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1 00:02:21 In 6th grade, Nora was told to write an essay as if she was an object.
2 00:02:26 She knew at once she'd be their house.
3 00:02:34 She described how its belly shook as she and her sister ran downstairs
4 00:02:39 and out the back door.
5 00:02:42 That it saw them take the shortcut through the fence and onto the road,
6 00:02:47 where the house no longer could see them.
7 00:02:55 She wondered if the house likedto be empty and light,
8 00:03:00 or full and heavy.
9 00:03:02 If the floors liked being trod on.
10 00:03:06 If the walls were ticklish.
11 00:03:09 If it ever felt pain.
12 00:03:20 And she thought that yes,it probably liked to be full.
13 00:03:28 Before them, other people and pets
14 00:03:31 had lived their moments in time there.
15 00:03:36 Her great-great-grandfather died inthe room where her grandmother was born,
16 00:03:42 which now was her parents' bedroom.
17 00:03:51 Their father said the house had a flaw,discovered right after it was finished
18 00:03:57 a century ago.
19 00:03:59 She wrote that it was as if the housewas sinking, collapsing,
20 00:04:05 only in very slow motion,and that her family's time there
21 00:04:11 was just a split second in mid-air.
22 00:04:23 When she read it later, she saw thatshe hadn't used the word "quarrel",
23 00:04:29 but wrote of the "noise" her parents made.
24 00:04:32 But what the house dislikedmore than noise, was silence.
25 00:04:44 When her father left for good,the house grew lighter.
26 00:04:47 The noise her parents made, went away.
27 00:04:51 But the house missedthe other sounds he made.
28 00:05:01 Her teacher gave her an A,and her father loved it.
29 00:05:05 Nora reread it when looking fora monologue for her academy audition,
30 00:05:10 but found it disappointingly detached.
31 00:05:14 She chose Nina's monologuefrom "The Seagull" instead.
32 00:05:17 "I am a seagull. No. No.I am an actress."
33 00:05:20 "Yes, that is what I am."
34 00:05:23 SENTIMENTAL VALUE
35 00:05:47 Nora?
36 00:05:51 -Nora? Open the door.-I can't do it.
37 00:05:54 -Nora, open the door!-Just a moment.
38 00:06:16 Open the door, please.
39 00:06:21 Are you okay?
40 00:06:25 I'm just going over my lines.
41 00:06:29 But you know your lines.
42 00:06:34 -We've been here before.-No, it's not like that.
43 00:06:39 I can't do it.I can't go on stage.
44 00:06:42 Okay. Let's take a deep breath.
45 00:06:49 Just look at me. Look at me. Breathe.
46 00:06:54 Okay. Just breathe.
47 00:06:57 -I can't breathe in this thing.-We'll fix it downstairs.
48 00:07:02 Just come with me.
49 00:07:04 -I need water.-There's water downstairs.
50 00:07:10 -It won't work. We're five minutes late.-It'll be fine.
51 00:07:14 Just get her on, okay?
52 00:07:31 Oh, it's out of place.
53 00:07:34 No, it's okay.
54 00:08:04 Hey... Could you help me out?
55 00:08:07 -Right backstage.-Now?
56 00:08:17 Just... a bit stressed.
57 00:08:19 I think I need some...
58 00:08:21 Sort of need... something.
59 00:08:28 -No, there's no time. Stop it.-We have time.
60 00:08:33 -You're just...-Okay, then hit me.
61 00:08:36 -Just slap me.-No!
62 00:08:39 Otherwise I can't go on stage.I can't go on stage.
63 00:08:45 -Are you okay? Dammit.-Yeah. Okay.
64 00:09:01 Hey!
65 00:09:16 -No!-I can't breathe!
66 00:09:18 Don't!
67 00:09:20 Help! Nora, don't.
68 00:09:23 -Don't... Don't tear it!-Wait, Nora!
69 00:10:02 Yngvar? Twenty seconds.
70 00:10:13 Ready?
71 00:10:23 Are we ready?
72 00:10:30 Yes.
73 00:11:35 Hear!
74 00:11:40 You said you were going to save me.
75 00:11:42 Yet you chased me into the flames!
76 00:12:01 I let your children into my home.
77 00:12:06 Still you bore witness against me!
78 00:12:58 I told you we should get catering.This is just stressful.
79 00:13:11 Hey... Hey...
80 00:13:15 I'm okay. I'm okay.
81 00:13:21 -Mom? Can I have more cake?-Sure.
82 00:13:23 I've asked him to stop.He's had four pieces already.
83 00:13:28 -Please, mom?-No, eat something else first.
84 00:13:32 What a lovely speech you held.
85 00:13:34 It was from both of us.
86 00:13:37 Your mom was so proud of you,she talked about it all the time.
87 00:13:43 -Yeah.-Well, Sissel... Jesus.
88 00:13:46 She took me tothe National Theatre many times.
89 00:14:51 You know, that was grandma'soffice before she got sick.
90 00:14:57 She sat there talking with people,trying to help them.
91 00:15:01 Or they spoke to her about their secrets.
92 00:15:11 When I was little, I used to listen tothem talk through this stove.
93 00:15:19 -Were you allowed to?-No. They never knew.
94 00:15:24 It's been ages, but...
95 00:15:26 I can see it's hard to know what to do,offer your condolences or congratulate.
96 00:15:32 Well, we spoke from time to time.
97 00:15:38 -What is it?-Nothing.
98 00:15:47 Dad's here.
99 00:15:49 -Did you know?-No.
100 00:15:51 But I did inform him.
101 00:15:58 Hi, dad!
102 00:16:01 There you are! Excuse me.
103 00:16:05 Hi.
104 00:16:07 Hi. My girls.
105 00:16:11 -Have you met Erik yet?-No, is he here?
106 00:16:15 -I didn't see you in church.-I wasn't up for it. And why in church?
107 00:16:21 -Did she find religion?-We thought it would be nice.
108 00:16:25 This is... This is so sad.
109 00:16:29 She was a great mother for you, right?She was so beautiful and...
110 00:16:34 -Beautiful?-Like you two.
111 00:16:37 Sharp as hell.
112 00:16:40 She was always right.
113 00:16:45 -Hi! Look, grandpa's here.-Well, hello!
114 00:16:48 Huh? Good morning.
115 00:16:52 -Yeah. Hi, hi.-Hi. Been a while.
116 00:16:56 -That's Even.-Of course I know Evan.
117 00:17:00 We go way back.
118 00:17:02 My, how you've grown!
119 00:17:06 -Are you the tallest boy in class?-I don't know. Don't think so.
120 00:17:10 Are you the class monster?
121 00:17:13 No?
122 00:17:37 Hi.
123 00:17:42 Here.
124 00:17:50 I was just thinking about you.
125 00:17:55 -What's this?-They're mine.
126 00:18:01 Are you okay?
127 00:18:03 Well, why do you ask?
128 00:18:05 -We have to talk while I'm in town.-Okay?
129 00:18:09 There's something I need to tell you.
130 00:18:12 -Can't you just tell me now?-No, not here.
131 00:18:16 I think it's time you and I sat downand had a proper talk.
132 00:18:25 Fredrik can take them in his Toyota.
133 00:18:29 -Sorry.-Oops.
134 00:18:36 I'm good, thanks.
135 00:18:43 I just hope he doesn't feel like he...
136 00:18:48 Suddenly has to be a dad and...
137 00:18:52 -Comfort me or something.-No.
138 00:18:55 But at least he's trying.
139 00:18:58 It might not be easy for him either.
140 00:19:02 Ask him what he plans to dowith the house.
141 00:19:05 -What do you mean?-He owns it.
142 00:19:11 -Oh?-Mom got it after the divorce.
143 00:19:14 But they never filed the paperwork.
144 00:19:17 Okay?
145 00:19:20 It's unfortunate.We were hoping for some money.
146 00:19:27 Why don't you ask him?
147 00:19:29 You never dare confront himabout anything.
148 00:19:33 -I don't? I see.-You don't.
149 00:19:39 -Sure I do.-No.
150 00:19:59 -Hi.-Hi.
151 00:20:02 You look great.What would you like?
152 00:20:06 Uh, just a coffee.
153 00:20:08 -Nothing else?-No.
154 00:20:11 -A coffee for the lovely young lady.-Yes please.
155 00:20:15 -And you? Did you enjoy your meal?-I enjoy everything you serve.
156 00:20:25 She thinks we're a couple.
157 00:20:29 I've thought about you a lot.I've been worried.
158 00:20:33 Okay. How have you been?
159 00:20:36 Well, fine. Got my hands full.
160 00:20:41 You may have heard about the retrospectiveof my films in France.
161 00:20:46 -No, where should I have heard?-The film I'm making is more important.
162 00:20:51 You're hanging in there.
163 00:20:56 It might be my best script yet.Michael agrees.
164 00:20:59 -So Michael is still producing?-He says things are going my way.
165 00:21:04 My documentary is being screenedin many countries. I'm on a roll.
166 00:21:16 You had something you wantedto discuss with me?
167 00:21:20 Yes.
168 00:21:29 The film is about a...
169 00:21:32 A young woman, a mother who...
170 00:21:39 Well, I want you in the lead role.
171 00:21:50 I wrote it for you.
172 00:21:54 You're the only one who can play it.
173 00:22:05 Thank you.
174 00:22:11 But you've never seen me act.
175 00:22:14 Sure. Several times.I saw you in "Medea".
176 00:22:17 -You left during the intermission.-I don't like theatre.
177 00:22:22 The scenography was horrible.But you were great.
178 00:22:27 I can tell if an actor is any goodin two minutes.
179 00:22:31 This part would be good for youin many ways.
180 00:22:36 You deserve something more personalthan centuries-old plays
181 00:22:40 for a bunch of senior citizens.
182 00:22:43 This is a real role in a film.
183 00:22:46 Yes, you might get some financing too.My series has done very well.
184 00:22:53 Yeah, it helps somewhat.
185 00:22:56 I've talked to Michael.He's sure he can get financing.
186 00:23:01 We'll film it in our house.
187 00:23:04 -Our house?-Yes.
188 00:23:06 It's perfect.
189 00:23:17 I'm not having any part in this.
190 00:23:21 -You could take time off from the series.-It was finished ages ago.
191 00:23:26 You're way better than that.
192 00:23:29 -You've seen it?-Of course.
193 00:23:31 Well, what do you think?
194 00:23:34 What I think isn't important.
195 00:23:36 I'd love to hear what you think.
196 00:23:41 But that stuff isn't for me.No visuals.
197 00:23:45 We never really see your face.We don't see your eyes.
198 00:23:50 But what do I know?People like it.
199 00:23:53 It's not about what people think.What do you think?
200 00:23:59 You're not the problem with it.
201 00:24:03 This part
202 00:24:05 could be your big break.
203 00:24:08 We're not going to work together, dad.
204 00:24:12 -We can't even communicate.-Just read it, and I'll call you.
205 00:24:16 -Stop calling me. You're always drunk.-But I worry about you.
206 00:24:21 You don't have any rightto worry about me.
207 00:24:25 -Just read the damn thing!-Why?
208 00:24:28 It'll never come to anything.
209 00:26:00 Sit still!
210 00:26:02 You mustn't move.
211 00:27:33 I sat near you during the screening.I looked at you,
212 00:27:38 and I saw you were also very,very moved by this screening.
213 00:27:45 Uh, yes.
214 00:27:47 I'm sorry. It's, oh...
215 00:27:51 It's twenty years ago, probably,since I saw it.
216 00:27:55 And I remember vividly,in detail, the time, and...
217 00:28:02 The days on the set. The people.
218 00:28:06 You know, I film with friends.
219 00:28:11 They are my family.
220 00:28:14 Yes, and...Even more so in this movie, yes?
221 00:28:19 You mean my daughter, Agnes? Yeah.
222 00:28:22 She's the one that plays Anna.
223 00:28:28 So, one last question before I let you go.
224 00:28:32 I think everyone here wants to know.There hasn't been a feature film
225 00:28:37 since "L'Idylle" 15 years ago.
226 00:28:40 Will we see another feature filmfrom Gustav Borg?
227 00:28:46 Well, I hope so.
228 00:28:48 I hope so too. Thank you, Mr. Borg.
229 00:29:20 Oh, Gustav!
230 00:29:22 Gustav!
231 00:29:25 Sorry, sorry.Rachel Kemp loved your film.
232 00:29:28 She wants you to join her.She's having dinner at L'Excelsior.
233 00:29:33 You know?
234 00:29:35 The festival is paying everything,of course.
235 00:29:41 I'm here with film director Gustav Borg.He's joining Rachel Kemp's table.
236 00:29:54 -Excusez-moi . It's a private event.-Gustav Borg!
237 00:30:02 -Thank you for coming!-Let me get you a chair.
238 00:30:05 -Here you go.-Thank you.
239 00:30:10 I was so impressed by your film.
240 00:30:13 -It's a masterpiece. Really.-Oh yeah.
241 00:30:17 -Thank you.-It is exceptional.
242 00:30:21 -How did your screening go?-It went well.
243 00:30:24 The screening was amazing.The theatre loved it.
244 00:30:28 You have to see it in the fallwhen it comes out.
245 00:30:41 How does this work?
246 00:31:08 I wish I could make films like you do.
247 00:31:18 I just... It really struck me today.
248 00:31:24 I don't know if I'd ever seena film like it before.
249 00:31:30 It was really...
250 00:31:32 Really...
251 00:31:35 Moved me.
252 00:31:43 Thank you.
253 00:31:53 I've been thinking a lot abouttaking a break, actually.
254 00:31:57 I already have all these projectslined up.
255 00:32:03 They're good enough parts, but...
256 00:32:06 -They don't have anything to do with me.-Just say no.
257 00:32:12 Sam would freak outif I just walked away like that.
258 00:32:16 He'd have a right to.
259 00:32:19 Fuck Sam.
260 00:32:21 It's your life.
261 00:32:27 And you?
262 00:32:29 You working on anything new?
263 00:32:32 No. I thought I was, but...
264 00:32:34 Couldn't get the money?
265 00:32:38 Something like that.
266 00:33:18 He'll take you to the hotel.
267 00:33:22 Thank you.
268 00:33:28 -It was very nice to meet you.-Very nice.
269 00:33:32 -Rach?-Rachel!
270 00:33:34 -Sir!-No, no, no!
271 00:33:37 Rach, I have your phone! Oh god!
272 00:34:23 -Weren't you about to leave?-You want me to leave? Okay.
273 00:34:28 No, but this is getting very...
274 00:34:30 Close and cuddly.
275 00:34:33 -You don't like cuddly?-Sure I like cuddly. I do.
276 00:34:38 Why are you so afraid of intimacy?
277 00:34:44 -I can tell that it isn't easy for you.-No, it's not.
278 00:34:48 It's perfect that you're marriedso I don't have to confront
279 00:34:53 how fucked-up I really am.
280 00:34:56 Jeez, what a brutal thing to sayabout yourself. How fucked-up are you?
281 00:35:04 In percent?
282 00:35:06 Eighty.
283 00:35:09 -Eighty.-So you're twenty percent...
284 00:35:13 That's the percentage you see now.
285 00:35:19 Did you talk to the theatre manager?
286 00:35:21 He thinks I should
287 00:35:24 see a therapist.
288 00:35:26 Yes.
289 00:35:28 -Well, why not?-Don't say yes!
290 00:35:31 No, but it's some sort of phobia.Therapy might help.
291 00:35:36 But it's not that bad, it was just that...
292 00:35:39 -I had to hit you.-Yeah. Yeah.
293 00:35:43 Sorry about that.It was pretty intense, but...
294 00:35:47 -You could change your mind and report me.-I won't.
295 00:35:50 I swear.I already know too much about myself.
296 00:35:54 -I don't need therapy.-I'd say the exact opposite.
297 00:35:58 -Why not?-Mom was a...
298 00:36:01 -I mean, she was a therapist.-You're not going to see your mom.
299 00:36:06 -I just want one last kiss.-Sure, but...
300 00:36:10 -No, not like that.-But we're done!
301 00:36:17 -See you tomorrow.-See you.
302 00:36:45 I mean, when you go on stage,it's so counterintuitive.
303 00:36:49 Your body, your whole body screamsas you step out to face the audience.
304 00:36:54 -There's nowhere to hide.-But it's not all anxiety?
305 00:36:58 No, I love it! I love it!
306 00:37:02 And that...
307 00:37:05 This frustration, anger,the sense of injustice,
308 00:37:10 the burden of responsibility.
309 00:37:12 When she says he avoids conflicts,she reveals what she hates about herself.
310 00:37:19 What I like the most about it,is probably...
311 00:37:22 Building a character.Diving into that perspective, or into
312 00:37:28 their feelings by assumingthe role of someone else.
313 00:37:33 It maybe provides me the securityto connect to my own feelings.
314 00:37:38 So you don't want to be yourself?
315 00:37:41 That's what it sounds like.What would mom say about that?
316 00:37:52 No, you're cheating. Step back. No.
317 00:37:55 No, you can go closer.
318 00:37:58 No, no. Here, here!
319 00:38:03 Do you have a boyfriend?
320 00:38:10 No, not really.
321 00:38:14 Don't you want one?
322 00:38:18 Sure.
323 00:38:21 But it's not always that easy.
324 00:38:27 -But I love you.-Yes.
325 00:38:31 I love you too.
326 00:38:35 I wanna marry you when I grow up.
327 00:38:42 It's nice of you to say so.
328 00:38:45 -But it's impossible.-I know.
329 00:38:53 -Did you fall asleep?-No.
330 00:38:57 He's just so cute!
331 00:39:01 I think... He proposed to me down there.
332 00:39:06 -Congrats.-That doesn't happen every day.
333 00:39:11 When he returned fromthe playground today, he came to me,
334 00:39:15 looked straight at me and said:"I see you."
335 00:39:20 Where's that from?
336 00:39:22 -Do you say that?-Maybe he's picked it up at school.
337 00:39:26 Saying "I see you" at school?
338 00:39:29 Are you okay?
339 00:39:32 -Sorry.-Hey?
340 00:39:35 -What is it?-I'm okay.
341 00:39:37 I think I should head home.
342 00:39:40 No, wait.
343 00:39:42 -I'm okay.-Are you sure?
344 00:39:46 -Really? Nothing's happened?-No. It's okay. Sorry.
345 00:39:53 Okay.
346 00:40:11 -Is she alright?-Yeah.
347 00:40:18 -You don't think... She's not there again?-I don't think so.
348 00:40:25 I think she's just lonely.
349 00:40:29 -Does that make you sad?-A bit.
350 00:40:56 -Hi.-Hi.
351 00:41:31 It's weird.
352 00:41:34 When mom fell ill,I considered whether to
353 00:41:37 take over the house,live here with Even and Erik.
354 00:41:42 -Would you want to live here?-No.
355 00:41:45 We can't afford to buy out anyone.
356 00:41:56 I've been through all that,it's just old documents.
357 00:42:01 Well, thanks for everything you've done.
358 00:42:05 It's amazing.
359 00:42:08 -Keep what you want and dump the rest.-But there are many nice things here.
360 00:42:14 Things with sentimental value.Have a look.
361 00:42:18 I'd like that vase, for example.
362 00:42:22 -Yeah, it's kinda nice.-Oh?
363 00:42:25 -Because I want it?-No. You can have it.
364 00:42:28 No, the point is to go through it togetherand sort it out.
365 00:42:33 Yeah.Well, then I'll take it.
366 00:42:37 My god.
367 00:42:44 Remember to turn off the stove
368 00:42:59 -How long is he going to stay here?-He didn't say.
369 00:43:04 But he's here to arrange the sale, right?
370 00:43:07 I don't really know if...
371 00:43:10 He'll be here around 2 p.m.You can ask him.
372 00:43:14 -I don't think so.-You can't pretend he's not here.
373 00:43:18 I can try.
374 00:43:23 He isn't selling the house,like I thought, but...
375 00:43:28 Well, he has this project.
376 00:43:32 Come again?
377 00:43:34 It's a good thing.He's making a new movie.
378 00:43:40 What project?
379 00:43:43 -The one you discussed.-The film he wrote for me?
380 00:43:46 Yeah, the part you didn't want.
381 00:43:51 -Did he get financing?-He must have.
382 00:43:54 He didn't say much.But he asked if you'd be here.
383 00:44:00 Okay.
384 00:44:05 -Is that him?-Yeah.
385 00:44:26 Shit, that's Rachel Kemp.
386 00:44:30 Oh, shit.
387 00:44:40 -Shit!-Hey? Nora?
388 00:44:43 Hey, now...
389 00:44:45 Looks almost the same.Nothing has really changed.
390 00:45:07 It's so great to see you again.
391 00:45:09 There's a café nearby. Rachel willlet you know when we're done.
392 00:45:23 Hi. Is Nora here?
393 00:45:26 No, she had to leave.
394 00:45:29 -Rachel, this is my daughter, Agnes.-Hi. Rachel.
395 00:45:33 Nice to meet you.
396 00:45:36 -Are you in the business as well?-No, she helps me with research sometimes.
397 00:45:41 I'm an historic...Academic historian. Yeah.
398 00:45:45 Sorry, I can't even speak properly.
399 00:45:50 Do you recognise her?
400 00:45:54 -She played Anna in the film you saw.-A long time ago.
401 00:45:59 Of course. That's...
402 00:46:02 You're Anna! That's right! I see it.
403 00:46:05 -Can I take a selfie with you?-Yeah, sure.
404 00:46:09 Starstruck.
405 00:46:19 Thank you.
406 00:46:21 So she's here, talking to her son.
407 00:46:25 This is the last scene.She's preparing him something to eat.
408 00:46:29 It's important for her.A last motherly touch, maybe.
409 00:46:35 They hug, and he leaves.
410 00:46:39 And the moment the door closes,something in her changes.
411 00:46:43 Almost like she relaxes, don't you think?
412 00:46:48 The boy's meeting up with his father,so she's not in a hurry.
413 00:46:53 -And here's the wire to dry clothes on.-A clothes line.
414 00:46:58 -A clothing line.-The clothing line.
415 00:47:01 And then she goes in hereand starts preparing.
416 00:47:11 Suddenly...
417 00:47:14 She hears the veranda door opening.Come.
418 00:47:24 It's her son. He's forgotten his flag.His Norwegian flag.
419 00:47:28 Yeah, it's the 17th of May.It's like the national day.
420 00:47:33 Did I say that all this will bein one shot?
421 00:47:37 A oner? This whole thing?
422 00:47:40 The whole ending in just one shot.No editing.
423 00:47:43 -Complete sync between time and place.-Wow.
424 00:47:48 So...
425 00:47:50 The boy just stands there looking at her.
426 00:47:54 Something's off. He doesn't get it.
427 00:48:00 So he just grabs his flag and runs off.
428 00:48:06 She goes here to make sure thatthis time he really leaves.
429 00:48:11 We only hear the gate closing behind him.Because the camera's here, on her.
430 00:48:18 And this is crucial.
431 00:48:21 The expression she has here.
432 00:48:25 What is she thinking?
433 00:48:27 Exactly.
434 00:48:32 Then she walks back here.
435 00:48:54 -So this is where she does it?-Yeah.
436 00:49:05 You think that would bear her weight?
437 00:49:09 Well, it happened like that.With my mother.
438 00:49:14 -Your mother?-Yeah.
439 00:49:22 -But not here?-Yeah.
440 00:49:25 -It's a very long time ago.-No!
441 00:49:29 She used that.
442 00:49:34 -That?-Uh-huh.
443 00:49:37 In order to get high enough.
444 00:49:41 But we won't see that.
445 00:49:43 We'll end the shot with her going back inand closing the door.
446 00:49:48 We just hear the sound.
447 00:49:51 As the camera moves away.
448 00:49:59 Can I askwhy you didn't just leave after that?
449 00:50:03 Well, we did leave after this.
450 00:50:06 We moved to Sweden.My father was Swedish.
451 00:50:11 Well, I'd love to hear more about her.
452 00:50:16 It's not my mother in the script,you know.
453 00:50:24 Right, but they would still let me do it?Yeah.
454 00:50:27 -Yeah, I know.-This'll be great.
455 00:50:31 She's motivated.I told her that that footstool
456 00:50:36 was the one my mom used to hang herself.
457 00:50:39 The one from IKEA?
458 00:50:58 "Is this me?"
459 00:51:02 "Is this me?" What I think,the way I feel, how I sleep or not...
460 00:51:07 I just can't understand how this...
461 00:51:10 -Can be me.-We've been here before.
462 00:51:14 -So you don't recognise yourself?-No.
463 00:51:19 Many years earlier, the therapist's officewas called "The Library".
464 00:51:28 It was often empty.Karin, the oldest daughter,
465 00:51:33 hung out with friendsand listened to music there.
466 00:52:04 When the war broke out,Karin joined the resistance.
467 00:52:09 One autumn evening in 1943,the State Police came to fetch her.
468 00:52:21 She was imprisoned for two years.She never talked about the prison camp.
469 00:52:35 There. Listen to this.
470 00:52:38 After the war, Karin got marriedand took over the family house.
471 00:52:46 She gave birth to Gustav in 1951.
472 00:52:56 Many years later, when he had becomea filmmaker, Gustav liked to say:
473 00:53:01 "Nothing is more beautiful than shadows."
474 00:53:04 He would imagine his childhood home.
475 00:53:52 Karin's little sister, Edith, took overthe house with her friend Lillian.
476 00:53:58 Edith was happily childless,but Gustav often visited them in summer.
477 00:54:10 If anyone complained, Edith turned upthe volume. She was sure
478 00:54:14 one of the neighbourshad ratted on her sister during the war.
479 00:54:28 When Edith died,Gustav was her sole heir.
480 00:54:32 In 1986, he moved back to the housewith all its memories.
481 00:54:41 There are two versions ofhow Gustav met his wife, Sissel.
482 00:54:46 She said he came to her asa patient with insomnia.
483 00:54:50 It was obvious to her that moving backproved more complicated
484 00:54:54 than he liked to admit.
485 00:54:56 Gustav's take was grander.
486 00:54:59 She was absolutely stunning.
487 00:55:01 I found out she was a therapist,so I got some mental problems.
488 00:55:06 Six months later, Sissel was pregnant.
489 00:55:11 They were married three weeks beforeNora was born in December 1987.
490 00:55:18 With her little sister Agnes,they became a family of four.
491 00:55:24 -So it sucks? Being with us sucks?-That's not what I'm saying!
492 00:55:30 Why do you have to dredge upthat old crap again?
493 00:55:35 After the divorce,Gustav returned to Sweden.
494 00:55:40 The house grew lighter and lighter.
495 00:56:06 Have you talked to Peter?
496 00:56:09 Peter is an old man.
497 00:56:13 -He hasn't shot a film in ten years.-Neither have I.
498 00:56:18 -No, but he's retired.-He'll do it for me. I'll talk to him.
499 00:56:26 -I won't let anyone else film it.-Okay, but...
500 00:56:29 -You have to go and speak to him yourself.-Sure thing.
501 00:56:34 "Sure thing"? Just do it.
502 00:56:38 -He's no older than you are.-Blah, blah, blah.
503 00:56:42 -So how do you like Norway?-Oh, I love Norway.
504 00:56:46 It's beautiful.
505 00:56:48 The people are very friendly.
506 00:56:51 Been very welcoming.
507 00:56:55 This is a Netflix production.Will it be shown in cinemas?
508 00:57:00 Sure, where else?
509 00:57:02 It's still being negotiated,but that's definitely the plan.
510 00:57:09 Another question for Rachel Kemp.
511 00:57:11 It's about the reception ofyour last film, "Cathy's Choice".
512 00:57:16 It must have made you a bit disappointed.
513 00:57:22 I'm... I'm very proud of that film.
514 00:57:26 I don't think that's whatwe're here for today, are we?
515 00:57:30 Were you nervous before taking on, like,
516 00:57:33 a real drama film?
517 00:57:36 I'm working...I'm doing this film because...
518 00:57:39 What sort of a stupid question is that?
519 00:57:43 Rachel Kemp is the best actress of hergeneration. You're lucky she's here.
520 00:57:47 You should be grateful!
521 00:57:50 Get out!
522 00:57:53 -Get out!-Okay. Thank you.
523 00:57:59 What a goddamn idiot.
524 00:58:01 Shouldn't the questionsbe clarified in advance?
525 00:58:05 -That's not possible.-The TikTok troll.
526 00:58:31 Surely not ASMR again?It makes you fall asleep.
527 00:58:35 -He taught it to me.-I also did it with him.
528 00:58:39 I won't hold a speech, but I feel
529 00:58:42 this gratitude welling up in me.
530 00:58:47 I just want to say how awesome it isto work with every one of you.
531 00:58:51 -Of course there's still some way to go...-We talked about it earlier.
532 00:58:56 We've also talked a great deal.
533 00:58:59 We'll sort it out before the premiere.
534 00:59:02 And Jakob, I know thingsare difficult on the home front.
535 00:59:07 But... Uh, but...
536 00:59:10 Thank you for doing the work you do,and if there's anything, tell me.
537 00:59:15 -Always.-Thank you. I will.
538 00:59:18 But... Okay.
539 00:59:20 But I think this is gonna be awesome.
540 00:59:24 -I think so too.-Cheers!
541 00:59:26 -Cheers!-Cheers!
542 00:59:29 But you haven't told meyou're getting a divorce.
543 00:59:33 No, it's been so busy withthe rehearsals, and... Well.
544 00:59:37 Yeah.
545 00:59:41 -It's been hard to find the right moment.-Of course.
546 00:59:48 It's not like...
547 00:59:52 -Not because of us?-No, that's not it.
548 01:00:00 I'm here for you, if...
549 01:00:03 If you need to talk.
550 01:00:05 -Is nobody else taking a dip?-Get in!
551 01:00:09 -One, two...-Okay.
552 01:00:11 -Three!-Whoo!
553 01:00:25 We don't need to hide now.
554 01:00:30 Listen, I... I don't know.
555 01:01:09 -Hello!-Hi!
556 01:01:13 -Is dad here?-Not yet.
557 01:01:19 -There you are! Congratulations!-Thanks.
558 01:01:23 Oh, wow! You look nice with a bowtie!
559 01:01:26 Hello! Are we having pizza?
560 01:01:29 Hello. I'll just do like this.
561 01:01:36 That record's still mine.
562 01:01:39 Nah.
563 01:01:42 Start there.
564 01:01:51 Hi! Welcome.
565 01:01:54 -Good to see you.-Likewise.
566 01:01:57 Well, congratulations. Happy birthday!
567 01:02:00 The nine year old man. Big boy now.
568 01:02:04 -Guess you haven't met since our wedding.-I can never forget a woman like Therese.
569 01:02:14 -Hi. Wow! How nice. Where did you get it?-Just get some glasses.
570 01:02:32 Hi, dad.
571 01:02:36 Hi.
572 01:02:43 Yeah, you hit it.
573 01:02:50 How's the film coming along?
574 01:02:55 -Good.-I heard of it. How exciting!
575 01:02:59 -What's it like to work with Rachel Kemp?-Hey...
576 01:03:04 I'm just asking what it's liketo work with her.
577 01:03:09 Well, she's not there yet. But almost.
578 01:03:12 I heard you fooled her witha footstool from IKEA.
579 01:03:17 Is he gonna spend all daywatching that thing?
580 01:03:20 He's got 20 minutes screen time left.
581 01:03:23 Who? Even?
582 01:03:29 I just wanna know how much screen timeyou've left. Aren't you over now?
583 01:03:34 -How much screen time I've left?-Does he have any?
584 01:03:38 -Put it away.-The pizza's ready.
585 01:03:40 -I just...-Right now.
586 01:03:55 -Right. What do you say?-Thank you.
587 01:03:58 Look here. Monica Bellucci, dammit.
588 01:04:03 And this film will make you understandwomen and maternal relationships.
589 01:04:08 How nice.
590 01:04:10 -Thanks, but we don't have a DVD player.-Thank god.
591 01:04:13 -We'll find a way to see them.-I rarely watch films anymore.
592 01:04:51 You should start writing.
593 01:04:55 Yeah, so you say.
594 01:04:58 Why wait for some old fartto let you play Ophelia?
595 01:05:03 -I'm playing Hamlet.-I talked to Rachel about it.
596 01:05:07 She's started developing her own projects.Has a production company now.
597 01:05:12 It's hard to be an actress.
598 01:05:14 You decide nothing yourself.Just wait for people to want you.
599 01:05:19 -It's not healthy in the long run.-I...
600 01:05:22 It erodes your self-confidence, and yourneed for attention becomes insufferable.
601 01:05:32 I could never have married an actress.
602 01:05:35 But fucking them was okay?
603 01:05:40 Artists today are so petite bourgeoisie.You'll never write "Ulysses"
604 01:05:46 driving to soccer practiceand comparing car insurance.
605 01:05:51 What happened to artistic freedom?Artists need liberty.
606 01:05:58 And not have kids then, dad?
607 01:06:03 Don't say that, Nora.
608 01:06:06 How old are you now?
609 01:06:10 When Sissel was your age,she had two children.
610 01:06:14 Times have changed.
611 01:06:18 You two are the best thingthat's happened to me.
612 01:06:22 The best that's happened to you?
613 01:06:24 Then why weren't you there?
614 01:06:29 Everyone's mad at dad, huh?
615 01:06:33 You two turned out fine, didn't you?
616 01:06:36 How can you tell?You don't even know us.
617 01:06:41 -Stop exaggerating.-Exaggerating?
618 01:06:50 I know it's been hard for you.I recognize myself in you.
619 01:06:57 But you're so goddamn angry.
620 01:07:00 It's hard to love someonewho's so full of rage.
621 01:07:05 Right?You don't want to be alone forever.
622 01:07:13 It's not good for the art either.
623 01:07:16 You need someone to care about.Children or something.
624 01:07:21 You never regret having children.
625 01:09:58 Peter?
626 01:10:02 Good to see you. Hi.
627 01:10:05 Some place you have here.
628 01:10:07 Yeah, thanks to Lasse Hallström, not you.
629 01:10:12 He only booked you after seeing"River of Time".
630 01:10:16 Must be great for your grandkids.
631 01:10:21 Well, it's still difficult with Daniel.The worst part is that his kids suffer.
632 01:10:27 They never get to come hereto see their grandpa.
633 01:10:31 But hey...
634 01:10:33 -This script...-Not that bad, huh?
635 01:10:38 -It's stunning.-So you're in?
636 01:10:41 Yeah, I have to do this.
637 01:10:43 Come on, let's grab a drink.
638 01:10:58 No. Oh.
639 01:11:01 I don't think there's muchhand-held camera in this.
640 01:11:06 I'm thinking dolly and tripod.
641 01:11:17 Sorry for not staying in touch.I'm bad at that between films.
642 01:11:22 Same here, you know. Same here.
643 01:11:30 I have to... I'll let you knowif this works out.
644 01:11:36 Netflix also wants a say.
645 01:11:41 They want us to talk to others as well.
646 01:11:51 Right, so that's how it is?
647 01:11:55 Yeah.
648 01:11:58 That's how it is.
649 01:12:19 Cheers.
650 01:12:22 Good to see you.
651 01:13:12 Hi, Nora.I just wanted to call you to say that...
652 01:13:21 We have to talk to each other.
653 01:13:27 It can't be the case that...
654 01:13:32 I don't like going to the theatre,for example.
655 01:13:35 And it's not that I don't like theatre.
656 01:13:39 It's just that...I can't stand watching it.
657 01:13:46 But Chekhov is...
658 01:13:48 I can read Chekhov.
659 01:13:51 It's really...
660 01:13:54 Not the plays, but...
661 01:14:00 I'm sensitive. So are you.
662 01:14:03 We're... alike in that sense.
663 01:14:07 What the fuck.
664 01:15:09 Oh, thanks.
665 01:15:10 I was wondering...
666 01:15:12 Who is the "you"?
667 01:15:15 She says "you know".Who is the you?
668 01:15:20 Who do you think?
669 01:15:31 I don't think it's her mother.She'd never say that to her.
670 01:15:39 It feels like it's just an inner voice,I guess.
671 01:15:44 It just feels weird to speakand not be talking to anyone.
672 01:15:50 Great.
673 01:15:52 -Let's do it once with Ingrid listening.-I am.
674 01:15:59 Come here. Try it sitting here.
675 01:16:02 -Just to see.-Okay.
676 01:16:05 And you pick it up at...
677 01:16:10 "I had this kind of crisis."Talk to Ingrid.
678 01:16:13 If you want to, you can touch her.Feel that you're her mother.
679 01:16:20 And remember, she's nevertold anyone about this.
680 01:16:24 She's embarrassed about praying like this.
681 01:16:28 May try to hide it or laughat yourself, but...
682 01:16:33 You're ashamed.
683 01:16:37 You're ashamed of being weak.
684 01:16:42 Okay.
685 01:16:49 Okay.
686 01:16:56 "I had this kind of crisis."
687 01:17:01 "I was alone in the house again,"
688 01:17:04 "lying in my bed, crying."
689 01:17:10 "I know everyone lies in bed,crying, but..."
690 01:17:20 "Someone said prayingisn't really talking to God."
691 01:17:25 "It's acknowledging the despair."
692 01:17:28 "To throw yourself on the groundbecause that's all you can do."
693 01:17:35 "Not unlike lying with your heart broken,thinking..."
694 01:17:41 "'Please call me. Please forgive me.'"
695 01:17:44 "'Please take me back.'"
696 01:17:51 "And..."
697 01:17:53 "I had fucked up."
698 01:17:57 "And I was alone,"
699 01:18:01 "and crying."
700 01:18:05 "And then, for the first time,"
701 01:18:11 "I sat down on the floor"
702 01:18:15 "and prayed."
703 01:18:19 "I don't know who I said it to,but I said it out loud."
704 01:18:26 "'Help me.'"
705 01:18:29 "'I can't do this anymore.'"
706 01:18:32 "'I can't do it alone.'"
707 01:18:36 "'I want a home.'"
708 01:18:39 "'I want a home.'"
709 01:18:58 I wish her... I wish
710 01:19:01 her mother was like this in the film.
711 01:19:06 Exactly.
712 01:19:19 -Are you sure doing this in English works?-Yeah, of course.
713 01:19:24 Maybe I should have a Norwegian accent,like Ingrid?
714 01:19:28 I don't have an accent. Do I?
715 01:19:31 -She's Swedish.-Do I?
716 01:19:33 Your accent's non-existent.I just mean... Wouldn't it be weird
717 01:19:38 if everyone has a Scandinavian accent,and I sound like this?
718 01:19:42 Maybe. I'll think about it.
719 01:19:48 Could I ask a little bit moreabout the character?
720 01:19:52 I think my big question is still "Why?"
721 01:19:56 Why she decides to kill herself.
722 01:19:59 Yeah.So what do you think?
723 01:20:06 I get that she's depressed,like her mother.
724 01:20:11 But she has a child.
725 01:20:14 Well, that's the questionthe film is asking, isn't it?
726 01:20:18 I think you have to find your own reason.
727 01:20:27 Could I ask about your mother?
728 01:20:32 I don't mean to pry, I just feelshe might be relevant.
729 01:20:37 Well, this is not about my mother.
730 01:22:01 This is her State Police registry cardand her prison camp file.
731 01:22:06 Karin Irgens' witness statement is here.You applied for access to the whole file.
732 01:22:12 And the file contains photographs fromreconstructions of the torture methods.
733 01:22:18 Well, the images are unsettling.I thought you should know.
734 01:22:23 But I've marked the most relevantinformation with tags.
735 01:22:27 Well, thank you.
736 01:22:49 IRGENS, Karin
737 01:22:52 Sentenced for: Anti-nazi propaganda
738 01:23:33 Treason trial
739 01:23:36 Document list- regarding instances of torture
740 01:23:52 Re: Defendant's crimes of treason -the torture of Karin Irgens
741 01:24:08 They tightened the leg clampsuntil I screamed.
742 01:24:12 The interrogator tied me to a stove.It was very hot.
743 01:24:15 They beat me with a rod.
744 01:24:18 It was most painful.The pain endured for months.
745 01:25:01 When she told Even about it later,it didn't feel as if she had much to add.
746 01:25:08 They already knew most of it.
747 01:25:13 It was hard to say why it had madesuch a strong impression.
748 01:25:17 Was it her grandmother'switness statement, the dry,
749 01:25:21 unsentimental way she described it?
750 01:25:24 Or was it because she was just one of manyvictims who testified in the same file?
751 01:25:32 The police report on her suicide15 years later was thin.
752 01:25:37 There were no photographs.But her father's name was there.
753 01:25:42 He hadn't been questioned.
754 01:25:44 He was just seven years old at the time.
755 01:25:58 Then you pan quickly as hell.
756 01:26:01 No, wait.
757 01:26:03 Pay attention now.
758 01:26:14 Cut.
759 01:26:16 Show me.
760 01:26:18 Good, huh?
761 01:26:27 May I see?
762 01:26:38 Great!
763 01:26:44 Why don't we go to Nora's premieretogether?
764 01:26:48 We could grab some dinner here first.
765 01:26:51 I think I have to take a cabstraight from the office.
766 01:26:55 -But you're coming?-Of course.
767 01:27:08 I want Erik to be in my film.
768 01:27:12 -He's perfect.-Okay?
769 01:27:16 It's not that many lines,but it's a key part, Rachel's son.
770 01:27:24 That's nice, but...
771 01:27:27 I don't know, he's not exactlythe actor type.
772 01:27:31 I don't want an actor type.
773 01:27:34 There's nothing worse than childrenwith jazz hands in a film.
774 01:27:38 Like they're in a musical or something.
775 01:27:42 There's something about Erik.
776 01:27:46 He has secrets.
777 01:27:52 You were also a bit shy, right?
778 01:27:56 But great on screen.
779 01:27:58 You should have kept at it.
780 01:28:09 -"I want three glasses of juice."-"I want three glasses of juice."
781 01:28:15 -"Thank you for washing my clothes."-"Thank you for washing my clothes."
782 01:28:19 -"Thank you for washing my clothes."-"Thank you for washing my clothes."
783 01:28:47 "I almost don't dare to close my eyes."
784 01:28:51 "I'm afraid that when I open them,he won't be here anymore."
785 01:28:57 Let's take a break.
786 01:29:09 You seem a little distracted.
787 01:29:14 Just... A bit tired.
788 01:29:17 You can't go wrong here.
789 01:29:21 The only thing you can do wrongis not to listen.
790 01:29:28 And don't rush it.
791 01:29:35 Okay?
792 01:29:37 Let's try one without the accent.
793 01:29:45 We'll take it from... from...
794 01:29:49 Previous page, on the top.
795 01:29:58 -Hey. It's so nice to meet you.-Nice to meet you.
796 01:30:02 -Sorry you had to wait.-No, thank you for taking the time.
797 01:30:22 Why didn't you want the role?
798 01:30:30 I can't work with him.
799 01:30:33 Why?
800 01:30:39 We can't really talk.
801 01:30:41 -But he wanted you to do it.-Yeah.
802 01:30:45 Yeah.
803 01:30:48 I don't know.
804 01:30:53 Just keep thinking that he...
805 01:30:57 He made a mistake.
806 01:31:04 I just can't...
807 01:31:08 I can't get a handle on her.
808 01:31:12 The more that I study her,the more lost I feel trying to be her.
809 01:31:18 It's like her sadness is...
810 01:31:21 It's such an overwhelming part of her.
811 01:31:24 It's a beautiful theme.
812 01:31:28 But I can't tell if that's just
813 01:31:31 the cause of everything.
814 01:31:34 Or is it...
815 01:31:37 I don't know.A symptom of something deeper?
816 01:31:48 I don't wanna disappoint him, you know.
817 01:32:02 Well, he's a...
818 01:32:06 Very difficult person.
819 01:32:09 But he's a really good director,and he sees something in you.
820 01:32:14 You'd be stupid to walk away.
821 01:32:24 I'm not used to this.I'm used to being in control.
822 01:32:29 And if I wasn't in control,I would enjoy it.
823 01:32:33 Get it?
824 01:32:38 Now I'm too old.
825 01:32:40 There's barbed wire on the prairie.The last damn Mohican.
826 01:32:45 And the new guy keepssending me moodboards.
827 01:32:51 Jeez, I really miss Peter.
828 01:32:53 When did he become so goddamn frail?
829 01:33:02 I'm too tired, Michael.
830 01:33:04 What the hell happened?15 years ago, I was 55.
831 01:33:12 Maybe you're right.
832 01:33:17 Maybe we are too old.
833 01:33:22 This might be our last film together.
834 01:33:27 Just don't tell me you need tokeep up with the times or anything.
835 01:33:33 Promise me that.
836 01:33:36 This theme...
837 01:33:39 We know you've touched on it earlier.
838 01:33:43 But you've never confronted itin this way before.
839 01:33:49 So purely. So personally.
840 01:33:52 Okay, so it took all those years
841 01:33:56 to get here.
842 01:33:59 But you're gonna make this film, dammit.
843 01:34:03 And do it your way.
844 01:34:07 Got it?
845 01:34:51 -Yeah.-We'll just...
846 01:34:55 Okay.
847 01:34:59 Wait.
848 01:35:04 Could you loosen it a bit?
849 01:35:09 There.
850 01:36:50 -Hi!-Hi! Congratulations. You were fantastic.
851 01:36:54 -Really great.-Thanks.
852 01:36:57 Everyone thinks it's so exciting.
853 01:37:01 We got through it, I guess.
854 01:37:04 Well, it was fun. Yeah.
855 01:37:11 -Are you okay?-Yeah, I'm fine.
856 01:37:16 -You haven't answered my calls lately.-I know.
857 01:37:21 -Did you come with dad?-No, he couldn't make it.
858 01:37:27 We've got a babysitter, so we're going fora drink at Tekehtopa. Wanna join us?
859 01:37:33 Excuse me?I really must congratulate you.
860 01:37:36 -It was simply a fantastic performance.-Thank you so much.
861 01:38:13 Yes, I'm heading there now.I'll let you know.
862 01:38:17 But I can't this evening.
863 01:38:21 I've often gone on stage sick.
864 01:38:24 I've never cancelled a performance before,but it's simply not possible.
865 01:38:29 I'm so sorry.
866 01:38:32 Yeah, thank you. Thanks.
867 01:38:34 Okay. Bye.
868 01:39:17 -Where's Erik?-He'll be here soon.
869 01:39:23 Why didn't you come to Nora's premiere?
870 01:39:26 She didn't want me there.
871 01:39:32 Let's see... This is the original.
872 01:39:35 And here's the translation,
873 01:39:37 so Erik can practice his English lines.Don't worry about his accent.
874 01:39:43 Have you talked to Michael?
875 01:39:45 He has to take leave from school.
876 01:39:51 I'm not sure it's a good idea.
877 01:39:54 It's a great idea! It'll be awesome.
878 01:39:57 -No, I'm not sure he wants to.-Sure he does.
879 01:40:01 -How do you know?-I've talked to him.
880 01:40:03 -Have you talked to him?-I mentioned it.
881 01:40:07 -He was ecstatic.-You can't talk to him without me there!
882 01:40:18 When you played in my film...
883 01:40:22 It's the most beautiful memory I've got.
884 01:40:26 This will be good.Let's just look at the scenes.
885 01:40:31 I think Rachel will enjoyfilming them with him.
886 01:40:34 There's happiness in them.She needs to see other aspects of...
887 01:40:39 Stop talking. Just stop.
888 01:40:42 -I don't want Erik to be in the film.-But Agnes...
889 01:40:45 And yes, it was nice, dad.
890 01:40:48 It was fantastic. The time of my life.I got to be with you.
891 01:40:53 I was the centre of the universe.
892 01:40:56 -Then you left. I didn't see you for ages.-But it was fantastic!
893 01:41:02 Yes.
894 01:41:04 But I don't understand.
895 01:41:06 I don't see how you can switch from beingso close and real to just vanishing.
896 01:41:11 Suddenly someone else isthe centre of the universe.
897 01:41:16 -Just read it!-Jesus Christ!
898 01:41:19 I don't care!I don't care whether it's good or not.
899 01:41:23 I care about Erik.
900 01:41:31 Hi!
901 01:41:34 Hi!
902 01:41:36 -Grandpa was just leaving.-Oh.
903 01:41:41 Hi. How have you been?
904 01:41:44 -Okay.-Good to see you. I've missed you today.
905 01:41:49 -Me too.-You have?
906 01:41:54 -So it's a good thing I came now.-Right?
907 01:41:58 Very good.What shall we do while we wait for dad?
908 01:43:40 Hi.
909 01:43:46 To what do I owe the honour?
910 01:43:51 -Are you okay?-Yeah, I guess.
911 01:43:57 Come on in. I'll make a cup of tea.
912 01:44:16 -There you go.-Thank you.
913 01:44:24 So you don't wanna do the film anymore.
914 01:44:31 I, uh...
915 01:44:34 I just...
916 01:44:39 I just don't wanna let you down.
917 01:44:45 I won't drop out ifyou really want me to stay.
918 01:44:52 Is it just me?This just doesn't feel right.
919 01:44:56 It doesn't feel right for you either,does it? Me doing this film.
920 01:45:01 Of course it does.
921 01:45:09 I don't think it does.
922 01:45:12 You know, you asked me to dye my hair
923 01:45:16 the same colour as your daughter.
924 01:45:20 And I mean, you don't wantthis film to be in English, do you?
925 01:45:24 That feels wrong to you too. Right?
926 01:45:31 And I don't wanna disappoint you.
927 01:45:40 I'm sorry.
928 01:45:48 I let you down, Rachel. I'm sorry.
929 01:45:56 Most actors would do the roleeven if it felt wrong.
930 01:46:00 Or just leave,and let the agents sort it out.
931 01:46:07 But you came here.
932 01:46:13 You're a good person.
933 01:46:26 Come on.
934 01:46:44 Please don't look at this as a failure.
935 01:46:48 -You're a great actress. I meant it.-Thank you.
936 01:48:55 -Hi.-Hi.
937 01:48:59 Sorry for showing up like this,but why don't you answer my calls?
938 01:49:02 I'm sorry.
939 01:49:13 -Are you okay?-Mm.
940 01:49:20 You have to answer the phone.
941 01:49:22 You know how anxious I get when you don't.
942 01:49:30 What's going on? Are you sick?
943 01:49:33 No.
944 01:50:03 I had a row with dad yesterday.
945 01:50:09 I was furious.He wants to put Erik in the film.
946 01:50:12 I don't want that.
947 01:50:16 But then I read the script.
948 01:50:23 And it was so great.Not at all what I imagined.
949 01:50:32 Right. I know you don't wantanything to do with it.
950 01:50:37 But I still want you to read it.
951 01:50:44 Because I sense it's about you.
952 01:50:47 Or...
953 01:50:50 I think he wrote it for you.It's not about his mother.
954 01:51:00 Well.
955 01:51:29 Could you read this bit for me?
956 01:51:34 Don't mind that it's like...
957 01:51:37 Well, a bit overwritten.
958 01:51:39 Just read it.
959 01:51:50 "You know, I don't believe in God at all."
960 01:51:54 "We came from a homewhere all that was irrelevant."
961 01:52:01 "We weren't baptised. My sister and I hada civil confirmation just for the money."
962 01:52:07 "Then I had this kind of crisis."
963 01:52:10 "I was alone in the house again,lying in bed, crying."
964 01:52:15 "I know everyone lies in bed cryingat some point, but..."
965 01:52:20 "Someone said prayingisn't really talking to God."
966 01:52:24 "It's acknowledging despair."
967 01:52:29 "To throw yourself on the groundbecause that's all you can do."
968 01:52:33 "Not unlike heartbreak:"
969 01:52:36 "'Call me. Please change your mind.'"
970 01:52:40 "'Take me back.'"
971 01:52:43 "There I was. I'd ruined everything."
972 01:52:46 "I was alone, lying there, crying."
973 01:52:49 "And then, for the first time,"
974 01:52:53 "I sat down and prayed."
975 01:52:56 "It's hard to explain."
976 01:52:59 "I don't know who I prayed to,but I said it out loud."
977 01:53:04 "'Help me.'"
978 01:53:08 "'I can't do this.'"
979 01:53:12 "'I can't do it alone.'"
980 01:53:16 "'I want a home.'"
981 01:53:22 "'I want a home.'"
982 01:54:51 Did you tell dad about...
983 01:54:56 -My suicide attempt?-No, of course not.
984 01:55:03 I thought the same thing."How does he know?"
985 01:55:12 It's mixed up with a lot of thingsabout his mother.
986 01:55:16 But in some scenes it's as if he was therewhen you went through it.
987 01:55:21 Well, he wasn't.
988 01:55:24 You were.
989 01:55:47 How did it happen?
990 01:55:50 You turned out fine,and I became fucked up.
991 01:55:54 That's not true.
992 01:55:59 Why didn't our childhood ruin you?
993 01:56:02 It hasn't always been easy for me.
994 01:56:07 But you've managed to make a family.
995 01:56:12 -A home.-Yeah.
996 01:56:18 There's one major differencein the way we grew up.
997 01:56:22 I had you.
998 01:56:28 I know you think you're incapableof caring, but you were there for me.
999 01:56:35 When mom was down.
1000 01:56:40 You washed my hair.
1001 01:56:49 Combed it.
1002 01:56:52 Got me to school.
1003 01:56:57 I felt safe.
1004 01:57:28 I love you.
1005 01:57:34 You too.
1006 01:57:36 I mean, I love you too.
1007 01:58:56 Does it feel okay?
1008 01:59:00 How wonderful to wake up to such beauty.
1009 01:59:04 You have a wonderful smile.Does your boyfriend say so? He should.
1010 01:59:10 Well, he does, actually.I've heard it before.
1011 01:59:15 Jeez! Do you have anything else?Like champagne?
1012 01:59:19 Champagne?
1013 02:00:29 Can I have some cookies too?
1014 02:00:33 -You know...-Omar and the others always get cookies.
1015 02:00:38 -With chocolate.-Just finish your sandwiches first.
1016 02:00:58 Okay.
1017 02:01:15 -Bye then.-Bye.
1018 02:03:00 -Hi. What's the matter?-I forgot my mobile.
1019 02:03:13 -Bye.-Goodbye.
1020 02:03:18 Okay.
1021 02:04:31 Cut.
1022 02:04:35 -Perfect.-We've cut. Moving on.
