莫扎特传 Amadeus(EN)Subtitles

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1 00:00:27 Mozart!
2 00:00:38 Mozart!
3 00:00:40 Forgive your assassin!
4 00:00:43 I confess, I killed you!
5 00:00:48 Sì, I killed you, Mozart.
6 00:00:55 Mozart, pietà !Forgive your assassin!
7 00:00:59 Forgive me, Mozart!
8 00:01:04 Signore Salieri,open the door, be good now!
9 00:01:08 Signore, we havesomething special for you.
10 00:01:11 Something you're going to love.
11 00:01:19 Is that good!
12 00:01:23 Signore, believe me...
13 00:01:26 ...this is the most delicious thingI ever ate in my life!
14 00:01:31 Really, you don't knowwhat you're miss--
15 00:01:40 All right, that's enough!Open the door.
16 00:01:46 Signore, if you don'topen this door...
17 00:01:50 ...we're gonna leave nothingfor you.
18 00:01:53 And I'm never gonna comesee you again!
19 00:04:55 Good morning, Father.
20 00:05:27 Herr Salieri?
21 00:06:03 Leave me alone.
22 00:06:11 I cannot leave alone a soul in pain.
23 00:06:16 Do you know who I am?
24 00:06:20 That makes no difference.
25 00:06:23 All men are equal in God's eyes.
26 00:06:30 Are they?
27 00:06:33 Offer me your confession.
28 00:06:39 I can offer you God's forgiveness.
29 00:06:46 How well are you trained in music?
30 00:06:52 I know a little.I studied it in my youth.
31 00:06:57 - Where?- Here in Vienna.
32 00:06:59 Oh! Then you must know this.
33 00:07:12 I can't say that I do.
34 00:07:16 What is it?
35 00:07:18 It was a very popular tune in its day.
36 00:07:21 I wrote it.
37 00:07:25 Here, how about this?
38 00:07:30 This one brought down the housewhen we played it.
39 00:08:19 Well?
40 00:08:23 I regret it is not too familiar.
41 00:08:27 Can you recall no melody of mine?
42 00:08:31 I was the most famous composerin Europe.
43 00:08:34 I wrote 40 operas alone.
44 00:08:38 Here!
45 00:08:40 What about this one?
46 00:08:58 Yes, I know that!
47 00:09:00 That's charming!
48 00:09:03 I'm sorry, I didn't knowyou wrote that.
49 00:09:07 I didn't.
50 00:09:16 That was Mozart.
51 00:09:20 Wolfgang...
52 00:09:22 ...Amadeus Mozart.
53 00:09:28 The man you accuse yourselfof killing.
54 00:09:35 You've heard that?
55 00:09:37 Is it true?
56 00:09:48 For God's sake, my son...
57 00:09:53 ...if you have something to confess,do it now.
58 00:09:58 Give yourself some peace.
59 00:10:04 He...
60 00:10:08 ...was my idol.
61 00:10:13 Mozart.
62 00:10:16 I can't think of a timewhen I didn't know his name.
63 00:10:20 I was playing games...
64 00:10:22 ...when he was playing musicfor kings and emperors.
65 00:10:26 Even the pope in Rome.
66 00:10:33 I admit, I was jealous...
67 00:10:36 ...when I heard the talesthey told about him.
68 00:10:39 Not of the brilliant little prodigy...
69 00:10:42 ...but of his father,who had taught him everything.
70 00:10:47 My father, he did not care for music.
71 00:10:51 When I told him...
72 00:10:52 ...how I wished I could belike Mozart...
73 00:10:56 ...he would say, "Why? Do you wantto be a trained monkey?
74 00:11:01 You'd like me to drag you around,doing tricks like a circus freak?"
75 00:11:10 How could I tell him...
76 00:11:12 ...what music meant to me?
77 00:11:30 While my fatherprayed earnestly to God...
78 00:11:33 ...to protect commerce...
79 00:11:36 ...I would offer up...
80 00:11:39 ...secretly...
81 00:11:41 ...the proudest prayera boy could think of.
82 00:11:45 Lord, make me a great composer.
83 00:11:49 Let me celebrate your glorythrough music...
84 00:11:53 ...and be celebrated myself.
85 00:11:58 Make me famous through the world.
86 00:12:01 Make me immortal.
87 00:12:04 After I die...
88 00:12:06 ...let people speak my namewith love for what I wrote.
89 00:12:12 In return...
90 00:12:15 ...I will give you my chastity...
91 00:12:19 ...my industry...
92 00:12:23 ...my deepest humility,every hour of my life.
93 00:12:29 Amen.
94 00:12:32 And do you know what happened?
95 00:12:35 A miracle!
96 00:12:42 Francesco!
97 00:12:54 My life changed forever.
98 00:12:58 I knew God had arranged it all.That was obvious.
99 00:13:02 One minute I was a frustrated boy...
100 00:13:05 ...in an obscure little town.The next I was here...
101 00:13:09 ...in Vienna, city of musicians...
102 00:13:14 ...and Emperor Joseph,the musical king.
103 00:13:18 In a few years, I was his courtcomposer. Isn't that incredible?
104 00:13:23 Every night I sat withthe emperor of Austria...
105 00:13:26 ...playing duets with him...
106 00:13:28 ...correcting the royal sight-reading.
107 00:13:34 Actually, the man had no ear at all.
108 00:13:38 But what did it matter?
109 00:13:41 He adored my music.
110 00:13:45 Tell me...
111 00:13:48 If you had been me...
112 00:13:51 ...wouldn't you have thoughtGod had accepted your vow?
113 00:13:57 And believe me, I honored it.
114 00:14:00 I was a model of virtue.
115 00:14:02 I kept my hands off women.
116 00:14:05 I worked hours every dayteaching students, many for free!
117 00:14:10 Sitting on endless committeesto help poor musicians.
118 00:14:15 Work, that was all my life.
119 00:14:18 And it was wonderful.
120 00:14:20 Everybody liked me.
121 00:14:25 I liked myself.
122 00:14:30 Until he came.
123 00:14:34 He came to Vienna to playsome of his music...
124 00:14:40 ...at the residenceof the Prince Archbishop of Salzburg.
125 00:14:47 Eagerly, I went there to seek him out.
126 00:14:53 That night...
127 00:14:57 ...changed my life.
128 00:15:04 As I wandered through the salon...
129 00:15:07 ...I played a little game with myself.
130 00:15:09 This man had writtenhis first concerto at the age of 4...
131 00:15:14 ...his first symphony at 7,a full-scale opera at 12!
132 00:15:20 Did it show?
133 00:15:23 Is talent like that...
134 00:15:26 ...written on the face?
135 00:15:31 Which one of them...
136 00:15:34 ...could he be?
137 00:17:40 Mozart is not here.
138 00:17:47 - Stop it!- I am.
139 00:17:49 - Stop it!- I am stopping it.
140 00:17:51 I am! I'm stopping it. Slowly.
141 00:17:56 There. You see? I've stopped.
142 00:18:00 - Now we're going back.- No!
143 00:18:03 Yes! You don't know where you are.
144 00:18:05 Here, everything goes backwards.
145 00:18:09 People walk and dance and singand even talk backwards.
146 00:18:14 - That's stupid.- Why? People fart backwards.
147 00:18:20 Ssa-ym-ssik!
148 00:18:23 Ssa-ym-ssik!
149 00:18:25 Yes, you are. You are very sick.
150 00:18:27 No! Say it backwards, shitwit!
151 00:18:31 Ssa-ym-ssik.
152 00:18:34 Ssik, kiss.
153 00:18:36 Ym, my. Ssa.
154 00:18:39 Kiss my ass.
155 00:18:43 Em-yrram!
156 00:18:45 - I'm not playing!- Say it, it's serious.
157 00:18:48 It's very serious.
158 00:18:52 Yrram.
159 00:18:55 Marry me.
160 00:18:58 I'm not gonna marry you.You're a fiend.
161 00:19:01 Uoy-evol-I-tub.
162 00:19:05 Tub.
163 00:19:07 But I...
164 00:19:11 ...love...
165 00:19:13 But I love you?
166 00:19:23 - Tihs-ym-tae.- What?
167 00:19:26 Tihs-ym-tae.
168 00:19:31 - Eat.- Eat.
169 00:19:33 - Ym, my.- My.
170 00:19:36 Tihs. Eat my shit.
171 00:19:39 You filthy fiend!
172 00:19:41 - You filthy--!- Shh...
173 00:19:49 My music.
174 00:19:52 They've started without me.
175 00:21:07 That was Mozart!
176 00:21:12 That giggling, dirty creatureI'd just seen crawling on the floor.
177 00:21:19 - I think that went well, don't you?- Indeed.
178 00:21:22 The Viennese know good music,don't you think?
179 00:21:26 Certainly.
180 00:21:30 Your Grace.
181 00:21:33 Ah, Mozart.
182 00:21:37 - Why?- Why what, sir?
183 00:21:40 Why do I have to be humiliatedin front of my guests...
184 00:21:45 ...by one of my own servants?
185 00:21:47 The more license I allow you,the more you take.
186 00:21:51 If His Grace is not satisfied,he can dismiss me.
187 00:21:55 I wish you to return immediatelyto Salzburg.
188 00:21:59 - Your father is waiting for you there.- No, Your Grace!
189 00:22:04 I would prefer you dismissed me.It's obvious I don't satisfy.
190 00:22:09 I have no intention of dismissing you.You will remain in my service...
191 00:22:15 ...and learn your place.
192 00:22:54 On the page it looked...
193 00:22:56 Nothing!
194 00:22:58 The beginning simple, almost comic.
195 00:23:03 Just a pulse.
196 00:23:05 Bassoons, basset horns...
197 00:23:09 ...like a rusty squeezebox.
198 00:23:15 And then, suddenly...
199 00:23:17 ...high above it...
200 00:23:21 ...an oboe.
201 00:23:26 A single note, hanging there,unwavering.
202 00:23:31 Until...
203 00:23:33 ...a clarinet took it over...
204 00:23:39 ...sweetened it into a phraseof such delight.
205 00:23:47 This was no compositionby a performing monkey.
206 00:23:54 This was a music I had never heard.
207 00:24:00 Filled with such longing,such unfulfillable longing.
208 00:24:06 It seemed to me I was hearingthe voice of God.
209 00:24:10 Excuse me.
210 00:24:13 But why?
211 00:24:15 Why would God choose an obscene childto be his instrument?
212 00:24:21 It was not to be believed.
213 00:24:23 This piece had to be an accident.It had to be.
214 00:24:32 It better be.
215 00:24:35 How good is he, this Mozart?
216 00:24:37 He's remarkable, Majesty. I heard anextraordinary opera of his last month.
217 00:24:43 - Idomeneo, King of Crete.- That?
218 00:24:47 A tiresome piece. I heard it too.
219 00:24:50 Tiresome?
220 00:24:53 A young man trying to impressbeyond his abilities.
221 00:24:57 Too much spice.
222 00:25:00 Too many notes.
223 00:25:02 Majesty...
224 00:25:04 ...it was the most promising workI've heard in years.
225 00:25:08 Then, we should makesome effort to acquire him.
226 00:25:11 We could use a good German composerin Vienna, surely?
227 00:25:16 I'm sure he could be temptedwith the right offer. Say...
228 00:25:22 ...an opera in Germanfor our National Theater.
229 00:25:25 Excellent, sire!
230 00:25:27 But not German. I beg, Your Majesty.
231 00:25:31 Italian is the proper languagefor opera.
232 00:25:35 All educated people agree on that.
233 00:25:42 What do you think, Chamberlain?
234 00:25:45 In my opinion, it's timewe had a piece in our own language.
235 00:25:50 Plain German for plain people.
236 00:25:57 Kapellmeister?
237 00:26:00 Majesty...
238 00:26:01 ...I must agree with Herr Direttore.
239 00:26:06 German is...
240 00:26:09 ...scusate...
241 00:26:12 ...too brute for singing.
242 00:26:19 Court composer...
243 00:26:22 ...what do you think?
244 00:26:25 I think it's an interesting notionto keep Mozart in Vienna.
245 00:26:30 It should infuriate the archbishop...
246 00:26:33 ...if that is Your Majesty'sintention.
247 00:26:36 You are cattivo, court composer.
248 00:26:41 I want to meet this young man.Arrange a pleasant welcome for him.
249 00:26:47 Well, there it is!
250 00:27:14 Grazie, signore.
251 00:27:23 This is a beautiful wig for you.
252 00:27:26 It looks so marvelous and I love it.
253 00:27:30 The other one.
254 00:27:33 Here is the other one.I think you will love it.
255 00:27:40 Here's the third one. So? Here we go.
256 00:27:44 - How do you like it?- They're all so beautiful!
257 00:27:48 Why don't I have three heads?
258 00:27:52 This is funny!
259 00:27:54 Three heads!
260 00:27:57 Gentlemen.
261 00:27:58 - Good morning.- Morning, Your Majesty.
262 00:28:04 What do you have for me today?
263 00:28:07 - Your Majesty, Herr Mozart.- Yes, what about him?
264 00:28:11 He's here.
265 00:28:16 Well, there it is. Good!
266 00:28:18 I hope you won't find it improper,but I've written a march in his honor.
267 00:28:23 What a charming idea,court composer. May I see?
268 00:28:28 Just a...
269 00:28:29 Just a trifle, of course.
270 00:28:34 May I try it?
271 00:28:36 Majesty!
272 00:28:40 Let's have some fun.
273 00:28:57 Delightful, court composer!
274 00:29:01 May I play it when he comes in?
275 00:29:05 - You do me too much honor.- Bring in Herr Mozart.
276 00:29:09 But slowly.
277 00:29:10 I need a minute to practice.
278 00:29:37 Good, continue.
279 00:29:40 G, Majesty.
280 00:29:46 Excellent!
281 00:29:49 Good, Majesty.
282 00:29:52 Continue. Very good.
283 00:29:56 Very good, Majesty.
284 00:30:01 Tempo! Up.
285 00:30:04 Lightly, then strongly!It's a march, Majesty.
286 00:30:08 Again.
287 00:30:49 Bravo, Majesty!
288 00:30:51 Gentlemen, please.A little less enthusiasm, I beg you.
289 00:30:58 - Mozart.- Majesty.
290 00:31:02 No, please. It's not a holy relic.
291 00:31:08 You know, we have met before.In this very room.
292 00:31:12 You don't recall. You were only 6.He was giving a delightful concert!
293 00:31:18 As he got off the stool, he fell.
294 00:31:21 My sister Antoinette helped him up.Know what he did?
295 00:31:25 He jumped into her arms and said,"Will you marry me? Yes or no?"
296 00:31:33 You know all these gentlemen.The Baron Van Swieten.
297 00:31:37 - I'm a great admirer of yours.- Thank you.
298 00:31:41 Kapellmeister Bonno.
299 00:31:43 Signore.
300 00:31:45 My pleasure.
301 00:31:47 The Director of Opera,Count Orsini-Rosenberg.
302 00:31:50 Sir, yes. The honor is mine,absolutely!
303 00:31:55 Here is ourillustrious court composer...
304 00:31:59 ...Maestro Salieri.
305 00:32:03 At last, such immense joy!
306 00:32:08 I know your work well.
307 00:32:10 You know, I composed some variationson a melody of yours.
308 00:32:15 - Really? Which one?- "Mio Caro Adone."
309 00:32:18 I'm flattered.
310 00:32:20 A funny tune,but it yielded good things.
311 00:32:23 And now he has returnedthe compliment.
312 00:32:26 Herr Salieri composedthis little march for you.
313 00:32:30 Really?
314 00:32:32 Grazie, signore.
315 00:32:34 Well, there it is.
316 00:32:36 Down to business. We're goingto commission an opera from you.
317 00:32:41 What do you say?
318 00:32:43 Majesty!
319 00:32:44 Did we vote in the endfor German or Italian?
320 00:32:48 Sire, if you remember,we did finally incline to Italian.
321 00:32:54 Did we?
322 00:32:57 I don't think it was really decided,Your Majesty.
323 00:33:02 - German. Please let it be German.- Why so?
324 00:33:07 Because I've already foundthe most wonderful libretto.
325 00:33:11 Have I seen it?
326 00:33:14 I don't think you have, Herr Direktor.It's quite new.
327 00:33:18 - I'll show it to you immediately.- I think you'd better.
328 00:33:23 Well...
329 00:33:25 ...tell us about it.Tell us the story.
330 00:33:31 Well, it's quite amusing, Majesty.
331 00:33:35 It's set--The whole thing is set in a...
332 00:33:45 Yes? Where?
333 00:33:48 In a harem, Majesty. In a seraglio.
334 00:33:52 - You mean in Turkey?- Yes, exactly.
335 00:33:57 Then why especiallydoes it have to be in German?
336 00:34:02 It doesn't, especially. It could bein Turkish if you really want.
337 00:34:08 No, my dear fellow, the languageis not finally the point.
338 00:34:12 Do you really think that subjectis appropriate for a national theater?
339 00:34:18 Why not? It's charming.
340 00:34:22 I mean, I won't actually showconcubines exposing their...
341 00:34:28 It's not indecent.It's highly moral, Majesty.
342 00:34:32 It's full of proper German virtues.
343 00:34:35 Excuse me, Majesty, but whatdo you think these could be?
344 00:34:40 Being a foreigner, I'd love to learn.
345 00:34:43 Well, tell him, Mozart.
346 00:34:47 Name us a German virtue.
347 00:34:49 - Love, sire.- Oh, love!
348 00:34:52 Of course, in Italywe know nothing about love.
349 00:35:00 No, I don't think you do.
350 00:35:02 Watching Italian opera,all those male sopranos screeching...
351 00:35:07 ...stupid, fat couples rolling their eyesabout. That's not love. It's rubbish!
352 00:35:14 Majesty, you choose the language.
353 00:35:18 I'll set it to the finest musicever offered a monarch.
354 00:35:23 Well, there it is.Let it be German.
355 00:35:29 This is yours.
356 00:35:30 Keep it.It's already here in my head.
357 00:35:33 What? On one hearing only?
358 00:35:36 I think so, sire. Yes.
359 00:35:43 Show us.
360 00:36:15 The rest is just the same, isn't it?
361 00:36:21 That doesn't really work, does it?
362 00:36:26 Did you try...?
363 00:36:30 Shouldn't it be a bit more...?
364 00:36:33 Or this?
365 00:36:35 This. Yes.
366 00:36:41 Better? What do you think?
367 00:37:36 All I ever wantedwas to sing to God.
368 00:37:40 He gave me that longing...
369 00:37:44 ...and then made me mute. Why?
370 00:37:48 Tell me that.
371 00:37:51 If he didn't want meto praise him with music...
372 00:37:55 ...why implant the desire...
373 00:37:58 ...like a lust in my body?
374 00:38:02 And then deny me the talent?
375 00:38:08 Madame Cavalieri is herefor her lesson, sir.
376 00:38:11 Maestro.
377 00:38:16 Well...?
378 00:38:19 How do you like it?
379 00:38:23 It's Turkish.
380 00:38:24 My hairdresser said everythingthis year's going to be Turkish.
381 00:38:29 Does he?
382 00:38:34 What else did he tell you today?
383 00:38:39 Come, come! Give me some gossip.
384 00:38:45 Well, I heard you met Herr Mozart.
385 00:38:52 News travels fast in Vienna.
386 00:38:55 And he's been commissionedto write an opera. Is it true?
387 00:39:00 - Yes.- Is there a part in it for me?
388 00:39:03 - No.- How do you know?
389 00:39:06 - Do you know where it's set, my dear?- Where?
390 00:39:10 In a harem.
391 00:39:13 - What's that?- A brothel.
392 00:39:20 Come.
393 00:39:23 Let's begin.
394 00:39:25 - What does he look like?- Mozart?
395 00:39:29 - You might be disappointed.- Why?
396 00:39:32 Looks and talent don't alwaysgo together, Katerina.
397 00:39:37 Looks don't concern me, maestro.
398 00:39:40 Only talent interestsa woman of taste.
399 00:39:45 Shall we continue?
400 00:40:25 There she was.
401 00:40:28 I don't know where they metor how. There she stood!
402 00:40:33 On stage, for all to see.
403 00:40:36 Showing off likethe greedy songbird she was.
404 00:41:13 Ten minutes of ghastly scales.Arpeggios!
405 00:41:18 Whizzing up and downlike fireworks at a fairground.
406 00:41:33 Understand, I wasin love with the girl.
407 00:41:37 Or at least in lust.
408 00:41:41 And I swear to you,I never laid a finger on her.
409 00:41:49 All the same, I couldn't bearto think of anyone else touching her.
410 00:41:55 Least of all, "the creature."
411 00:43:41 Brava, madame!You are an ornament to our stage.
412 00:43:47 Your Majesty.
413 00:43:52 Well, Herr Mozart. A good effort.
414 00:43:56 Well, decidedly that.
415 00:43:57 An excellent effort!You have shown us something...
416 00:44:03 - ...quite new tonight.- It is new.
417 00:44:06 - It is, isn't it, sire?- Yes, indeed.
418 00:44:09 So then, you liked it?You really liked it, sire?
419 00:44:14 Well, of course I did! It's very good!
420 00:44:17 Of course, now and then,just now and then...
421 00:44:21 ...it seemed a touch...
422 00:44:25 What do you mean, sire?
423 00:44:27 Well, I mean, occasionally,it seems to have...
424 00:44:32 How shall one say...?
425 00:44:37 How shall one say, direktor ?
426 00:44:40 - Too many notes, Majesty?- Exactly. Very well put.
427 00:44:44 - Too many notes.- I don't understand.
428 00:44:48 There are just as many notesas I required, neither more nor less.
429 00:44:53 My dear fellow, there are in fact...
430 00:44:56 ...only so many notesthe ear can hear in an evening.
431 00:45:01 I think I'm right in saying that,aren't I, court composer?
432 00:45:07 Yes. On the whole, yes, Majesty.
433 00:45:11 This is absurd!
434 00:45:13 Young man, don't take it too hard.Your work is ingenious.
435 00:45:17 It's quality work.
436 00:45:19 And there are simply too many notes.Just cut a few and it'll be perfect.
437 00:45:25 Which few did you have in mind?
438 00:45:28 Wolfgang!
439 00:45:31 Wolfgang, my dear!
440 00:45:35 - Wolfgang!- Majesty, this is Frau Weber.
441 00:45:40 She's my landlady.
442 00:45:45 - Enchanted, madame.- Sire, such an honor!
443 00:45:54 This is my dear daughter, Constanze.
444 00:45:57 - She's the fiancée of Herr Mozart.- Really?
445 00:46:06 How charming. Please.
446 00:46:25 Well...
447 00:46:28 - ...when do you many?- Well...
448 00:46:32 We haven't exactly receivedmy father's consent yet.
449 00:46:36 Not entirely. Not altogether.
450 00:46:42 - Excuse me, but how old are you?- 26.
451 00:46:48 My advice is for you to marrythis charming young lady...
452 00:46:52 - ...and stay with us in Vienna.- You see?
453 00:46:56 I told him that,but he won't listen to me.
454 00:46:59 Your Majesty,you give such wonderful...
455 00:47:03 ...such royal advice. May I...?
456 00:47:17 Well, there it is.
457 00:47:21 Wolfie, will you get some water?
458 00:47:27 Will you get some water, please?
459 00:47:34 Wolfie, get some water!
460 00:47:45 Excuse me. Excuse me.
461 00:47:55 Did you know?
462 00:47:58 - What?- The marriage.
463 00:48:03 What does it matter to you?
464 00:48:06 Nothing. He can marry who he pleases,I don't give a damn.
465 00:48:13 How was I?
466 00:48:16 You were sublime.
467 00:48:19 And what did you think of the music?
468 00:48:23 Extremely clever.
469 00:48:26 Katerina, I--
470 00:48:28 Excuse me.
471 00:48:31 Is that woman still lyingon the floor?
472 00:48:35 - No, she's fine.- Oh, I'm so relieved.
473 00:48:41 Dear Mozart,my sincere congratulations.
474 00:48:45 - Did you like it then?- How could I not?
475 00:48:49 It's the best musicin Vienna today, don't you agree?
476 00:48:53 She must be dazzling in bed.
477 00:48:58 I assume she's the virtuosoin that department.
478 00:49:02 No other reason whyyou'd marry someone like that.
479 00:49:07 Come in.
480 00:49:11 Excuse me.Wolfie, Mom isn't feeling very well.
481 00:49:15 - Can we go home?- Yes.
482 00:49:17 No, no, no.You can't take him away now.
483 00:49:21 This is his night.
484 00:49:24 Won't you introduce us, Wolfgang?
485 00:49:27 Excuse us, Fräulein.Good night, signore.
486 00:49:32 At that moment I knew,beyond any doubt...
487 00:49:37 ...he'd had her.
488 00:49:39 The creature had had my darling girl.
489 00:49:51 It was incomprehensible!
490 00:49:54 What was God up to?
491 00:49:58 Was it possible I was being tested?
492 00:50:02 Was God expecting meto offer forgiveness...
493 00:50:07 ...in the face of every offense?
494 00:50:10 No matter how painful?
495 00:50:14 It's very possible.
496 00:50:16 But why him?
497 00:50:19 Why choose Mozartto teach me lessons in humility?
498 00:50:26 My heart was filling up...
499 00:50:28 ...with such hatredfor that little man.
500 00:50:32 For the first time in my life,I began to know...
501 00:50:36 ...really...
502 00:50:38 ...violent thoughts.
503 00:50:42 Every day,sometimes for hours, I would pray.
504 00:50:48 Lord...
505 00:50:51 ...please...
506 00:50:54 ...send him away...
507 00:50:56 ...back to Salzburg.
508 00:51:00 For his sake...
509 00:51:03 ...as well as mine.
510 00:51:08 - No! I won't have him back.- But, Your Grace--
511 00:51:12 Your son is an unprincipled,spoiled, conceited brat!
512 00:51:19 Yes, sir...
513 00:51:21 ...that is the truth.
514 00:51:25 But don't blame him.The fault is mine, entirely.
515 00:51:30 I was too indulgent with him.
516 00:51:34 Please, Your Grace?
517 00:51:38 Give him one more chance?
518 00:51:41 You have leave to try.
519 00:51:44 God bless, Your Grace!I thank Your Grace.
520 00:51:48 I thank you!
521 00:51:54 I write to you with urgent news.I'm coming to Vienna.
522 00:51:58 Take no further stepstowards marriage until we meet.
523 00:52:02 As you honor the father who hasdevoted his life to yours...
524 00:52:07 ...do as I bid, and await my coming.
525 00:52:23 I now join you in the holy bondsof matrimony.
526 00:52:28 Those whom God hath joined together...
527 00:52:31 ...let no man put asunder.
528 00:52:48 Beloved father:
529 00:52:49 You say Vienna is the musicians' city.To conquer here is to conquer Europe.
530 00:52:55 With my wife, I can do it.One day, when I'm wealthy...
531 00:52:59 ...you'll live with us,and we'll be so happy.
532 00:53:13 Good morning.This is my niece, Princess Elizabeth.
533 00:53:17 Your Highness.
534 00:53:18 She's asked me to recommenda music instructor.
535 00:53:22 - I've come up with an excellent idea.- Your Majesty!
536 00:53:26 It would be such a tremendous honor!
537 00:53:29 I was thinking of Herr Mozart.What is your view?
538 00:53:35 It's an interesting idea,Majesty, but...
539 00:53:39 Yes?
540 00:53:41 My concern is to protect you...
541 00:53:45 ...from any hint of favoritism.
542 00:53:54 Favoritism.
543 00:53:55 - What is this?- What is what?
544 00:53:58 Why must I submit samples of my workto a committee to teach a girl?
545 00:54:04 Because His Majesty wishes it.
546 00:54:08 Is the emperor angry with me?
547 00:54:11 - Quite the contrary.- Then why not appoint me to the post?
548 00:54:15 You are notthe only composer in Vienna.
549 00:54:19 No. But I'm the best.
550 00:54:23 Mozart.
551 00:54:26 A little modestymight suit you better.
552 00:54:37 Who is on this committee?
553 00:54:39 Kapellmeister Bonno, CountOrsini-Rosenberg and Salieri.
554 00:54:44 Naturally, the Italians!Of course, always the Italians!
555 00:54:49 They're all musical idiots!
556 00:54:53 - And you want them to judge my music?- Young man...
557 00:54:58 ...the issue is quite simple.If you want this position...
558 00:55:02 ...you must submit your stuff,along with all your colleagues.
559 00:55:07 Must I?
560 00:55:11 Well, I won't.
561 00:55:12 How are we supposed to live?
562 00:55:16 Do you want me to beg on the streets?
563 00:55:20 Don't be stupid.
564 00:55:22 - All they want to see is your work.- Shit.
565 00:55:26 - What's wrong with that?- Shut up! Just shut up.
566 00:55:31 One royal pupil,and all of Vienna will come flocking.
567 00:55:35 They'll come anyway.
568 00:55:38 - No, they won't.- They love me here.
569 00:55:42 - I know how things work in this city.- You know everything, don't you?
570 00:56:15 - Yes?- Excuse me, sir.
571 00:56:17 - A lady insists on talking to you.- Who?
572 00:56:20 She didn't say,but she says it's urgent.
573 00:56:26 Excuse me, my dear.
574 00:56:33 Your Excellency.
575 00:56:36 How can I help you?
576 00:56:43 - Frau Mozart ?- I've come on behalf of my husband.
577 00:56:48 I brought samples of his work so hecan be considered for the appointment.
578 00:56:55 How charming,but why did he not come himself?
579 00:57:01 Well, he's terribly busy, sir.
580 00:57:07 I understand.
581 00:57:11 I will look at them the moment I can.
582 00:57:14 It will be an honor.Please give him my warmest regards.
583 00:57:19 Would it be too much troubleto ask you to look at them now?
584 00:57:24 - While I wait.- I'm afraid I'm not at leisure...
585 00:57:28 ...this precise moment.
586 00:57:30 Leave them with me.I assure you, they will be safe.
587 00:57:35 I really cannot do that, sir.
588 00:57:39 You see, he doesn't know I'm here.
589 00:57:44 Then he didn't send you?
590 00:57:47 No, sir. This was my own idea.
591 00:57:53 - I see.- Sir, we're desperate.
592 00:57:57 We really need this job.
593 00:58:01 My husband spends far morethan he can ever earn.
594 00:58:05 I don't mean that he's lazy,because he works all day long.
595 00:58:09 It's just that he's not practical.
596 00:58:14 Money simply slips throughhis fingers. It's ridiculous.
597 00:58:21 Let me offer you some refreshment.
598 00:58:24 Do you know what these are?
599 00:58:28 Capezzoli di Venere!Nipples of Venus.
600 00:58:33 They're Roman chestnutsin brandied sugar. Try one. Go on!
601 00:58:38 They're quite surprising.
602 00:58:45 They're wonderful!
603 00:58:49 Thank you very much, Your Excellency.
604 00:58:52 Don't keep calling me that.
605 00:58:56 Keeps me at such a distance.
606 00:58:59 I wasn't born a court composer,you know.
607 00:59:02 I'm from a small town.
608 00:59:05 Just like your husband.
609 00:59:09 Are you sure you can't...
610 00:59:13 ...leave this and come back again?
611 00:59:17 It's very tempting, sir.
612 00:59:20 But it's impossible, I'm afraid.
613 00:59:24 He'd be franticif he knew they were missing.
614 00:59:28 You see, they're all originals.
615 00:59:31 - Originals?- Yes, sir. He doesn't make copies.
616 00:59:46 These...
617 00:59:48 ...are originals?
618 01:00:26 Astounding!
619 01:00:28 It was actually--It was beyond belief.
620 01:00:33 These were first and only...
621 01:00:36 ...drafts of music.
622 01:00:39 But they showed no correctionsof any kind. Not one.
623 01:00:48 He had simply written down music...
624 01:00:51 ...already finished in his head.
625 01:00:55 Page after page of it.As if he were just taking dictation.
626 01:01:07 And music...
627 01:01:09 ...finished as no musicis ever finished.
628 01:01:16 Displace one note...
629 01:01:19 ...and there would be diminishment.
630 01:01:23 Displace one phrase,and the structure would fall.
631 01:01:31 It was clear to me...
632 01:01:34 ...that sound I had heardin the archbishop's palace...
633 01:01:38 ...had been no accident.
634 01:01:42 Here againwas the very voice of God.
635 01:01:51 I was staring through the cage...
636 01:01:54 ...of those meticulous ink strokes...
637 01:01:59 ...at an absolute beauty.
638 01:02:19 Is it not good?
639 01:02:26 It is miraculous.
640 01:02:31 Yes, he's very proud of his work.
641 01:02:38 So you will help us?
642 01:02:42 I dine with the emperortomorrow evening.
643 01:02:46 One word from me and the post is his.
644 01:02:49 Thank you, Your Excellency!Thank you!
645 01:02:52 Come back tonight.
646 01:02:56 - Tonight?- Alone.
647 01:03:01 What for?
648 01:03:04 Some servicedeserves service in return.
649 01:03:09 No?
650 01:03:12 - What do you mean?- Isn't it obvious?
651 01:03:17 It's a post all Vienna seeks.
652 01:03:21 If you wish it for your husband,come tonight.
653 01:03:25 I'm a married woman, sir.
654 01:03:28 Then don't.
655 01:03:30 It's up to you.
656 01:03:33 And not to be vague,that is the price.
657 01:03:48 There is no God of mercy, Father.
658 01:03:54 Just a God of torture.
659 01:04:03 Evening came.
660 01:04:06 I sat there, not knowingwhether she would return or not.
661 01:04:11 I prayed as I hadnever prayed before.
662 01:04:17 Dear God...
663 01:04:20 ...enter me now.
664 01:04:22 Fill me with one piece of true music.
665 01:04:27 One piece with your breath in it,so I know that you love me.
666 01:04:33 Show me one sign of your favor,and I will show mine to Mozart.
667 01:04:39 I will get him the royal position.
668 01:04:44 Enter me.
669 01:04:46 Please.
670 01:04:49 Please!
671 01:04:58 Yes?
672 01:05:03 That lady is back, sir.
673 01:05:11 Show her in.
674 01:05:45 Well?
675 01:05:49 I'm here.
676 01:05:54 My husband has gone to a concert.
677 01:05:58 He didn't think I would enjoy it.
678 01:06:12 Well, where shall we go?
679 01:06:16 Should we stay here?
680 01:06:20 Well...
681 01:06:25 Do you still want to look at these?
682 01:06:31 Or don't we need to bother anymore?
683 01:06:36 Suppose we don't, really.
684 01:07:36 Show this woman out.
685 01:08:00 Stanzi.
686 01:08:03 Stanzi.
687 01:08:11 What is it?
688 01:08:13 What's the matter? Tell me.
689 01:08:20 Tell me.
690 01:08:28 I love you.
691 01:08:31 I love you.
692 01:08:34 From now on, we are enemies.
693 01:08:38 You and I.
694 01:08:40 Because you choosefor your instrument...
695 01:08:43 ...a boastful, lustful,smutty, infantile boy...
696 01:08:48 ...and give me for reward only theability to recognize the incarnation.
697 01:08:55 Because you are unjust...
698 01:08:58 ...unfair...
699 01:09:01 ...unkind...
700 01:09:03 ...I will block you.
701 01:09:05 I swear it.
702 01:09:08 I will hinder and harmyour creature on earth...
703 01:09:11 ...as far as I am able.
704 01:09:14 I don't like to talkagainst a fellow musician.
705 01:09:18 Of course not.
706 01:09:20 I have to tell you.
707 01:09:23 Mozart is not entirely to be trustedalone with young ladies.
708 01:09:28 Really?
709 01:09:30 One of my own pupils,a very young singer...
710 01:09:35 ...Maria Theresa Paradis...
711 01:09:37 ...told me she was...
712 01:09:41 Well...
713 01:09:45 Well, what?
714 01:09:48 Molested, Majesty.
715 01:09:50 Twice, in the course ofthe same lesson.
716 01:09:58 There is a Herr Mozartwaiting for you in the salon.
717 01:10:07 - Whom did they choose?- Herr Zummer.
718 01:10:10 Herr Zummer ?
719 01:10:12 But the man's a fool!He's a total mediocrity.
720 01:10:16 No, no. He has yetto achieve mediocrity.
721 01:10:23 I can't lose this post.I simply can't.
722 01:10:28 Excellency, please.
723 01:10:31 Let's go to the palace.You can talk to the emperor...
724 01:10:35 ...and tell him that Herr Zummeris an awful choice.
725 01:10:39 He could do musical harmto the princess.
726 01:10:42 Between us, no one in the worldcould do musical harm to the princess.
727 01:10:52 Look...
728 01:10:54 ...I must have pupils.
729 01:10:56 Without pupils, I can't manage.
730 01:10:59 You don't meanyou're living in poverty?
731 01:11:03 No, but I'm broke.
732 01:11:06 Well, how is this possible?
733 01:11:09 I hear your concerts arequite successful.
734 01:11:12 They're stupendously successful.
735 01:11:15 You can't get a seat.But no one will hire me.
736 01:11:19 They want to hear me play...
737 01:11:21 ...but they won't let me teachtheir daughters, as if I was a fiend.
738 01:11:31 Seriously...
739 01:11:33 ...is there any chanceyou could manage a loan?
740 01:11:38 Only for six months.Eight, at the most.
741 01:11:42 You expect your fortunes to changein six or eight months?
742 01:11:46 As a matter of fact, I do.
743 01:11:50 I am working on something that willexplode like a bomb all over Europe.
744 01:11:55 I'll be the richest man in Vienna.I'll pay you back double. Anything.
745 01:12:01 You name the terms.
746 01:12:03 Well, how exciting.
747 01:12:06 Tell me more.
748 01:12:10 - It's a bit of a secret.- Come, come. I'm interested.
749 01:12:14 This is delicious. What is it'?
750 01:12:17 It's cream cheese mixed with sugar...
751 01:12:20 ...suffused with rum.Crema Mascarpone Speciale.
752 01:12:25 Italian.
753 01:12:27 Forgive me. We all havepatriotic feelings of some kind.
754 01:12:32 Two thou--
755 01:12:34 Two hundred florins.That's all I need.
756 01:12:39 A hundred.
757 01:12:43 Fifty.
758 01:12:45 What exactly are you working on?
759 01:12:51 Really, I can't say.
760 01:12:55 I don't think you should become knownin Vienna as a debtor, Mozart.
761 01:13:08 However...
762 01:13:10 ...I know a distinguishedgentleman I can recommend, and...
763 01:13:14 ...he has a daughter.
764 01:13:21 Quiet! Quiet!
765 01:13:23 Herr Mozart.
766 01:13:26 Welcome. Pay no attention,they're impossible.
767 01:13:30 I treat them just likemy own children.
768 01:13:34 Which of them do you wish me to teach?
769 01:13:40 That's funny.
770 01:13:43 You're a funny fellow.
771 01:13:46 This is the instrument.I hope it's to your satisfaction.
772 01:13:51 Of course it'll be to his satisfaction.
773 01:13:54 Come, we're going to listento some music. Come!
774 01:13:59 Good boy.
775 01:14:06 Now.
776 01:14:08 Please play me something,just to give me an idea.
777 01:14:13 Anything will do.
778 01:14:17 Just go ahead.
779 01:14:18 Just as if we weren't here.
780 01:14:22 Part of music, getting usedto an audience. Right, Herr Mozart ?
781 01:14:27 Perhaps it would be betterif we were left alone.
782 01:14:31 We're both a little shy.
783 01:14:33 Play.
784 01:14:35 - I said play!- Michael, please.
785 01:14:38 Perhaps if I play first,it might encourage the Fräulein.
786 01:14:43 Why don't you let me try?
787 01:14:55 Stop it! Stop!He always howls when he hears music.
788 01:14:59 We've got to break him of that habit.
789 01:15:02 We've got to break themof their habit!
790 01:15:06 Play. Please.
791 01:15:08 Herr Mozart, play. Please, I beg you.
792 01:15:19 That's it. That's it.
793 01:15:25 Keep playing!
794 01:15:33 Keep playing! That's it!
795 01:15:55 Mozart, that's wonderful!Wonderful!
796 01:15:59 Next time you wish me to instructanother of your dogs, let me know.
797 01:16:04 Goodbye, Fräulein. Goodbye, madam.Goodbye, sir.
798 01:17:05 Papa?
799 01:17:10 Papa!
800 01:17:16 Why are you here?
801 01:17:18 Am I not welcome?
802 01:17:20 Of course, welcome.Papa, welcome! Welcome!
803 01:17:46 You're very thin.Doesn't your wife feed you?
804 01:17:50 Of course she feeds me.She stuffs me like a goose all day!
805 01:17:56 - Is she not here?- No, she had to help her mother.
806 01:18:00 She's like that.
807 01:18:02 Her mother's a verysweet woman, you'll--
808 01:18:13 I didn't know you were home.
809 01:18:17 Stanzi, this is my father.
810 01:18:21 We'll wait. We'll wait.
811 01:18:27 Why don't you get up now, my darling?
812 01:18:36 She's very tired, poor creature.You know me. I'm such a pig.
813 01:18:41 It's not easy cleaning up after me.
814 01:18:45 Don't you have a maid?
815 01:18:47 Oh. No. We could if we wanted...
816 01:18:51 ...but Stanzi insists on doingeverything herself.
817 01:18:56 How is your...
818 01:18:59 ...financial situation?
819 01:19:01 Couldn't be better.
820 01:19:04 That's not what I hear.
821 01:19:07 What do you mean? It's wonderful.
822 01:19:10 Really, it's marvelous!People love me here.
823 01:19:15 They say you have debts.
824 01:19:18 Who?
825 01:19:20 Who says that?
826 01:19:22 That's a malicious lie!
827 01:19:25 Do you have pupils?
828 01:19:27 I don't want pupils!
829 01:19:31 They get in the way.
830 01:19:34 I have to have time for composition.
831 01:19:38 Composition doesn't pay.You know that.
832 01:19:41 That one will.
833 01:19:43 What's that?
834 01:19:47 It's a secret.
835 01:19:48 Secret?You don't have secrets from me.
836 01:19:52 No.
837 01:19:53 No! Please! I don't want you to see it.I don't want anyone to see it.
838 01:19:59 You'll be so proud of me.
839 01:20:01 It'll be the best thing I'veever done. The best thing anyone--
840 01:20:08 There she is!
841 01:20:09 Look at her! Isn't she beautiful?Now, Papa, confess it.
842 01:20:14 - Could you want a prettier daughter?- Stop it, Wolfie!
843 01:20:19 I look dreadful.
844 01:20:22 Are you...
845 01:20:24 ...expecting?
846 01:20:26 - Yes, I am.- Isn't it marvelous? We're delighted.
847 01:20:31 - May I offer you some tea?- Who wants tea? Let's go out!
848 01:20:36 This calls for a feast.You don't want tea, do you, Papa?
849 01:20:40 I know! Let's go dancing.Papa loves parties, don't you?
850 01:20:45 How can you be so boring? Tea!
851 01:20:52 Come on, Papa. Hurry!
852 01:20:54 Here we go. Good day.
853 01:21:39 Now!
854 01:21:46 I name the penalty!I name the penalty!
855 01:21:51 And the penalty is...
856 01:21:54 - Give her a good one!- Show us your legs!
857 01:22:03 Come on, come on!
858 01:22:18 It's just a game, Papa.
859 01:22:33 Thank you.
860 01:22:47 Now!
861 01:22:59 Herr Mozart, why don't youname your son's penalty?!
862 01:23:06 Yes, Papa. Name it.
863 01:23:09 Name it. I'll do anythingyou say. Anything.
864 01:23:15 I want you to come backto Salzburg with me.
865 01:23:19 The penalty must beperformed in the room.
866 01:23:23 I'm tired of this game.
867 01:23:25 But my penalty!I've got to have a penalty!
868 01:23:34 I name a penalty!
869 01:23:39 The penalty is...
870 01:23:41 ...you shall play our tune...
871 01:23:44 ...in the manner ofJohann Sebastian Bach!
872 01:24:15 - Turn him over!- Over?!
873 01:24:20 Now you play it backwards!
874 01:24:50 - Another one! Another one!- Play it like Gluck!
875 01:24:55 - Boring. Another!- Händel!
876 01:24:58 I don't like him! Another one!
877 01:25:01 Play Salieri.
878 01:25:04 Now, that is a challenge!That is a challenge.
879 01:25:08 Please! Please!
880 01:25:45 Go on. Mock me. Laugh!
881 01:25:53 That was not Mozart laughing, Father.
882 01:25:56 That was God.
883 01:25:58 That was God laughing at methrough that obscene giggle.
884 01:26:06 Go on, signore. Laugh.
885 01:26:09 Show my mediocrity for all to see.
886 01:26:14 One day I will laugh at you.
887 01:26:20 Before I leave this earth...
888 01:26:23 ...I will laugh at you.
889 01:26:48 - Wolfie?- What?
890 01:26:52 There's a young girl here to see you.
891 01:26:55 What does she want?
892 01:26:56 She won't talk to me.She says she has to speak to you.
893 01:27:02 Damn.
894 01:27:09 Yes?
895 01:27:12 - Are you Herr Mozart ?- That's right.
896 01:27:17 My name is Lorl, sir.I'm a maidservant.
897 01:27:21 I was asked to come hereand offer my services to you.
898 01:27:25 They'll be paid for by an admirerof yours who wishes to remain...
899 01:27:30 ...anonymous.
900 01:27:33 Is this your idea, Papa?
901 01:27:37 Mine?
902 01:27:38 - Are you playing a trick on me?- I've never seen this girl.
903 01:27:43 - Is this some kind of joke?- Not at all, sir.
904 01:27:47 Young woman, this won't do.
905 01:27:50 My son can't accept such an offer,no matter how generous...
906 01:27:55 - ...unless he knows who's behind it.- I can't tell you that, sir.
907 01:27:59 - This is ridiculous!- What is ridiculous?
908 01:28:03 Wolfie has many admirers in Vienna.
909 01:28:06 People send us gifts all the time.
910 01:28:09 You cannot accept herwithout references.
911 01:28:12 Well, this is none of your business.
912 01:28:15 - Whoever sent you is going to pay?- That's right.
913 01:28:19 Splendid! Now we're goingto let a stranger into our house.
914 01:28:24 Who is we? Who is letting who--?
915 01:28:30 - Could you please wait outside?- Yes, ma'am.
916 01:28:34 Look, old man!
917 01:28:36 We spend a fortune on you,and all you can do is criticize.
918 01:28:41 - And now--- Stanzi!
919 01:28:42 No! It's right that he should hear!I'm sick to death of it.
920 01:28:47 We can't do anythingright for you, can we?
921 01:28:51 You won't have to do anythingfor me ever again.
922 01:28:55 I'm leaving.
923 01:28:56 - No, Papa.- I won't stay and be a burden.
924 01:29:00 No one calls you that.
925 01:29:02 She does. She says I sleep all day.
926 01:29:06 And so you do!
927 01:29:08 The only time you come out is to eat.
928 01:29:12 Well, what do you expect?
929 01:29:17 Do you expect anyone to walk outinto a mess like this every day?
930 01:29:22 - Now I'm a bad housekeeper!- So you are. It's a pigsty.
931 01:29:27 When can you start?
932 01:29:29 - Right away, ma'am.- Good.
933 01:29:58 They're out every night, sir.
934 01:30:03 Thank you, sir.
935 01:30:06 Do any pupils come to the house?
936 01:30:11 Not that I've seen.
937 01:30:14 Then how does he pay for all this?
938 01:30:17 Does he work at all?
939 01:30:20 Yes, sir. All day long. He neverleaves the house till evening.
940 01:30:26 He just sits there,writing and writing.
941 01:30:29 Really?
942 01:30:32 What is it he's writing?
943 01:30:38 I wouldn't know that, sir.
944 01:30:40 Of course not.
945 01:30:42 You're a good girl.
946 01:30:45 You're very kind to do this.
947 01:30:47 The next time you're sure they'llbe out of the house, let me know.
948 01:30:59 Thank you, sir.
949 01:32:41 I think I found outabout the money, sir.
950 01:32:45 Yes? What?
951 01:32:48 He kept seven snuffboxes in here.I could swear they were all gold.
952 01:32:53 And now look.
953 01:32:55 There's only one left.
954 01:32:58 Where does he work?
955 01:33:02 In there, sir.
956 01:33:50 Gentlemen, I've justheard some news...
957 01:33:54 - ...that may interest you.- What?
958 01:33:57 Mozart is writing a new opera.An Italian opera.
959 01:34:02 Italian?
960 01:34:05 That's not all.He has chosen for his subject, Figaro.
961 01:34:10 The Marriage of Figaro.
962 01:34:13 He's setting that play to music?
963 01:34:17 Yes.
964 01:34:19 What is this Marriage of Figaro ?
965 01:34:23 It's a French play, Kapellmeister.
966 01:34:27 It has been banned by the emperor.
967 01:34:30 You're absolutely sure?
968 01:34:36 Herr Mozart.
969 01:34:39 Gentlemen, sit down.
970 01:34:46 Mozart.
971 01:34:49 Are you aware that I have declaredthe French play Figaro...
972 01:34:53 ...unsuitable for our theater?
973 01:34:57 Yes, sire.
974 01:34:59 Yet we hear you're making anopera from it. Is this true?
975 01:35:08 Who told you this, Majesty?
976 01:35:11 It is not your place to ask questions.Is it true?
977 01:35:15 Yes, I...
978 01:35:18 I admit it is.
979 01:35:22 Would you tell me why?
980 01:35:27 Majesty, it is only a comedy.
981 01:35:30 What you think is scarcely the point.
982 01:35:33 It's what His Majesty thinksthat counts.
983 01:35:37 But, Your Majesty--
984 01:35:39 Mozart...
985 01:35:41 ...I am a tolerant man.
986 01:35:43 I do not censor things lightly.When I do, I have good reason.
987 01:35:49 Figaro is a bad play.
988 01:35:53 It stirs up hatred between classes.
989 01:35:56 In France, it has causedonly bitterness.
990 01:35:59 My sister Antoinette is beginningto be frightened of her own people.
991 01:36:05 I swear, there's nothinglike that in the piece.
992 01:36:08 I've taken out everything that couldgive offense. I hate politics.
993 01:36:13 I'm afraid you're rather innocent.
994 01:36:16 In these dangerous times I cannotafford to provoke our people...
995 01:36:22 ...simply over a theater piece.
996 01:36:24 Majesty, this is just a frolic.A piece about love.
997 01:36:29 "Love." Again!
998 01:36:32 And it's new!
999 01:36:34 It's entirely new.The people will go mad for it.
1000 01:36:38 I have scenes...
1001 01:36:41 The end of Act II, for example.
1002 01:36:44 It starts as a duet.A husband and wife quarreling.
1003 01:36:48 Suddenly, the scheming maid comes in.It's a very funny situation.
1004 01:36:53 Duet turns into trio.
1005 01:36:55 Then the husband's valet comes in.
1006 01:36:58 Trio turns into quartet.
1007 01:37:00 Then a gardener.Quartet becomes quintet.
1008 01:37:03 And so on, on and on.
1009 01:37:06 Sextet, septet, octet.
1010 01:37:08 How long do you thinkI can sustain that?
1011 01:37:13 I have no idea.
1012 01:37:15 Guess.
1013 01:37:17 Guess, Your Majesty.
1014 01:37:19 Imagine the longest timeit could be sustained, then double it.
1015 01:37:25 Well...
1016 01:37:27 Six...
1017 01:37:30 ...seven minutes?
1018 01:37:35 - Eight minutes?- Twenty, sire. Twenty minutes!
1019 01:37:40 Twenty minutes of continuous music.No recitatives!
1020 01:37:44 Sire, only opera can do this.
1021 01:37:47 In a play, if more than one personspeaks at once...
1022 01:37:51 ...it's just noise.
1023 01:37:53 But with opera, with music...
1024 01:37:56 ...you can have 20 individualsall talking at the same time.
1025 01:38:00 It's not noise.It's a perfect harmony!
1026 01:38:04 Mozart, music is not the issue here.
1027 01:38:07 No one doubts your talent. It's yourliterary judgment that's in question.
1028 01:38:13 Even without the politics,it would remain a vulgar farce.
1029 01:38:19 Why waste your spirit on such rubbish?
1030 01:38:22 Surely you can choose moreelevated themes.
1031 01:38:26 Elevated!What does that mean, elevated?
1032 01:38:30 I am fed to the teeth with these...
1033 01:38:33 ...elevated things. Old dead legends.
1034 01:38:37 Why must we go on foreverwriting of gods and legends?
1035 01:38:41 Because they do.
1036 01:38:44 They go on forever.
1037 01:38:47 At least what they represent:the eternal in us.
1038 01:38:51 Opera is here to ennoble us, Mozart.
1039 01:38:54 You and me,just the same as His Majesty.
1040 01:38:58 Bello. Veramente.
1041 01:39:02 "Bello, bello, bello."Come on now, be honest!
1042 01:39:07 You'd rather listen to your hairdresserthan Hercules, Horatius or Orpheus.
1043 01:39:12 People so lofty, they soundas if they shit marble!
1044 01:39:17 What!
1045 01:39:19 Govern your tongue, Mozart!How dare you!
1046 01:39:28 Forgive me, Majesty.
1047 01:39:32 I'm a vulgar man...
1048 01:39:35 ...but I assure you, my music is not.
1049 01:39:41 You are passionate, Mozart...
1050 01:39:45 ...but you do not persuade.
1051 01:39:51 Sire, the whole opera is finished.
1052 01:39:55 Do you know how much workwent into it?
1053 01:39:59 His Majesty has beenmore than patient, signore.
1054 01:40:05 How can I persuade if I can't show it?
1055 01:40:09 That will do, Herr Mozart.
1056 01:40:14 Just let me tell you how it begins.
1057 01:40:17 May I just do that, Majesty?Show you how it begins? Just that?
1058 01:40:26 Please.
1059 01:40:29 Look...
1060 01:40:31 There's a servant on his knees.Do you know why?
1061 01:40:34 Not from oppression.He's measuring a space.
1062 01:40:38 Do you know what for?
1063 01:40:40 His bed. His wedding bed.
1064 01:40:43 To see if it will fit!
1065 01:40:53 - Cinque.- Late.
1066 01:40:57 - Dieci.- Late!
1067 01:41:00 - On the beat.- Venti.
1068 01:41:02 Good!
1069 01:41:04 Trenta.
1070 01:41:05 Yes!
1071 01:41:14 Early!
1072 01:41:19 Well, Mozart is already rehearsing.
1073 01:41:28 In that case, gentlemen, I think...
1074 01:41:36 I think we should helpMozart all we can.
1075 01:41:42 And protect him againstthe emperor's anger.
1076 01:41:45 What anger?
1077 01:41:48 About the ballet.
1078 01:41:50 What ballet?
1079 01:41:53 Excuse me...
1080 01:41:56 ...but didn't His Majesty specificallyforbid the ballet in his opera?
1081 01:42:36 Mozart!
1082 01:42:38 - Herr Mozart !- Yes?
1083 01:42:41 - A word with you.- Certainly, Herr Direktor.
1084 01:42:44 Now, Herr Mozart !
1085 01:42:47 Five minutes, please.
1086 01:42:49 Five minutes!
1087 01:42:52 Yes?
1088 01:42:53 Do you not know that His Majesty hasexpressly forbidden ballet in operas?
1089 01:42:59 - It's not a ballet, it's a dance.- Exactly. A dance.
1090 01:43:04 Surely, His Majesty didn't meanno dancing when it's in the story.
1091 01:43:09 It's dangerous to interpret hisedicts. Give me your score, please.
1092 01:43:24 Thank you.
1093 01:43:28 What are you doing, Herr Direktor ?
1094 01:43:32 Taking out what you shouldnever have put in.
1095 01:43:36 Please. Please!
1096 01:43:39 I have no one else to turn to.
1097 01:43:42 - What is it?- It's unbelievable.
1098 01:43:45 The direktor has torn upa huge section of my music.
1099 01:43:49 They say I have to rewrite the opera.
1100 01:43:53 But it's perfect as it is.
1101 01:43:56 I can't...
1102 01:43:57 ...rewrite what's perfect.
1103 01:44:02 Please.
1104 01:44:03 Can't you talk to him?
1105 01:44:06 Please.
1106 01:44:08 Why bother?He's no friend of yours.
1107 01:44:11 I could kill him!I mean, really! Kill him!
1108 01:44:16 I threw the entire score intothe fire, he made me so angry.
1109 01:44:21 - You burned the score?- No, my wife took it out in time.
1110 01:44:28 Thank God.
1111 01:44:31 It's unfair that a man like thatshould have power over our work!
1112 01:44:37 But there are thosewho have power over him.
1113 01:44:42 I think I'll take this upwith the emperor.
1114 01:44:47 Excellency...
1115 01:44:49 ...would you?
1116 01:44:52 With all my heart, Mozart.
1117 01:44:56 Thank you.
1118 01:44:59 Please, Herr Mozart."Please, it's not a holy relic."
1119 01:45:06 I don't need to tell you I saidnothing, whatever, to the emperor.
1120 01:45:11 I went to the theater to tellMozart something, anything...
1121 01:45:17 ...when suddenly,in the middle of the third act...
1122 01:45:22 ...to my astonishment, the emperor...
1123 01:45:25 ...who never attended rehearsals,suddenly appeared.
1124 01:45:49 What is this?
1125 01:45:53 I don't understand.
1126 01:45:56 Is it modern?
1127 01:45:59 Majesty...
1128 01:46:01 ...the Herr Direktor...
1129 01:46:03 ...he has removed un balletto...
1130 01:46:06 ...that would have occurredat this place.
1131 01:46:11 Why?
1132 01:46:13 It is your regulation, sire.
1133 01:46:15 No ballet in your opera.
1134 01:46:24 Salieri.
1135 01:46:27 Do you like this?
1136 01:46:31 It's not a questionof liking, Majesty.
1137 01:46:35 Your own law decrees it, I'm afraid.
1138 01:46:40 Well, look at them!
1139 01:46:45 No! This is nonsense!
1140 01:46:48 - Let me see the scene with the music.- But, sire!
1141 01:46:52 Oblige me!
1142 01:46:54 Yes, Majesty.
1143 01:47:05 Can we see the scenewith the music, please?
1144 01:47:09 Certainly! Certainly, Herr Direktor !
1145 01:47:17 Bring the palace set back in, please.
1146 01:47:58 The restored third act...
1147 01:48:00 ...was bold, brilliant.
1148 01:48:03 The fourth...
1149 01:48:08 ...was astounding.
1150 01:48:18 I saw a woman...
1151 01:48:20 ...disguised in her maid's clotheshear her husband speak the first...
1152 01:48:26 ...tender words he hasoffered her in years.
1153 01:48:29 Simply because he thinksshe is someone else.
1154 01:48:35 I heard the music of true forgivenessfilling the theater...
1155 01:48:40 ...conferring on all who sat there,perfect absolution.
1156 01:48:46 God was singing throughthis little man...
1157 01:48:49 ...to all the world.
1158 01:48:52 Unstoppable.
1159 01:48:54 Making my defeat more bitterwith every passing bar.
1160 01:49:38 And then, do you know what happened?
1161 01:49:44 A miracle!
1162 01:49:52 With that yawn...
1163 01:49:54 ...I saw my defeatturn into a victory.
1164 01:50:02 Mozart was luckythe emperor yawned only once.
1165 01:50:06 Three yawns...
1166 01:50:08 ...and the operawould fail the same night.
1167 01:50:11 Two yawns, within a week at most.
1168 01:50:14 With one yawn, the composercould still get...
1169 01:50:21 Nine performances! Nine!That's all it's had! Withdrawn!
1170 01:50:26 I know, I know.
1171 01:50:29 It's outrageous.
1172 01:50:32 Still, if the publicdoesn't like one's work...
1173 01:50:36 ...one has to acceptthe fact gracefully.
1174 01:50:39 But what is it that they don't like?
1175 01:50:43 I can speak for the emperor.
1176 01:50:45 You make too many demandson the royal ear.
1177 01:50:49 The poor man can't concentrate formore than an hour. You gave him four.
1178 01:50:59 What did you think of it yourself?
1179 01:51:02 Did you like it at all?
1180 01:51:06 I thought it was marvelous.
1181 01:51:09 Of course.It's the best opera yet written.
1182 01:51:13 I know it!
1183 01:51:18 Why didn't they come?
1184 01:51:22 I think you overestimateour dear Viennese, friend.
1185 01:51:26 You didn't give them a bangat the end of songs...
1186 01:51:30 ...to let them know when to clap.
1187 01:51:33 I know, I know.
1188 01:51:36 Maybe you should give mesome lessons in that.
1189 01:51:40 I wouldn't presume.
1190 01:51:46 Nevertheless,at the risk of imposing...
1191 01:51:49 ...I'd like you to see my new piece.
1192 01:51:53 It would be an honor for me.
1193 01:51:56 No, the honor would be all mine.
1194 01:52:02 Grazie, Wolfgang.
1195 01:52:04 Grazie a lei, Signor Antonio.
1196 01:53:25 I believe...
1197 01:53:28 I believe...
1198 01:53:30 ...it is the best operayet written, my friends.
1199 01:53:36 Salieri!
1200 01:53:39 You are the brightest starin the musical firmament.
1201 01:53:43 You do honor to Vienna and to me.
1202 01:54:13 Herr Mozart !
1203 01:54:15 - It was good of you to come.- How could I not?
1204 01:54:19 Bravo, maestro.
1205 01:54:22 Did my work please you?
1206 01:54:26 I never knew that musiclike that was possible.
1207 01:54:31 - You flatter me.- No, no.
1208 01:54:35 One hears such sounds...
1209 01:54:37 ...and what can one say but: Salieri!
1210 01:54:48 Everybody's here, and we've gotguests. Bravo! I've got some more.
1211 01:54:54 You remember my goodfriend Schikaneder. Come in.
1212 01:54:58 Don't be shy.
1213 01:55:00 - This is a very nice girl, and this--- Wolfie?
1214 01:55:05 Yes, my love?
1215 01:55:07 - These gentlemen are from Salzburg.- Salzburg?
1216 01:55:12 We were just talking about Salzburg.
1217 01:55:14 Wolfie...
1218 01:55:17 Your father is dead.
1219 01:55:42 So rose the dreadful ghost...
1220 01:55:45 ...from his next and blackest opera.
1221 01:55:55 There on the stage,stood the figure of a dead commander.
1222 01:55:59 I knew...
1223 01:56:01 ...only I understood...
1224 01:56:03 ...that the horrifying apparitionwas Leopold...
1225 01:56:07 ...raised from the dead!
1226 01:56:38 Wolfgang had actuallysummoned up his own father...
1227 01:56:42 ...to accuse his sonbefore all the world!
1228 01:56:47 It was...
1229 01:56:49 ...terrifying and wonderful to watch.
1230 01:57:57 And now...
1231 01:58:04 ...the madness began in me.
1232 01:58:09 The madness of a mansplitting in half.
1233 01:58:16 Through my influence, I saw to it...
1234 01:58:19 ...Don Giovanni was playedonly five times in Vienna.
1235 01:58:23 But, in secret,I went to every one of those five.
1236 01:58:28 Worshiping soundI alone seemed to hear.
1237 01:59:20 And as I stood there,understanding how...
1238 01:59:23 ...that bitter old man wasstill possessing his poor son...
1239 01:59:27 ...even from beyond the grave...
1240 01:59:30 ...I began to see a way...
1241 01:59:32 ...a terrible way...
1242 01:59:34 ...I could finally triumph...
1243 01:59:37 ...over God.
1244 02:02:49 Herr Mozart ?
1245 02:02:54 I have come to commissionwork from you.
1246 02:02:58 - What work?- A Mass for the dead.
1247 02:03:03 What dead?
1248 02:03:05 Who is dead?
1249 02:03:07 A man who deserved a Requiem Massand never got one.
1250 02:03:12 - Who are you?- I am only a messenger.
1251 02:03:16 Do you accept?
1252 02:03:19 You will be well paid.
1253 02:03:29 Do you accept?
1254 02:03:41 Work fast.
1255 02:03:43 And be sure tell no one what you do.
1256 02:03:46 You will see me again soon.
1257 02:04:25 Wolfie?
1258 02:04:38 My plan was so simple...
1259 02:04:42 ...that it terrified me.
1260 02:04:46 First, I must get the death Mass,and then...
1261 02:04:52 ...I must achieve his death.
1262 02:04:57 What?
1263 02:04:59 His funeral!
1264 02:05:02 Imagine it!
1265 02:05:04 The cathedral,all Vienna sitting there.
1266 02:05:07 His coffin.Mozart's little coffin in the middle.
1267 02:05:13 And then...
1268 02:05:15 ...in that silence...
1269 02:05:20 ...music.
1270 02:05:23 A divine music...
1271 02:05:25 ...bursts out over them all.
1272 02:05:29 A great Mass of death.
1273 02:05:34 Requiem Mass for Wolfgang Mozart.
1274 02:05:38 Composed by his devoted friend...
1275 02:05:43 ...Antonio Salieri.
1276 02:05:47 What sublimity!
1277 02:05:48 What depth!
1278 02:05:51 What passion in the music!
1279 02:05:55 Salieri has been touchedby God at last...
1280 02:05:59 ...and God forced to listen!
1281 02:06:03 Powerless to stop it!
1282 02:06:07 I, for once, in the end,laughing at him!
1283 02:06:18 The only thing that worried mewas the actual killing.
1284 02:06:22 How does one do that?
1285 02:06:26 How does one kill a man?
1286 02:06:30 It's one thing...
1287 02:06:32 ...to dream about it.
1288 02:06:34 Very different when you...
1289 02:06:40 When you have to do it...
1290 02:06:45 ...with your own hands.
1291 02:06:57 Come in!
1292 02:07:10 Don Giovanni
1293 02:07:15 I've come to dinner
1294 02:07:20 Dinner! Are you mad?I'm a nobleman!
1295 02:07:23 I only ever dinewith people of my own height!
1296 02:07:27 Stop it!
1297 02:07:29 Be carefulBe careful
1298 02:07:31 Hold tight
1299 02:07:35 I'm a famous...
1300 02:07:37 ...horseman
1301 02:07:40 And we're a famous horsy
1302 02:07:47 Give me a hoof, my darling
1303 02:07:51 And I'll give you my heart
1304 02:07:56 Take me to your stable
1305 02:08:01 And nevermore we'll part
1306 02:08:11 Kill meKill me
1307 02:08:36 We're going to make a soprano stew
1308 02:08:41 We're going to make a soprano stew
1309 02:08:46 And when you make a soprano stew
1310 02:08:49 Shut up!
1311 02:08:52 I'm sick to death of that tune!
1312 02:09:13 Give me some hay, my darling
1313 02:09:17 And I'll give you my heart
1314 02:09:21 Leporello! Some hay!
1315 02:10:14 We hope...
1316 02:10:16 ...you're contented
1317 02:10:22 With what...
1318 02:10:25 ...we've presented
1319 02:10:30 And love our dove of peace
1320 02:10:37 And love...
1321 02:10:44 ...our dove of peace
1322 02:10:58 So...
1323 02:11:01 - What did you think?- It was wonderful!
1324 02:11:04 - He liked the little people.- It's all in good fun.
1325 02:11:10 I liked the horse.
1326 02:11:23 I tell you, if you playedDon Giovanni here...
1327 02:11:27 ...you would've hada wonderful success.
1328 02:11:30 You belong here.
1329 02:11:32 Not at the snobby court.You could do anything you like.
1330 02:11:37 The more fantastic, the better.That's what people want: fantasy.
1331 02:11:42 You write a proper part for me...
1332 02:11:45 ...a couple of catchy songs...
1333 02:11:47 ...I guarantee you a triumph deluxe!
1334 02:11:52 - What do you say?- How much will you pay him?
1335 02:11:58 Well! I see you broughtyour manager with you.
1336 02:12:04 Well, madame...
1337 02:12:06 ...how about half the receipts?
1338 02:12:10 Half the receipts!
1339 02:12:12 - Stanzi!- I'm talking about now.
1340 02:12:14 How much will you pay him now?Down payment.
1341 02:12:18 Down payment?
1342 02:12:21 Who do you think I am, the emperor?
1343 02:12:26 I have to go.
1344 02:12:27 Stay here, you'll enjoy this next one.
1345 02:12:32 You won't do this.
1346 02:12:34 - Why not? Half the house!- When?
1347 02:12:36 We need money now!He pays you now, or you don't do it.
1348 02:12:40 I don't trust that man.
1349 02:12:42 I don't like what he didwith your opera. It was common.
1350 02:12:46 You liked it. Monkey, punky, flunky!
1351 02:12:49 Half the house.
1352 02:12:51 You'll never see a penny.I want it here in my hand.
1353 02:12:55 - I'll put it here in your hand.- Shut up!
1354 02:12:59 You won't put a thing in my handuntil I see some money!
1355 02:13:04 It's embarrassing. Can't you think ofanyone who can do something for him?
1356 02:13:10 I'm afraid Mozartis a lost cause, baron.
1357 02:13:14 He has succeeded in alienatingpractically the whole of Vienna.
1358 02:13:19 He never pays his debts.
1359 02:13:21 I can't think of anyoneto whom I'd dare recommend him.
1360 02:13:25 Herr Mozart. What a surprise!
1361 02:13:30 What can I do for you?
1362 02:13:34 Is my pupil still interestedin learning the art of music?
1363 02:13:40 Your pupil is marriedand living in Mannheim, young man.
1364 02:13:45 Really?
1365 02:13:53 Perhaps your dear wife might careto profit from my instruction.
1366 02:13:59 What is it, Mozart?
1367 02:14:01 What's the matter with you?
1368 02:14:04 Well...
1369 02:14:06 ...since it appears no oneis eager to hire my services...
1370 02:14:11 ...could you favor mewith a little money instead?
1371 02:14:18 What for?
1372 02:14:21 If a man cannot earn, he must borrow.
1373 02:14:28 That's hardly the way to go about it.
1374 02:14:32 You are right, sir. You are right.
1375 02:14:36 But you see, I am endowedwith talent, and you with money.
1376 02:14:40 If I offer mine...
1377 02:14:43 ...you should offer yours.
1378 02:14:48 I'm sorry, no.
1379 02:14:53 Please.
1380 02:14:57 My answer is no, Mozart.
1381 02:15:06 Please.
1382 02:15:12 Please!
1383 02:15:38 Wolfie?
1384 02:15:44 Wolfie!
1385 02:15:51 Don't answer it.
1386 02:15:55 Why?
1387 02:15:59 Tell him...
1388 02:16:02 Tell him I'm not here.
1389 02:16:04 Tell him...
1390 02:16:07 Tell him I'm working on it.
1391 02:16:11 Come back later.
1392 02:16:29 - Am I interrupting?- No.
1393 02:16:32 Good. Where's our friend?
1394 02:16:35 He's not here.
1395 02:16:38 But he's working on it,he told me to tell you.
1396 02:16:42 Is that it?
1397 02:16:50 Is he happy with it?
1398 02:16:56 What's this? A Requiem Mass?
1399 02:16:59 - You think I'm in the funeral business?- Leave that alone!
1400 02:17:03 - Put it down! It's not for you!- I'm sorry.
1401 02:17:08 What have you got for me?
1402 02:17:11 Finished?
1403 02:17:14 - What?- The vaudeville, what do you think?
1404 02:17:19 Yes.
1405 02:17:21 - Can I see it?- No.
1406 02:17:25 Why not?
1407 02:17:27 Because there's nothing to see.
1408 02:17:38 Look...
1409 02:17:40 ...I asked you if we could startrehearsals next week and you said yes.
1410 02:17:47 - Well, we can.- So let me see it. Where is it?
1411 02:17:53 Here.
1412 02:17:55 It's all right here in my noodle.The rest is just scribbling.
1413 02:18:01 Scribbling and bibbling.Bibbling and scribbling.
1414 02:18:08 - Like a drink?- Look, you little clown!
1415 02:18:10 Do you know how manypeople I've hired?
1416 02:18:13 - Leave him alone!- I'm paying them!
1417 02:18:16 - He's doing his best.- Paying them to wait. It's ridiculous!
1418 02:18:21 You know what's ridiculous?Your libretto!
1419 02:18:25 Only an idiotwould ask him to work on that!
1420 02:18:28 Twelve-foot snakes, magic flutes?
1421 02:18:30 What's so intelligent about a Requiem?
1422 02:18:33 Money. Money.
1423 02:18:39 You're mad.
1424 02:18:42 She's mad.
1425 02:18:44 - Oh, yes?- Wolfie, write it down.
1426 02:18:48 Just write it down.
1427 02:18:50 On paper.
1428 02:18:52 It's no use to anybody in your head.
1429 02:18:56 To hell with your death Mass!
1430 02:19:00 Calm yourself.What's the matter with you?
1431 02:19:03 - I won't work there anymore.- What happened?
1432 02:19:08 You don't know what it's like.
1433 02:19:11 Herr Mozart frightens me.
1434 02:19:14 He drinks all day...
1435 02:19:16 ...then takes all that medicineand it makes him worse.
1436 02:19:20 Is he working?
1437 02:19:24 Oh, I am frightened, sir, really!
1438 02:19:27 - When he speaks, he makes no sense.- Is he working?
1439 02:19:34 I suppose so.
1440 02:19:36 He sits there all the time,doing some silly opera.
1441 02:19:41 - Opera?- Don't ask me to go back again.
1442 02:19:45 I'm frightened.I'm very, very frightened!
1443 02:19:48 Are you sure it's an opera?
1444 02:21:35 I don't have it yet.
1445 02:21:38 Are you neglecting my request?
1446 02:21:42 No. No, I...
1447 02:21:46 I promise you...
1448 02:21:48 ...I'll give you a wonderful piece,the best I ever--
1449 02:21:56 This is my wife, Stanzi.
1450 02:22:00 I've been sick,but I'm all right now, aren't I?
1451 02:22:04 Yes, sir. He's all right.
1452 02:22:06 And he's working on it very hard.
1453 02:22:10 Give me two more weeks. Please.
1454 02:22:14 The sooner you finish,the greater your reward.
1455 02:22:19 Work.
1456 02:22:30 Wolfie.
1457 02:22:34 I think you really are going mad.
1458 02:22:38 You slave for that idiot actorwho won't give you a penny!
1459 02:22:43 And here,this is not a ghost!
1460 02:22:46 This is a real man,who puts down real money.
1461 02:22:52 Why on earth won't you finish it?
1462 02:22:56 Can you give me one reasonI can understand?
1463 02:23:02 It's killing me.
1464 02:23:08 You're drunk, aren't you?
1465 02:23:11 Be honest, tell me.You've been drinking.
1466 02:23:16 It's not fair.I worry about you all the time.
1467 02:23:22 I do everything I can to help you.
1468 02:23:25 And all you do is drinkand talk nonsense and frighten me.
1469 02:23:30 Go back to bed!
1470 02:23:42 Please.
1471 02:23:44 Let me...Let me sit here.
1472 02:23:51 Let me stay here with you.
1473 02:25:58 Stanzi?
1474 02:26:10 Stan--
1475 02:26:27 I did it.And I was proud to do it.
1476 02:26:30 "Leave!" I said. "Right away.Take the child with you!
1477 02:26:34 Go to the spa and getyour health back." I was shocked.
1478 02:26:39 Shocked to my foundationwhen I saw her.
1479 02:26:42 I couldn't believe my eyes,poor little thing.
1480 02:26:45 You monster!No one exists but you, do they?
1481 02:26:49 You and your music. I warned her.
1482 02:26:52 "Choose a man, not a baby," I said.
1483 02:26:55 "You marry him, you won't have a potto piss in." You selfish thing!
1484 02:27:00 Selfish, that's what you are.Simply selfish! Do you hear me?
1485 02:29:38 A sweetheart or a pretty little wife
1486 02:29:41 Is Papageno's wish
1487 02:29:44 A willing, filling, lovey-dovey
1488 02:29:48 Will be my most tasty little dish
1489 02:29:51 Be my most tasty little dish
1490 02:29:54 Be my most tasty little dish
1491 02:30:03 Then that would be eating and drinking
1492 02:30:06 I'd live like a prince without thinking
1493 02:30:10 The wisdom of all would be mine
1494 02:30:13 A woman's much better than wine
1495 02:30:15 Then that would be eating
1496 02:30:19 And drinking
1497 02:30:24 The wisdom of all would be mine
1498 02:30:28 A woman's much better than wine
1499 02:30:31 Much better than wineMuch better than wine
1500 02:30:48 Pick him up.
1501 02:30:50 Pick him up!
1502 02:30:53 Be careful. Come with me.
1503 02:30:56 You, follow me.
1504 02:31:25 - Is it over?- Yes, it's over. It's over.
1505 02:31:31 Go!
1506 02:31:41 -Pa, pa, pa-Pa, pa, pa
1507 02:31:44 -Pa, pa, pa, pa-Pa, pa, pa, pa
1508 02:31:48 -Pa, pa, pa, pa, pa, pa, pa-Pa, pa, pa, pa, pa, pa, pa
1509 02:31:52 -Pa, pa, pa, pa, pa-Pa, pa, pa, pa, pa
1510 02:31:54 Pa, pa, pa, pa, pa, PapagenaPa, pa, pa, pa, pa, Papageno
1511 02:31:57 - Please will you be mine forever?- Yes, I will be yours forever
1512 02:32:01 Can't you be my little dove?
1513 02:32:14 Go, go. go.
1514 02:32:17 Go! Go!
1515 02:32:47 Where is your wife?
1516 02:32:53 Where is your wife?
1517 02:32:57 She's not well either.She went to the spa.
1518 02:33:03 You are so good to me.
1519 02:33:06 Truly. Thank you.
1520 02:33:09 Please!
1521 02:33:12 No, I mean to come to my opera.
1522 02:33:16 You. You are the only colleagueof mine who came.
1523 02:33:24 Mozart.
1524 02:33:27 I would never miss anythingyou had written.
1525 02:33:31 - It's just a vaudeville.- No, no!
1526 02:33:35 It's a sublime piece.
1527 02:33:38 The grandest operone !
1528 02:33:49 I tell you...
1529 02:33:52 ...you are the greatest composerknown to me.
1530 02:34:00 Do you mean it?
1531 02:34:07 - It's him!- Who?
1532 02:34:10 The man.
1533 02:34:12 He's here.
1534 02:34:17 Tell him to go away.
1535 02:34:19 Tell him I'm still working on it.Don't let him in.
1536 02:34:24 No, no. Wait!
1537 02:34:26 Ask him if he wouldgive me some money now.
1538 02:34:31 Tell him if he would,it will help me to finish it.
1539 02:34:53 - Salieri?- Yes.
1540 02:34:57 - Can we come in?- Better not. He's sleeping.
1541 02:35:02 - He's all right, though?- Yes, he's just exhausted.
1542 02:35:06 He became dizzy, that's all.
1543 02:35:09 - Well, tell him we came by, won't you?- Of course.
1544 02:35:14 Give him this. That's his share.
1545 02:35:18 - That should cheer him up.- Indeed!
1546 02:35:21 And now, good night to you all.It was...
1547 02:35:25 ...perfection, truly.
1548 02:35:27 Thank you.
1549 02:35:39 What happened?
1550 02:35:49 He said to give you this.
1551 02:35:53 And if you finish by tomorrow night...
1552 02:35:57 ...he will pay youanother hundred ducats.
1553 02:36:01 Another...?
1554 02:36:03 That's too soon. Tomorrow night...
1555 02:36:08 It's impossible.
1556 02:36:13 - Did he say a hundred?- Yes.
1557 02:36:22 It's too soon.
1558 02:36:26 Can I...?
1559 02:36:28 Could I help you?
1560 02:36:33 Would you?
1561 02:36:39 Actually, you could.
1562 02:36:48 - I want to go.- Where?
1563 02:36:51 - I want to go back to Vienna.- Now?
1564 02:36:54 - Yes.- Why?
1565 02:36:58 I feel wrong.
1566 02:37:01 I feel wrong being here.
1567 02:37:07 - Where did I stop?- The end of the Recordare.
1568 02:37:11 So now Confutatis...
1569 02:37:19 How would you translate that?
1570 02:37:22 "Consigned to flames of woe."
1571 02:37:27 - Do you believe in it?- What?
1572 02:37:31 A fire which never dies,burning you forever.
1573 02:37:36 Oh, yes.
1574 02:37:39 Possible.
1575 02:37:42 - Come, let's begin.- We ended in F major.
1576 02:37:46 - Yes.- So, now, A minor.
1577 02:37:58 - A minor.- Yes.
1578 02:38:03 Confutatis. A minor.
1579 02:38:09 Start with the voices.
1580 02:38:11 - Basses first. Second beat of the--- Time?
1581 02:38:14 Common time.Second beat of the first measure.
1582 02:38:19 On A.
1583 02:38:23 Second measure, second beat.
1584 02:38:26 You see?
1585 02:38:28 - Yes. G-sharp?- Of course.
1586 02:38:30 Second beatof the third measure, on E.
1587 02:38:40 Do you have me? Show me.
1588 02:39:02 Good. Good.
1589 02:39:05 Now the tenors.
1590 02:39:07 Fourth beatof the first measure, on C.
1591 02:39:12 Second measure, fourth beat. D.
1592 02:39:18 - All right?- Yes, continue.
1593 02:39:20 Second beatof the fourth measure, on F.
1594 02:39:30 Now the orchestra. Second bassoon,bass trombones, basses.
1595 02:39:34 Identical notes and rhythm.
1596 02:39:40 First bassoon, tenor trombones,with the tenors.
1597 02:39:49 - You go too fast.- Do you have it?
1598 02:39:53 - Bassoon to trombone what?- With the tenors.
1599 02:39:57 - Identical?- The instruments doubling the voices.
1600 02:40:00 Trumpets and timpani.Trumpets in D. Listen.
1601 02:40:04 - I don't understand!- Listen!
1602 02:40:07 Trumpets in D, tonic and dominant,first and third beats.
1603 02:40:12 It goes with the harmony!
1604 02:40:21 Yes. Yes, yes!
1605 02:40:32 I understand. And that's all?
1606 02:40:35 No, now for the real fire.Strings in unison.
1607 02:40:38 Ostinato, on A. Like this:
1608 02:40:44 Next measure is rising.
1609 02:40:48 - Do you have it? Show me.- Yes, yes.
1610 02:40:58 - It's wonderful!- Yes, yes. Go on.
1611 02:41:05 Sotto voce.
1612 02:41:08 - Write that down!- Yes, yes.
1613 02:41:10 - Pianissimo.- Pianissimo?
1614 02:41:14 "Call me among the blessed."
1615 02:41:17 C major.
1616 02:41:19 Sopranos and altos in thirds.Altos on C, sopranos above.
1617 02:41:36 - Sopranos up to F on the second voca ?- Yes.
1618 02:41:39 And on dictus. And underneath,just violins. Arpeggios.
1619 02:41:45 Scale in eighth notes,then back to ostinato.
1620 02:41:49 - Do you have it?- You go too fast.
1621 02:41:51 - Do you have it?- One moment, please!
1622 02:41:57 Yes.
1623 02:41:58 Good. Show me the whole thingfrom the beginning.
1624 02:44:06 Do you want to rest a bit?
1625 02:44:08 No, I'm not tired at all.
1626 02:44:16 We'll stop for a moment.
1627 02:44:19 - Then we'll finish the Lacrimosa.- I can keep going. I assure you.
1628 02:44:25 Will you stay with mewhile I sleep a little?
1629 02:44:30 I'm not leaving you.
1630 02:44:39 I'm so ashamed.
1631 02:44:43 Of what?
1632 02:44:46 I was foolish.
1633 02:44:48 I thought you did not carefor my work, or me.
1634 02:44:57 Forgive me.
1635 02:45:03 Forgive me.
1636 02:46:03 What are you doing here?
1637 02:46:08 Your husband took sick.
1638 02:46:12 I brought him home.
1639 02:46:16 Why you?
1640 02:46:19 Because, madame, I was at hand.
1641 02:46:26 Well, thank you very much.You can go now.
1642 02:46:32 He needs me, ma'am.
1643 02:46:34 No, he doesn't.
1644 02:46:36 And I don't want you here.Just go, please.
1645 02:46:41 - He asked me to stay.- And I'm ask--
1646 02:47:03 Wolfie?
1647 02:47:09 Wolfie?
1648 02:47:14 I'm back.
1649 02:47:19 I missed you so much.
1650 02:47:26 If you'd just...
1651 02:47:29 ...show me that you need me.
1652 02:47:38 And I'll try to do better too.
1653 02:47:53 What is this?
1654 02:47:58 No, Wolfie, not this. Not this.
1655 02:48:06 You're not to work on this ever again.
1656 02:48:11 I've decided.
1657 02:48:16 This is not his handwriting.
1658 02:48:21 It's mine.
1659 02:48:24 I was assisting him.
1660 02:48:27 He's not to work on this anymore.
1661 02:48:30 - It's making him ill.- But--
1662 02:48:35 Good night.
1663 02:48:40 I regret we have no servantsto show you out, Herr Salieri.
1664 02:48:45 Please respect my wish and go.
1665 02:48:48 Madame...
1666 02:48:50 ...I will respect his.
1667 02:48:55 Wolfie.
1668 02:48:59 Wolfie?
1669 02:49:05 Wolfie?
1670 02:49:10 Wolfie?
1671 02:49:14 Wolfie! Wolfie!
1672 02:52:07 - Amen.- Amen.
1673 02:52:57 Your merciful God.
1674 02:53:03 He destroyed his own beloved,rather than let a mediocrity...
1675 02:53:08 ...share in the smallest partof his glory.
1676 02:53:14 He killed Mozart.
1677 02:53:17 And kept me alive to torture.
1678 02:53:19 Thirty-two years of torture.
1679 02:53:22 Thirty-two years of slowlywatching myself become extinct.
1680 02:53:28 My music...
1681 02:53:30 ...growing fainter.
1682 02:53:32 All the time fainter...
1683 02:53:35 ...till no one plays it at all.
1684 02:53:39 And his...
1685 02:53:42 Good morning, professor.Time for the water closet.
1686 02:53:47 Then we have your favorite breakfast.Sugar rolls. He loves those.
1687 02:53:53 Fresh sugar rolls.
1688 02:53:56 I will speak for you, Father.
1689 02:53:59 I speak forall mediocrities in the world.
1690 02:54:02 I am their champion.
1691 02:54:05 I am their patron saint.
1692 02:54:18 Mediocrities everywhere...
1693 02:54:23 ...I absolve you.
1694 02:54:27 I absolve you.
1695 02:54:30 I absolve you.
1696 02:54:35 I absolve you.
1697 02:54:38 I absolve you all.