected.
936 01:02:31 Did you write a new song or something?
937 01:02:33 I was reading. Keeping my journal.You have a nice trip?
938 01:02:36 - Did you see Tommy?- Oh, yes, he waved.
939 01:02:39 I thought that would make you happy.He's gonna spend the weekend.
940 01:02:42 Wonderful.
941 01:02:44 Smart as a whip, that boy.Keeps me on my toes.
942 01:02:47 See how he does the anagrams.
943 01:02:48 He's a sweet boy.
944 01:02:50 Yeah, you know,your mother told me that you...
945 01:02:53 are very upsetbecause you heard some rumors
946 01:02:56 about me at Tanglewood this summer.
947 01:02:59 I really wishshe wouldn't have said anything.
948 01:03:01 - Jamie...- It's fine, it's no big deal.
949 01:03:03 - It is a big deal because you're upset.- I wasn't upset.
950 01:03:05 So let's discuss it.
951 01:03:08 Your mother and Ihave talked about it and...
952 01:03:11 I said I'd come down hereand talk to you about it.
953 01:03:13 - I--- Try to enlighten or shed some sort of
954 01:03:16 understanding onwhat could've happened, so...
955 01:03:19 - Jealousy is the word that I would use.- What?
956 01:03:22 Jealousy.
957 01:03:25 When I was a...
958 01:03:27 student at Curtis, there was a boy...
959 01:03:31 Seemed like a nice boy. Brought a pistolto school, tried to kill me
960 01:03:34 because he was jealous of my musical...
961 01:03:38 - talent.- Your musical talent.
962 01:03:41 It just drove him to the brink of murder.
963 01:03:45 Artur Rodziński was the musical directorof the New York Philharmonic.
964 01:03:49 [clears throat] God told him to hire me.
965 01:03:52 Tried to strangle me during a rehearsal.
966 01:03:56 Because of jealousy.
967 01:03:59 Now, I don't know what happenedor who said what or where,
968 01:04:04 but I can only imagine thatit was spurned on by jealousy, darling.
969 01:04:08 Jealousy of...
970 01:04:10 Of whatever it is that I do
971 01:04:13 that has plagued me all my lifeand I apologize for plaguing you now.
972 01:04:20 But I hope that helps.
973 01:04:23 So the rumors aren't true?
974 01:04:30 No, darling.
975 01:04:37 Thank you...
976 01:04:39 for coming to talk to me.
977 01:04:49 I'm relieved.
978 01:05:14 - Let's go inside.- What...
979 01:05:16 All right, what color?
980 01:05:18 [Nina] Here we have--
981 01:05:19 We've got three shadesof the exact same red.
982 01:05:22 It's not the exact same red.
983 01:05:24 This one apparently is blue.
984 01:05:26 - I'm gonna try--- Blue--
985 01:05:27 [Alexander] So we're just giving upon anagrams, guys?
986 01:05:30 You're gonna make it a design.
987 01:05:32 - [Jamie] Having a nail session.- You're an artist.
988 01:05:34 Look at this, it's a little checker.
989 01:05:36 [Leonard] I thought it was a good ideafor him to come for the weekend.
990 01:05:40 I know how muchJamie loves being with him.
991 01:05:43 - [Felicia] Jamie?- You like him too, don't you?
992 01:05:51 [Felicia] Yes, I do.
993 01:05:54 [Leonard] Darling, if I've done
994 01:05:56 - something wrong, tell me.- No.
995 01:05:57 No, I don't know whyJamie is particularly...
996 01:06:01 I don't know why you saidshe was particularly interested in...
997 01:06:05 [Leonard] Well, Tommy is very, sort of,warm, and he's highly intelligent,
998 01:06:08 as is our daughter.
999 01:06:10 - [chuckles] Okay.- And--
1000 01:06:13 - [Felicia] No, I'm not saying that--- No, I have an interest
1001 01:06:16 in spending time with him too.
1002 01:06:18 I'm not trying to shove it offthat I brought him here for her.
1003 01:06:21 - Clearly not.- Well, no, obviously not.
1004 01:06:23 [Leonard] All I'm saying isthat's just another reason why.
1005 01:06:27 - But I can easily tell him not to come.- No.
1006 01:06:29 [Leonard] I misread the room, clearly.
1007 01:06:32 - [Felicia] No.- I misread the room.
1008 01:06:33 [Felicia] Well, it's not reallyabout that. It's about...
1009 01:06:41 - [Leonard] What is it about?- No, nothing.
1010 01:06:43 [Leonard] Okay. All right.
1011 01:06:45 So, then, it's fine?
1012 01:06:47 Yes?
1013 01:06:48 - [Felicia] Yes.- All right, darling.
1014 01:06:50 [Felicia] I'll do it. Okay.
1015 01:06:51 - [Leonard] What?- No, I just...
1016 01:06:52 Nothing. I thoughtwe were having a conversation.
1017 01:06:55 - But we were.- [Felicia] No.
1018 01:06:56 - I'm sorry. I thought we were finished.- [Felicia] I know you're busy.
1019 01:06:59 [Leonard] I'm not busy,I'm just desperate to finish this.
1020 01:07:01 [Felicia] Well, then, do it, darling.I'm not stopping you. Do it.
1021 01:07:05 ["Secret Songs"by Leonard Bernstein playing]
1022 01:07:52 [woman vocalizing]
1023 01:09:02 Where is everybody? Oh, they're here.
1024 01:09:04 Hello, everyone,I have an announcement to make.
1025 01:09:07 I have finished "Mass."
1026 01:09:12 [Nina] Yay, Dad.
1027 01:09:14 [Leonard] Where is Mummy going?
1028 01:09:23 [music crescendos]
1029 01:10:05 [music continues]
1030 01:11:35 [inaudible]
1031 01:11:37 ["Almighty Father"by Leonard Bernstein playing]
1032 01:13:05 Julia, who left the Snoopyin the vestibule?
1033 01:13:09 Hello, Brian. Alex.
1034 01:13:11 Who left...Who abandoned Snoopy in the vestibule?
1035 01:13:16 - Who abandoned Snoopy?- That was me. I'm sorry, Daddy.
1036 01:13:18 I mean, it's his day.
1037 01:13:20 - He started eating it...- Daddy, you have to see me.
1038 01:13:23 - How many?- Stop.
1039 01:13:25 - Why are you going on and on about this?- How many?
1040 01:13:27 - I'm so sorry.- There was a woman--
1041 01:13:29 You're a day late for Thanksgiving.
1042 01:13:31 I know. Harry had me going all over.I had to do--
1043 01:13:33 Nina was very upset.
1044 01:13:35 Well, I don't think...Nina doesn't seem so upset.
1045 01:13:37 Did you hear her screamingabout some random woman?
1046 01:13:40 You finally got her to come.
1047 01:13:42 - As a surprise for you--- Daddy!
1048 01:13:45 Of course. Thank you, Julia.
1049 01:13:48 Nina's not upset about the woman.
1050 01:13:50 She's upset about youalmost missing Thanksgiving.
1051 01:13:52 - We didn't know if you were coming.- Happy Thanksgiving.
1052 01:13:55 - Mike, please stay.- Thanks.
1053 01:13:56 - I got to go down.- Jamie, take him.
1054 01:13:58 - Yeah, come on, Mike.- Thank you.
1055 01:14:00 - Do you want any snacks first?- No, I'm good.
1056 01:14:03 Happy Thanksgiving.
1057 01:14:09 [Leonard sighs]
1058 01:14:16 [knock on door, opens]
1059 01:14:18 - Darling?- Mmm.
1060 01:14:20 - [Leonard sighs]- [door closes]
1061 01:14:23 For a second I thought... [chuckles]
1062 01:14:25 - It was quite a stunt that you pulled.- What?
1063 01:14:28 - That was quite a stunt that you pulled.- What do you mean?
1064 01:14:31 Well, darling, you put the pillow outsideand the slippers
1065 01:14:34 and the toothpaste and the toothbrushand I haven't seen you since.
1066 01:14:39 I understand you're angry with me.Jesus Christ. But, I mean...
1067 01:14:44 let's be reasonable.
1068 01:14:48 There's a saying in Chile
1069 01:14:51 about never standing under a birdthat's full of shit.
1070 01:14:58 And I've just been living
1071 01:15:01 under that fucking bird
1072 01:15:04 for so long, it's actually become comedic.
1073 01:15:13 Well, I think...
1074 01:15:16 - that you're letting your sadness get--- Oh, stop it!
1075 01:15:19 - Let me finish...- That has nothing to do with me...
1076 01:15:21 - ...what I'm going to say. I think...- No.
1077 01:15:23 ...you're letting your sadnessget the better of you.
1078 01:15:26 It's about you, so you should love it.
1079 01:15:30 You want to be sleeplessand depressed and sick.
1080 01:15:33 So you can avoidfulfilling your obligations.
1081 01:15:35 - What obligations?- To what you've been given.
1082 01:15:37 The gift that you've been given.
1083 01:15:39 - Please.- My God.
1084 01:15:40 The gift comes with burdens.Do you have any idea?
1085 01:15:42 - The burden of feigning honesty and love.- Sorry, that's the truth.
1086 01:15:46 That above all you love peopleand from that wellspring of love
1087 01:15:49 the complications arise in your life.
1088 01:15:51 - That's exactly right.- Wake up! Take off your glasses.
1089 01:15:54 Hate in your heart.Hate in your heart and anger.
1090 01:15:58 There's so many things,it's hard to count.
1091 01:16:00 That's what drives you.Deep, deep anger drives you.
1092 01:16:03 You aren't on that podiumallowing us to experience the music
1093 01:16:06 the way it was intended.You are throwing it in our faces.
1094 01:16:10 - How dare you?- How much we'll never be able to
1095 01:16:13 ever understand and by uswitnessing you do it so effortlessly,
1096 01:16:17 you hope that we will know, really know,deep in our core
1097 01:16:20 - how less than we all are for you.- That's your issue.
1098 01:16:23 - And it's your hubris--- Join the crowd.
1099 01:16:25 You prance around with all your dewy-eyedwaiters that Harry corrals for you
1100 01:16:29 under the guise they have somethingintellectual to offer you
1101 01:16:32 - while you are "teaching" them.- Well, at least my heart is open.
1102 01:16:39 The audacity to say that!
1103 01:16:40 Have you forgotten about the four years
1104 01:16:43 where you couldn't decideif you wanted to marry me?
1105 01:16:45 - That's what I think.- The idea of you?
1106 01:16:47 The Chamberlain movie we saw last week,
1107 01:16:49 he said, "How could I competewith the man you think I am?"
1108 01:16:52 Thank God I met Dick so I couldfucking survive your indecision.
1109 01:16:55 - Dick Hart. Richard Hart.- Yes.
1110 01:16:57 - Who fucking died.- Who loved me.
1111 01:16:59 - Who died.- Who loved me.
1112 01:17:01 Yeah, he's a corpse nowand I was the one who was a fool
1113 01:17:04 waiting outside the fucking hospitalfor you like an idiot in my truth.
1114 01:17:08 Your truth is a fucking lie!
1115 01:17:10 It sucks up the energy in every roomand gives the rest of us zero opportunity
1116 01:17:14 to live or even breatheas our true selves.
1117 01:17:16 Your truth makes you brave and strong
1118 01:17:19 and saps the rest of usof any kind of bravery or strength.
1119 01:17:22 Because it's so draining, Lenny.
1120 01:17:25 It's so draining to loveand accept someone
1121 01:17:27 who doesn't love and accept themselves.
1122 01:17:29 And that's the only truthI know about you.
1123 01:17:36 If you're not careful, you're going to diea lonely, old queen.
1124 01:17:43 [Alexander] Mommy! Daddy!
1125 01:17:44 [Nina] Mom! Dad!
1126 01:17:46 - Daddy!- Mom!
1127 01:17:47 - [Alexander] Snoopy's here, hurry up!- [Nina] Come on.
1128 01:17:50 Mommy! You're missing Snoopy.
1129 01:17:52 [Alexander]What are you guys doing in there?
1130 01:17:54 - [Nina] He's so big.- You've been in there for ages.
1131 01:17:57 - Dad!- Yes.
1132 01:17:58 Come on.
1133 01:18:01 I'll go.
1134 01:18:07 [door opens, closes]
1135 01:18:18 - [audience applauding]- Hello.
1136 01:18:23 Hello. How are you?
1137 01:18:26 Hello. Hello. How are you?
1138 01:18:29 Wonderful. Hello. Hello.
1139 01:18:40 What I love
1140 01:18:41 about these Thursday rehearsals
1141 01:18:44 is that we get a chance to talk to youabout what we think of the music.
1142 01:18:49 So, thank you for comingand good afternoon.
1143 01:18:52 Um, today we're studyingShostakovich's 14th Opus 135.
1144 01:18:59 What I realized about this piece...
1145 01:19:04 It could be morbid,but I tend to think that it's not...
1146 01:19:06 ...is that
1147 01:19:08 as death approaches...
1148 01:19:13 I believe that an artist must
1149 01:19:15 cast off anything that's restraining him.
1150 01:19:21 And an artist
1151 01:19:23 must be resolute in creating,whatever time he has left,
1152 01:19:28 in absolute freedom.
1153 01:19:35 And that's why...
1154 01:19:39 I have to do this for myself,
1155 01:19:42 I have to live...
1156 01:19:45 the rest of my life,however long or short that may be,
1157 01:19:49 exactly the way that I want.
1158 01:19:54 As more and more of us arein this day and age.
1159 01:19:59 [Façade - An Entertainment"by William Walton playing]
1160 01:20:02 ♪ When Sir BeelzebubCalled for his syllabub ♪
1161 01:20:05 ♪ In the hotel in Hell ♪
1162 01:20:07 ♪ Where Proserpine first fell ♪
1163 01:20:09 ♪ Blue as the gendarmerie were theWaves of the sea ♪
1164 01:20:13 ♪ Rocking and shocking the bar-maid ♪
1165 01:20:16 ♪ Like Balaclava, the lava came down ♪
1166 01:20:18 ♪ From the Roof, and the sea's blue ♪
1167 01:20:20 ♪ Wooden gendarmerie ♪
1168 01:20:22 ♪ Took them in charge whileBeelzebub roared for his rum ♪
1169 01:20:29 ♪ None of them come! ♪
1170 01:20:30 [Colin] And cut. Thank you.That's the scene.
1171 01:20:32 My goodness. I don't thinkmy mouth has ever moved so fast.
1172 01:20:35 - You are sweet, Colin.- Here you are, Felicia.
1173 01:20:40 I'd love to do one more.
1174 01:20:42 - Yes, of course.- If you don't mind.
1175 01:20:47 So, this thing where, remember if you holdthe score low you get a better bounce.
1176 01:20:52 Lower. I was doing it high.
1177 01:20:53 If we do it again,I'd love to start at bar 44.
1178 01:20:55 And I do believe percussioncould be a little bit quiet.
1179 01:20:58 - Still have a headache?- It's fine.
1180 01:21:00 - Cynthia.- Do they realize
1181 01:21:01 it's only a matter of timebefore you direct the production?
1182 01:21:04 Already happening. The carpetwas a different color yesterday.
1183 01:21:07 - I was right about the carpet.- I agree.
1184 01:21:10 I just forgothow much I love being at work.
1185 01:21:13 - We're almost finished.- Reservation can wait.
1186 01:21:15 - This is such a hoot. Really.- Wait.
1187 01:21:19 I thought tonight wasmy night to take you out.
1188 01:21:21 Oh, you both have to stopworrying about me. I'm fine.
1189 01:21:24 - I'm busier than ever.- [Cynthia] Better, not busier.
1190 01:21:27 Though, boy, that's true, isn't it?I mean, doesn't the...
1191 01:21:30 [bell ringing]
1192 01:21:32 Poor Murderergo into previews the next week?
1193 01:21:34 Don't remind me.
1194 01:21:35 [Mendy] Who said anything about worrying?
1195 01:21:37 I'm just greedy to haveas much of you as I can get.
1196 01:21:39 I'm all yours.
1197 01:21:43 What were you talking about?
1198 01:21:45 [Tommy]I was talking about how...
1199 01:21:46 - What was I talking about?- I can't remember.
1200 01:21:49 Maybe I was sayinghow handsome everybody looks tonight.
1201 01:21:53 A lot of hombres. Lots.
1202 01:21:57 Chicken? That's what we call them.
1203 01:21:59 [Harry] Always good with the chickens.
1204 01:22:01 [Tommy] You really like the chickens.
1205 01:22:03 - I love the chickens.- I know you do.
1206 01:22:04 - Harry, do I--- Yeah.
1207 01:22:10 - Just do it off there.- Yeah.
1208 01:22:14 - Did you get it?- Like a pro.
1209 01:22:16 It's raining down on methrough your fucking nose.
1210 01:22:19 It's fine. Just right over here.
1211 01:22:21 Here you go. I'll just serve everybody.
1212 01:22:29 [door opens]
1213 01:22:30 - [Tommy] Oh, Lenny--- I'm fine. Thank you.
1214 01:22:32 - I'm sorry--- It's okay. Thank you. It's fine.
1215 01:22:34 Jerry Robbins was right,you can't maintain a relationship
1216 01:22:38 when you're living in various hotel rooms.
1217 01:22:39 - [Jamie] You'll start to upset me now.- Listen.
1218 01:22:41 No, darling, no, I just wanted to...
1219 01:22:44 I called because I wanted to askwhat your plans were for the weekend.
1220 01:22:48 We're gonna be home in a couple of days.
1221 01:22:50 I thought we could all spend it inFairfield. You just have to nudge Mommy.
1222 01:22:54 Who's we, Daddy?
1223 01:22:56 No, I...
1224 01:22:59 Well, he's not a monster.
1225 01:23:01 He's an utterly brilliant...
1226 01:23:04 delightful fellow. He's my geniuslittle leprechaun. He's not even my type.
1227 01:23:08 Daddy, please don't.
1228 01:23:10 Daddy, please don't talk to me about this.
1229 01:23:12 Darling...
1230 01:23:21 [sighs] I'm in awe of you.
1231 01:23:27 I love you so, Jamie... I love you.
1232 01:23:33 I know. I know.
1233 01:23:35 I know.
1234 01:23:40 I'll talk to Mummy again.
1235 01:23:43 Okay, Daddy.
1236 01:23:46 I don't know if you saw it,
1237 01:23:48 but you did get a wonderful mentionin The New York Times review.
1238 01:23:51 - Oh, really?- I kept it for you. I thought I could--
1239 01:23:54 I don't wanna see it.
1240 01:23:56 No, it just makes me feel uncomfortable.
1241 01:23:58 But that's so sweet. Thank you.
1242 01:24:00 [Jamie] All right.
1243 01:24:01 [Shirley] How was Monday night?
1244 01:24:03 Monday... No, I don't think
1245 01:24:07 - I want to talk about it.- [Jamie] Wait.
1246 01:24:08 - What happened on Monday night?- Nothing.
1247 01:24:11 - [Shirley] Your mother has a suitor.- No.
1248 01:24:13 [Jamie] Really?No, please, let's talk about it.
1249 01:24:16 I think it's enough thatyou are subjected to your father's affair.
1250 01:24:20 So, no, I don't think we need to.
1251 01:24:22 But, speaking of your father,
1252 01:24:23 I do have two performanceson Thanksgiving, so...
1253 01:24:28 I'll stay at the theaterand you'll eat with him
1254 01:24:30 at the apartment with Nina and Alex.
1255 01:24:32 For Nina's sake, let's maintainsome semblance of normalcy.
1256 01:24:35 - Doesn't feel normal to me.- [Felicia] Well, I...
1257 01:24:38 I don't know what to say.
1258 01:24:40 - I'm running late to meet Alexander.- [Felicia] Oh, come on.
1259 01:24:43 I am. You two clearly havethings to speak about.
1260 01:24:45 - No, don't do that.- No, I'm gonna give you guys space
1261 01:24:48 - to speak about it.- That's not how we do things.
1262 01:24:51 Grownups don't do that.
1263 01:24:53 - I did make plans with Alexander--- No. Darling.
1264 01:24:56 We're not leaving like this.Look at me in the eye.
1265 01:24:59 I can see how cross you areand I don't want you to go like that.
1266 01:25:02 - I'm not cross with you.- I don't believe you.
1267 01:25:05 [Jamie] Hold on.
1268 01:25:07 I am not angry with you, Mummy.
1269 01:25:10 [whispers] You're a terrible liar.
1270 01:25:12 - At least you know you can trust me.- That's true.
1271 01:25:14 - I'm gonna clear.- [Felicia] No.
1272 01:25:16 - Got to make fun of him...- I love you.
1273 01:25:18 For not coming to see you yet,rave about your performance.
1274 01:25:21 Well, that'd be wonderful.
1275 01:25:26 Okay, now, tell me about the suitor.
1276 01:25:27 Oh, so, yes, the suitor...
1277 01:25:31 Uh, so...
1278 01:25:34 I was very excited, as you know.
1279 01:25:37 - I was very excited, as you know.- I do.
1280 01:25:39 - We went out for lunch, not dinner.- Where?
1281 01:25:41 Café Carlyle, nothing fancy.
1282 01:25:43 And I was a little nervous,I'll admit, so was he.
1283 01:25:47 So, halfway through the meal,he leans over,
1284 01:25:50 and he asks if he can tell me a secret.
1285 01:25:54 - He has a little crush, you see.- Indeed.
1286 01:25:58 So, I smiled, I blushed a littleand I pushed him to tell me.
1287 01:26:02 He has a crush on Mendy
1288 01:26:05 and he wants me to introduce them.
1289 01:26:09 - Mendy Wager?- Mendy.
1290 01:26:11 Don't be so surprised.Mendy's a very handsome man.
1291 01:26:14 - Felicia...- There I was...
1292 01:26:17 blushing, butterflies all-a-tremble, and...
1293 01:26:21 Well...
1294 01:26:23 seems I'm attracted to a certain type.
1295 01:26:26 Listen...
1296 01:26:28 You know, Lenny loves you, he really does.
1297 01:26:31 He's just... a man. A horribly aging man...
1298 01:26:37 who cannot just be wholly one thing.
1299 01:26:41 He's just... lost.
1300 01:26:44 I've always known who he is.
1301 01:26:49 He called me, you know.
1302 01:26:52 And?
1303 01:26:53 He wants us all to goto Fairfield for two weeks.
1304 01:26:57 - He sounded different.- Felicia...
1305 01:26:59 No, I...
1306 01:27:01 Let's not make excuses. He didn't fail me.
1307 01:27:04 - Felicia...- No, it's...
1308 01:27:07 It's my own arrogance
1309 01:27:10 to think I could surviveon what he could give.
1310 01:27:14 It's ironic. I would look at everyone,even my children
1311 01:27:16 with such pity becauseof their longing for his attention.
1312 01:27:20 It was sort of a bannerI wore so proudly,
1313 01:27:22 I don't need. I don't need.
1314 01:27:25 And...
1315 01:27:27 look at me now.
1316 01:27:31 Who's the one who hasn't been honest?
1317 01:27:38 I miss him...
1318 01:27:40 that child of mine.
1319 01:27:48 Any questions?
1320 01:27:52 ["Symphony No. 2 in C minor Resurrection"by Gustav Mahler playing]
1321 01:28:01 [singing in German]
1322 01:28:32 [male chorus singing]
1323 01:29:03 [women singing]
1324 01:29:41 [male chorus singing]
1325 01:29:51 [female chorus singing]
1326 01:30:17 [music crescendos]
1327 01:30:35 [chorus singing]
1328 01:30:41 [music crescendos]
1329 01:31:20 [chorus continues]
1330 01:31:56 [music crescendos]
1331 01:32:40 [chorus crescendos]
1332 01:33:58 [music stops]
1333 01:34:05 [all applauding, cheering]
1334 01:34:12 [man in English] Bravo!
1335 01:34:25 - It was amazing.- Darling, why did you come?
1336 01:34:28 There is no hate...There is no hate in your heart.
1337 01:35:38 - Mr. Bernstein, you can come back now.- Oh, wonderful.
1338 01:35:41 - Wanna sit down? [chuckles]- Yes.
1339 01:35:44 You seem like you needyour blood pressure taken.
1340 01:35:46 No, I'm fine.
1341 01:35:51 You know Betty's comingfor dinner tonight?
1342 01:35:55 - I didn't know that.- She is.
1343 01:35:57 And Mendy, which will be so nice.
1344 01:36:01 And Julia's gone to go and get fennel,which you know Betty loves.
1345 01:36:10 - [knock on door]- Come in.
1346 01:36:14 - Hello.- [Dr. Kruger] How are you?
1347 01:36:20 It looks like you have a tumorof the right side of the left breast
1348 01:36:24 which may have metastasized to the lung.
1349 01:36:28 Given the size of the tumor,
1350 01:36:30 I would recommendthat we remove the breast,
1351 01:36:32 the underlying musclesand the adjacent lymph nodes,
1352 01:36:35 as well as do a biopsy of the lung
1353 01:36:38 which will help us confirmwhether there is spread or not.
1354 01:36:42 We could do all of thisearly next week if you like.
1355 01:36:46 Yes.
1356 01:36:48 But I'm... Darling...
1357 01:36:50 - I'm starting a play in September.- That's okay.
1358 01:36:52 - No, but I should let them know--- I'll let them know.
1359 01:36:56 I think your recoverywill be faster than you think
1360 01:36:58 and we can have you readywithin about one to two weeks.
1361 01:37:02 - That's wonderful news.- You'll be able to do what you need to do.
1362 01:37:05 How can we be assuredthat we get all the cancer?
1363 01:37:10 - Well--- ...that we get all the cancer.
1364 01:37:11 We're not gonna compromise on thatfor the play...
1365 01:37:15 Once we take off the breast,there'll be no local cancer.
1366 01:37:18 We do have to determine about the lung.
1367 01:37:20 How long would the biopsy take?
1368 01:37:22 The biopsy, just minutes, and you'll besleeping from the other procedure.
1369 01:37:27 So, you do it... you do...
1370 01:37:30 You do both at the same time?
1371 01:37:32 Yeah, we do the breast and it'd be easyto do the biopsy of the lung.
1372 01:37:38 [crying]
1373 01:37:42 Thank you. Thanks for everything.
1374 01:37:44 - I know...- I know.
1375 01:37:52 [door closes]
1376 01:37:55 - I know.- That's so ridiculous.
1377 01:37:57 No, I know.
1378 01:38:00 I'm so ridiculous.
1379 01:38:03 There, there. It's okay, darling.
1380 01:38:16 No, I don't really think so, darling.
1381 01:38:28 - Darling.- Thank you.
1382 01:38:34 - Darling, let's take the park and walk.- Really?
1383 01:38:37 Yes.
1384 01:38:39 Yes, let's get some air.
1385 01:38:41 Okay.
1386 01:38:45 - [Felicia] Oh, my God.- You all right?
1387 01:38:46 [Felicia] No, I'm fine.
1388 01:38:47 - There's something wrong with my knee.- I have an idea.
1389 01:38:50 [Felicia] Oh, no.
1390 01:38:56 [lighter clicking]
1391 01:38:57 Is that a lighter, darling?
1392 01:39:00 Mind your own business.
1393 01:39:05 ["Age of Anxiety"by Leonard Bernstein playing]
1394 01:39:13 I'm thinking of a number.
1395 01:39:15 [Felicia laughs]
1396 01:39:20 - Oh, I don't know. Nine.- No.
1397 01:39:23 - Five.- No, you have to think.
1398 01:39:26 I'm trying to.
1399 01:39:29 I am trying to.
1400 01:39:31 - It's two, darling.- Two.
1401 01:39:32 It's two.
1402 01:39:34 - Like us.- Hmm?
1403 01:39:36 - Like us, a pair.- Mmm.
1404 01:39:39 Two little ducks in a pond.
1405 01:39:47 Throw your weight on me, darling.
1406 01:39:49 That's it. Put all your weight on me.Yes, that's it.
1407 01:39:52 Lean your head back. That's it.
1408 01:40:02 [Cynthia] Oh, my dear.
1409 01:40:04 Hello, dears.
1410 01:40:08 Hello.
1411 01:40:12 [Mendy] Gorgeous.
1412 01:40:14 Missed you.
1413 01:40:15 Missed you so much.
1414 01:40:18 [Jamie] Mummy? You all right?
1415 01:40:20 I'm good. I'm fine.
1416 01:40:23 [Cynthia sighs]
1417 01:40:24 Did you have a nightmare getting here?
1418 01:40:26 [Cynthia] Of course.This one was driving.
1419 01:40:28 - Oh, no.- [Mendy] I don't think we could've gone
1420 01:40:31 - farther east if we'd tried.- [Cynthia] You know I hate driving.
1421 01:40:34 Oh, I wish I'd come earlier. Is there...
1422 01:40:39 Is there anything you need?
1423 01:40:41 Anything I can do?
1424 01:40:45 Never get another perm.
1425 01:40:47 [Cynthia and Mendy laugh]
1426 01:40:49 [Mendy] That's what I said.
1427 01:40:51 [Cynthia] Ramone said it was a triumph.
1428 01:40:53 [Mendy] It's a gigantic triumph.
1429 01:40:59 [Cynthia] Where's Lenny?
1430 01:41:01 Oh, I don't know,he's sleeping or something.
1431 01:41:04 Do you remember that...
1432 01:41:06 that bar mitzvah that you dragged me to,
1433 01:41:09 one of Alexander's friends?
1434 01:41:11 - The little... Yes.- I do.
1435 01:41:14 With...
1436 01:41:15 Oh, what's his name?
1437 01:41:17 - Feldman. Yeah.- [Cynthia] Yes!
1438 01:41:18 So, we're there and I am, of course,seated next to our dear Felicia here.
1439 01:41:23 And she looks stunning as usual.Woe is me.
1440 01:41:27 And Lenny's about 25 pounds lighter.
1441 01:41:30 And tanned, just tanned,all in white from head to toe,
1442 01:41:34 including white patent-leather shoeswith no socks.
1443 01:41:38 It was very en vogue.
1444 01:41:40 [Mendy] A lie.
1445 01:41:43 [Cynthia] Well, at one point Lenny,
1446 01:41:45 he gets up, you know,in that all-white attire
1447 01:41:48 and he makes his wayup to the lectern. Um...
1448 01:41:53 - [coughing]- Yes.
1449 01:42:07 No, it's fine. The, um...
1450 01:42:11 - Lenny in the white suit.- [Cynthia] Yes.
1451 01:42:15 And he's all in white... and, um...
1452 01:42:19 he...
1453 01:42:22 Uh, he goes up to the lectern and...
1454 01:42:26 - I don't think anybody asked him to speak.- No.
1455 01:42:30 But...
1456 01:42:31 it took him 20 minutesjust to walk from our table up there,
1457 01:42:34 stopping at every table he passed,chit-chatting of course,
1458 01:42:38 and finally, he arrives up therenext to the frightened boy.
1459 01:42:43 And Felicia leans up to me
1460 01:42:47 without missing a beat and says,
1461 01:42:49 "And now we have the bride."
1462 01:42:51 [all laughing]
1463 01:42:55 [piano music playing]
1464 01:43:01 [Mendy] He's risen.
1465 01:43:03 ["Bridal Chorus"by Richard Wagner playing]
1466 01:43:05 Oh.
1467 01:43:06 - [Felicia] Oh, my God.- [Mendy] A production.
1468 01:43:19 [Felicia] Watch it, Jamie.
1469 01:43:35 [Leonard] I'll see you.
1470 01:43:36 Okay. All right, bye. See you.
1471 01:43:38 Love you.
1472 01:43:45 [door closes]
1473 01:43:47 I don't want any more visitors.
1474 01:43:49 No more. No more. I want to go to bed.
1475 01:43:52 Yes, okay.
1476 01:43:54 [Leonard] Yes. No, you're gonnahave to cancel it. Yes.
1477 01:43:57 Well...
1478 01:43:59 No, I'm not leaving.
1479 01:44:01 That's out of the question.
1480 01:44:02 I've had a relationship with the orchestrafor 15 years, they'll understand.
1481 01:44:08 No, that--
1482 01:44:10 I'm not leaving here, Harry.You're gonna have to figure it out.
1483 01:44:14 Yes.
1484 01:44:20 Yes, we're doing fine.
1485 01:44:36 [muffled screaming]
1486 01:44:47 [crying]
1487 01:45:32 - Are you using the bathroom?- No, I can't.
1488 01:45:35 - You have to drink your water.- I'm trying.
1489 01:45:37 Oh, my God,I'm freezing cold all the time.
1490 01:45:40 No, don't help me. I don't need help.
1491 01:45:43 I don't need it. I don't need it.
1492 01:45:46 Let go.
1493 01:45:48 Get into bed, come on.I don't need all this fuss.
1494 01:45:50 - Are the pillows all right?- Honestly, they're fine. Come on.
1495 01:45:59 - Just lie down. Lie down.- Okay.
1496 01:46:08 [sobs] Sorry. Sorry.
1497 01:46:12 I'm sorry.
1498 01:46:16 You know...
1499 01:46:20 all you need...
1500 01:46:24 all anyone needsis to be sensitive to others.
1501 01:46:30 Kindness.
1502 01:46:35 Kindness. Kindness.
1503 01:46:43 Darling, it's ten minutes past half hour.Did you take your medicine?
1504 01:46:47 - No, I don't--- How's your pain threshold?
1505 01:46:53 I think he told me not to take it.
1506 01:46:56 - Who told you?- Arkell.
1507 01:46:58 Darling...
1508 01:47:00 No, Arkell's not our doctor.It's Kruger... Bernard.
1509 01:47:04 Arkell was our doctor many years ago.
1510 01:47:06 Of course, no, I don't know what...
1511 01:47:08 Maybe you should go take some medicine.How's your pain?
1512 01:47:11 It's fine.
1513 01:47:12 - No pain?- [Felicia] No.
1514 01:47:13 [Leonard] Okay, well, after this, take it,all right?
1515 01:47:16 - Darling, all right?- [Felicia] No, I'm concentrating.
1516 01:47:19 Look what I found.
1517 01:47:22 [Leonard] What is it?
1518 01:47:24 - Speaking of childhood memories...- [Leonard] Oh, yes.
1519 01:47:26 - [Jamie] Could be a good idea.- [Alexander] More interesting.
1520 01:47:29 - [Leonard] Now, is it?- [Jamie] Put it on.
1521 01:47:33 [Leonard] Do you remember that song, dear?
1522 01:47:35 - You do?- Do you guys think we do?
1523 01:47:38 - [Alexander] Do you remember the dance?- No.
1524 01:47:40 - You were the worst--- [Jamie] Do you remember the dance?
1525 01:47:42 You were the absolute worst at it.
1526 01:47:45 ♪ The monkey chewed tobaccoOn the streetcar line ♪
1527 01:47:48 ♪ The line broke, the monkey got choked ♪
1528 01:47:51 ♪ They all went to heavenIn a little row-boat ♪
1529 01:47:53 ♪ Clap-PatSlap-Clap ♪
1530 01:47:56 ♪ Slap-PatClap-Slap ♪
1531 01:47:59 ♪ Clap-Pat ♪
1532 01:48:03 Get your hands into it.
1533 01:48:07 Come here, everyone.
1534 01:48:19 Come here.
1535 01:48:45 Sweet Gene, come here. Come here.
1536 01:48:50 Come here. Sweet Gene, come here.
1537 01:48:52 [in Spanish] Let's go to the house.
1538 01:48:54 [dog barking in distance]
1539 01:49:05 [Leonard in English] Where's the patient?
1540 01:49:09 Where is the patient?
1541 01:49:11 The doctor is here. Hello, nurse.
1542 01:49:14 And, uh...
1543 01:49:16 [breathing heavily]
1544 01:49:26 [Felicia groans softly]
1545 01:49:49 [whispers] I love you.
1546 01:49:54 [weakly] You smell like...
1547 01:49:57 tuna fish...
1548 01:50:00 and cigarettes.
1549 01:50:05 You caught me.
1550 01:50:09 It's horrible.
1551 01:50:33 [Leonard's breath trembling]
1552 01:51:22 ["Postlude From Act 1"by Leonard Bernstein playing]
1553 01:53:22 ["It's the End of the World as We Know It(And I Feel Fine)" playing on car stereo]
1554 01:53:32 [music stops]
1555 01:53:33 - [Leonard] You got it?- Yeah.
1556 01:53:43 Get the bag.
1557 01:53:58 I think the main pointof this whole piece is becoming one.
1558 01:54:04 Not only the timpani in the back,but also the violins in the front.
1559 01:54:07 Have to treat them all as one organism.
1560 01:54:08 If you do that,then you can just work from there.
1561 01:54:11 I've got you. So don't worry.
1562 01:54:13 Okay? I'm right here.I'm gonna take you through it.
1563 01:54:16 - Okay? Here we go.- Okay.
1564 01:54:17 [orchestral tuning]
1565 01:54:26 William, everybody.
1566 01:54:30 - Bar three-eleven, please.- [Leonard clears throat]
1567 01:54:35 One, two, three.
1568 01:54:36 ["Allegro Vivace From Symphony No. 8"by Beethoven playing]
1569 01:54:51 [music crescendos]
1570 01:55:08 Okay. Sorry.
1571 01:55:09 - [clears throat] Sorry.- [music stops]
1572 01:55:11 Now that you've made it clear
1573 01:55:13 that you're retarding into the fermata...
1574 01:55:17 Yeah, I'm just still unclear after--
1575 01:55:19 It's fine, everything's together.
1576 01:55:20 But what happens after?What are you gonna do?
1577 01:55:23 'Cause they don't know. You gonnableed out of it or you gonna
1578 01:55:26 drip out of it? What are you gonna do?
1579 01:55:29 I'll do this.
1580 01:55:30 Leak out of it.That's what it sounds like.
1581 01:55:33 Fermata.
1582 01:55:35 - Bar before.- Bar before.
1583 01:55:39 - One, two, three.- [music continues]
1584 01:55:47 No, that's not clear.
1585 01:55:50 - [music stops]- Yeah, I didn't feel that.
1586 01:55:52 One more time please. Sorry.
1587 01:55:55 - Shall I--- [music continues]
1588 01:56:03 Okay, that's very nice.
1589 01:56:05 - But that's still a bar.- [music stops]
1590 01:56:08 So, if I could just show youwhat I think you wanted
1591 01:56:11 - and if I'm wrong, you tell me.- Okay.
1592 01:56:13 So think you want to do. Where you wantto take it... You have to do...
1593 01:56:16 cut off and an upbeat.
1594 01:56:19 Quarters. I thinkthat's what you really mean.
1595 01:56:23 Bar before the fermata.
1596 01:56:26 [music continues]
1597 01:56:34 - Right?- Yeah.
1598 01:56:35 Did I get it? What did I do?
1599 01:56:37 Ah, that's what I did.
1600 01:56:39 [all applauding]
1601 01:56:40 That's for me or for you?
1602 01:56:42 More.
1603 01:56:44 More. More!
1604 01:56:47 That's very good. Okay.
1605 01:56:49 Start back here. Okay, thank you.
1606 01:56:54 - Be kind to him.- [laughter]
1607 01:57:00 ["Shout" by Ian Stanley playing]
1608 01:57:44 [Leonard] If summer doesn't sing in you,then nothing sings in you,
1609 01:57:47 and if nothing sings in you,then you can't make music.
1610 01:57:50 Something she told me
1611 01:57:52 when I was gloomy about something
1612 01:57:55 and recited thisEdna St. Vincent Millay poem,
1613 01:57:57 which then became Songfest.
1614 01:58:01 But summer does still sing in me.
1615 01:58:04 Not as strongly as it used to or...
1616 01:58:10 or as often...
1617 01:58:13 but it sure does.
1618 01:58:16 If not, I would've jumpedin the lake long ago.
1619 01:58:35 Any questions?
1620 01:58:42 ["Chichester Psalms - II"by Leonard Bernstein playing]
1621 02:01:08 ["Overture - Candide"by Leonard Bernstein playing]
1622 02:03:38 [music crescendos]
1623 02:08:09 [music stops]
1624 02:08:19 ["Kaddish" by Leonard Bernstein playing]