爱乐之城(La La Land)(EN)Subtitles
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1 00:00:43 It's another hot, sunny day today
2 00:00:44 here in Southern California.
3 00:00:46 Temperature is 84 for downtown Los Angeles,
4 00:00:47 overnight lows of 75.
5 00:05:10 ...alreadyhas won three oscars...
6 00:05:12 Including for the 1998 filmShakespeare in love.
7 00:05:42 I mean, we could notbelieve what was happening.
8 00:05:45 I swear to god,she was wrecked.
9 00:05:49 She wascompletely wrecked!
10 00:05:51 I know. I know.It was pure insanity.
11 00:05:57 It's insanity...
12 00:05:59 Ah!
13 00:06:01 "Lunacy! It was pure lunacy."
14 00:06:14 What is his prob...I should go.
15 00:06:24 Cappuccino, please.
16 00:06:26 Right.Of course.
17 00:06:28 Oh, no, thank you.I insist.
18 00:06:42 Did you seewho that was?
19 00:07:01 Shit!
20 00:07:04 Mia, where do you thinkyou're going?
21 00:07:05 Oh, it's five after.
22 00:07:07 Better be hereearly tomorrow.
23 00:07:08 Okay.
24 00:07:10 Have a good night!
25 00:07:12 Oh!
26 00:07:26 She was wrecked!It was pure lunacy.
27 00:07:31 It was so crazy,and I just...
28 00:07:33 Oh, you would have died.
29 00:07:37 No, Turner's fine.Turner's fine. I just, um...
30 00:07:42 Are you gonnawait 'til Denver
31 00:07:48 What?
32 00:07:59 Okay.
33 00:08:05 No, I'm happy for you.
34 00:08:10 I am. I'm happy for you.I just...
35 00:08:15 I just thought...
36 00:08:20 - I don't know...- One second.
37 00:08:21 I guess I thought...
38 00:08:25 What, Ruby?
39 00:08:26 Jessica's on the phone.
40 00:08:27 Um,tell her I'll call her back.
41 00:08:29 In two minutes?
42 00:08:32 Less than two minutes.
43 00:08:33 I'll goget your lunch.
44 00:08:34 I'm almost done. Thank you.
45 00:08:44 Oh. You know what?
46 00:08:46 I think we're good.Thanks for coming in.
47 00:09:51 Whoa! Holy shit!You wanna open a window?
48 00:09:55 I was trying to give youan entrance.
49 00:09:56 Thank you.
50 00:09:57 Mia!How'd the audition go?
51 00:10:00 Eh.
52 00:10:02 Eh, same here.Was Jen there
53 00:10:04 I don't knowwho Jen and Rachel are.
54 00:10:05 They're the worst.
55 00:10:07 Well, I don't knowif they were there.
56 00:10:09 I bet they were.
57 00:10:10 Why is therea convention in the
58 00:10:13 Two minutes,people.
59 00:10:14 Mia, you'recoming, right?
60 00:10:16 I can't!I'm working.
61 00:10:18 What?
62 00:10:20 Did she justsay "working"?
63 00:10:22 What?
64 00:10:24 I'm sorryit didn't go well today
65 00:10:24 and there'sfour things in my inbox
66 00:10:28 and I will submit you.But right now you're coming!
67 00:10:31 It'll be fun.
68 00:10:32 It's notgonna be fun.
69 00:10:34 It's not. It's gonna bea bunch of social climbers
70 00:10:37 all packed intoone of those
71 00:10:39 This looks familiar.
72 00:10:41 I was gonnagive that back.
73 00:10:43 A long time.Come on, Mia.
74 00:10:45 When else are yougonna get to see
75 00:10:45 every Hollywood clichecrammed into the same room?
76 00:10:49 We'll makefun of it together!
77 00:10:50 I'm disappointedin you, Lex.
78 00:10:52 There's nothingto make fun of.
79 00:10:52 This party's gonna behumanity at its finest.
80 00:11:18 Oh, god help us all!
81 00:12:28 Hey, girl!
82 00:15:36 No, no.
83 00:15:38 Oh, come on!What?
84 00:15:45 Ahh!
85 00:18:34 Please stopsneaking into my home.
86 00:18:36 You think mom or dadwould call this a home?
87 00:18:38 What are you doing?
88 00:18:39 Please don't do that.Please don't sit on that.
89 00:18:41 Are you kidding?
90 00:18:41 Please don't sit on that.Don't sit on that.
91 00:18:41 Don't sit on that.Hoagy Carmichael
92 00:18:44 Oh, my god!
93 00:18:46 The baked potatojust threw it away.
94 00:18:47 I can't imagine why.
95 00:18:48 And now you'rejust sitting on it.
96 00:18:50 I got youa throw rug.
97 00:18:51 I don't need that.
98 00:18:52 What if I saidmiles Davis pissed on it?
99 00:18:55 It's almost insulting.Is it true?
100 00:18:58 When are you gonnaunpack these boxes?
101 00:19:01 When I unpack themin my own club.
102 00:19:02 Oh, Sebastian.
103 00:19:02 It's likea girl broke up with you
104 00:19:06 You're not still goingby there, are you?
105 00:19:09 That's...
106 00:19:10 You won't believe
107 00:19:12 that they turned it intoa samba-tapas place.
108 00:19:13 Oh, my god,Sebastian!
109 00:19:14 Samba. Tapas.
110 00:19:17 Pick one, you know?Do one right.
111 00:19:19 I have someonei want you to meet.
112 00:19:21 I don't wannameet anyone.
113 00:19:23 No, no,i don't wanna
114 00:19:24 Dad gave you this?
115 00:19:25 Yes.You'll like her.
116 00:19:27 I don't thinkI'm gonna like her.
117 00:19:28 Does she like jazz?Probably not.
118 00:19:30 Then what are wegonna talk about?
119 00:19:31 I don't know!It doesn't matter. Okay?
120 00:19:33 Because you're livinglike a hermit.
121 00:19:35 You're drivingwithout insurance!
122 00:19:36 It doesn't matter?Yeah, it doesn't matter.
123 00:19:38 Okay.Well, I know a guy...
124 00:19:39 ...with a face tattoothat you should see.
125 00:19:40 Okay, low blow.
126 00:19:42 With a heartof gold.
127 00:19:43 "Get serious"?Laura...
128 00:19:46 I had a very seriousplan for my future.
129 00:19:48 It's not my faulti got shanghaied.
130 00:19:51 You didn't get shanghaied.You got ripped off!
131 00:19:54 What'sthe difference?
132 00:19:55 I don't know.It's not as romantic
133 00:19:58 Don't sit...
134 00:20:01 Everybody knew that guywas shady except for you.
135 00:20:04 Why do you say "romantic"like it's a dirty word?
136 00:20:08 Unpaid billsare not romantic.
137 00:20:12 I'm notgonna call her.
138 00:20:13 And the thing is
139 00:20:15 you're acting likelife's got me
140 00:20:17 I want to beon the ropes. Okay?
141 00:20:20 I'm letting life hit me'til it gets tired.
142 00:20:21 Oh?Then I'm gonna hit back.
143 00:20:24 It's a classicrope-a-dope.
144 00:20:27 Okay, Ali. I love you.Unpack the boxes.
145 00:20:30 I'm gonna changethe locks.
146 00:20:31 You can't afford it.
147 00:20:34 I'm a Phoenixrising from the ashes.
148 00:21:24 Hey.
149 00:21:25 Bill. Thanks forhaving me back.
150 00:21:26 You're welcome.
151 00:21:28 Want you to knowyou're lookin'
152 00:21:29 A man that's happyto be here.
153 00:21:30 Good. Excellent.
154 00:21:32 Very-easy-to-work-with man.
155 00:21:33 And you're going toplay the set list?
156 00:21:34 Happy to.
157 00:21:36 Even thoughi don't think
158 00:21:37 anyone cares what I play,but, yeah...
159 00:21:39 Well, if by "anyone,"
160 00:21:41 you meananyone other than me,
161 00:21:43 I care,and I don't wanna
162 00:21:44 Right. Okay.
163 00:21:47 Although I thoughtin this town
164 00:21:48 it worked on a sort of
165 00:21:50 "one for you, one for me"type system.
166 00:21:52 How 'bout two for you,one for me?
167 00:21:55 How 'bout all for youand none for me?
168 00:21:57 That's perfect, yes.Great.
169 00:21:58 Okay.Mutual decision, then.
170 00:22:00 Right. Made by me.
171 00:22:02 Right.And I sign off
172 00:22:04 Whatever. Tell yourselfwhat you wanna know.
173 00:22:07 Well. Welcome back.
174 00:22:10 There's a nice wayto say that, Karen.
175 00:25:15 Seb.
176 00:25:29 I hearwhat you're saying,
177 00:25:31 but I don't thinkyou're saying
178 00:25:31 Yeah, I don't thinkyou hear what I'm saying.
179 00:25:33 You're fired.
180 00:25:35 Well, that's whatyou're saying,
181 00:25:35 but it's notwhat you mean.
182 00:25:38 You're fired.
183 00:25:39 "Play the set list."
184 00:25:41 No, I'm sayingit's too late.
185 00:25:43 What planetare you from?
186 00:25:45 Don't fire me, bill.You're done.
187 00:25:46 Don't fire me.I'm sorry, seb.
188 00:25:48 It's Christmas.
189 00:25:49 Yeah, I seethe decorations.
190 00:25:51 Good luckin the new year.
191 00:26:07 I just heard you play,and I wanted to...
192 00:26:23 I don't like the fissureon the gt scan.
193 00:26:26 Did you testfor achromatopsia?
194 00:26:28 Doa on 23rd. Perp laughin'his face off at the pd.
195 00:26:32 Damn Miranda rights.
196 00:26:33 This is my classroom.
197 00:26:35 You don't like it,the door's to my left.
198 00:26:38 Lady, why you betrippin' like that?
199 00:26:40 No, Jamal.You be trippin'.
200 00:26:54 Jump right here!
201 00:27:05 Oh, Mia!
202 00:27:07 Hi.Hi.
203 00:27:09 I want you to meetmy friend, Carlo.
204 00:27:11 Hi.Hi. Carlo.
205 00:27:12 Carlo, this is Mia.Nice to...
206 00:27:13 Mia?Hi. How are you?
207 00:27:14 Carlo is a writer.
208 00:27:16 Yeah. They sayi have a knack
209 00:27:18 I got a lot of heatright now.
210 00:27:19 There's beena lot of buzz,
211 00:27:21 people talkin' about me,which is exciting.
212 00:27:22 I mean, you work so hard,and then all that validation.
213 00:27:24 I'm gonnagrab a drink.
214 00:27:25 Nice to meet you.
215 00:27:48 Sorry.
216 00:28:18 Thank you. Any other requests?
217 00:28:24 Girl in the front!
218 00:28:25 I ran.
219 00:28:27 I ran. A fantastic suggestion.
220 00:28:30 All right, piano man, tickle those ivories.
221 00:28:32 Let's hit it.
222 00:28:33 One! Two! Three! Four!
223 00:28:47 That's right.
224 00:28:58 Me?
225 00:29:01 Stop.
226 00:29:47 All right. I remember you.And I'll admit
227 00:29:49 I was a little curtthat night.
228 00:29:51 Curt?
229 00:29:52 Okay, I was an asshole.I can admit that.
230 00:29:54 Okay.
231 00:29:55 But requesting I ran
232 00:29:56 from a serious musician,it's just... it's too far.
233 00:29:59 My lord! Did you just say"a serious musician"?
234 00:30:02 I don't think so.
235 00:30:04 Can I borrowwhat you're wearing?
236 00:30:04 Why?
237 00:30:06 'Cause I havean audition next week.
238 00:30:07 I'm playinga "serious"
239 00:30:08 So you're an actress.
240 00:30:09 I thoughtyou looked familiar.
241 00:30:10 Have I seen youin anything?
242 00:30:12 Uh...
243 00:30:13 Coffee shopon the Warner
244 00:30:15 That's a classic.
245 00:30:16 Oh, I see.Yeah.
246 00:30:16 You're a barista.And I could see
247 00:30:20 look down on mefrom all the way
248 00:30:22 Time for next set.
249 00:30:25 He doesn't...I don't...
250 00:30:27 He doesn't tell mewhat to do.
251 00:30:28 He just told youwhat to do.
252 00:30:30 I know. I let him.
253 00:30:31 What's your name?
254 00:30:32 Mia.Mia.
255 00:30:36 Guess I'll see youin the movies.
256 00:30:40 You heardof Joseph Campbell?
257 00:30:41 Uh, yeah.
258 00:30:42 I have this idea to doa re-imagine
259 00:30:44 of "goldilocks andthe three bears..."
260 00:30:45 But from the perspectiveof the bears.
261 00:30:47 The hero's journey.It could be
262 00:30:48 Right.So we don't know.
263 00:30:48 There could have beena fourth bear,
264 00:30:51 George Michael!
265 00:30:58 Hello.
266 00:30:59 Sorry.Yeah, yeah.
267 00:31:01 I know that guy.Did you get your keys?
268 00:31:05 Mmm-hmm, yes.
269 00:31:07 Can you grab mine?
270 00:31:08 Can I what?
271 00:31:09 Would you be ableto grab mine? My keys?
272 00:31:11 - I can't hear.- Sorry.
273 00:31:12 Can you grab my keys?
274 00:31:13 Oh.
275 00:31:15 Please?Oh, there we go.
276 00:31:16 Thank you.You're welcome.
277 00:31:21 - What kind?- It's a prius.
278 00:31:25 That doesn't help me.
279 00:31:26 With a green ribbon.
280 00:31:28 All right.
281 00:31:32 Thoselook, uh, comfortable.
282 00:31:35 They are.
283 00:31:38 Thank youfor saving the day
284 00:31:43 Well, you didn't reallygive me much of a choice.
285 00:31:47 It's pretty strangethat we keep running
286 00:31:49 It is strange.
287 00:31:52 Maybe it meanssomething.
288 00:31:52 I doubt it.Yeah, I don't think so.
289 00:31:55 Where's my car?
290 00:31:57 You gotta put that thingto your chin.
291 00:31:59 This?Yeah.
292 00:32:01 It makes your head
293 00:32:03 into an antenna, so...Ooh.
294 00:32:03 I think it gives you cancer,but you find your car faster.
295 00:32:05 What?
296 00:32:07 You don't live as long,but you get
297 00:32:07 where you're going quicker,so it all evens out.
298 00:32:09 That sounds terrible.
299 00:32:11 Just a suggestion.You're...
300 00:32:14 You're a real, um...
301 00:32:15 What's the wordI'm looking for?
302 00:32:17 "Knight inshining armor"?
303 00:32:18 Weirdo.
304 00:32:19 That was the word.Okay.
305 00:32:28 Not muchto look at, huh?
306 00:32:30 I've seenbetter.
307 00:33:33 Really?
308 00:33:51 But you'll call?
309 00:33:55 It's wool.
310 00:36:34 Ah!
311 00:36:36 Hi, Greg.Oh, sorry I'm late.
312 00:36:40 Yeah. Be there soon.Okay. Bye.
313 00:37:03 It was justright there.
314 00:37:11 Do you want a rideto your car?
315 00:37:13 No, I'm justright up here.
316 00:37:18 Good night.
317 00:37:26 Good night.
318 00:38:40 Excuse me. This isgluten-free, right?
319 00:38:43 No.
320 00:38:44 What?Mmm-mmm.
321 00:38:47 Ugh!I'd like a refund.
322 00:38:51 Okay. Let mecheck on that
323 00:38:54 Mia...
324 00:38:56 Hi.You're closing Friday.
325 00:38:58 I can't close on Friday.
326 00:39:00 I have an audition.Remember?
327 00:39:01 Do I look like I care?Reschedule it.
328 00:39:03 Oh, and we needto have a little talk
329 00:39:06 Fix your apron, please.
330 00:39:08 Okay.
331 00:39:14 You again!
332 00:39:17 What are you doing here?
333 00:39:19 Oh, you know, just meetingsand...Studio heads and...
334 00:39:22 How'd you get on the lot?
335 00:39:25 I basicallyjust hauled ass past
336 00:39:27 I thinki have 20 minutes
337 00:39:29 You don't have a breakcoming up, do you?
338 00:39:32 I'm offin 10 minutes.
339 00:39:35 Can I hidein the bathroom?
340 00:39:36 Yes.Okay.
341 00:39:40 Sorry.
342 00:39:41 Um...
343 00:39:43 I actuallydo have to check.
344 00:39:48 That's the window
345 00:39:50 that Humphrey bogartand Ingrid bergman
346 00:39:51 looked out of in Casablanca.
347 00:39:52 - Wow!- Yeah.
348 00:39:52 I can't believe you workright across the street
349 00:39:55 Yeah.That's amazing.
350 00:39:58 What was yourbogart's name?
351 00:40:01 What's his name?Is it Greg?
352 00:40:03 Yeah. Greg.
353 00:40:06 Right. How longhave you been...
354 00:40:09 We've beenseeing each other
355 00:40:10 Oh, that's great.
356 00:40:12 He's, um...He's sweet.
357 00:40:12 Anyway, I lovebeing around this
358 00:40:16 I knowwhat you mean.
359 00:40:17 I get coffee 5 milesout of the way
360 00:40:18 just so I can benear a jazz club.
361 00:40:20 Really?Yeah, the Van beek.
362 00:40:22 Do you know it?Mmm-mmm.
363 00:40:23 All the big swing bandsused to play there.
364 00:40:25 Count basie,chick webb.
365 00:40:27 Anyway, it'sa samba-tapas
366 00:40:31 What'sa samba-tapas place?
367 00:40:33 It's just a samba placewhere they serve tapas.
368 00:40:35 Oh.Yeah, so the joke's on...
369 00:40:37 History?
370 00:40:39 I don't know.That's la.
371 00:40:40 They just worship everythingand they value nothing.
372 00:40:44 We're about to roll.Stop, please, guys.
373 00:40:46 Okay.
374 00:40:47 You're rolling?Yeah.
375 00:40:49 Yeah, I know.They shoot movies
376 00:40:49 on my street all the time,so I know about movies.
377 00:40:51 - Come this way.- Great.
378 00:40:53 - It's a lock-down.
379 00:40:55 - I love her!- And here we go.
380 00:40:57 Hey!How'd you get
381 00:40:59 And roll!
382 00:41:01 - Get into what?- Sound speed!
383 00:41:02 You know,movies, acting...
384 00:41:04 Action!Oh, um...
385 00:41:06 My aunt wasan actress.
386 00:41:07 Oh, okay.
387 00:41:09 She was in a travelingtheater company.
388 00:41:11 I grew upin Boulder city, Nevada.
389 00:41:14 So across the streetfrom my house
390 00:41:15 there was thislittle library
391 00:41:16 that had an oldmovie section.
392 00:41:18 So she took me
393 00:41:19 and we spentan entire day watching
394 00:41:22 like notoriousand bringing up baby
395 00:41:25 and Casablanca.
396 00:41:27 - And...- Cut it there! Cut!
397 00:41:28 - Check the gate.- So we can talk now.
398 00:41:30 She soundsincredible.
399 00:41:32 And I would put onall these plays
400 00:41:35 and it would basicallyjust be she and I
401 00:41:37 re-enacting those scenesfrom the movies.
402 00:41:40 And then I wouldwrite my own plays.
403 00:41:42 Wow.Um... yeah.
404 00:42:04 I love it.
405 00:42:10 So anyway, I left collegeafter two years to come here
406 00:42:13 and my last audition wasfor a teen show pitched as
407 00:42:16 "dangerous mindsmeets the o.C."
408 00:42:18 So, yeah, should'vebeen a lawyer.
409 00:42:23 'Cause the worldneeds more lawyers.
410 00:42:24 It doesn'tneed more actresses.
411 00:42:27 You're notjust an actress.
412 00:42:28 What do you mean"just an actress"?
413 00:42:30 You said it yourself.
414 00:42:31 You'rea child prodigy
415 00:42:33 That is notwhat I said.
416 00:42:35 Well, you're too modestto say it, but it's true.
417 00:42:38 You could just writeyour own roles, you know?
418 00:42:40 Write something that'sas interesting as you are,
419 00:42:42 and you don't have toaudition for this...
420 00:42:44 Uh, pissy ca-ca.Yeah.
421 00:42:45 Look at Louis Armstrong.
422 00:42:47 He could've just played
423 00:42:48 the marching band chartsthat he was given.
424 00:42:49 But he didn't do that.What did he do?
425 00:42:51 What did he do?
426 00:42:53 He made history,didn't he?
427 00:42:55 Well, I'm gonnastop auditioning
428 00:42:56 and I'm gonna makehistory instead.
429 00:42:59 Well, my workis done here.
430 00:43:02 I should probablytell you something now,
431 00:43:05 just to get itout of the way.
432 00:43:06 Mmm-hmm?I hate jazz.
433 00:43:10 Are you okay?
434 00:43:11 What do you meanyou hate jazz?
435 00:43:14 It just means thatwhen I listen to it,
436 00:43:14 Yeah, but it's sucha blanket statement,
437 00:43:18 What are you doingright now?
438 00:43:21 Nothing.
439 00:43:40 I just think that people,when they say that they,
440 00:43:43 you know, hate jazz...
441 00:43:46 They just...They don't have context,
442 00:43:48 they don't knowwhere it comes from.
443 00:43:50 Jazz was born in a littleflophouse in New Orleans,
444 00:43:54 and it's just becausepeople were crammed
445 00:43:57 they spokefive different languages,
446 00:43:57 they couldn'ttalk to each other.
447 00:43:57 The only waythey could communicate
448 00:44:03 Yeah, but whatabout Kenny g?
449 00:44:06 What?What about Kenny g?
450 00:44:07 I mean, what aboutelevator music?
451 00:44:09 You know,jazz music that I know?
452 00:44:12 What about it?From my life?
453 00:44:14 Mmm-hmm?I just find it relaxing.
454 00:44:16 It's not relaxing.It's not. It's not.
455 00:44:19 Sidney bechetshot somebody
456 00:44:20 because they told himhe played a wrong note.
457 00:44:22 That's hardly relaxing.
458 00:44:23 Yeah, but wherei grew up
459 00:44:25 there was this stationcalled kjazz 103.
460 00:44:27 And people wouldjust put on that station
461 00:44:29 when they hada cocktail party...
462 00:44:31 Right.
463 00:44:32 And everyone wouldkinda just talk over it.
464 00:44:34 I know.
465 00:44:35 'Cause it was...That's the prob...
466 00:44:37 Okay, okay.So I think that's
467 00:44:39 is that you can'thear it, you know?
468 00:44:40 You have to see it.
469 00:44:41 You have to seewhat's at stake.
470 00:44:42 I mean, lookat these fellas.
471 00:44:43 Look at the sax playerright now.
472 00:44:46 He just hijacked the song.He's on his own trip.
473 00:44:48 Every one of these guysis composing,
474 00:44:50 they're rearranging,they're writing.
475 00:44:52 Then they'replaying the melody.
476 00:44:53 And now look,the trumpet player.
477 00:44:54 He's got his own idea.
478 00:44:56 And so, it's conflict
479 00:44:58 and it's compromise,and it's just...
480 00:45:01 It's new every time.
481 00:45:02 It's brand-newevery night.
482 00:45:04 It'svery, very exciting.
483 00:45:13 And it's dying.It's dying, Mia.
484 00:45:16 It's dying on the vine.
485 00:45:18 And the world says,"let it die.
486 00:45:21 Well, not on my watch.
487 00:45:24 What are you gonna do?
488 00:45:26 I'm gonna have my own club.
489 00:45:28 Really?Yes.
490 00:45:29 We're gonna playwhatever we want,
491 00:45:31 whenever we want,
492 00:45:32 however we want,as long as it's pure jazz.
493 00:45:38 Hi, this is Mia Dolan.
494 00:45:40 Yeah, I just missed a call.
495 00:45:49 I got a callback!
496 00:45:50 What? Come on!
497 00:45:51 For what?
498 00:45:53 For a TV show. The one I wastelling you about earlier.
499 00:45:56 The "dangerous mindsmeets the o.C."?
500 00:45:58 Congratulations!
501 00:45:58 That's incredible!It's really exciting.
502 00:45:58 I feel like I said negativestuff about it before.
503 00:46:03 It's like rebel without a cause, sort of.
504 00:46:06 "I got the bullets!"
505 00:46:08 Yes.
506 00:46:11 You've never seen it!I've never seen it.
507 00:46:13 Oh, my! You know,it's playing at the rialto.
508 00:46:15 Really?Yes.
509 00:46:17 You should go... I mean,i can take you.
510 00:46:20 Okay.
511 00:46:21 You know,for research.
512 00:46:23 Yeah. Okay.Yeah.
513 00:46:25 Um, Monday night, 10:00.
514 00:46:27 Yeah. Great.Okay.
515 00:46:29 For research.
516 00:48:18 Stand right there,please.
517 00:48:22 Hi.
518 00:48:24 Hi.
519 00:48:48 In your own time.
520 00:48:49 Okay.
521 00:48:54 Two options.
522 00:48:56 You either follow my rulesor follow my rules.
523 00:48:59 Capisce?Thank you.
524 00:49:01 - Oh...- Thanks.
525 00:49:03 I can do ita different way.
526 00:49:04 No, that's fine.Thank you very much.
527 00:49:14 That was fun. Thanks.
528 00:49:16 Bye.
529 00:49:46 Oh, hey, Mia?
530 00:49:48 Hey.Greg's here.
531 00:49:50 What do you mean...
532 00:49:51 Hey, babe.Got a space out front.
533 00:49:54 Great. Okay...We should get going.
534 00:49:56 My brother landedreally early.
535 00:50:00 Did you forget?Shit.
536 00:50:02 You forgot.
537 00:50:03 That's tonight.
538 00:50:05 That's okay.You forgot.
539 00:50:08 All right, so thenI'll just get changed.
540 00:50:09 Okay. Great.Okay. Great.
541 00:50:14 Yeah, that's him.Um...
542 00:50:15 Hey, Josh, yeah. Uh...
543 00:50:17 Just pickin' up Mia.We'll be there in, like...
544 00:50:21 But now we've got this
545 00:50:23 surround-sound set-up, so it's like...
546 00:50:23 It's like being
547 00:50:24 - in a movie theater.- Wow.
548 00:50:26 But better than beingin a theater, really.
549 00:50:28 I can't wait.You know theaters these days.
550 00:50:30 Yeah.They're so dirty.
551 00:50:31 Yeah, I know.And so smelly.
552 00:50:33 And they're eithertoo hot or too cold.
553 00:50:35 I know. The quality'sreally fallen off.
554 00:50:36 The quality's terrible.
555 00:50:38 And there's alwayspeople talking.
556 00:50:38 'Cause of all ofthe people seeing the movie.
557 00:50:38 Which is just...Oh, it's the worst!
558 00:50:41 Oh, I'm sorry.
559 00:50:41 - Hold on one second.- The texting.
560 00:50:45 Hello?
561 00:50:46 Probably work.Mmm.
562 00:50:53 Sorry. So, yeah,we love it.
563 00:50:56 Well, we haveto come. Maybe.
564 00:50:57 You should. Come by.
565 00:51:17 I got one wordfor you, man.
566 00:51:18 Mmm-hmm?- Indonesia.
567 00:51:21 Never heardanyone say that.
568 00:51:23 I don't even know.I can't keep track of it,
569 00:51:24 but honestlyit was life-changing.
570 00:51:25 - Really?- Yeah.
571 00:51:26 It affected me.
572 00:51:28 It was incredible.Is it amazing?
573 00:51:31 Yes.A 5-star jungle
574 00:51:33 you wouldnot believe.
575 00:51:35 We were thinkingabout Nicaragua,
576 00:51:36 the thing about Nicaragua
577 00:51:36 is it's less developed.It's a little under-developed.
578 00:51:39 Right.
579 00:51:40 I thinkthere's a little more...
580 00:51:42 Yeah, then, I justdon't know if it's safe.
581 00:51:44 Yeah, yeah. It's...I don't know if it's safe.
582 00:51:46 Yeah, you don't wantto explore too far.
583 00:51:46 Kind of a "natives arerestless" sort of thing.
584 00:51:50 Actually, China's goingto build a Panama canal.
585 00:52:17 I'm sorry.
586 00:53:53 ...the immensity of our universe.
587 00:53:56 For many days before the end of our earth
588 00:53:58 people will look into the night sky and notice a star
589 00:54:02 increasingly bright and increasingly near.
590 00:54:05 As this star approaches us...
591 00:54:08 Jim stark.
592 00:54:11 I'll go find a place. I'm sorry.
593 00:54:13 As this star approaches us,
594 00:54:14 the weather will change.
595 00:54:16 The great polar fields of the north and south
596 00:54:19 will rot and divide,
597 00:54:20 and the seas will turn warm.
598 00:54:24 The last of us search the heavens
599 00:54:25 and stand amazed,
600 00:54:27 for the stars will still be there and will be...
601 00:54:42 Mmm...
602 00:54:47 I have an idea.
603 00:59:24 What is that?Is it a script?
604 00:59:26 It's a play.
605 00:59:27 A play?You better
606 00:59:30 Actually, it'sa one-woman show!
607 00:59:39 Wow. Is that gonnahappen every time?
608 00:59:42 I think so.
609 00:59:59 Ahh! It's one-way!
610 01:02:22 I love you.I love you, too.
611 01:02:34 Oh!
612 01:02:38 Sebastian?
613 01:02:43 Keith.
614 01:02:44 Come here, man.
615 01:02:48 How are you?I've been good, man.
616 01:02:49 This is Mia.Mia, Keith.
617 01:02:51 Hi, Mia. Nice to meet you.
618 01:02:53 Nice to meet you.I used to play with this guy.
619 01:02:55 Went to school together.
620 01:02:56 So how you been, brother?Great.
621 01:02:59 Never been better.How 'bout you?
622 01:03:00 I been really good.Been very busy.
623 01:03:02 I got a new combo.
624 01:03:03 Okay. Cool.
625 01:03:05 We're lookin' for keys.
626 01:03:07 Are you kidding me?No, I'm not kidding you.
627 01:03:10 No, I'm good.Are you sure? It pays.
628 01:03:13 I'm good.
629 01:03:15 Let's just grab a drink then.It's been too long.
630 01:03:17 Okay.Nice to meet you, Mia.
631 01:03:18 Nice to meet you.
632 01:03:29 "The end."
633 01:03:36 Genius.
634 01:03:38 Really?Yes.
635 01:03:39 Really?Yes.
636 01:03:40 It feels reallynostalgic to me.
637 01:03:41 Is it too nostalgic?That's the point.
638 01:03:43 Are peoplegonna like it?
639 01:03:45 Fuck 'em.
640 01:03:47 You always say that.
641 01:03:48 Well, I truly believe it.
642 01:03:50 I made you something.
643 01:03:51 For what?
644 01:03:53 For your club.
645 01:03:57 Why does itsay "seb's"?
646 01:03:58 'Cause I thinkyou should call it "seb's."
647 01:03:59 What?
648 01:04:00 'Cause no one's gonna cometo "chicken on a stick."
649 01:04:02 Is that a music noteas an apostrophe?
650 01:04:04 Yes! Yeah.That's pretty cool.
651 01:04:05 It's gotta be"chicken on a stick."
652 01:04:07 Because Charlie Parkergot his nickname...
653 01:04:09 I know,because he loved chicken.
654 01:04:13 That's why theycalled him "bird."
655 01:04:15 So I'm gonna havechicken, beer, jazz...
656 01:04:16 "Chicken on a stick."
657 01:04:18 I know. You shoulddrop the chicken
658 01:04:20 and just have drinksand jazz, and also...
659 01:04:21 I'm not droppin'the chicken.
660 01:04:21 You could maybedo it somewhere else.
661 01:04:25 What are you talk...Find a new spot.
662 01:04:26 It's gotta bethe Van beek.
663 01:04:27 Well, it doesn'thave to be the Van beek.
664 01:04:29 I can't let them sambaall over its history.
665 01:04:31 I can't do it.
666 01:04:33 You can let them,but you refuse to.
667 01:04:36 Your play's incredible.
668 01:04:38 You know, the whole worldfrom your bedroom.
669 01:04:43 What else do they want?Who's doing that?
670 01:04:46 I'm doing that.You're doing that.
671 01:04:50 Who was that guyat the lighthouse?
672 01:04:53 The guythat offered you
673 01:04:54 Keith.Yeah.
674 01:04:55 Why was it so weirdbetween you two?
675 01:04:57 It's always weirdwith him.
676 01:04:59 Really?Yeah.
677 01:05:01 But he seemedkinda nice
678 01:05:01 'cause he didoffer you a job.
679 01:05:05 Are you gonnacall him?
680 01:05:06 No. No.
681 01:05:09 All right.
682 01:05:11 So...Here's what we know.
683 01:05:15 Yeah?
684 01:05:16 It's definitely"chicken on a stick,"
685 01:05:20 and your playis gonna be a triumph.
686 01:05:25 It's a one-woman show,so it's just me...
687 01:05:27 No, I mean,I'm acting in it, too.
688 01:05:32 No, mom.I'm not getting paid.
689 01:05:33 I'm paying to do it.
690 01:05:38 He's great. He's gonnaopen his own jazz club.
691 01:05:40 Yeah, it's gonna beincredible.
692 01:05:45 No, he hasn't,he hasn't opened it yet.
693 01:05:46 He needs some...
694 01:05:52 He's saving up, I think.
695 01:06:00 No, he doesn't havea steady gig.
696 01:06:01 But he's figuring it out.
697 01:06:03 It's just beena little tricky lately.
698 01:06:09 Mom, he's gonnafind a way to open it
699 01:06:11 and you're gonnalove it, okay?
700 01:06:12 How's dad?
701 01:06:21 Sebastian.
702 01:06:23 Come on in, man.
703 01:06:26 Thanks for comin'.Thanks for having me.
704 01:06:28 Wasn't sureI'd see you today.
705 01:06:30 So...Here'sthe deal.
706 01:06:32 We got distributionwith universal.
707 01:06:33 We've gotour own imprint.
708 01:06:35 About to goon the road.
709 01:06:36 Uh, we can pay you1,000 bucks a week,
710 01:06:39 plus a cutof the ticket revenue
711 01:06:42 Sound good?
712 01:06:46 Sebastian?All right.
713 01:06:48 Let's play.Okay.
714 01:07:46 I know.It's different.
715 01:07:52 But you sayyou wanna save jazz.
716 01:07:54 How you gonna save jazzif no one's listening?
717 01:07:57 Jazz is dyingbecause of people like you.
718 01:07:59 You're playin'to 90-year-olds
719 01:08:04 Where are the kids?Where are the young people?
720 01:08:06 You're so obsessed with
721 01:08:08 Kenny Clarkeand thelonious monk.
722 01:08:10 These guys wererevolutionaries.
723 01:08:12 How are you gonna bea revolutionary
724 01:08:14 if you'resuch a traditionalist?
725 01:08:17 You're holdin' onto the past,but jazz is about the future.
726 01:08:25 I know.
727 01:08:27 The other guy,he wasn't as good as you.
728 01:08:32 But you're a painin the ass, man.
729 01:16:54 Hey, it's me.
730 01:16:56 Uh, I'm not surewhere you are right now.
731 01:16:57 I think Boston.
732 01:17:00 Maybe Dallas,i don't know.
733 01:17:02 Uh...
734 01:17:04 I haven't heard from youin a little while
735 01:17:08 and I miss you.
736 01:17:12 All right, bye.
737 01:17:49 I thought...
738 01:17:52 Surprise.
739 01:17:56 Gotta leave first thingin the morning,
740 01:17:57 but I justhad to see you...
741 01:18:04 It's so nice to be home.
742 01:18:09 I'm so gladyou're home.
743 01:18:13 How's the play goin'?
744 01:18:15 Um... I'm nervous.
745 01:18:17 You are? Why?Mmm-hmm.
746 01:18:19 Because what if peopleshow up?
747 01:18:21 Pissy ca-ca.
748 01:18:23 You nervous aboutwhat they think?
749 01:18:26 I'm nervous to do it.I'm nervous to get up
750 01:18:29 on a stageand perform
751 01:18:30 I mean, I don't needto say that to you.
752 01:18:31 It's gonna be incredible.You don't get it,
753 01:18:33 but I'm terrified.
754 01:18:35 They should beso lucky to see it.
755 01:18:37 I can't wait.
756 01:18:39 I can.
757 01:18:43 When do you leave,the morning?
758 01:18:45 Yeah. 6:45.
759 01:18:47 Ooh.Boise.
760 01:18:49 Boy-he?Boyden.
761 01:18:51 To Boise!
762 01:18:56 You should come.
763 01:18:59 To Boise?
764 01:19:00 Yeah, you can knock thatoff your bucket list.
765 01:19:02 Oh, that would be
766 01:19:04 really exciting.I wish I could.
767 01:19:06 What are you doingafter the tour?
768 01:19:09 Why can't you?
769 01:19:10 Come to Boise?Yeah.
770 01:19:11 'Cause I have torehearse.
771 01:19:12 But can't yourehearse anywhere?
772 01:19:19 Anywhere you are?
773 01:19:21 I mean, I guess.
774 01:19:24 Um...
775 01:19:25 All my stuff is here,and it's in two weeks,
776 01:19:27 so I don't really thinkthat would be...
777 01:19:30 Okay.
778 01:19:31 ...the best idearight now, but
779 01:19:35 I wish I could.
780 01:19:37 We're just gonnahave to try and
781 01:19:39 We never see each other.
782 01:19:40 I know, but whenare you done?
783 01:19:43 What do you mean?
784 01:19:46 When are you finishedwith the whole tour?
785 01:19:48 After we finish,we're gonna go and record,
786 01:19:49 and thenwe go back on tour.
787 01:19:52 We tour so we canmake the record
788 01:19:53 so we can go backand tour the record.
789 01:19:59 So it's likethe long haul?
790 01:20:05 What do you mean,"the long haul"?
791 01:20:07 I mean the long haul.
792 01:20:07 Like you're gonnastay in this band
793 01:20:12 On tour.
794 01:20:16 What did you thinki was gonna do?
795 01:20:17 I don't... I hadn't reallythought it through.
796 01:20:20 I didn't knowthat the band
797 01:20:23 was so important.
798 01:20:25 You didn't thinkit would be successful?
799 01:20:26 Um...
800 01:20:29 No, that's not reallywhat I mean.
801 01:20:31 I just mean that you...
802 01:20:32 You're gonna be on tour for,what, months now? Years?
803 01:20:36 Yeah. I don't believe...This is it.
804 01:20:37 I mean, it could easily be...
805 01:20:40 I could be on tourwith this for a couple
806 01:20:43 Just this record.
807 01:20:45 Do you like the musicyou're playing?
808 01:20:49 I don't...
809 01:20:51 I don't knowwhat it matters.
810 01:20:55 Well, it matters,
811 01:20:56 because if you're gonnagive up your dream...
812 01:20:58 I think it mattersthat you like
813 01:21:00 what you're playingon the road for years.
814 01:21:06 Do you like the musicI'm playing?
815 01:21:07 Yeah.
816 01:21:10 I do.
817 01:21:11 I just didn't thinkthat you did.
818 01:21:14 Yeah, well...
819 01:21:15 You always said Keithis the worst,
820 01:21:16 and now you're gonna beon tour with him for years,
821 01:21:18 so I just didn't...
822 01:21:20 What are you doing right now?...Know if you were happy.
823 01:21:21 Why are you doing this?I don't...
824 01:21:22 What do you mean,why am I doing this?
825 01:21:22 I thoughtyou wanted me to do this.
826 01:21:22 It just sounds like nowyou don't want me to do it.
827 01:21:26 What do you mean,i wanted you to do this?
828 01:21:29 This is whatyou wanted for me.
829 01:21:31 To be in this band?
830 01:21:32 To be in a band.
831 01:21:33 To have a steady job,you know?
832 01:21:35 To be... you know.
833 01:21:39 Of course I wanted youto have a steady job,
834 01:21:40 so that you couldtake care
835 01:21:40 of yourself and your lifeand you could start your club.
836 01:21:44 So I'm doing that.So I don't understand.
837 01:21:45 Why aren't we celebrating?
838 01:21:46 Why aren't youstarting your club?
839 01:21:48 You said yourself no onewants to go to that club.
840 01:21:51 No one wants to go to a clubcalled "chicken on a stick."
841 01:21:53 So change the name!
842 01:21:54 Well, no one likes jazz!Not even you!
843 01:21:56 I do like jazz nowbecause of you!
844 01:21:58 And this is what I thoughtyou wanted me to do!
845 01:22:01 What am I supposed to do?
846 01:22:02 Go back to playing jingle bells?
847 01:22:04 I'm not saying that.I'm saying
848 01:22:04 why don't you takewhat you've made...
849 01:22:04 Scraping penniesso I can start a club...
850 01:22:08 ...and start the club?...No one wants to go to?
851 01:22:09 People will wantto go to it
852 01:22:10 because you're passionateabout it,
853 01:22:12 and people lovewhat other people
854 01:22:15 You remind peopleof what they forgot.
855 01:22:15 Not in my experience.
856 01:22:20 Well, whatever, all right?
857 01:22:22 It's just time to grow up,you know?
858 01:22:24 I have a steady job,this is what I'm doing.
859 01:22:27 And now all of a suddenif you had these problems,
860 01:22:28 I wish you would havesaid them earlier,
861 01:22:30 before I signedon the goddamn dotted line!
862 01:22:32 I'm pointing outthat you had a dream
863 01:22:34 that you followed,that you were sticking to...
864 01:22:35 This is the dream!This is the dream.
865 01:22:37 This is not your dream!
866 01:22:39 Guys like mework their whole lives
867 01:22:41 that's successful,that people like.
868 01:22:43 You know?
869 01:22:44 I mean, I'm finallyin something
870 01:22:46 that people enjoy.
871 01:22:48 Since when do you careabout being liked?
872 01:22:50 Just 'cause I don't enjoy,it doesn't matter.
873 01:22:51 Why do you care so muchabout being liked?
874 01:22:53 You're an actress!What are you talking about?
875 01:23:13 Maybe you just liked mewhen I was on my ass
876 01:23:15 'cause it made youfeel better about yourself.
877 01:23:22 Are you kidding?No.
878 01:23:45 I don't know.
879 01:25:07 Okay, fellas.I'll see ya tomorrow.
880 01:25:09 Sebastian?Yeah?
881 01:25:11 You're good fortonight, right?
882 01:25:13 What are youtalking about?
883 01:25:15 7:00, the photo shoot.
884 01:25:18 Mojo. Are you good?
885 01:25:23 I thoughtthat was next Thursday.
886 01:25:24 No, it's tonight.
887 01:25:28 Is that okay?
888 01:26:27 Give me the other camera!What's wrong
889 01:26:28 "What's wrongwith that one?"
890 01:26:28 It doesn't bloody work,that's what's wrong with it!
891 01:26:32 All right, trumpet,that's lovely.
892 01:26:35 Lovely! Beautiful, beautiful!
893 01:26:38 Okay, keyboard.Okay, look up.
894 01:26:41 That's good. That's good,that's lovely. Lovely.
895 01:26:44 Okay, cut the music!
896 01:26:45 That is lovely.That's lovely.
897 01:26:48 Okay, now bite your liplike this, sort of like...
898 01:26:52 Like you're concentratingon something,
899 01:26:54 I don't know,like a piece
900 01:26:55 Bite my what?
901 01:26:57 Your lip. You know,bite your lip...
902 01:26:59 Okay.
903 01:27:01 Yeah, that's good.That's great.
904 01:27:02 Beautiful! Beautiful.
905 01:27:04 Okay, now just moveyour glasses
906 01:27:06 down on... onto the nose...
907 01:27:08 A little bit further,just a little bit,
908 01:27:09 a touch further.
909 01:27:10 Keep your head down,but look up at me.
910 01:27:12 Look sort of moody.
911 01:27:14 Yeah! That's beautiful!That is great!
912 01:27:16 Okay, turn the keyboardon live!
913 01:27:20 Do you wanna hearthe keyboard then?
914 01:27:21 You don't have tobite your lip now.
915 01:27:24 Well, actuallyplay something.
916 01:27:27 Play something.You know? Anything.
917 01:27:29 You're a pianist,aren't you?
918 01:27:44 That's great,that's beautiful.
919 01:27:46 That's lovely.Oh, that's good.
920 01:27:47 No, don't stop.Keep playing.
921 01:27:50 Go on, just keep playing.That was great!
922 01:28:32 ...shoot myselfin the head.
923 01:28:35 She's not even good.
924 01:28:37 That wholewindow thing...
925 01:28:39 Yeah, what wasthat shit with the window?
926 01:28:41 Oh, my god!Don't quit your day job.
927 01:28:44 Oh, well...
928 01:28:45 Not good. One-woman showsare always terrible.
929 01:29:12 Mia!
930 01:29:15 Mia. I'm so sorry.
931 01:29:21 Just tell mehow it went.
932 01:29:23 Don't help me.I'm sorry.
933 01:29:26 I'm sorry I've beensuch a prick.
934 01:29:27 You're sorry,you're sorry...
935 01:29:29 You're sorry.
936 01:29:31 I'm gonnamake it up to you.
937 01:29:33 Let me make itup to you, okay?
938 01:29:41 I don't blame youfor not wanting...
939 01:29:42 It's over.
940 01:29:44 What is?It's over.
941 01:29:46 What?
942 01:29:49 All of this.
943 01:29:51 I'm done embarrassing myself.I'm done. I'm done.
944 01:29:56 Nobody showed up.So what? So what?
945 01:29:58 I can't pay backthe theater. This is so...
946 01:30:01 I'm gonna go homefor a while.
947 01:30:03 I'll comesee you tomorrow.
948 01:30:05 No, I'm going"home" home.
949 01:30:07 This is home.
950 01:30:08 No, it's not anymore.
951 01:32:25 Yep?
952 01:32:27 Hi, I'm trying to reach Mia Dolan.
953 01:32:29 Wrong number.
954 01:32:31 She's not answering her cell.
955 01:32:32 I was told I might find her here.
956 01:32:33 Not anymore.
957 01:32:35 Okay, well, if you do talk to her...
958 01:32:36 I won't.
959 01:32:37 ...could you tell her Jane at Amy Brandt casting
960 01:32:38 is trying to reach her?
961 01:32:46 Casting?
962 01:32:56 Who the hell is that?
963 01:33:03 Shut thatthing off!
964 01:33:15 Why did you come here?
965 01:33:16 Because I havegood news.
966 01:33:18 What?
967 01:33:19 Amy Brandt,the casting director...
968 01:33:22 Yeah.She was at your play,
969 01:33:24 and she loved it.
970 01:33:26 And she loved it so much
971 01:33:29 that she wants youto come in tomorrow
972 01:33:29 and auditionfor this huge movie
973 01:33:34 I'm not going to that.
974 01:33:38 I'm not going to that.What?
975 01:33:39 That one's gonna be...No. That one's gonna be...
976 01:33:42 I'm sorry?
977 01:33:43 That will kill me.
978 01:33:47 What?What?
979 01:33:48 What? Shh! Stop!
980 01:33:50 No!
981 01:33:52 You have to be quiet.We're in a neighborhood.
982 01:33:54 If you want me to be quiet,
983 01:33:55 you have to makesome goddamn sense!
984 01:33:55 Tell me whyyou're not going.
985 01:33:58 Because...Why?
986 01:33:59 I've been toa million auditions,
987 01:33:59 and the same thinghappens every time
988 01:34:01 where I get interrupted
989 01:34:01 because someonewants to get a sandwich!
990 01:34:04 Or I'm crying,and they start laughing!
991 01:34:07 Or there's peoplesitting in the waiting room,
992 01:34:09 and they're like me butprettier and better at the...
993 01:34:13 Because maybeI'm not good enough!
994 01:34:15 Yes, you are.No...
995 01:34:18 No, maybe I'm not.Yes, you are.
996 01:34:19 Maybe I'm not.You are.
997 01:34:20 Maybe I'm not.You are.
998 01:34:24 Maybe I'm one of those people
999 01:34:26 that has alwayswanted to do it,
1000 01:34:28 but it's like a pipe dreamfor me. You know?
1001 01:34:32 And then, you said it,
1002 01:34:33 you change your dreams,and then you grow up.
1003 01:34:36 Maybe I'm one of those people,and I'm not supposed to.
1004 01:34:38 And I can go back to school,
1005 01:34:41 and I can findsomething else
1006 01:34:43 'Cause I left to do that,
1007 01:34:46 and it's been six years,
1008 01:34:47 and I don't wantto do it anymore.
1009 01:34:52 Why?
1010 01:34:55 Why what?
1011 01:34:55 Why don't you wantto do it anymore?
1012 01:35:01 'Cause I think it hurtsa little bit too much.
1013 01:35:05 You're a baby.
1014 01:35:08 I'm not a baby.I'm trying to grow up.
1015 01:35:10 - You're crying like a baby.- Oh, my god.
1016 01:35:11 You have an auditiontomorrow at 5:30.
1017 01:35:14 I'll be out frontat 8:00 A.M.
1018 01:35:17 You'll be out frontor not, I don't know.
1019 01:35:21 How'd you find me here?
1020 01:35:24 The housein front of the library.
1021 01:36:09 I got coffee.Okay, great.
1022 01:36:29 Mia?
1023 01:36:36 Hi, Mia. I'm Amyand this is frank.
1024 01:36:39 Hi. How are ya?
1025 01:36:40 Nice to meet you.Glad we found you.
1026 01:36:42 Me, too.
1027 01:36:45 The film shoots in Paris,and we don't have a script.
1028 01:36:50 It's gonna be a process.
1029 01:36:52 We're gonnabuild the character
1030 01:36:54 It's a 3-month rehearsaland a 4-month shoot.
1031 01:36:59 Okay.
1032 01:37:01 And we thought that youcould just tell us a story.
1033 01:37:04 About?
1034 01:37:06 You can justtell us anything.
1035 01:37:08 Anything?
1036 01:37:09 Yeah, just tell us a story.You're a storyteller.
1037 01:37:12 Um...
1038 01:37:17 Wheneveryou're ready.
1039 01:37:29 My auntused to live in Paris.
1040 01:37:37 I remember she used to comehome and she would tell us
1041 01:37:40 these storiesabout being abroad, and
1042 01:37:45 I remember
1043 01:37:48 she told us that she jumpedinto the river once.
1044 01:41:34 When do you find out?
1045 01:41:37 Oh, they saidthe next couple days.
1046 01:41:40 But I'm not expectingto find anything out.
1047 01:41:42 You're gonna get it.
1048 01:41:43 I really might not.Yes, you are.
1049 01:41:45 I hope you'renot disappointed.
1050 01:41:46 I know.
1051 01:41:47 I know.I know these things.
1052 01:41:52 Where are we?
1053 01:41:57 Griffith park.Where
1054 01:41:59 are we?I know.
1055 01:42:03 I don't know.
1056 01:42:07 What do we do?
1057 01:42:10 I don't thinkwe can do anything,
1058 01:42:13 'cause when you get this...
1059 01:42:14 If I get this.
1060 01:42:15 When you get this,
1061 01:42:19 you gotta give iteverything you got.
1062 01:42:22 Everything.
1063 01:42:24 It's your dream.
1064 01:42:26 What are you gonna do?
1065 01:42:28 I gotta followmy own plan, you know?
1066 01:42:30 Stay hereand get my own thing goin'.
1067 01:42:39 You're gonna be in Paris.Good jazz there.
1068 01:42:43 And you love jazz now.
1069 01:42:46 Right?
1070 01:42:49 Yes.
1071 01:43:00 And I guesswe're just gonna
1072 01:43:11 I'm always gonna love you.
1073 01:43:15 I'm always gonnalove you, too.
1074 01:43:25 Look at this view!
1075 01:43:28 I've seen better.
1076 01:43:29 It's the worst.Yeah.
1077 01:43:35 I've never been hereduring the day.
1078 01:44:30 Hi. Could I have twoiced coffees, please?
1079 01:44:31 Right.Of course.
1080 01:44:32 On us.
1081 01:44:34 Oh, no, thank you,i insist.
1082 01:45:06 Sounds good.Harris did a good job.
1083 01:45:09 Took him long enough.
1084 01:45:11 It always does.Signature time.
1085 01:45:16 Not doin'too bad, seb.
1086 01:45:18 "Not too bad" is great.
1087 01:45:20 See ya tonight.
1088 01:45:21 See ya tonight.
1089 01:45:43 Hi.
1090 01:45:45 How was your day?Good.
1091 01:45:50 Hmm. How is she?She's great.
1092 01:45:52 Yeah?Yeah, come on.
1093 01:45:53 Hi, buddy!
1094 01:45:57 I didn't thinkyou were gonna
1095 01:46:01 Are you drawing?
1096 01:46:02 Yeah.
1097 01:46:03 Can I help?You know
1098 01:46:46 Okay, Chelsea, we're gonna go.
1099 01:46:47 Are you good?
1100 01:46:48 We're good.You need anything?
1101 01:46:51 Bye, baby.
1102 01:46:53 Say "bye, mommy."Sleep well.
1103 01:46:54 Bye, mommy.
1104 01:46:56 Havefun with Chelsea.
1105 01:46:57 Have fun.Bye, Mia.
1106 01:46:58 Bye. Thankyou so much.
1107 01:47:00 Night, sweetie.Good night.
1108 01:47:11 Oh, boy.
1109 01:47:14 What if we miss this?
1110 01:47:15 What do youwanna tell Natalie?
1111 01:47:16 Oh...
1112 01:47:18 We'll just see itback in New York.
1113 01:47:19 Okay.
1114 01:47:23 I do not miss this.
1115 01:47:24 This is bad.
1116 01:47:32 Do you want to justpull off here and get dinner?
1117 01:47:37 Sure, yeah.Yeah.
1118 01:47:39 Okay.
1119 01:48:09 Do you want tocheck it out?
1120 01:48:33 This placeis pretty cool.
1121 01:48:44 I love them.
1122 01:49:35 Cal Bennett on sax!
1123 01:49:37 Javier Gonzalez on trumpet.
1124 01:49:39 The lovely nedra Wheeler on bass.
1125 01:49:42 The one and only Clifton "fou" Eddie on drums!
1126 01:49:47 And a little too good on piano,
1127 01:49:48 so good he's gonna ownthis place if I'm not careful,
1128 01:49:51 khirye Tyler, everybody.
1129 01:50:03 Uh...
1130 01:50:06 Welcome to seb's.
1131 01:51:58 I just heard you playand I want to...
1132 01:58:47 Do you want to stayfor another?
1133 01:58:55 No, we should go.
1134 01:58:56 All right.
1135 01:59:59 One, two.One, two, three, four.
