乌龙特派员 Special Correspondents(2016)(EN)Subtitles

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1 00:00:04 [siren wailing in distance]
2 00:00:17 [people chatteringindistinctly over radio]
3 00:00:38 [radio chatter continues]
4 00:00:40 [man 1 over radio] We've got a homicide,possibly gang-related.
5 00:00:43 York Hotel.
6 00:00:44 [man 2]Yeah, copy that, Control. 10-4.
7 00:00:51 York Hotel, as quick as you can.
8 00:00:54 Thanks, sweetie.
9 00:01:06 [upbeat rock song playing]
10 00:01:17 Hey, Frank, how about a freebie?[laughing]
11 00:01:30 [man] Thanks.
12 00:01:37 [baby giggles]
13 00:01:45 [truck horn honking]
14 00:01:56 -[siren wailing]-[horns honking]
15 00:02:13 [siren chirping]
16 00:02:22 -Detective Crankovich.-[cop] Sorry, Detective...?
17 00:02:24 Mankovich. Frank.Frank Mankovich. Detective.
18 00:02:27 Don't let anybody through,especially the press.
19 00:02:33 -Detective Hankovich.-[cops] Detective.
20 00:02:35 Hey, we're part of the investigation.Detective Frank Wankovich.
21 00:02:39 Detective Claire Lady.What happened here?
22 00:02:42 I already toldall your colleagues everything.
23 00:02:44 Well, you can tell me again, then.
24 00:02:47 Well, I was by reception and a mancame in, and he was wearing a helmet
25 00:02:50 and he had a gun with a silencer.
26 00:02:54 Mm-hm. And then?
27 00:02:56 Well, he pointed the gun at Mr. Ivanov
28 00:02:59 and shouted something in Russian, I think.
29 00:03:03 Then he shot him.
30 00:03:04 -What did he look like?-[Perry] Bonneville.
31 00:03:10 Superintendent.
32 00:03:11 I'm not disturbing you,I hope, Bonneville?
33 00:03:14 Oh. Not at all.
34 00:03:16 Oh. Claire Maddox,Perry, head of homicide.
35 00:03:18 -Hi.-Get out of here. Both of you.
36 00:03:21 Right now. Or I'll slap you in custody.
37 00:03:24 -Wait, you're not a detective?-No.
38 00:03:28 My name is Frank, though.This wasn't all a lie.
39 00:03:31 We had some good times, right?
40 00:03:35 [chattering]
41 00:03:37 -[man] Detective, a comment, please?-Okay, let them through.
42 00:03:41 -Hey. What? What are you doing?-He said let them through.
43 00:03:44 -You don't let anybody through.-Oh.
44 00:03:50 Oh, I've gotta go, darling.
45 00:03:52 -[Frank] Get me the control room.-They're on.
46 00:03:55 -Hey.-[Mallard] So, you got a story, Frank?
47 00:03:58 "Russian Mafia Wars."How's that sound?
48 00:04:01 [Mallard]Okay. Let's do it now.
49 00:04:03 Standing by. And you're on.
50 00:04:07 At 8:45, Sergei Ivanov,a.k.a. Three Fingers,
51 00:04:11 a figure in the Russian Mafia,left his room at the York Hotel.
52 00:04:14 He'd just breakfasted on eggs, toast,and a black coffee. His last breakfast.
53 00:04:20 The sumptuous lifestyleand escapades of Sergei Ivanov,
54 00:04:23 mover and shaker in the nightclubsof Manhattan and New Jersey...
55 00:04:26 Two minutes in the hoteland he comes out with a story.
56 00:04:29 -A true artist. He's the best.-He's certainly the best at what he does.
57 00:04:36 ...a war that has only just begun.This is Frank Bonneville, 365 News.
58 00:04:43 That was great.
59 00:04:45 -You need any help?-No, I'm fine. Won't be a minute.
60 00:04:55 "Darling."
61 00:04:57 -Who was that, then, your girlfriend?-I'm married.
62 00:05:01 Ah. [chuckles]
63 00:05:03 So, it's his wife.
64 00:05:04 -[Finch] Yeah.-Eh! He's a player.
65 00:05:07 -Aren't you, Finch? Huh?-[video game noises]
66 00:05:09 -Chick in every port?-Nah.
67 00:05:26 [Finch groans]
68 00:05:29 [Claire] Oh.
69 00:05:35 -[Claire] You okay?-[Finch] Yeah, fine.
70 00:05:37 [Claire] You want a coffee?
71 00:05:38 [Finch] Yeah, can I get a skim-milk latte?
72 00:05:41 -[Claire] You on a diet?-[Finch] A bit, yeah.
73 00:05:44 I had a medical,and apparently I'm 25 percent fat.
74 00:05:46 -Is that bad?-Yeah. It's more than some snacks.
75 00:05:50 [both chuckle]
76 00:05:51 [Claire] Ooh!
77 00:05:52 -Okay.-See you later.
78 00:05:59 [chattering]
79 00:06:06 There he is.
80 00:06:09 Huh?
81 00:06:11 Look at you.
82 00:06:12 First reporter with the story, again.
83 00:06:16 All other journalistsbanned from the site.
84 00:06:19 Ha!
85 00:06:21 Oh, no, wait. What are these?
86 00:06:25 "Impersonating an officer.""Tampering with a crime scene."
87 00:06:29 -I got results.-You're not Dirty Harry!
88 00:06:34 At best, you're an underachieverat a local radio station.
89 00:06:38 Often, a drunk underachiever.
90 00:06:39 -Would you rather I didn't get the story?-Than break the law? Yeah.
91 00:06:43 Why break the law? Plenty of newswithout having to break the law.
92 00:06:46 If you run out,make up a story about a lost dog.
93 00:06:48 I made up a storyabout being a detective.
94 00:06:50 One more slip-up and you're fired.This is coming from upstairs, not from me.
95 00:06:55 They've had it.They don't need this anymore.
96 00:06:57 You're an arrogant, selfish hackwho survives
97 00:07:01 because everyone thinksyou're a local celebrity.
98 00:07:04 I can't fire youbecause I don't like you.
99 00:07:06 But I can fire you if you break the law
100 00:07:09 or for the next thing you dothat breaks the rules.
101 00:07:13 I so much as find out you useda disabled toilet, goodbye.
102 00:07:17 -That's ridiculous.-Yeah, it's ridiculous.
103 00:07:20 Go ahead, punk, make my day.
104 00:07:25 [elevator bell dings]
105 00:07:29 -Will there be any celebrities?-The girl who reads the weather
106 00:07:31 -knows Al Roker.-Will he be here?
107 00:07:33 No. She might, though.
108 00:07:35 Hey, Sacha.This is my wife, Eleanor.
109 00:07:37 -Oh, finally. Hi.-Hi.
110 00:07:39 -[Finch] Many in?-Uh, no. No, you're the first.
111 00:07:42 -Someone has to be.-[Eleanor] Exactly.
112 00:07:43 And it's nice to be here in timeto see the staff prepare
113 00:07:46 for such a prestigious event.
114 00:07:49 [Finch]See you later. Okay, let's get in.
115 00:07:52 -Hi.-[woman] Hi.
116 00:07:54 Hi. [chuckles]
117 00:07:56 -Balloons.-It's still sunny out.
118 00:07:59 Well, it's nearly July, isn't it?
119 00:08:00 -Doesn't get dark till 9:00.-Imagine going out in the darkness.
120 00:08:03 -You're the first here.-Yeah, he doesn't like to be late.
121 00:08:07 -[bartender] Champagne?-[Finch] Don't mind if I do.
122 00:08:11 There you go. Ah.
123 00:08:14 Mm.
124 00:08:19 So, what do you thinkof my little radio station event?
125 00:08:22 Well, I mean, if it was really yourradio station, it would be something.
126 00:08:26 -Well, I'm chief sound engineer.-[soft music playing]
127 00:08:28 And if you considerthat radio is just sound,
128 00:08:31 I'm sort of chief engineer, really.
129 00:08:32 In one of the biggestlocal radio stations around. Locally.
130 00:08:36 It's just not what I thoughtyou'd still be doing at 50.
131 00:08:39 -What do you mean?-Radio.
132 00:08:42 -Radio is like---It's what I love.
133 00:08:44 Yeah, but it's just not very exciting.
134 00:08:45 -You're joking.-No, I'm not joking. But go on, tell me.
135 00:08:48 What is the most exciting thingthat's happened this week?
136 00:08:51 -Okay. Um...-Okay.
137 00:08:53 -Well, you decide.-Okay.
138 00:08:54 Is it that our omnibus podcastjust made top 50 on iTunes?
139 00:08:58 Ooh.
140 00:08:59 Or, is it that Jamie Oliverpopped in yesterday
141 00:09:03 -to talk to Stig Arnold about fat kids?-Is he gonna be here?
142 00:09:05 -Stig's never missed a party yet. Heh.-I meant Jamie Oliver.
143 00:09:09 Who knows?
144 00:09:10 -So, no, then?-No. Definitely not.
145 00:09:14 -[sighs]-You meet Stig.
146 00:09:16 You won't want to see Jamie Oliverafter you've met Stig.
147 00:09:20 [sighs]
148 00:09:22 Sorry.
149 00:09:23 [Eleanor sighs]
150 00:09:26 Haven't you ever wanted to dosomething extraordinary?
151 00:09:30 -[Mallard] Finch.-Hi.
152 00:09:32 Um, this is Geoffrey Mallard,the radio boss.
153 00:09:36 -This is my wife, Eleanor.-Pleasure to meet you.
154 00:09:38 I've been looking for you.Some lunatic took his family hostage.
155 00:09:41 He's armed. I need you and Claireto go and cover it.
156 00:09:44 -Now?-Yeah, I don't have a choice.
157 00:09:45 You're the only guy around.
158 00:09:47 -Where is Claire?-She's on her way here. Nice to meet you.
159 00:09:50 Okay, I'm so sorry, darling.
160 00:09:52 No, no, no, you're not leaving me here.I don't know anyone.
161 00:09:55 I don't have a choice. He saidI'm the only guy that can do this.
162 00:09:58 -He said you're the only guy around.-He didn't literally mean
163 00:10:00 I'm the only guy around. He meantI'm the only guy around that can do this.
164 00:10:04 -He's around, he couldn't do it.-You don't know that.
165 00:10:06 -Oh, come on. Look at him.-You can't do this to me. Come on.
166 00:10:09 -Shh.-"Shh!"
167 00:10:11 No. You know what? Forget it.I'm going home.
168 00:10:13 Please don't. Don't, please.Just wait here and enjoy yourself
169 00:10:17 and I'll whiz back,and then we'll have a--
170 00:10:19 -You're gonna be gone for hours.-No.
171 00:10:22 In these situations the police usually getthe gunman to the window really quickly
172 00:10:25 and shoot him through the top lip,and that takes out the brain stem,
173 00:10:29 so there's no reflex... action.
174 00:10:34 -Hi.-Did you see Mallard?
175 00:10:36 Yeah. Oh, uh, this is Claire Maddox.This is my wife, Eleanor.
176 00:10:39 -Nice to meet you.-Yeah.
177 00:10:45 -We should go.-Yeah.
178 00:10:47 -See you in the lobby.-Yeah, okay.
179 00:10:51 [Frank] Who's this? Is this Tony?Look at this guy.
180 00:10:54 -[Finch] Anyway...-[Frank] How are you?
181 00:10:57 -[Finch] I've gotta go.-Okay, fine, go.
182 00:10:59 -Yeah?-Whatever.
183 00:11:01 You'll be all right?
184 00:11:02 -I'll see you soon. Okay.-Okay, go if you're gonna go.
185 00:11:15 -[woman] Hey, Frank.-Hey.
186 00:11:28 -Hi.-[Claire] Hey.
187 00:11:35 Did you see Frank arrive,acting like he thinks he's James Bond?
188 00:11:39 Yeah. I think he's really cool.He doesn't care about anything.
189 00:11:42 -[elevator bell dings]-Oh.
190 00:11:44 -How is that cool?-Hi.
191 00:11:46 -Hi.-[Finch] Oh...
192 00:11:49 I don't know, I just...
193 00:11:51 -I just mean...-[doors close]
194 00:11:53 I think it would be cool to belike that sometimes, you know?
195 00:11:57 I care about everything,and I try my best,
196 00:12:00 but nothing much seems to happen.It's because I'm boring.
197 00:12:06 -Why do you say that?-Because it's true.
198 00:12:08 I... I've never doneanything extraordinary.
199 00:12:12 I think that's why I play video games.
200 00:12:14 Because they're more interestingthan my real life.
201 00:12:16 [gunfire on video game]
202 00:12:17 -Rebel Coup?-Yeah. Do you play?
203 00:12:20 -I'm trying to cut down.-Yeah, me, too.
204 00:12:24 -Take that, sucker.-Nice move.
205 00:12:27 Mr. Bonneville. I love your work.
206 00:12:30 -Champagne?-Thank you. Cheers.
207 00:12:34 You're the Frank Bonneville?
208 00:12:37 -Apparently.-I listen to you every day.
209 00:12:41 -Really?-I wouldn't miss it.
210 00:12:44 -Thank you.-You're welcome.
211 00:12:49 [chuckling] Mm.
212 00:12:55 Alone?
213 00:12:56 [sighs]
214 00:12:59 -Yeah.-Me, too.
215 00:13:02 It's a lonely life, radio.
216 00:13:04 -Tell me about it.-It's so unglamorous.
217 00:13:08 Yes, I know.I was just saying that to my... self.
218 00:13:12 Let me guess. PR.
219 00:13:16 Yes. Yes. How did you know?
220 00:13:19 Well, come on. You're too attractivefor Human Resources.
221 00:13:22 -And not bitter enough for management.-That's nice. I'm flattered.
222 00:13:27 Why radio? Why not TVor something more stimulating?
223 00:13:30 -It's what I love.-Cheers.
224 00:13:32 -It's what I hate.-No. Come on.
225 00:13:34 -Yeah.-Oh, you are so good at it.
226 00:13:36 -Like, you exude passion.-No.
227 00:13:38 -It really comes across.-That's not passion.
228 00:13:40 -Yeah.-That's frustration.
229 00:13:42 I'm destined for bigger things,and I know it.
230 00:13:45 So, in the meantime, it's just likeI'm a big fish in a little pond.
231 00:13:49 -Yeah.-A big... angry fish.
232 00:13:53 -Yeah. [laughing]-Big, drunk, angry fish, in a tiny,
233 00:13:58 -shitty little pond.-No. You know what?
234 00:14:01 -At least you're honest about it.-Where's that got me? Nowhere.
235 00:14:04 No more "Mr. Nice Guy," you know?Here's to cheating.
236 00:14:07 [Eleanor chuckles]
237 00:14:10 -[chattering]-[upbeat music playing]
238 00:14:14 [Eleanor] It sounds like you're rightin my ear, whispering sweet nothings.
239 00:14:17 -It really does.-Resonance is better if I hold the mic--
240 00:14:20 -[cell phone beeping]-Excuse me, hold on.
241 00:14:32 -[Frank] Nothing serious?-Nothing serious.
242 00:14:35 Let me ask you two questions.First question:
243 00:14:37 -Was that from your boyfriend?-I don't have a boyfriend.
244 00:14:39 -Second question: You live near here?-About five minutes.
245 00:14:43 Wanna go there now?
246 00:14:47 Why did you ask how far it wasbefore you invited yourself back?
247 00:14:52 If it had been a bit further away,would that have been a deal breaker?
248 00:14:55 Like, five minutes, "Yeah, sure."
249 00:14:58 Half-hour, "Yeah, forget it,it's too much of a hassle."
250 00:15:01 -No. Wait, what?-Forget it. Come on.
251 00:15:04 Let's make a moveso you don't waste too much time.
252 00:15:22 -Drink?-Yeah, sure.
253 00:15:39 Thanks. Good night. It was fun.
254 00:15:45 Do you want my number,or should I take yours?
255 00:15:49 I don't think so.
256 00:15:51 -You're married, right?-How did you know?
257 00:15:53 Call it intuition, but not many womencollect superhero toys.
258 00:15:57 Apparently, they're not toys.They are "collectibles."
259 00:16:00 Mm-hm.
260 00:16:02 And you're the one sayingI should leave at 2:30 in the morning.
261 00:16:09 I don't always do this sort of thing,you know?
262 00:16:11 Hey, I'm not judging, I'm just...
263 00:16:13 And if you knew I was married,then you're as bad as me.
264 00:16:16 Not really.
265 00:16:17 I didn't tell your husbandI'd be faithful to him
266 00:16:19 and stand by him in sickness and health,blah, blah.
267 00:16:21 -Again, not judging, just saying.-Wait, wait.
268 00:16:23 You don't know anythingabout me or my husband.
269 00:16:26 Only that you were just unfaithful to him,and he doesn't know
270 00:16:29 or you wouldn't be throwing me outand being defensive.
271 00:16:32 Okay, marriage doesn't always turn outlike you planned, okay?
272 00:16:34 I mean, he hasn't exactlyfulfilled his promise.
273 00:16:37 I thought he'd be something bigin entertainment by now
274 00:16:39 and I'd be living in a mansionin Beverly Hills.
275 00:16:42 I'm pretty sure they drop thatfrom the vows now.
276 00:16:44 As for throwing you out...
277 00:16:46 I just suggestedthat we exchange numbers, so...
278 00:16:50 So we could do this again?
279 00:16:52 I thought you didn't dothis sort of thing all the time.
280 00:16:55 -Fuck off.-Charming.
281 00:16:57 [door slams]
282 00:16:59 Okay.
283 00:17:11 Yep, thanks. Frank!
284 00:17:14 Like ten percent bigger.Better for my cheekbones, right?
285 00:17:17 -[woman] Yeah.-See that?
286 00:17:19 Can I get a word? Now is good.
287 00:17:26 Yep, have a seat.
288 00:17:28 Something's cooking in Ecuador.The intel's a little sketchy,
289 00:17:32 but it looks like an uprisingcould be underway.
290 00:17:35 Rebel troops amassing, reportsof arms stockpiles, that kind of thing.
291 00:17:39 They can't say exactly whenit's gonna blow, but it's gonna.
292 00:17:42 -You interested?-I'm gone.
293 00:17:44 It's dangerous.Drug gangs ruling the streets. With guns.
294 00:17:49 Kidnapping tourists... journalists.
295 00:17:53 Listen, if you're not feelingas brave as you pretend...
296 00:17:56 [scoffs]
297 00:17:58 -...tell me now.-[scoffs] When do I go?
298 00:18:01 This afternoon.
299 00:18:03 -You wanna take Claire?-No.
300 00:18:06 Pointless having two journalistson the spot.
301 00:18:09 Remember last time I was in Pakistan,I had transmission problems?
302 00:18:12 -I should take a technician.-All right.
303 00:18:15 Let's see.
304 00:18:18 -Finch is available.-Fine.
305 00:18:20 All right. Work it out with him. Let's go.
306 00:18:24 Marie, I need two tickets to Quito.
307 00:18:26 [man and woman murmuring in Spanish]
308 00:18:31 -You could stay here with us.-That would be a pleasure.
309 00:18:34 Thanks, guys.
310 00:18:37 You're the closest thing to familyI've got, if I'm honest.
311 00:18:40 I've always felt at home here.
312 00:18:43 -Hoping it won't come to that.-You're coming to Ecuador with me.
313 00:18:46 Get your passport to admin.They need details to clear entry papers.
314 00:18:49 -What, now?-Yeah, we're going this afternoon.
315 00:18:51 -No. I'd love to, but it's impossible.-Why? What's the problem?
316 00:18:56 My wife's left me.
317 00:18:58 After the stakeout with Claire last night.
318 00:19:01 I came home this morningand went to give her a hug
319 00:19:04 and she just pushed...
320 00:19:07 Said she needed some distance.
321 00:19:09 Told me to leave her alone.Can you believe that?
322 00:19:13 Don't worry. It happens to all couples.
323 00:19:15 A week in Ecuador with me,it'll take your mind off things.
324 00:19:18 Thanks for the offer, but I'm gonnastay around and see if I can work it out.
325 00:19:23 These things are a sign.You need to move on, have an adventure.
326 00:19:26 -I've written her a letter.-You've written a novel.
327 00:19:28 -I had a lot to say.-And on radio station paper? Romantic.
328 00:19:32 I put a few photos in, as well.To remind her of the good times.
329 00:19:35 That's quite a packageshe's gonna receive.
330 00:19:37 Actually, you're good with words.Can you have a look at it for me?
331 00:19:41 Yeah, sure.
332 00:19:46 -That's not how you spell "suicide."-Cheers.
333 00:19:50 You know what?A country going through a rebel coup
334 00:19:52 is no place to be crying over a wifewho's left you.
335 00:19:55 -You just need to move on.-That's funny.
336 00:19:57 I'm playing a video gamecalled Rebel Coup.
337 00:19:59 Eleanor thinks it's childish,a grown man playing games.
338 00:20:03 [sighs]I should've paid her more attention.
339 00:20:06 But then, would I have achievedsuch a high score? Who knows?
340 00:20:13 You know what? Maybe I'll asksomeone else to come along.
341 00:20:17 -Yeah.-Cheers.
342 00:20:31 -How long you away for?-A week or two.
343 00:20:33 -Can I get an SM58 and a MIDI MkII?-Yeah.
344 00:20:38 I've changed my mind. I'm coming.
345 00:20:41 That way, my wife can stayin that empty apartment, all alone,
346 00:20:44 and think of me, maybe even miss me.
347 00:20:47 -Great.-Are they bulletproof vests?
348 00:20:50 -Yeah, they are.-What, for...?
349 00:20:53 Why is the...?
350 00:20:55 Why are they...? Why do they end...?Have you got bulletproof pants?
351 00:20:58 Otherwise, what's the... point?
352 00:21:02 Passports, entry papers and tickets.
353 00:21:05 You have a United flight to Quitoat 2 p.m. from Newark.
354 00:21:07 -[Finch] Cheers.-Don't lose them.
355 00:21:09 Why would I lose them?
356 00:21:11 -I was just saying.-What, like I lost my wife?
357 00:21:17 -[Claire] Do you have everything?-I think so.
358 00:21:19 I wish I had one of thosewheelie things now.
359 00:21:23 -Listen to me.-What?
360 00:21:24 When we get there, they're at war.
361 00:21:27 -I don't wanna be a babysitter, okay?-I won't let you down.
362 00:21:32 -What should I do with the letter?-Forget it.
363 00:21:34 -What do you mean?-Who's the man in this relationship, hmm?
364 00:21:36 -Don't be a pussy.-[gasps] Sexist.
365 00:21:39 -What?-Nothing.
366 00:21:40 -Listen, you need to grow a pair.-Of breasts?
367 00:21:42 -Balls.-Oh, sorry. It's because you said "pair."
368 00:21:45 Because I say "pair of breasts,"but I don't say "pair of balls."
369 00:21:48 -I just say "balls."-Throw the letter away.
370 00:21:50 -Right.-Let her wonder where you are.
371 00:21:52 After a couple weeks,you won't wanna know her anymore.
372 00:21:54 Don't give me the"there's plenty more fish in the sea."
373 00:21:56 I was gonna say there'splenty more women in the world.
374 00:21:58 -You seen Ecuadorian girls?-No. What are they like?
375 00:22:00 They're like Spanish women,but different. With ponchos. You'll see.
376 00:22:07 Cheers. I'm sorry.They keep coming off.
377 00:22:12 My problem is I've got slopy shoulders,so it's hard.
378 00:22:15 [Claire] That is a problem.
379 00:22:19 -Can we stop off at mine on the way?-What for?
380 00:22:21 I've hardly got any clothes.This is all equipment.
381 00:22:23 Forget it, you can get somewhen we get to Quito. Come on.
382 00:22:27 [Finch groans]
383 00:22:31 Be careful. Both of you, obviously.
384 00:22:35 -It'll be dangerous.-Danger's my middle name.
385 00:22:41 -Mine's Dennis.-[snickers]
386 00:22:46 -See you soon, then.-Yeah.
387 00:22:47 Cheers.
388 00:23:01 [Eleanor]Hi, I'm not around. Leave a message.
389 00:23:03 [beep]
390 00:23:04 Voicemail.
391 00:23:06 She obviously sees my numberand she doesn't pick up
392 00:23:08 because she doesn't wanna talk to me.
393 00:23:11 Can I borrow your cell?She won't recognize the number.
394 00:23:13 -I thought you'd let her sweat.-No, I know.
395 00:23:15 But I was gonna let her knowthat we're going to Ecuador,
396 00:23:17 a war-torn country, sort of cool-like.
397 00:23:20 Yeah, no, you do cool great.
398 00:23:22 That's why I'm so confidenthaving you as my only support
399 00:23:24 in a scary, dangerous, hostile place.
400 00:23:27 It's like having my own John Wayne.
401 00:23:29 Listen to me, you bumbling little fool,we agreed,
402 00:23:31 your problems,they're your problems, not mine.
403 00:23:34 -Okay?-One, rude. Two...
404 00:23:37 Okay, I'll just call her back on mine.Not a problem. Thanks for your help.
405 00:23:43 [Eleanor] Hi, I'm not around.Leave a message.
406 00:23:45 -[beeps]-[Finch] Hi, it's me.
407 00:23:47 Listen, I'm off to Ecuadorto cover a pretty dangerous war.
408 00:23:53 Um, we'll talk about everythingwhen I get back. If I get back.
409 00:23:57 It's cut out. Oh, it's the tunnel.Sorry, can you avoid the tunnels?
410 00:24:01 [Finch groans]
411 00:24:08 [chattering]
412 00:24:20 Tickets.
413 00:24:24 That's not the tickets,that's your letter.
414 00:24:26 -I threw the letter away.-No, you didn't. It's right there.
415 00:24:29 What did I throw away, then?
416 00:24:31 Don't tell me you threw awaythe passports!
417 00:24:33 You said to throw away the letter,so I threw it in the truck.
418 00:24:37 -Which truck?-The garbage truck.
419 00:24:39 Because I must've mixed up the...Let's go back to the station,
420 00:24:43 tell them we lost the tickets,get new tickets.
421 00:24:45 We'll come tomorrow. It's fine.
422 00:24:47 You threw away the passports,the tickets, and the cash?
423 00:24:49 Where are we gonna getnew fucking passports from?
424 00:24:52 -In one day! In one day!-What else are we gonna do?
425 00:24:55 -Unbelievable.-I didn't do it on purpose.
426 00:24:59 You're a stupid, worthless, idiotic,
427 00:25:02 -incompetent piece of shit. You know that?-Yeah.
428 00:25:05 -What?-Yes, I do know that.
429 00:25:11 Fuck. Taxi!
430 00:25:22 Yes, it's Finch and Frank!Hi! How was Ecuador?
431 00:25:26 Shh! What? Is anyone fromthe radio station in there?
432 00:25:28 -No. Why?-I'll explain later. Get in. Get in.
433 00:25:31 -[Brigida] Get in. Get in.-[Finch] Oh, God.
434 00:25:34 -[Domingo] That's quite a story.-It is.
435 00:25:39 We need to work outwhat we're gonna do.
436 00:25:41 -We need to brainstorm.-Brainstorm.
437 00:25:43 Brainstorm.
438 00:25:46 -What is a "brainstorm"?-I love these two to bits
439 00:25:48 but they're notthe sharpest tool in the box.
440 00:25:50 Whereas you're a genius?
441 00:25:52 Either of you ever thrown away yourpassports on the way to the airport?
442 00:25:55 -Yes.-[Domingo] Okay.
443 00:25:58 [Brigida]Brainstorm.
444 00:26:00 Could two other people goinstead of you?
445 00:26:02 -What? Of course not.-[Brigida] Can you go somewhere else?
446 00:26:06 -No. The story I'm covering is in Ecuador.-Oh, okay.
447 00:26:10 Can you cover a different story?
448 00:26:12 No. It needs to be that story, it needsto be Ecuador and it needs to be us.
449 00:26:16 And we haven't got passports.
450 00:26:19 -I got it.-Go on.
451 00:26:20 You can use someone else's passports.
452 00:26:23 -Ours.-Oh, we're screwed.
453 00:26:25 -No, but she's... and we're---[Brigida] Okay, um...
454 00:26:27 You can save up money for new tickets,and by then, the passports will be here.
455 00:26:31 And the war will be over.
456 00:26:33 -[Domingo] That's good then.-Not for us.
457 00:26:35 No, but for the people. Less will die.
458 00:26:37 -[Brigida] Less will die.-They're thinking of the people.
459 00:26:39 -Less will die.-You'll die, though. I'll kill you.
460 00:26:41 Look...
461 00:26:43 Let's go over and explain.Maybe Mallard won't fire us.
462 00:26:45 He'll fire you when I tell himhow fuckin' useless you are.
463 00:26:48 -Language.-[Frank] Oh, my God.
464 00:26:49 He's gonna think that I chickened out,that I didn't have the guts to go.
465 00:26:52 That'll give him the perfect excuseto fire me.
466 00:26:54 I'm gonna have to kill him.I'll go to jail.
467 00:26:56 I'll get out of jail,and then I'll kill you.
468 00:26:58 So, let's not do that.
469 00:27:03 -Think!-Okay.
470 00:27:04 They're expecting a reportfrom us at 10:00, from Ecuador,
471 00:27:06 and there's no way we can get there.
472 00:27:14 We don't need to get there.They're expecting a report from Ecuador.
473 00:27:18 Let's give them one on a cell phone.
474 00:27:20 The same number would show whetherwe were in London, New York or Quito.
475 00:27:26 -I can create a soundscape. A war zone.-It'll never work.
476 00:27:29 It will work. It will work.Can I use your spare room?
477 00:27:33 -Brainstorm.-Brainstorm.
478 00:27:35 -[Brigida] Come in. Come in. Welcome.-[Domingo] Right this way.
479 00:27:38 Must be great,living right above the restaurant.
480 00:27:40 -Never late for work.-[Brigida] Oh, we are.
481 00:27:42 -Really?-Oh, yeah, all the time.
482 00:27:44 -Sure.-[Brigida] Come in, up the stairs.
483 00:27:49 More stairs.
484 00:28:00 Excellent.
485 00:28:02 Okay.
486 00:28:05 Give me half an hour.
487 00:28:07 Cheers, guys. All right.
488 00:28:10 [Finch mutters indistinctly]
489 00:28:20 [Frank]We meant to go to Ecuador.
490 00:28:22 We got as far as an apartmenton top of a restaurant
491 00:28:26 across the road from the radio station.
492 00:28:28 -You don't like it?-Oh, no, it's lovely.
493 00:28:31 [stammers]That's not what I meant. I...
494 00:28:34 [sighs]
495 00:28:36 No, it's fine. It's just... you know.
496 00:28:47 You know Kim and Kanye?
497 00:28:52 No. No, I don't.
498 00:28:56 Beyoncé? Jay Z? They are your friends?
499 00:29:01 Friends? No. Not friends.
500 00:29:17 [Brigida & Domingo speaking in Spanish]
501 00:29:20 -The Jonas Brothers?-Jonas Brothers.
502 00:29:25 I don't know the Jonas Brothers.
503 00:29:31 You want to read aboutHoney Boo Boo child?
504 00:29:41 -I don't know what he wants.-Okay, come on up, guys.
505 00:29:45 -[door opens]-[approaching footsteps]
506 00:29:50 Okay, close your eyes. Ready?
507 00:29:55 [insects chirping over speakers]
508 00:30:00 [birds chirping]
509 00:30:03 Beautiful rain forest.
510 00:30:07 Birds.
511 00:30:08 [bird sounds increase]
512 00:30:13 -There's monkeys. Parrots.-[animal noises]
513 00:30:17 -Hold on. Here comes a tank.-[tracks rumbling]
514 00:30:20 Oh. Machine-gun fire.
515 00:30:21 [gunfire]
516 00:30:22 Airplanes.
517 00:30:23 A helicopter hovers overhead.Oh. Explosions.
518 00:30:27 [gunfire and explosions]
519 00:30:29 Hand grenades.
520 00:30:31 -[explosions continue]-[aircraft whirring]
521 00:30:35 [sounds cease]
522 00:30:37 Welcome to Ecuador.
523 00:30:39 [indistinct chattering]
524 00:30:41 The government's just closed the borders.
525 00:30:44 The information just came fromthe Secretary of State's office.
526 00:30:46 There may have beena sarin gas warning.
527 00:30:49 [Virginia]Yeah, the dispatch just came in.
528 00:30:57 Okay. I'm gonna call in,if you're ready.
529 00:31:00 So, guys, shout out some stuffin the background, add to the atmosphere.
530 00:31:03 -What should we say?-Anything. Spanish.
531 00:31:09 -[phone rings]-It's Frank.
532 00:31:14 -Frank, where are you now?-I'm in Quito.
533 00:31:17 -You managed to get through?-Yeah. Why?
534 00:31:20 They've closed the borders.There was a sarin gas warning.
535 00:31:24 You know what? Stay on the line.Let me put you through to the studio.
536 00:31:27 I want you to sell Bonnevilleas an exclusive. Hold on.
537 00:31:31 -[upbeat intro music plays]-[announcer] Q365.
538 00:31:34 Our reporter, Frank Bonneville,who managed to get into Ecuador
539 00:31:38 before the borders were closed,has an exclusive for Q365 News.
540 00:31:42 Live from Ecuador, he will now give us thefirst account of this latest development.
541 00:31:47 -Frank.-[Frank] In Quito,
542 00:31:49 the man on the street doesn't knowthat tomorrow, in addition to the gunfire
543 00:31:52 -and indiscriminate attacks...-[gunfire]
544 00:31:55 ...the threat of chemical warlooms over the city.
545 00:31:58 However,the sudden closure of the border
546 00:32:00 confirms the seriousnessof the situation.
547 00:32:02 Real Madrid!
548 00:32:03 -[Domingo shouts indistinctly]-[war sounds continue]
549 00:32:05 And this is a new threat the governmentcould really have done without, Frank?
550 00:32:09 [Frank] My thoughts exactly.For the last three days,
551 00:32:11 they've been fighting an enemythat no bomb can possibly destroy.
552 00:32:16 -Sand.-Julio Iglesias!
553 00:32:18 -[gasps]-[muffled noise]
554 00:32:20 Raised in squalls by the shrieking,violent wind,
555 00:32:23 the desert sandhas brought the city to a standstill.
556 00:32:25 The men and their targetinginstruments are blind.
557 00:32:28 The air force is grounded.
558 00:32:31 The sky has changed color.The temperature has dropped.
559 00:32:35 The sun has all but disappeared,leaving the locals,
560 00:32:38 the innocent victimsin this bloody infighting, to wonder:
561 00:32:41 what has happenedto the world they once knew?
562 00:32:44 This is Frank Bonneville,live from Quito.
563 00:32:48 Okay, good.But I think we need more information.
564 00:32:52 Because I'm pretty sure sandisn't a big problem in Ecuador.
565 00:32:56 I think it's quite lushand rain-foresty and...
566 00:33:01 -banana plants and things.-Okay.
567 00:33:03 And also, guys,imagine you're in your village.
568 00:33:06 Aah! What might you shout?
569 00:33:10 [speaks in Spanish]
570 00:33:11 -What does that mean?-Uncle Miguel!
571 00:33:13 -Why would you shout "Uncle Miguel"?-Because he's almost deaf.
572 00:33:17 Be scared.Shout something about your children.
573 00:33:22 [speaking in Spanish]
574 00:33:24 -What does that mean?-My baby is getting fat!
575 00:33:26 -What's that got to do with anything?-Because you say:
576 00:33:29 "Say something about children,"and I love fat babies
577 00:33:32 -because it means they're eating well.-[Finch] Yeah.
578 00:33:35 -It's true.-I know, I like fat babies.
579 00:33:57 Mm.
580 00:33:58 What happened to the TV?
581 00:34:05 The fact of the matter is that the faceof poverty, no matter where you are,
582 00:34:09 -is always the same.-Look at this guy, Baker.
583 00:34:12 There's a guy that can fake something.He's got a bulletproof vest on,
584 00:34:14 -he's 50 feet from the hotel.-How do you know where he is?
585 00:34:17 Because of that fountain. I saw itfrom my room last time I was there.
586 00:34:20 No one knows. I think we're so much betteroff here-- Thank you. --than Ecuador.
587 00:34:25 We've got wine, snacks.We're not being shot at.
588 00:34:29 You two make a good team.
589 00:34:31 First timewe've worked together, officially.
590 00:34:33 On something big, like this. Yeah.
591 00:34:35 -His forte is sports.-Yeah.
592 00:34:37 -How many Tours de France have you done?-Twenty-five.
593 00:34:40 -In France?-Nah, didn't go there.
594 00:34:43 I sort of ran it from here,to make sure it all went smoothly.
595 00:34:47 And the Olympics?You've done a few of those, too, right?
596 00:34:49 Just four. But they areonly every four years, so, not bad.
597 00:34:53 -Where did you go? Beijing?-I didn't get to Beijing, no.
598 00:34:57 -No, you did those from here, too, right?-Yes. Yeah.
599 00:35:00 -So, have you actually been anywhere?-Yeah.
600 00:35:07 -England.-No, you're from England.
601 00:35:09 -That doesn't count.-Yeah. Okay.
602 00:35:11 -Here, then.-Anywhere other than here.
603 00:35:17 -England.-Wow.
604 00:35:19 [Finch] Yeah.
605 00:35:21 Every two-bit hack in New York got intoEcuador before they closed the border.
606 00:35:25 -I need something special.-We got some great stuff.
607 00:35:28 -We got some exclusive stuff.-You still in Quito?
608 00:35:30 Are we still in Quito? No, we're in...
609 00:35:35 We're in the south,we're in a place called... Machala.
610 00:35:39 We thought it'd be good to get inamongst the people.
611 00:35:41 Good. Yeah, yeah,give them something personal.
612 00:35:44 That always gets them.All right, you're on in five.
613 00:35:47 And now, we go live to our specialcorrespondent in Quito, Frank Bonneville.
614 00:35:51 The villagers could've leftSergeant Miguel to die.
615 00:35:54 But they chose to save the man.
616 00:35:57 A man, who, minutes earlierwith his fellow troops,
617 00:36:00 had been showering the areawith fire and steel.
618 00:36:03 This place might be a rebel stronghold,but these are kind people.
619 00:36:08 It's simply not in their natureto let a man die on their land.
620 00:36:12 -Whoever they are.-Oh, shit! Ooh. I'm sorry, I'm sorry.
621 00:36:17 Earlier today, I watchedas a woman from the village
622 00:36:21 desperately tried to save her own child,
623 00:36:23 feverishly wiping the bloodoff the pavement
624 00:36:26 as if that would somehow bring him back.
625 00:36:29 A peasant, a fat, sweaty peasant,looked on,
626 00:36:33 useless, hopeless, worthless even,knowing that nothing he ever did
627 00:36:39 could possibly do any good.
628 00:36:42 This is Frank Bonneville,live from Machala.
629 00:36:45 [sounds cease]
630 00:36:46 -Good work.-You're on again at 7:00, call back.
631 00:36:50 -That's why he's the best.-I hope they're being careful.
632 00:36:59 [Finch]Well, we got away with it again.
633 00:37:10 Looks like we made quite an impact.
634 00:37:23 -I'm not sure about this.-We can't stay in the apartment all day.
635 00:37:26 We need some fresh air,some exercise.
636 00:37:28 I know, but what if we're spotted?Game over, isn't it?
637 00:37:31 Oh, wow. Look. Oh.
638 00:37:33 [gasps]
639 00:37:34 Amazing Spider-Man 14.
640 00:37:37 I collect comics,so I know that's a good one.
641 00:37:39 Yeah, we really should get back.Come on.
642 00:37:43 [cell phone buzzing]
643 00:37:48 -It's Mallard.-Shit. Don't answer it.
644 00:37:50 I've gotta answer it. Hi.
645 00:37:53 It's Finch. He's in the toilet. Yeah.
646 00:37:59 I don't know where we are, exactly.It's all written in Spanish, obviously.
647 00:38:04 -So... That's the subway.-[subway rumbling]
648 00:38:07 That's what we call the trucksthat drive the tanks.
649 00:38:10 Yeah, because it sounds like the subway.Okay, yeah, I'll let him know.
650 00:38:15 [groans]
651 00:38:16 -He wants you to do a report at 1:00.-Shit.
652 00:38:19 -He's onto us, man.-He's--
653 00:38:20 [cell phone buzzes]
654 00:38:22 Hi. Yeah, he's out. Okay, hold on.
655 00:38:28 -Hello?-I just need a 60-second update, Frank,
656 00:38:30 and then, uh,we'll trail something bigger.
657 00:38:32 -Here?-What do you mean, "Here"?
658 00:38:34 -I mean, now?-Yes, yes. We're transferring you.
659 00:38:37 [man] Now we go liveto Frank Bonneville in Ecuador.
660 00:38:40 A cloud of dust rises into the horizon.
661 00:38:44 The silence is broken by thecaterpillar tracks of two rogue tanks...
662 00:38:47 [mimicking tank engines]
663 00:38:49 ...whose tracks are bitinginto the dust on the remote road.
664 00:38:52 A helicopter hovers overhead.
665 00:38:53 [mimicking helicopter whirring]
666 00:38:57 -Is this Dr. Schmalzstein's office?-No. Shh.
667 00:39:00 In the bombed-out remainsof what was once his home,
668 00:39:02 a young boy watches television.
669 00:39:04 -[man] Blow it out your ass!-[horn honking]
670 00:39:07 American television.Shells are incoming.
671 00:39:10 [whistling, mimicking explosion]
672 00:39:12 My technician is hit by shrapnel.Oh, no, he's fine.
673 00:39:17 But we gotta get out of here. Fast.
674 00:39:22 [grunting over phone]
675 00:39:25 -[mimicking explosions and gunfire]-[siren wails in distance]
676 00:39:32 -[mock gunfire continues]-[footsteps]
677 00:39:37 It's quiet. Too quiet, if anything.
678 00:39:42 [soundscape begins]
679 00:39:43 In the sky, a combat helicopter stops.An explosion rings out.
680 00:39:49 My own technicianhas another near miss.
681 00:39:52 A bullet flies inches above his head.
682 00:39:55 Luckily for him, he's so short,or he'd most certainly be dead by now.
683 00:40:00 This is Frank Bonneville, Q365 News.
684 00:40:03 [man] Coming up at 7:00,we will have another exclusive
685 00:40:05 from Frank Bonneville.
686 00:40:07 That was too close for comfort.We can't get caught out like this again.
687 00:40:10 We've gotta plan this, be in control.And we need something new.
688 00:40:14 When Mallard first asked you to goto Ecuador, what did he say, exactly?
689 00:40:18 Just that the rebel forceswere amassing arms, weapons.
690 00:40:20 -What else?-Conjecture, rumors.
691 00:40:23 [sighs] That's enough for you, though,isn't it? Anything that sells news.
692 00:40:26 -Well, if people weren't so gullible...-That's it.
693 00:40:30 -What?-We start a rumor.
694 00:40:31 One that can't be proved wrong. We inventsomeone, someone behind all this.
695 00:40:35 And when people say,"Oh, we can't find this guy, who is he?"
696 00:40:39 "Well, no, of course you can't find him.He's elusive. He's an evil genius.
697 00:40:42 He's protected by a loyal army.He can work for anyone.
698 00:40:46 Be funded by anyone."
699 00:40:49 They'll just deny it, though, won't they?
700 00:40:51 So, the headline would read"So-and-so denies funding terrorists."
701 00:40:55 -Great.-That's unethical, though.
702 00:40:57 Yeah, but it's news.What's a popular Spanish name?
703 00:41:02 Alvarez. Santiago. Emilio.
704 00:41:07 [Frank]The man is Emilio Santiago Alvarez,
705 00:41:11 the instigator of the attacks againstgovernment forces in Ecuador.
706 00:41:16 A small man, with no profile,no international presence.
707 00:41:21 But here, in the jungles and townsof southern Ecuador,
708 00:41:25 he's become a folk hero...
709 00:41:27 a man unafraid to stand upand be counted.
710 00:41:31 But on the street, rumors persistthat Alvarez may not be working alone.
711 00:41:37 His rebel forces are too well equipped,too well trained, too well fed.
712 00:41:43 It's said, and I must stress at thispoint, these rumors are uncorroborated...
713 00:41:48 that maybe Alvarezhas friends in high places.
714 00:41:52 Perhaps a little too close to home.
715 00:41:54 Jesus, is he saying that the rebel forcesare being funded by the U.S.?
716 00:41:58 [Frank]This is Frank Bonneville, Q365 News.
717 00:42:01 [Mallard] That's huge.
718 00:42:03 Good one.Couldn't have done better myself.
719 00:42:06 -We can keep this going for ages.-Yeah, let's see if they buy it first.
720 00:42:10 -They will.-[gunfire on video game]
721 00:42:13 They will.
722 00:42:14 [Secretary of State] Does Bonnevillerealize the mess he's made
723 00:42:17 by allowing speculation that this Alvarezis working for the Americans?
724 00:42:21 Most probably, Madam Secretary.
725 00:42:24 Goddamn it. Why have we not heard of thisman before? Where's your intelligence?
726 00:42:28 Our agents in Ecuador are tracing him now.
727 00:42:32 It's a good chance they know himby another name. A nickname.
728 00:42:36 And if they don't find him,government forces will.
729 00:42:39 They're now looking for Bonnevilleto make him confess his sources.
730 00:42:43 And Alvarez's men are after himbecause he revealed too much.
731 00:42:47 He and his technicianare in serious danger.
732 00:42:50 I do not wanna end up with two deadcitizens nor the wrath of their families.
733 00:42:55 You are going to tell Finch and Bonnevilleto get to the American embassy in Quito
734 00:42:59 as soon as possible.We need to know they're safe.
735 00:43:02 Once they're safe, we will extract them.
736 00:43:05 That is something we know how to do.
737 00:43:07 Little is known about the mastermindbehind the uprising,
738 00:43:10 rebel fighter Emilio Alvarez.
739 00:43:12 The charismatic leaderof the Ecuadorian Liberation Front
740 00:43:15 is believed to comefrom humble beginnings.
741 00:43:17 The son of an unemployed,
742 00:43:18 left-wing atheist father and an unmarriedmother with Communist sympathies.
743 00:43:23 So, in your view, Alvarez has been quietlyamassing a force for some time now.
744 00:43:28 What I'm hearing from my sourcesis that Alvarez has risen
745 00:43:30 to a position of power in the EcuadorianLiberation Front for some years.
746 00:43:34 I always knew he made upmost of the shit he reported.
747 00:43:36 So, why haven't we heard of him before?
748 00:43:38 -Well, it makes perfect sense.-How is he keeping a straight face?
749 00:43:42 ...less chance for the oppositionof targeting you.
750 00:43:45 Successful revolution is all aboutprotecting your leaders.
751 00:43:48 So, Frank Bonneville has gone whereno other news reporter has gone before
752 00:43:51 in bringing this manto the public's attention.
753 00:43:53 -I wouldn't say that.-[cackling]
754 00:43:55 I've known about Alvarez myselffor a while now.
755 00:43:57 I just didn't think it was appropriateto unmask him yet.
756 00:43:59 [Finch] Oh, come on.
757 00:44:01 -Oh.-[glasses clink]
758 00:44:04 [Finch chuckles]
759 00:44:11 [cell phone rings]
760 00:44:14 Hello? Yeah.
761 00:44:20 Right.
762 00:44:24 Uh-huh.
763 00:44:27 [Finch] What?
764 00:44:29 Okay. Yeah, sure.
765 00:44:32 Yeah, I'll call youas soon as we get to Quito.
766 00:44:36 Okay, thanks.
767 00:44:38 -We're screwed.-Why?
768 00:44:39 -Everyone's looking for us, apparently.-They won't find us.
769 00:44:42 Of course they won't,that's not the point.
770 00:44:43 -What is?-Mallard wants us to get to
771 00:44:45 the U.S. embassy in Quito immediately.
772 00:44:48 For our own safety.The ambassador's waiting for us, okay?
773 00:44:51 It's probably a few hours' drivefrom Machala to Quito.
774 00:44:54 I promised I'd call himas soon as we got there.
775 00:44:56 -As in, a few hours from now.-Right.
776 00:45:00 -What are you gonna do?-Nothing.
777 00:45:02 -Because I'm not gonna call him.-Why not?
778 00:45:04 Because if I call him, he'll call theembassy to arrange us to be flown home,
779 00:45:09 -and they'll say we're not there. Right?-Right. Yeah.
780 00:45:12 What will he thinkif you don't call him at all?
781 00:45:15 -That something's happened to us.-We're just missing?
782 00:45:17 Yeah, that we're missing.They can trace us, though.
783 00:45:20 That's what they'd doif they thought we were missing.
784 00:45:23 -So, we'd have to destroy our phones.-We only have to destroy the SIM card.
785 00:45:27 -Right.-Oh, God.
786 00:45:31 How can you destroy it? It doesn't...
787 00:45:34 You can't even...Shall I just swallow it?
788 00:45:36 Yeah, swallow it so they can trace itstraight to your ass!
789 00:45:39 Why didn't we just go backin the first place and just say:
790 00:45:41 "Sorry, we threw away the ticketsand passports"?
791 00:45:43 Why did you throw the fucking ticketand the passport away in the first place?
792 00:45:46 -[shouts] That's the fucking question!-Shut up!
793 00:45:48 What will they thinkwe're arguing about downstairs?
794 00:45:50 -I don't care!-Are you mental?
795 00:45:53 Fucking hell.There. It's destroyed, okay?
796 00:45:58 What are they gonna say,"What were you arguing about last night?"
797 00:46:01 -In their house.-[sighs]
798 00:46:04 You're such a pig.
799 00:46:06 [Mallard] We haven't heard from themsince 10:00 last night.
800 00:46:09 Maybe they lost communication,maybe they've been arrested.
801 00:46:11 Whatever the case, we need tobe very quiet about this for now.
802 00:46:16 All right, drop everything,check the hotels, hospitals,
803 00:46:18 anybody we might know in the areawho might have seen them.
804 00:46:21 And at some point,we have to let Ian's wife know.
805 00:46:23 -Leave it with me.-Okay.
806 00:46:25 -[phone rings]-I need a map of Ecuador, ASAP.
807 00:46:27 -[Claire] Got it.-Q365 News. Hold on.
808 00:46:30 It's Barrymore at the New York Post.
809 00:46:32 [Barrymore] There's that little guy.
810 00:46:33 Okay, Barrymore, I gotta tell you,I don't have time. What?
811 00:46:36 I know you've got a big problem.I just spoke to my correspondent in Quito.
812 00:46:40 I don't know anything.I can't say anything.
813 00:46:42 I need photos for a profile piece.Should I send a courier?
814 00:46:45 -Being a bit hasty, aren't you?-If I know about it
815 00:46:48 then other people do, too,and it'll get out.
816 00:46:50 Send your courier.
817 00:46:52 Okay, story's out. Change of plans.You're going on at 7:00.
818 00:46:56 Just say we've lost contactwith our special correspondents in Ecuador
819 00:47:00 -but let's not panic everyone.-Right.
820 00:47:03 -You got this.-Yeah.
821 00:47:04 Okay.
822 00:47:08 Oh, hold on.
823 00:47:11 Excuse me, have you got PC Gamer?
824 00:47:13 Look. Look.
825 00:47:16 And uh, and the New York Post.
826 00:47:20 Thanks. Cheers.
827 00:47:22 [Finch groans, sighs]
828 00:47:30 -[Eleanor] Do you want a drink?-[Claire] Uh, no, I'm fine. Thank you.
829 00:47:39 You know,when you're in broadcasting...
830 00:47:44 any number of things can happen,but they aren't necessarily serious.
831 00:47:48 If that's the case,then they're gonna call any minute now.
832 00:48:00 Do you know Frank well?
833 00:48:03 Uh, Frank?
834 00:48:07 We've been working togetherfor about five years.
835 00:48:11 He's a great journalist.
836 00:48:14 Bit of a loner. But I've beenworking with Ian even longer.
837 00:48:20 He's such a kind soul.
838 00:48:23 -You must be worried sick.-Yeah.
839 00:48:31 What do you mean, "loner"?
840 00:48:34 Uh...
841 00:48:37 Well... you know what?Actually, I could do with a drink.
842 00:48:50 Aren't you gonna recordour conversation?
843 00:48:51 Oh, no. This is strictly off the record.
844 00:48:55 Because I tell you,it is a very interesting story.
845 00:48:59 My life, before I met Ian.
846 00:49:04 -Before? Yeah.-Yeah, you know, special interest.
847 00:49:07 Because it might make peopleengage with their plight even more.
848 00:49:10 Well, maybe next time.
849 00:49:13 I don't wanna add to your... stress.
850 00:49:18 I mean, sometimes I thinkthat my life has been too dramatic.
851 00:49:22 And I almost wish it was more, like, uh...plain and boring.
852 00:49:28 Well... [chuckles]
853 00:49:30 -I should go. Sorry. I'm so sorry.-Clumsy.
854 00:49:38 [clears throat]
855 00:49:41 [Claire] Nothing yet leads usto give in to anxiety,
856 00:49:45 even if foreign journalists todayincur increasingly real risks.
857 00:49:49 [man] Thank you, Claire Maddox.And coming up next, baseball.
858 00:49:53 If you don't get in touch at all,they're going to think you're dead.
859 00:49:59 -Or taken hostage, or, yeah.-Taken hostage?
860 00:50:04 -Yeah.-We're taken hostage.
861 00:50:10 -What do you mean?-If we can fake being in Ecuador,
862 00:50:13 -we can fake being taken hostage.-That's bad.
863 00:50:15 -That's not a good idea.-[Frank] It's not bad, it's genius.
864 00:50:18 You're a genius.
865 00:50:19 -Am I?-Yeah.
866 00:50:21 -He's a genius.-He is a smart man.
867 00:50:23 Nah.
868 00:50:24 -It's a very good idea.-[Finch] Is it?
869 00:50:27 I don't know.
870 00:50:31 -[Domingo] Baby, you're blocking Ian.-[Brigida] Oh, sorry.
871 00:50:33 -[Domingo] Okay. Okay.-[Finch] Okay.
872 00:50:35 [Domingo] It's recording.
873 00:50:38 -And...-[Brigida] Wait, wait, wait!
874 00:50:41 -Okay.-[Domingo] Okay.
875 00:50:42 Ready?
876 00:50:43 -Yeah.-Okay.
877 00:50:47 Hello.
878 00:50:48 Don't smile and say "hello."For God's sake.
879 00:50:51 -What do you mean?-You're in mortal danger.
880 00:50:53 You got two guys that wanna kill you.Are they high heels?
881 00:50:56 -What rebel soldier wears high heels?-They make my legs look longer.
882 00:50:59 -It looks good, baby. [growls]-[Brigida] Thank you, baby.
883 00:51:02 Okay, no smiling. No hello.Just straight to it.
884 00:51:06 [sighs]
885 00:51:08 We are hostagesof the Ecuadorian Liberation Front.
886 00:51:12 Um, and I am talking to thepresident of the United States here
887 00:51:16 when I say the situation is simple.
888 00:51:18 If you do not pay the ransom,we will be executed.
889 00:51:20 -Stop. Okay.-What?
890 00:51:21 Why are you talking so casually,so nonchalant?
891 00:51:24 You gotta be begging.Begging for your life.
892 00:51:26 This guy, he wants to kill you.
893 00:51:28 He wants to stick you like a pig,so you need to beg.
894 00:51:30 -A nice word to your family, to your wife.-Yeah.
895 00:51:32 The lens?That's the whole world, right there.
896 00:51:35 -You gotta connect.-Yeah.
897 00:51:36 -Do you understand?-Yeah, yeah, yeah. Okay.
898 00:51:39 President.
899 00:51:40 Beg the president, mention the family,yeah, yeah, yeah. Okay.
900 00:51:45 No smiling.
901 00:51:51 We are hostages ofthe Ecuadorian Liberation Front,
902 00:51:55 and I beg you, Mr. President,please help us.
903 00:51:59 Also, uh, tell my family I love them,tell my wife--
904 00:52:03 Why are you asking the presidentto run errands for you?
905 00:52:06 -Ugh. I don't know, I just-- You said---Talk to them directly, to the lens.
906 00:52:11 -Dear Mr. President, wife, family---Stop.
907 00:52:14 -Get up.-[groans] What?
908 00:52:19 -[Frank] Okay. Shake it out.-Oh!
909 00:52:21 -[Brigida] Take that, American pig!-That wasn't part of the video.
910 00:52:24 -What was that for?-To help you get into your role.
911 00:52:26 Who am I? Daniel Day-Fucking-Lewis?Why am I doing this
912 00:52:29 -if you're the charismatic broadcaster?-Exactly. I can't do it.
913 00:52:32 No one's gonna feel sorry for me.
914 00:52:34 I got the looks, I got the charm,I got the body. No sympathy.
915 00:52:37 You, on the other hand,you begging for your life? It's pathetic.
916 00:52:41 It's like an ugly runt, mongrel dogthat no one wants,
917 00:52:44 -that has to be put down.-Yeah, I get the point.
918 00:52:48 [whispers]Didn't have to hit me.
919 00:52:52 [Brigida] You've got this, Finch.
920 00:52:56 My name is Ian Finch.This is Frank Bonneville.
921 00:53:00 We work for the New York radio stationQ365 News.
922 00:53:03 [Frank] You wanna see these?
923 00:53:04 No, I don't wanna see anything.And I'm not talking to you.
924 00:53:07 As you wish.
925 00:53:09 In the end, you were great, though.
926 00:53:10 I'm sorry for what I did,but it was for authenticity,
927 00:53:13 -for the good of the cause.-Didn't have to hit me that hard.
928 00:53:16 So, can I hit you now?
929 00:53:18 -[scoffs] You can try.-No, I should just be allowed to hit you.
930 00:53:21 -Why?-For the good of the cause.
931 00:53:22 But it wouldn't be,that would just be you getting revenge.
932 00:53:25 Not fair.
933 00:53:27 Here you go. There it is.
934 00:53:30 Take it over to the radio station,make sure no one sees you.
935 00:53:56 [Finch] My name is Ian Finch.This is Frank Bonneville.
936 00:54:00 We work for the New York radio stationQ365 News.
937 00:54:03 We were reporting hereon the unrest in Ecuador
938 00:54:07 when we were taken hostageby the Ecuadorian Liberation Front.
939 00:54:10 We have not been harmed.If America submits to their demands,
940 00:54:13 we will be set freeto return to the United States.
941 00:54:15 -Well, they're still alive.-If their demands are not met, however,
942 00:54:19 we will be executed,never to see our families again.
943 00:54:21 Please take these people seriously.They want money to fund their cause.
944 00:54:25 They will contact you in the future.Until then, you won't hear from us again.
945 00:54:29 [man] Good evening,and welcome to this special broadcast
946 00:54:32 dedicated to Frank Bonnevilleand Ian Finch.
947 00:54:36 I'm joined by their colleague,Claire Maddox, from Q365 News.
948 00:54:41 Uh, it's a very worrying timefor the press.
949 00:54:44 Nothing can justifytaking journalists hostage.
950 00:54:48 The only thing they're guilty ofis doing their job.
951 00:54:50 -You know she has a thing for you, right?-Ridiculous.
952 00:54:56 You never noticed? All those timesshe brought you a cup of coffee?
953 00:55:01 She brought everyone a cup of coffee.
954 00:55:04 -Really?-Yeah.
955 00:55:05 -Didn't she?-No. Just you.
956 00:55:09 And you never oncebought her a cup in return.
957 00:55:11 Hello. I have a wife.
958 00:55:14 -[scoffs] Not anymore you don't.-All right.
959 00:55:17 You need to get over her. Move on.
960 00:55:19 ...danger they face is indifferenceand being forgotten.
961 00:55:23 -And we shall not forget them.-Well, you make a good point.
962 00:55:26 Claire is not the only guestwe have tonight.
963 00:55:29 We also have the wife of Ian Finch.Please welcome Eleanor Finch.
964 00:55:36 -Welcome, it's so good to have you.-Thank you.
965 00:55:39 Please, have a seat. Thanks so muchfor coming on for the show today.
966 00:55:43 -It must be very trying right now.-[Eleanor] Yeah. It is.
967 00:55:45 -That's your wife?-I know.
968 00:55:48 -Punching above my weight.-[Eleanor] I decided to come on your show
969 00:55:51 in the hope that this'llbe broadcast in Ecuador
970 00:55:53 and maybe my husband will see it.
971 00:55:56 I've kept silent in the hope thatany negotiations would be successful,
972 00:55:59 but the wait is unbearable.
973 00:56:02 [man] I understand, and the wholecountry is feeling for you right now.
974 00:56:06 I know. The letters of support,the portraits hanging in all the cities
975 00:56:09 tell me the compassion that the Americanpeople have for the hostages,
976 00:56:13 -for my husband. Thank you.-[man] You're so right.
977 00:56:15 And, together, we stand firm for Ianand Frank to return amongst us.
978 00:56:20 -She loves me.-Of course she does.
979 00:56:22 -I have no right to do this to her.-[Eleanor] I hope you don't mind, uh,
980 00:56:27 I've written a song for the hostages.
981 00:56:29 Something to make surewe don't forget them.
982 00:56:30 -Yeah.-[Eleanor] I thought I might sing it.
983 00:56:33 -I have a backing track.-Oh. Uh, okay. Um...
984 00:56:35 -Okay?-All right. Uh...
985 00:56:37 Thank you.
986 00:56:38 -Okay, so it's, uh---It's called "A Dollar For A Hero."
987 00:56:41 -Let's hear it now, a world exclusive.-Can I stand?
988 00:56:45 Yes, please do.
989 00:56:47 Here she is, Eleanor Finch.
990 00:56:50 [audience applauding]
991 00:56:51 [slow piano music playing]
992 00:56:56 ♪ Can you spare a dollar for a hero ♪
993 00:57:05 ♪ And bring him home to me? ♪
994 00:57:10 ♪ In God we trustAnd fight we must ♪
995 00:57:16 ♪ To return to this land of liberty ♪
996 00:57:22 ♪ I hope you're withThe ones you love ♪
997 00:57:28 ♪ I hope you're togetherSafe at home ♪
998 00:57:35 ♪ But can you spareA dollar and a prayer ♪
999 00:57:39 ♪ To one in danger and alone? ♪
1000 00:57:45 ♪ Can you spare a dollar for a hero? ♪
1001 00:57:52 ♪ America, hear my plea ♪
1002 00:57:57 ♪ And although it's only oneWe're sending George Washington ♪
1003 00:58:04 ♪ And he's gonna bringMy baby home to me ♪
1004 00:58:10 ♪ Oh, America ♪
1005 00:58:15 ♪ The land of the free ♪
1006 00:58:20 [cheering]
1007 00:58:24 That was amazing.
1008 00:58:27 Very special. It was just so moving.
1009 00:58:29 Thank you, and I'd also like to appealto the generosity of the American public.
1010 00:58:33 Okay, please do.
1011 00:58:34 Um, if each of you just give a dollar
1012 00:58:39 for our heroes, our hostages.
1013 00:58:42 I'm launching a campaignto raise money...
1014 00:58:44 What are you doing?
1015 00:58:45 -I'm sending her a dollar.-What for?
1016 00:58:48 -For the heroes.-Great idea.
1017 00:58:52 So, you can donate on my website,and that is www.eleanorfinch.com.
1018 00:58:58 Eleanor needs your help.Thank you. That was great.
1019 00:59:10 [man] Today is the eighth daythat Frank Bonneville and Ian Finch
1020 00:59:13 have been held hostage in Ecuador.We shall not forget them.
1021 00:59:17 You can still make your donationsto A Dollar For Our Heroes.
1022 00:59:21 Just to remind you,
1023 00:59:22 you can still make your donationsto A Dollar For Our Heroes.
1024 00:59:26 And we at Q365 News want tothank you all for your emails of concern.
1025 00:59:31 We share your thoughts. We hopethat Ian and Frank will be home soon.
1026 00:59:34 -[Claire] You wanted to see me?-Listeners can't get enough.
1027 00:59:37 The ratings are officially insane.We're the number one
1028 00:59:40 radio station in New York.I never thought I'd be able to say that.
1029 00:59:43 Two of our friendsare being held hostage.
1030 00:59:46 Uh-huh.
1031 00:59:48 You're a good boss,but you're a shitty person sometimes.
1032 00:59:51 -I'm sorry?-You're excited that there's a news buzz
1033 00:59:53 -around two human beings in danger.-Not just them. Eleanor Finch.
1034 00:59:58 The country has adopted her,they can't get enough, they love her.
1035 01:00:01 They want more.
1036 01:00:02 I want you to keep an eye on her.Hang out. Maybe become friends.
1037 01:00:06 I don't know. There's more to her storyhere, so get it and bring me.
1038 01:00:11 You want to knowif she's lost her appetite,
1039 01:00:13 if she takes sleeping pills before bed,if she has a lover?
1040 01:00:18 You want me to be a spy?
1041 01:00:20 Well, I'd like you to be a journalist!
1042 01:00:35 [Eleanor] Are you guys hoggingthe rubber bands? Yes, you are.
1043 01:00:38 [phones ringing]
1044 01:00:39 [sighs]
1045 01:00:44 Hey.
1046 01:00:46 There's a dollar in the hundies,come on.
1047 01:00:49 You gotta be careful. Recount it.
1048 01:00:50 "A Dollar For Our Heroes."That is a great idea. It's catchy.
1049 01:00:55 -You've been busy.-Yeah. One of my skills.
1050 01:00:58 Organization, fund-raising.I have a high likability factor,
1051 01:01:00 so, it's easy to get people to donate.Want a T-shirt?
1052 01:01:04 -Sure.-I don't know, can you wear orange?
1053 01:01:06 Ew. No.
1054 01:01:07 We need to do something aboutall this cash. There's $124,000 of it.
1055 01:01:12 Ooh. Yeah, we have a safe. Ian keepsall his prized possessions in it. Comics.
1056 01:01:17 We need to be super vigilant.
1057 01:01:18 -We need to account for every cent.-Sure.
1058 01:01:20 -[Chris] Hello. Hi.-Hi.
1059 01:01:22 -Chris Denby.-Ah.
1060 01:01:24 -New York Post.-Yes, of course. [chuckles]
1061 01:01:26 I gotta go be in makeupfrom morning to evening. I hate it.
1062 01:01:28 -Oh. You're doing it for Ian, so...-Yeah. I am.
1063 01:01:34 Mrs. Finch, please, if we could, um...
1064 01:01:37 -You know, against those things, there.-Mm-hm. Hm.
1065 01:01:40 These are his Disney characters.Superman and stuff.
1066 01:01:43 -Marvel. And it's Captain America.-[camera shutter clicking]
1067 01:01:47 They're really great.
1068 01:01:49 Oh. You must really hate doingthese interviews and things,
1069 01:01:54 when you're so worried.
1070 01:01:56 -Yeah, but somebody's gotta do it.-[Chris] Nice.
1071 01:01:58 Hold on. [chuckling]
1072 01:02:01 [camera shutter clicks]
1073 01:02:02 -You should interview me.-For what?
1074 01:02:04 For anything you want.
1075 01:02:06 Anyone'll run an interview on me.You should do it. You know me.
1076 01:02:09 You know the boys.You know the names of the little toys.
1077 01:02:11 Could be a big opportunity for you.From radio to TV?
1078 01:02:15 Could be your big break.
1079 01:02:17 [chuckles]
1080 01:02:20 -[Brigida] That's your house.-[Finch] Yeah.
1081 01:02:22 -Claire.-That's Claire.
1082 01:02:23 Eleanor, you put Ian's Marvel collectionup for public auction.
1083 01:02:27 -What?-You must be thrilled by the results.
1084 01:02:30 -I am over the moon. I am so blown away.-She sold my Marvel collectibles.
1085 01:02:33 -They're just models.-They're not models.
1086 01:02:35 They're perfect original figurines.
1087 01:02:37 And the sum will be added tothe donations of the American people.
1088 01:02:40 I thank them from the bottom of my heartin the name of my husband, Ian Finch.
1089 01:02:44 [Claire] Why did you choose to sellthis particular collection?
1090 01:02:47 [Eleanor] Well, first of all,all the characters are extremely popular
1091 01:02:50 and the most rare originals around,and I just thought they would
1092 01:02:53 raise the highest amount.
1093 01:02:55 What good are plastic superheroes,when my husband, a real hero,
1094 01:02:59 is off languishing in God knows where?
1095 01:03:03 -Ecuador.-Ecuador.
1096 01:03:05 We haven't even asked for a ransomand she's already sold my collection.
1097 01:03:09 She wants to be readyfor when they make demands.
1098 01:03:11 -She already has the cash.-Who's "they"?
1099 01:03:14 -The kidnappers.-There are no-- We're the kidnappers.
1100 01:03:17 And I'm not about to ask my wifefor so much money
1101 01:03:20 that she has to sellmy prized possessions.
1102 01:03:22 We're not gonna ask for money.That's not the point.
1103 01:03:24 -So why she sell your dollies?-Oh, for...
1104 01:03:26 They're not dollies. Listen, please.Keep up. They're collectibles.
1105 01:03:32 [Brigida]They look like dollies.
1106 01:03:33 [upbeat song plays]
1107 01:03:45 [inaudible dialogue]
1108 01:04:13 [inaudible dialogue]
1109 01:04:26 [laughing]
1110 01:04:29 Yeah, you know, I am anguished. [chuckles]
1111 01:04:33 There's a lot of sorrow.There's, um, a lot of grief.
1112 01:04:37 I never got a chance to say, "I love you."
1113 01:04:40 I didn't get that chance.
1114 01:04:41 At the same time, there's so manyblessings that are coming my way.
1115 01:04:44 -Right. Okay.-I mean, the fact that the song is
1116 01:04:47 number one on iTunesfor two weeks running, right?
1117 01:04:51 -Two weeks. Right.-I mean, that's a dream come true.
1118 01:04:53 I know you do want to reach outto the kidnappers
1119 01:04:56 and let them know that you're willingto pay for their release.
1120 01:04:59 Of course. And I also wannalet my fans know that,
1121 01:05:03 um, I'm working on another album.
1122 01:05:05 [audience applauds]
1123 01:05:06 -On a bona fide album.-I've got a shitty wife.
1124 01:05:12 -What do you mean, exactly?-She doesn't care about us. About me.
1125 01:05:16 This is just promoting herself.
1126 01:05:18 ...move away from that, you know?Um...
1127 01:05:21 She does seema little happy about things.
1128 01:05:23 -Just a bit. Loving it. Although...-[Frank] Yeah.
1129 01:05:26 [laughing]
1130 01:05:27 ...I don't really carethat she's left me anymore.
1131 01:05:30 See? I knew you'd get over her.
1132 01:05:32 Well, I can see her forwhat she really is now. And it's...
1133 01:05:35 Nah.
1134 01:05:37 [sighs]
1135 01:05:39 -I can see her side a little bit, too.-What do you mean?
1136 01:05:42 Well, she did leave her family and friendsbehind to follow you to New York.
1137 01:05:46 Probably pictured both of youmaking it big
1138 01:05:48 and suddenly she finds herselfin a one-bedroom apartment
1139 01:05:51 with a guy who likes to spendhis spare time with comic books
1140 01:05:54 -and playing video games.-I thought she was happy. Sorry.
1141 01:05:58 I'm glad you're over her.You can move on with your life.
1142 01:06:00 You've got a big fan out there. So, whoare some of your musical influences?
1143 01:06:05 How do you know I livein a one-bedroom apartment?
1144 01:06:07 Hmm?
1145 01:06:08 "She finds herselfin a one-bedroom apartment."
1146 01:06:14 I don't know that it's a one-bedroomapartment. It's a figure of speech.
1147 01:06:17 "One-bedroom apartment"is a figure of speech?
1148 01:06:20 It's like, "Oh, I don't live in themansion I thought I was gonna live in."
1149 01:06:23 I don't literally meana one-bedroom apartment.
1150 01:06:25 I literally livein a one-bedroom apartment.
1151 01:06:27 -So, it sounds like a diss.-Oh, no, no. I didn't mean it like that.
1152 01:06:32 I live in a one-bedroom apartment.So, it's not a bad thing.
1153 01:06:34 -You made it sound bad.-No.
1154 01:06:36 And you made the playing video games,reading comics a bad thing, as well.
1155 01:06:40 -It's not what every woman likes in a man.-Good. Because I don't want--
1156 01:06:44 I don't like her to want me anymore.Because I don't want her anymore.
1157 01:06:58 [Claire] As the world waits and worriesabout our two journalists in Ecuador,
1158 01:07:02 the whole station joins mein thinking of Ian Finch,
1159 01:07:05 -whose birthday it is today.-[Frank] Happy birthday.
1160 01:07:08 -This is Claire Maddox...-I'd forgotten.
1161 01:07:10 Claire remembered.
1162 01:07:13 She always does.
1163 01:07:17 Everyone's being so nice.
1164 01:07:20 I can't do this anymore. I'm sorry.I'm calling it a day.
1165 01:07:24 -[chuckles] Calling it a day? Really?-Yeah.
1166 01:07:26 -What are you gonna do?-I don't know. I can't do this anymore.
1167 01:07:29 We can't just walk across the streetand say, "Hi, we're home."
1168 01:07:32 -No, I know. No.-Can we?
1169 01:07:34 We have to get to the U.S. embassyin Quito.
1170 01:07:37 Which means,we have to go to Ecuador for real.
1171 01:07:40 -Why do we have to go to Ecuador?-It's that or we go to jail.
1172 01:07:42 Why did we do all thisif we've still gotta go to Ecuador?
1173 01:07:44 This was all your idea, and we didn't knowit was gonna get so out of hand.
1174 01:07:48 What do we do? How do we get there?
1175 01:07:49 We gotta get across the country. I guesswe drive. We get to the West Coast.
1176 01:07:52 From there, we get on a boatand we go down to Quito.
1177 01:07:55 Illegally, because we don'thave any passports.
1178 01:07:58 Oh, God.
1179 01:08:02 This is a good birthday present, isn't it?
1180 01:08:04 "Oh, sorry. Happy birthday.You've gotta go to Quito after all."
1181 01:08:08 [Frank sighs]
1182 01:08:13 -[Finch] Thanks for everything.-[Domingo] Anytime.
1183 01:08:16 -If you hadn't been there...-I was there.
1184 01:08:20 Sure. And don't worry about your car.I'll get it back to you.
1185 01:08:24 Return safely, that's all I ask.
1186 01:08:27 You give those kidnappers hell.
1187 01:08:29 There aren't really... Yeah. Okay.
1188 01:08:35 -We gotta go.-Okay.
1189 01:08:44 -You need money?-[Finch] We're on our way to get money.
1190 01:08:48 -I know where there's lots of money.-[Brigida] Where?
1191 01:08:56 [door creaks]
1192 01:08:59 -[Finch] She's in bed.-[Frank] I'll wait here.
1193 01:09:01 -It'll be all over in five minutes.-Well, come in with me.
1194 01:09:03 -No, we agreed I wouldn't have to.-Why?
1195 01:09:05 -We just did.-But why did we?
1196 01:09:07 -No reason.-Well, come in with me, then.
1197 01:09:09 -Okay, but don't wake her up.-Shh.
1198 01:09:18 -Why do you even have a safe?-In case I get burgled.
1199 01:09:21 I've got expensive comics.I've always wanted one, as well.
1200 01:09:24 They're really cool.
1201 01:09:26 [safe beeps]
1202 01:09:36 -[Finch] How much shall I take?-[Frank] A few more, just in case.
1203 01:09:42 [Frank sighs]
1204 01:09:44 Hiya. Uh, surprise.
1205 01:09:46 Um, Frank Bonneville,this is my wife, Eleanor.
1206 01:09:50 -Hi.-What are you doing here?
1207 01:09:51 Aren't you glad thatwe're alive and well?
1208 01:09:54 See what I mean?You'd have more chance with her than me.
1209 01:09:56 -Definitely not.-No.
1210 01:09:58 Before you explain why you're not beingheld hostage in Ecuador, tell me,
1211 01:10:02 -why are you stealing my money?-We need it, to, um,
1212 01:10:06 bribe our way into Ecuador. To...[clears throat]
1213 01:10:10 Because I threw away the ticketsand passports at the airport.
1214 01:10:15 -What do you mean?-I didn't mean to.
1215 01:10:17 I thought I was throwing away the letterthat I wrote you. That, um...
1216 01:10:20 -What are you talking about?-It's a long story.
1217 01:10:22 -It's not your money.-Excuse me?
1218 01:10:27 It's not your money. People gave thatmoney so we wouldn't be in danger,
1219 01:10:30 but we're not in danger,so it's their money,
1220 01:10:32 but they don't need to know that.So, it's definitely not yours.
1221 01:10:35 So, now I got nothing again.You ruin everything.
1222 01:10:39 Well, weren't you gonna spend it anyway,to pay our ransom?
1223 01:10:42 Of course.But, like, you clearly don't need it now.
1224 01:10:45 You don't care if we live or die.
1225 01:10:47 You're in your element.All the fame, all the attention.
1226 01:10:50 So long as you're still in the picture,but you can feel it all slipping away.
1227 01:10:54 That's why you wannahold on to all the cash.
1228 01:10:56 What? Like you're so perfect.
1229 01:10:59 Maybe it's time the world knewa few home truths about you.
1230 01:11:03 I think they'd learneven worse things about you.
1231 01:11:06 -I don't care.-I think you would.
1232 01:11:15 Look, how about this?Let's go 50-50.
1233 01:11:20 We take our share, get into Ecuador,turn up at the American embassy,
1234 01:11:23 say we've been released,you say you paid the ransom,
1235 01:11:26 -keep the cash.-We'll need evidence I paid the ransom.
1236 01:11:28 We're the evidence. We were kidnapped,and now we're free.
1237 01:11:31 They're not gonna expect receiptsfrom a bunch of Ecuadorian kidnappers.
1238 01:11:34 -Who did I give the money to?-[Finch] You didn't.
1239 01:11:36 You were told to leave it under a bridgebecause you...
1240 01:11:41 didn't wanna involve the police,because they told you they'd kill us.
1241 01:11:44 So, you just left the moneyfor collection under a bridge.
1242 01:11:47 -What bridge?-"What bridge"? Any bridge.
1243 01:11:49 They'll check.
1244 01:11:50 They'll find no money there becausethe bad men came and took the money
1245 01:11:53 and gave it to the bad menthat were kidnapping us. It works.
1246 01:11:58 Okay, done.
1247 01:12:00 -[Finch] Yeah.-Get out.
1248 01:12:01 [upbeat song plays]
1249 01:13:00 [inaudible dialogue]
1250 01:13:19 [coughs]
1251 01:14:11 Oh. Jesus Christ. What was that?
1252 01:14:14 [Finch grunting]
1253 01:14:17 Bugs.
1254 01:14:18 [birds and insects chirping]
1255 01:14:26 [vehicle rumbling]
1256 01:14:30 -Truck.-There's a truck.
1257 01:14:32 Yo! Yo!
1258 01:14:35 Hi. Hi.
1259 01:14:37 Oh. Hey. Hi.
1260 01:14:40 Thanks for stopping.
1261 01:14:41 -Where you go?-Quito.
1262 01:14:42 -We need to get to the embassy.-We can pay you and everything.
1263 01:14:45 -Ah, Americanos.-English.
1264 01:14:48 Although I have livedand worked in America.
1265 01:14:49 -Doesn't need your life history.-Want to eat?
1266 01:14:51 No, it's fine, we're goingstraight to the embassy.
1267 01:14:53 Embassy a few hours away. I need to eat.
1268 01:14:56 -I know a good place.-I'm quite hungry.
1269 01:14:58 -This guy needs to eat, so...-Of course. Yeah.
1270 01:15:01 Okay. Let's go there.
1271 01:15:04 [Finch grunts, sighs]
1272 01:15:05 Brilliant, cheers.
1273 01:15:18 [chattering nearby]
1274 01:15:23 [man grunts]
1275 01:15:26 [man shouts indistinctly]
1276 01:15:30 -It's good.-Sure.
1277 01:15:37 [off-key piano notes]
1278 01:15:39 Oh, God. Jazz.
1279 01:15:43 [banging and grunting]
1280 01:15:47 Oh, good. Not jazz after all.
1281 01:15:52 Hi. Hey. Oh. Nice.
1282 01:15:57 Morning.
1283 01:15:59 Hi.
1284 01:16:00 Hiya. Oh.
1285 01:16:05 Rustic, isn't it?
1286 01:16:07 [sighs] No air-conditioning, though.
1287 01:16:10 Makes you drink more,doesn't it? Crafty.
1288 01:16:13 -He looks like he's had enough.-We're gonna eat and then leave.
1289 01:16:16 Sure. Shall I call for a menu?Don't know who's working here.
1290 01:16:20 -Hey.-Hi.
1291 01:16:22 -Americano?-Uh, well, English.
1292 01:16:25 But I, um... Yeah.
1293 01:16:28 You look handsome. And rich.You must be very successful.
1294 01:16:32 -I do okay, babe.-Let's go.
1295 01:16:34 Uh, no.
1296 01:16:36 -But, you know, you look tired.-I am tired.
1297 01:16:40 Do you want something to wake you up?
1298 01:16:42 -Sure.-Okay.
1299 01:16:43 No. You sniff it.
1300 01:16:46 [sniffs]
1301 01:16:47 -What the fuck are you doing?-You want some?
1302 01:16:49 -No, we're going.-We're not going.
1303 01:16:51 -We're going!-We're not going.
1304 01:16:53 Listen to me. My wife left me, okay?
1305 01:16:55 Presumably for someone better.Who isn't better than me?
1306 01:16:58 Just having a bit of fun, to remind methat life's worth living. [sniffs]
1307 01:17:02 Give me that, please.
1308 01:17:05 What the hell.
1309 01:17:10 Funny, isn't it?
1310 01:17:12 [banging on counter]
1311 01:17:13 -Hello.-Gentlemen.
1312 01:17:14 Hi. [chuckles]
1313 01:17:16 -So, you like the sample, eh?-Thank you.
1314 01:17:17 -And now, you gotta buy.-[Frank groans] I knew it.
1315 01:17:20 [Finch] That's fair enough.
1316 01:17:21 Gotta make a living. He's given usa little free sample, you know.
1317 01:17:25 So, I'll have one.
1318 01:17:28 Thank you. Cheers.There you go.
1319 01:17:31 -I won't do it now. [chuckles]-[man laughs]
1320 01:17:33 In fact, I think I'd better hide it.
1321 01:17:36 I don't want them finding thisat the embassy.
1322 01:17:38 Don't worry about it. They won't.
1323 01:17:39 [both groan]
1324 01:17:41 -[Frank] Shit.-Come on, let's go, papi.
1325 01:17:44 Let's go, come on.
1326 01:17:47 -Move.-Okay.
1327 01:17:48 -Come on, move!-Okay.
1328 01:17:50 [bandit 1] Move.
1329 01:17:51 [Finch] All right.
1330 01:17:52 -[bandit 2] Let's go.-[bandit 1] Move.
1331 01:17:57 Keep an eye on them.
1332 01:18:03 [chickens clucking]
1333 01:18:09 [man yells in Spanish]
1334 01:18:27 [bandit] Get out. Let's go.Let's go, get out. Move.
1335 01:18:31 [Finch] Okay.
1336 01:18:36 [bandit] Move. Hey!
1337 01:18:44 In there. Over there. Over there, move.Now go. Go, go, go.
1338 01:18:57 -Look at this.-[bandit] Enjoy the view.
1339 01:19:00 [bandits chattering and laughing]
1340 01:19:04 Gotta love tourists.They're nice people.
1341 01:19:07 -Very nice.-Excuse me.
1342 01:19:09 There's no toilet... in here.
1343 01:19:13 [cackling]
1344 01:19:22 -Sorry about this.-Don't worry about it.
1345 01:19:27 What do you mean,"don't worry about it"?
1346 01:19:32 I have to tell you something. Um...
1347 01:19:36 [sighs]
1348 01:19:37 Probably gonna end up dying here,and I don't wanna have to die
1349 01:19:40 -with this on my conscience, so...-What now?
1350 01:19:42 [sighs]
1351 01:19:45 I'm just gonna say it.
1352 01:19:49 I slept with your wife, Eleanor.
1353 01:19:54 -The night of the party.-No, you didn't. What do you mean?
1354 01:19:57 -I didn't know who she was.-You're serious?
1355 01:20:00 I didn't know she was your wife.
1356 01:20:03 [Finch exhales]
1357 01:20:05 How do you think that makes me feel?That my wife just...
1358 01:20:09 -has it off with anyone?-Hardly.
1359 01:20:10 The first smarmy bastard who comes along.
1360 01:20:14 Just a big phony and a liar and a cheat.Oh, I feel sick.
1361 01:20:18 [Frank sighs]
1362 01:20:21 So, you've been laughing at mebehind my back all this time.
1363 01:20:24 No, not at all. I felt terriblewhen I found out. I like you.
1364 01:20:27 -You got a funny way of showing it.-I did not know she was your wife.
1365 01:20:30 -So you keep saying.-She's the one to blame.
1366 01:20:32 She knew she was married to you.She chose not to share that with me.
1367 01:20:38 So, you wouldn't have done itif you had known?
1368 01:20:40 Of course not. What do you think of me?
1369 01:20:43 Maybe she'll reallytry and get us out now.
1370 01:20:46 She'll be killing two birdswith one stone, won't she?
1371 01:20:48 She'll be getting her husband backand her lover.
1372 01:20:52 [Frank sighs]
1373 01:21:10 Morning.
1374 01:21:12 [groans]
1375 01:21:14 Hey, man, I'm sorry. I wouldn't have saidanything. I thought you were over her.
1376 01:21:17 I am over her, so, don't say anything.Let's just get through this.
1377 01:21:21 [grunts]
1378 01:21:28 You okay?
1379 01:21:32 Go.
1380 01:21:34 [speaks in Spanish]
1381 01:21:40 -Thank you.-Mm-hm.
1382 01:21:41 -[Finch] Thank you.-[Frank] Thank you.
1383 01:21:43 -Have you got any bread?-It's not room service.
1384 01:21:47 -Are you a prisoner, too?-Of course he's a prisoner.
1385 01:21:49 -Maybe he can help.-He can't help, look at him.
1386 01:21:52 He is helping us.He brought us food, didn't he?
1387 01:21:54 -Let him go. He's terrified.-Okay. Thank you.
1388 01:22:04 Chili for breakfast.
1389 01:22:08 Oh. It's really hot as well.
1390 01:22:10 [breathing heavily] Mm.
1391 01:22:18 [gagging]
1392 01:22:25 If you hold your nose,you can't taste it as much.
1393 01:22:27 -Really?-[gagging]
1394 01:22:30 -Who do you think these people are?-They're bandits.
1395 01:22:32 They're gonna ask for ransom.
1396 01:22:33 -Who's gonna pay that?-I don't know. Government?
1397 01:22:36 -Not the U.S. government.-What do you mean?
1398 01:22:37 -They don't negotiate with terrorists.-Why?
1399 01:22:39 [door opens]
1400 01:22:45 -Journalist, okay?-[Frank] Yeah.
1401 01:22:47 -And you?-No. Uh, I'm a technician.
1402 01:22:51 -Is your boss rich?-No, not at all.
1403 01:22:54 -Is your family rich?-[Finch] No.
1404 01:22:57 My wife has got cash, at the moment.
1405 01:23:02 -She has, she's got loads.-Your wife?
1406 01:23:03 Mm. She'll pay, then you'll release us,yeah? Unharmed.
1407 01:23:07 -Yeah, of course.-[Finch] Don't-- Yeah. Okay.
1408 01:23:09 You're gonna call your wife, okay?
1409 01:23:12 -Okay.-Call her.
1410 01:23:13 -She's never gonna believe him.-Shh. Let's keep it positive.
1411 01:23:17 -What do you say to him?-Call your wife.
1412 01:23:19 -Good. Good.-I am.
1413 01:23:22 -How much money do you want?-[man] 100,000 for each of you.
1414 01:23:26 -That's a lot.-[man] Shh.
1415 01:23:27 Well, it is. I'm saying.
1416 01:23:28 I'm not gonna promise anything,but we're gonna get you what...
1417 01:23:33 -[playing piano scales]-[cell phone rings]
1418 01:23:41 -Hello?-[Finch] Eleanor.
1419 01:23:44 -What do you want?-Right, we're in Ecuador,
1420 01:23:47 and we've been captured by banditsand they want $200,000
1421 01:23:52 -or they're gonna kill me and Frank.-Stop it. Where are you calling me from?
1422 01:23:57 -Where are we exactly? She wants to know.-$300,000.
1423 01:23:59 Hear that? He put it up. That's whatwe're dealing with, unreasonable.
1424 01:24:03 Do you think I'm an idiot?I'm keeping that money.
1425 01:24:05 I raised it, I gave you your half.Stop trying to con me out of mine.
1426 01:24:08 She thinks we're conning her.She doesn't believe me.
1427 01:24:11 -She thinks we're trying to get her money.-She doesn't trust him.
1428 01:24:13 -You gotta talk to her.-[Finch] You talk to her.
1429 01:24:15 -[Frank] Talk to her, please.-I'm gonna hand you to the head bandit.
1430 01:24:18 -Bandido. So, you speak to her.-[Eleanor sighs]
1431 01:24:23 -Hello, ma'am.-Eleanor.
1432 01:24:25 -What's that?-Eleanor.
1433 01:24:27 [man] Eleanor.
1434 01:24:29 Eleanor, if you don't pay, I'm gonnakill your husband and Mr. Franks.
1435 01:24:36 Kill everybody. Greetings from New York.
1436 01:24:40 -What'd she say?-She said to kill you all.
1437 01:24:45 -She said that?-She said that, yeah.
1438 01:24:47 -That's what I'm dealing with.-Who is this?
1439 01:24:49 -That's my wife.-[man] Your wife makes me very sad.
1440 01:24:51 Welcome to my world, son. I'm gladyou spoke to her, though, first-hand.
1441 01:24:54 -Urgh!-I know. She's--
1442 01:24:56 -[speaks in Spanish]-Yeah.
1443 01:24:59 [speaking in Spanish]
1444 01:25:02 [man growls]
1445 01:25:03 That's nice, isn't it? "Kill them."
1446 01:25:04 I can't believe she just did that.She hung up?
1447 01:25:07 She said, "Kill them." And then...
1448 01:25:09 [bandits speaking indistinctly]
1449 01:25:12 -[bandit 1] We gotta be professional.-[bandit 2] I was professional.
1450 01:25:15 [bandit 1] You were not professional.
1451 01:25:16 [bandit 2]I did exactly what you told me to.
1452 01:25:20 [loudly] Thank you.
1453 01:25:25 [bandit]What the fuck did you just do?
1454 01:25:28 Hey, come on. Hey!
1455 01:25:29 -No, no, no. Is okay. Is okay.-[Finch] Sorry.
1456 01:25:32 [cocks gun]
1457 01:25:35 -Who the fuck are you talking to?-Nothing.
1458 01:25:38 He's sorry. We're sorry. Sorry.
1459 01:25:46 [Frank sighs]
1460 01:25:48 [clucking]
1461 01:25:57 -[Frank] What are you thinking?-Thinking that chili was definitely off.
1462 01:26:01 Speed of sound is about350 meters per second, a bit less.
1463 01:26:09 A bullet is about 400 meters per second.
1464 01:26:15 So, if they shoot us,we'll be dead before we hear the bang.
1465 01:26:20 -Great. So, we won't jump, then.-No.
1466 01:26:25 -I'm scared.-You weren't yesterday, in the bar.
1467 01:26:29 That was the cocaine.
1468 01:26:37 Look.
1469 01:26:39 Maybe this will make mea little bit braver again. [chuckles]
1470 01:26:43 Popeye on spinach.
1471 01:26:50 Where is it?
1472 01:26:53 Your sweat probably dissolved it.
1473 01:27:01 -I can taste it. Do you want some?-Yeah. Why don't I suck your toes, too?
1474 01:27:08 No.
1475 01:27:17 Mm.
1476 01:27:19 It's all coming out.
1477 01:27:25 Ah.
1478 01:27:30 [tapping]
1479 01:27:35 Ah. I've got, like, a toothache all over.
1480 01:27:38 [groans]
1481 01:27:41 -That was way too much for one.-How's your heart?
1482 01:27:42 Yeah, it feels likemy heart's in my brain.
1483 01:27:45 -How's your balls?-Non-existent.
1484 01:27:47 They've shrunk. And the willy.
1485 01:27:48 It's like a little snailgoing into its shell. Dense.
1486 01:27:51 It's like the same matterin a much smaller... [groans]
1487 01:27:54 They're the least of my problems. I...
1488 01:27:57 Oh, my God. I feel like I'm gonna burst.If you feel bad, it makes it bad.
1489 01:28:01 -If you feel good, you feel good.-You okay?
1490 01:28:03 You feel good, and if bad, it's the, um...Uh... Oh, God.
1491 01:28:06 [groaning]
1492 01:28:09 -You gonna be all right?-Yeah. Better not, because they're...
1493 01:28:12 [mutters] Fucking, like, "Hey, man."Fuck you. You're nothing but a bitch.
1494 01:28:16 Gonna slap them.
1495 01:28:19 They're pussies, really.
1496 01:28:21 They come in, "Fuck you.No, give me that." Fuck off, you bitch.
1497 01:28:26 Suck my balls.
1498 01:28:28 [truck approaches outside]
1499 01:28:30 I've got terrible gut rot.
1500 01:28:31 -[heavy metal music playing nearby]-Motorhead, "Ace of Spades."
1501 01:28:34 That's what I call myselfon Rebel Coup.
1502 01:28:36 -"Ace of Spades." That's a good omen.-[Frank] Great omen.
1503 01:28:41 So, you have no one that loves you
1504 01:28:43 that is willing to pay moneyto get you back.
1505 01:28:46 Completely useless to us. Worthless.
1506 01:28:48 We might as well getsome entertainment out of you.
1507 01:28:51 You two are fighting to the death.Come on, get up.
1508 01:28:55 Can I use the toilet, please?
1509 01:28:58 -I need to---Come on, get up.
1510 01:29:00 What do you mean fight to the death?That's ridiculous.
1511 01:29:02 -That's right.-Whoa, whoa, whoa.
1512 01:29:04 You're gonna shoot me?
1513 01:29:05 The other onesare going to hear the shots,
1514 01:29:08 they're gonna come in here:pop, pop, pop.
1515 01:29:11 -Shoot you to bits.-I don't care. We're gonna die anyway.
1516 01:29:13 No. Only one of you will die, you see?
1517 01:29:16 You're gonna fight each otherto the death. The winner will be free.
1518 01:29:21 Shoot him.
1519 01:29:25 Shoot him.
1520 01:29:28 You're thinking you'd win, aren't you?
1521 01:29:30 -I would win.-You don't know that.
1522 01:29:32 -He definitely will.-[Finch] You don't know that.
1523 01:29:34 -Look at you and look at him.-You don't know what I can do.
1524 01:29:37 So, don't... Just...
1525 01:29:42 [breathing heavily]
1526 01:29:49 -I can't do it.-Oh, God. Give it to me.
1527 01:29:51 [guffawing]
1528 01:29:58 Are you gonna shoot me now?This is just...
1529 01:30:00 It's not as easy as it looks, right?
1530 01:30:05 -[grunts]-[loud fart]
1531 01:30:07 -[men shouting indistinctly nearby]-[Finch groans]
1532 01:30:10 -Oh, I've shit myself.-[man shouts in Spanish]
1533 01:30:14 [grunts] Oh, fuck! Fucking...My fucking balls!
1534 01:30:18 Fuck, you shot my fucking balls, man.
1535 01:30:20 [heavy metal music playing]
1536 01:30:27 Aah!
1537 01:30:28 The Jeep!
1538 01:30:32 [gunfire]
1539 01:30:41 [Finch groaning]
1540 01:30:47 [grunts]
1541 01:30:49 [Finch]Go, go, go, go, go.
1542 01:30:54 -[both laughing]-Whoo!
1543 01:30:58 [cheering]
1544 01:31:00 -[fires shots in the air]-Whoo-hoo!
1545 01:31:02 -Whoo!-[fires round into truck]
1546 01:31:04 -[Frank] Come on!-[Finch] I'm sorry.
1547 01:31:19 [man on radio]Frank Bonneville and Ian Finch,
1548 01:31:21 the two radio employees held hostagefor nearly a month, have been released.
1549 01:31:26 They were welcomedat the U.S. embassy in Quito
1550 01:31:28 and are said to be exhausted,but unharmed and in good spirits.
1551 01:31:32 The Ecuadorian Liberation Frontclaim responsibility for the kidnapping
1552 01:31:36 and are believed to have been paidtheir ransom by Eleanor Finch
1553 01:31:39 -from the public's generous donations.-Thank you.
1554 01:31:42 This is Q365 News, saying:welcome home, boys.
1555 01:32:03 [band playing "A Dollar For A Hero"]
1556 01:32:05 [cheering]
1557 01:32:07 You must be so proud.
1558 01:32:10 I am. It's probablythe best song I've written.
1559 01:32:25 [inaudible dialogue]
1560 01:32:31 Frank, welcome back.
1561 01:32:35 I was wrong about you.
1562 01:32:37 Which part? The bit aboutbeing a drunk, arrogant hack
1563 01:32:39 -who doesn't care about anybody?-Yeah.
1564 01:32:41 No, you weren't.I'm a work in progress.
1565 01:32:44 -Hmm.-And Finch finally did something brave.
1566 01:32:47 Really?
1567 01:32:49 Not yet.
1568 01:32:56 [Finch] Hey.
1569 01:32:58 Don't worry. We'll never tell anyoneyou weren't really kidnapped.
1570 01:33:02 -No, we were kidnapped.-Of course.
1571 01:33:04 Sure.
1572 01:33:06 [woman]Ladies and gentlemen, Frank Bonneville.
1573 01:33:09 [cheering]
1574 01:33:12 Well, thank you. Thank you. Uh...
1575 01:33:15 He's the one you should be applauding,because let me tell you something...
1576 01:33:20 Ian Finch is a hero. Okay?
1577 01:33:26 He may look like a squat, ineffectualnobody, but he is the real man here.
1578 01:33:33 -[cheers and applause]-[ring clatters]
1579 01:33:36 [man] What's it liketo have your husband back?
1580 01:33:38 -[Frank] Thank you. Thank you.-Great. It's so great.
1581 01:33:41 And what's next for Eleanor Finch?
1582 01:33:43 Um, well, my album is due out,as you know,
1583 01:33:46 and I'm starting a perfume line.
1584 01:33:48 ...I thought I'd never get to seemy own country again.
1585 01:33:53 [applause, cheering]
1586 01:33:57 -Hi.-Hi.
1587 01:33:59 -Brought you a coffee.-Why?
1588 01:34:03 Well, because you alwaysbring me a coffee.
1589 01:34:07 I bring everyone coffee.
1590 01:34:08 -Do you?-No.
1591 01:34:10 Good. Good work with the...
1592 01:34:15 Uh...
1593 01:34:19 Uh... Um...
1594 01:34:24 Exactly, that's what I was trying to say.
1595 01:34:26 [Claire chuckling]
1596 01:34:27 -This is going well.-[Claire] Yeah.
1597 01:34:29 [Finch] Isn't it?
1598 01:34:30 I'm just gonna uh... walk past...
1599 01:34:34 -[Claire] Hello.-[Finch] Hi.
1600 01:34:36 ...these people,who would probably give us a lift.
1601 01:34:40 But we seem to bewalking to Manhattan.
1602 01:34:42 -[Claire chuckles]-Is that good?
1603 01:34:47 -I have coffee, so...-You didn't want milk, did you?
1604 01:34:51 -I did, but---Okay, good. Well, we--
1605 01:34:53 There's a shop on the Upper East Sidethat I know.
1606 01:34:57 We're probably not allowedto go across there.
1607 01:35:00 [Claire chuckles]
1608 01:35:01 [Claire]This is like the end of a movie.
1609 01:35:04 [Finch]A low-budget movie, maybe.
1610 01:35:07 [Claire laughs]
1611 01:35:21 ["A Dollar For A Hero" plays]